Le fantôme de l'architecte
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L'histoire moderne de l'architecture, cette faiseuse de rêves, n'est pas seulement jalonnée d'icônes. Dans l'ombre des plus grands chefs-d' oeuvre, sont tapies de saillantes absences. Enquêtes documentaires au rendu sensible, histoires vraies aux touches romanesques, dix textes relatent ici les plus admirables défaites de géants de l'architecture. Ce sont autant(...)
Le fantôme de l'architecte
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$46.95
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Summary:
L'histoire moderne de l'architecture, cette faiseuse de rêves, n'est pas seulement jalonnée d'icônes. Dans l'ombre des plus grands chefs-d' oeuvre, sont tapies de saillantes absences. Enquêtes documentaires au rendu sensible, histoires vraies aux touches romanesques, dix textes relatent ici les plus admirables défaites de géants de l'architecture. Ce sont autant d'épisodes peuplés d'embûches, de mauvaises nuits et de passions tristes que l'on découvre ; de batailles livrées entre les coups de génie et les coups du sort.
Architectural Theory
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Drawing is a form of research, a means to investigate, explore and gain a better understanding of an idea, a condition or a phenomenon. Drawing is a practice of representation, one that inquires, explores materiality, and establishes its own time and dialogue. This book brings together 23 authors who represent 18 critical and reflexive practices of drawing in design. The(...)
—in drawing: Inquiry, time, dialogue, materiality
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Drawing is a form of research, a means to investigate, explore and gain a better understanding of an idea, a condition or a phenomenon. Drawing is a practice of representation, one that inquires, explores materiality, and establishes its own time and dialogue. This book brings together 23 authors who represent 18 critical and reflexive practices of drawing in design. The assembled texts engage drawing aesthetics (spatial, temporal, and material) and drawing ethics (investigating and making sense together) as well as four overarching themes: inquiry, time, dialogue and materiality —in drawing. Taken as a collective conversation on drawing practice, this book offers a shared reflection on the agency of drawing, on its potential to explore issues raised by our built and cultural environment, and on the ability of drawing to support and contribute to design research. It farmes drawing as a research practice, one that is both deeply rooted in its disciplinary context and openly challenging its limits and conventions. "—in drawing" adds to a continuing conversation on design research methods and the ethics and aesthetics of representation. It seeks to further establish the significance of drawing as a legitimate mode of inquiry across design disciplines and beyond.
Design Theory
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Les bâtisseurs inconnus d'Angkor Vat comme ceux de la mosquée Asa'ir, à Zabid, ont en commun avec ceux de l'abbaye Notre-Dame de Sénanque une même soif de transcendance. Leurs édifices nous parlent de Dieu. Partout, ils nous questionnent sur notre rapport à la mort et notre perception de l'au-delà. Que se passe-t-il en nous lorsque nous pénétrons dans un espace sacré ?(...)
Comprendre l'architecture sacrée : l'incadescence de l'ombre
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Les bâtisseurs inconnus d'Angkor Vat comme ceux de la mosquée Asa'ir, à Zabid, ont en commun avec ceux de l'abbaye Notre-Dame de Sénanque une même soif de transcendance. Leurs édifices nous parlent de Dieu. Partout, ils nous questionnent sur notre rapport à la mort et notre perception de l'au-delà. Que se passe-t-il en nous lorsque nous pénétrons dans un espace sacré ? D'où vient notre émotion, notre trouble ou notre émerveillement ? Sous tous les horizons, nous sommes fascinés par ce qui s'exprime dans la lumière, la pierre et le bois : l'incandescence de l'ombre. C'est cette fascination que Vincent Borie décrypte en convoquant l'espace des temples égyptiens, la chapelle de Ronchamp de Le Corbusier, les proportions idéales de Piero della Francesca, les églises de Mario Botta ou de Tadao Ando. Le suivre est une aventure qui nous mène du profane au sacré.
Architectural Theory
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On the occasion of his fifth and final year as Chair of the Department of Architecture at the Harvard University Graduate School of Design, architect and educator Mark Lee strings together five “footnotes”—on history, on cadence, on autonomy, on America, and on point—to assess the relationship between architectural education, research, and professional practice. Evoking a(...)
Five footnotes toward an architecture
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On the occasion of his fifth and final year as Chair of the Department of Architecture at the Harvard University Graduate School of Design, architect and educator Mark Lee strings together five “footnotes”—on history, on cadence, on autonomy, on America, and on point—to assess the relationship between architectural education, research, and professional practice. Evoking a similar position that marked his tenure, Lee delivers a lecture that embraces dialogue, context, and precedent, and rejects the notion of a heroic manifesto in favor of the footnote: “something ancillary, something used for referencing and providing citations for metanarratives that already exist.” And why five? “It’s a ubiquitous number in the culture of architecture. Five orders, five architects, five points.”
Architectural Theory
Bento's sketchbook
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The seventeenth-century philosopher Baruch Spinoza (a.k.a. Bento) spent the most intense years of his short life writing. He also carried with him a sketchbook. After his sudden death, his friends rescued letters, manuscripts, notes—but no drawings. For years, without knowing what its pages might hold, John Berger has imagined finding Bento’s sketchbook, wanting to see(...)
