Speculative art histories
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Situated at the interface of philosophy, aesthetics, and art history, this collection brings together a series of creative responses to the recent speculative turn in Continental philosophy. It gives both a genealogy of speculative art history and a provocatively experimental counter-discourse of new speculative art histories.
Speculative art histories
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Situated at the interface of philosophy, aesthetics, and art history, this collection brings together a series of creative responses to the recent speculative turn in Continental philosophy. It gives both a genealogy of speculative art history and a provocatively experimental counter-discourse of new speculative art histories.
Art Theory
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Commissioned in 1750, the Palazzo Venier was planned as a testimony to the power and wealth of a great Venetian family, but the fortunes of the Veniers waned midconstruction and the project was abandoned. Empty, unfinished, and decaying, the building was considered an eyesore until the early twentieth century when it attracted and inspired three women at key moments in(...)
The unfinished palazzo: stories of Luisa Casati, Doris Castlerosse and Peggy Guggenheim
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Commissioned in 1750, the Palazzo Venier was planned as a testimony to the power and wealth of a great Venetian family, but the fortunes of the Veniers waned midconstruction and the project was abandoned. Empty, unfinished, and decaying, the building was considered an eyesore until the early twentieth century when it attracted and inspired three women at key moments in their lives: Luisa Casati, Doris Castlerosse, and Peggy Guggenheim. Luisa Casati turned her home into an aesthete’s fantasy where she hosted parties as extravagant and decadent as Renaissance court operas, spending small fortunes on her own costumes in her quest to become a “living work of art” and muse. Doris Castlerosse strove to make her mark in London and Venice during the glamorous, hedonistic interwar years, hosting film stars and royalty at glittering parties. In the postwar years, Peggy Gugenheim turned the Palazzo into a model of modernist simplicity that served as a home for her exquisite collection of modern art that today draws tourists and art lovers from around the world. Each vivid life story is accompanied by previously unseen materials from family archives, weaving an intricate history of these legendary art world eccentrics.
History until 1900
Grey room 67
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issue 67 available
Magazines
The bench in the garden
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The bench, an apparently small and almost irrelevant object, appears to function as a significant object in both through specific physical placement and in a more general sense- that of the blended domain of aesthetics, garden history, architecture, spatiality and subjectivity. The bench acts as a powerful visual machine, regulating the reception of a landscape in what it(...)
The bench in the garden
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The bench, an apparently small and almost irrelevant object, appears to function as a significant object in both through specific physical placement and in a more general sense- that of the blended domain of aesthetics, garden history, architecture, spatiality and subjectivity. The bench acts as a powerful visual machine, regulating the reception of a landscape in what it has to offer to its visitors. By transmitting verbal messages through inscriptions, citing other benches as part of a complex walk circuit, providing rest and inviting users to discover new aspects of the site, this highly polysemic element orients and disorients the visitor at the same time.
Landscape Theory
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In the postwar era, sidewalk palms grew into symbols of urban Los Angeles. Tall ranks of Mexican fan palm became familiar fixtures on the horizon, generic landmarks, the original skyscrapers of the horizontal metropolis. The entertainment industry magnified their stature. Advertisements, telecasts, television shows, movies, song recordings, and music videos produced in(...)
Marie-Jose Jongerius - Los Angeles Palms
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In the postwar era, sidewalk palms grew into symbols of urban Los Angeles. Tall ranks of Mexican fan palm became familiar fixtures on the horizon, generic landmarks, the original skyscrapers of the horizontal metropolis. The entertainment industry magnified their stature. Advertisements, telecasts, television shows, movies, song recordings, and music videos produced in Southern California made ready use of street palm imagery. For ‘Los Angeles Palms’ Marie-José Jongerius revisited the most iconic and historic sights in the Los Angeles area to portray the palms which have all contributed to the iconic image of Los Angeles.
Photography monographs
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A l'occasion de l'exposition « La Maison Magique », les architectes de l'Atelier Bow-Wow (Yoshiharu Tsukamoto, Momoyo Kaijima et Yoichi Tamai) et Didier Fiuza Faustino ont choisit de travailler un matériau commun dans une logique de production cyclique. Ce matériau, le bois, utilisé dans la construction des deux architectures, est prélevé au Portugal et y sera réexpédié(...)
Architecture Monographs
January 2017
Transphère 02: La maison magique, Atelier Bow-Wow, Didier Fiuza Faustino
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A l'occasion de l'exposition « La Maison Magique », les architectes de l'Atelier Bow-Wow (Yoshiharu Tsukamoto, Momoyo Kaijima et Yoichi Tamai) et Didier Fiuza Faustino ont choisit de travailler un matériau commun dans une logique de production cyclique. Ce matériau, le bois, utilisé dans la construction des deux architectures, est prélevé au Portugal et y sera réexpédié dès la fin de l'exposition pour une deuxième vie. Bien que les architectes aient décidé de travailler cette même matière, les deux habitacles qu'ils présentent offrent aux visiteurs deux réflexions complémentaires. Le catalogue est illustré par une galerie de photographies de l'exposition et du making of de cette installation inédite composée de deux maisons, Chigi House et A home is not a hole. Les plans d'exécution de ces deux structures à la croisée de l'architecture et de l'art sont également reproduits.
Architecture Monographs
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"Black: architecture in monochrome" casts a new eye on the beauty - and the drama - of black in the built world. Spotlighting more than 150 structures from the last 1,000 years, Black pairs engaging text with fascinating photographs of houses, churches, libraries, skyscrapers, and other buildings from some of the world's leading architects, including Mies van der Rohe,(...)
Black: architecture in monochrome
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"Black: architecture in monochrome" casts a new eye on the beauty - and the drama - of black in the built world. Spotlighting more than 150 structures from the last 1,000 years, Black pairs engaging text with fascinating photographs of houses, churches, libraries, skyscrapers, and other buildings from some of the world's leading architects, including Mies van der Rohe, Philip Johnson, and Eero Saarinen, David Adjaye, Jean Nouvel, Peter Marino, and Steven Holl.
Contemporary Architecture
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‘Borgata’, ‘favela’, ‘périurbain’, and ‘suburb’ are but a few of the different terms used throughout the world that refer specifically to communities that develop on the periphery of urban centres. "In what’s in a name?" editors Richard Harris and Charlotte Vorms have gathered together experts from around the world in order to provide a truly global framework for the(...)
What's in a name? Talking about urban peripheries
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‘Borgata’, ‘favela’, ‘périurbain’, and ‘suburb’ are but a few of the different terms used throughout the world that refer specifically to communities that develop on the periphery of urban centres. "In what’s in a name?" editors Richard Harris and Charlotte Vorms have gathered together experts from around the world in order to provide a truly global framework for the study of the urban periphery. Rather than view these distinct communities through the lens of the western notion of urban sprawl, the contributors focus on the variety of everyday terms that are used, together with their connotations. This volume explores the local terminology used in cities such as Beijing, Bucharest, Montreal, Mumbai, Rio de Janeiro, Rome, Sofia, as well as more broadly across North America, Australia, Southeast Asia, and elsewhere. What’s in a Name? is the first book in English to pay serious and sustained attention to the naming of the urban periphery worldwide. By exploring the ways in which local individuals speak about the urban periphery Harris and Vorms bridge the assumed divide between the global North and the global South.
Urban Theory
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Limité un temps à un genre de la peinture, le paysage est aujourd'hui partout : via les questions d'urbanisme, d'environnement, de développement durable, il occupe l'espace de la plupart des problématiques engageant l'avenir. Géographie, histoire, moeurs, économie, agronomie, arts, littérature, voyages, philosophie, politique aussi bien sûr – tous ces champs, il les(...)
Les cahiers de l'École de Bois
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Limité un temps à un genre de la peinture, le paysage est aujourd'hui partout : via les questions d'urbanisme, d'environnement, de développement durable, il occupe l'espace de la plupart des problématiques engageant l'avenir. Géographie, histoire, moeurs, économie, agronomie, arts, littérature, voyages, philosophie, politique aussi bien sûr – tous ces champs, il les croise. Mais dans cette étendue il se perd quelque peu, et d'autant plus facilement que ni ses échelles (de l'infime à l'immense), ni ses modes d'interventions (des grands travaux au jardinage) ne sont fixés. Pourtant cette dispersion, gage de diversité, est le terreau où il se ressource. C'est cette multiplicité des approches que ce numéro explore et interroge.
Landscape Theory
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Le rôle, les outils et les domaines d’action du designer graphique sont ainsi présentés au fil des pages, dans des textes clairs et pédagogiques, illustrés de créations majeures de l’histoire de la discipline. Une galerie d’une quinzaine de portfolios constitue par ailleurs une source précieuse d’inspiration et de réflexion. Parce que comprendre le graphisme est(...)
Comprendre le design graphique
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Le rôle, les outils et les domaines d’action du designer graphique sont ainsi présentés au fil des pages, dans des textes clairs et pédagogiques, illustrés de créations majeures de l’histoire de la discipline. Une galerie d’une quinzaine de portfolios constitue par ailleurs une source précieuse d’inspiration et de réflexion. Parce que comprendre le graphisme est indispensable à toute bonne pratique, cet ouvrage guidera les étudiants, professionnels et amateurs dans leur découverte de la discipline.
Graphic Design and Typography