Bento's sketchbook
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The seventeenth-century philosopher Baruch Spinoza (a.k.a. Bento) spent the most intense years of his short life writing. He also carried with him a sketchbook. After his sudden death, his friends rescued letters, manuscripts, notes—but no drawings. For years, without knowing what its pages might hold, John Berger has imagined finding Bento’s sketchbook, wanting to see the drawings alongside his surviving words. When one day a friend gave him a beautiful virgin sketchbook, Berger said, ‘'This is Bento’s!’' and he began to draw, taking inspiration from the philosopher’s vision. In this beautifully illustrated book, Berger uses the imaginative space opened up in this experiment to explore politics, storytelling, Spinoza’s life and times, and the process of drawing itself.
Critical Theory
Territoires d'engagement
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Depuis la nuit des temps, les arts sont parmi les plus puissants moyens dont nous disposons pour façonner la société, ses valeurs et ses ambitions.. Que se passe-t-il lorsque nous nous engageons dans les arts, lorsque nous dialoguons avec une œuvre? Que contient la rencontre avec les arts qui puisse nous aider à composer avec la marche actuelle du monde? Quelles aptitudes(...)
Territoires d'engagement
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Depuis la nuit des temps, les arts sont parmi les plus puissants moyens dont nous disposons pour façonner la société, ses valeurs et ses ambitions.. Que se passe-t-il lorsque nous nous engageons dans les arts, lorsque nous dialoguons avec une œuvre? Que contient la rencontre avec les arts qui puisse nous aider à composer avec la marche actuelle du monde? Quelles aptitudes alors activées se trouvent aussi sur le terrain de la vie citoyenne? Ancré dans la philosophie de l’éducation esthétique, ce guide se présente comme une investigation sur l’engagement. À l’intersection de la vie en société et de l’expérience individuelle des arts, il est possible de trouver une solution au sentiment d’impuissance qui nous habite souvent.
Art Theory
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Can messiness make our cities more liveable, lively, and inclusive? Crowded streets, sidewalk vendors, jumbled architecture, constant clamour, graffitied walls, parks gone wild: are these signs of a poorly managed city or indicators of urban vitality? "Messy cities: Why we can’t plan everything" argues that spontaneity and urban workarounds are not liabilities but(...)
Urban Theory
June 2025
Messy cities: Why we can't plan everything
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Can messiness make our cities more liveable, lively, and inclusive? Crowded streets, sidewalk vendors, jumbled architecture, constant clamour, graffitied walls, parks gone wild: are these signs of a poorly managed city or indicators of urban vitality? "Messy cities: Why we can’t plan everything" argues that spontaneity and urban workarounds are not liabilities but essential elements in all thriving cities. Forty-three essays by a range of writers from around the world illuminate the role of messy urbanism in enabling creativity, enterprise, and grassroots initiatives to flourish within dense modern cities. With pieces on guerrilla beaches, desire lines, urban interruptions, and the inner lives of unlovely buildings written by experts from all walks of life, "Messy Cities" makes the case for embracing disorder while not shying away from confronting its challenges.
Urban Theory
Dead cities and other tales
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For the late great Mike Davis, the ravaging of the climate by capital—and his prescient analysis of its consequences for those of us left to deal with the resulting crises—was always a central part of his urban geography. In these wide ranging, incisive, and hauntingly relevant essays, Davis asks us to consider what we would find if we put a microscope to the ruins of(...)
Dead cities and other tales
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For the late great Mike Davis, the ravaging of the climate by capital—and his prescient analysis of its consequences for those of us left to deal with the resulting crises—was always a central part of his urban geography. In these wide ranging, incisive, and hauntingly relevant essays, Davis asks us to consider what we would find if we put a microscope to the ruins of Metropolis, and provides a riveting account of the disasters—natural, man-made, and those (as in the case of climate calamity) where the distinction is impossible to make—that he finds on the other end. He begins his examination by sifting through the rubble of the twin towers in the wake of 9/11, presciently identifying the seeds of war already germinating in the scorched soil of ground zero, and closes by considering how little prepared our hollowed out urban infrastructure is to deal with shocks of any kind, be they from car bombs or ice storms. In between we are treated to tours of blasted wastelands where American generals built and destroyed replicas of Berlin, glimpses of Las Vegas’s penchant for annihilating its own best-known landmarks, and other riveting tales of the dialectic between nature and the city.
Urban Theory
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What do struggles over pipelines in Canada, housing estates in France, and shantytowns in Martinique have in common? In "Urban revolutions," Stefan Kipfer shows how these struggles force us to understand the (neo-)colonial aspects of capitalist urbanization in a comparatively and historically nuanced fashion. In so doing, he demonstrates that urban research can offer a(...)
Urban revolutions: Urbanisation and (Neo-) Colonialism in transatlantic context
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What do struggles over pipelines in Canada, housing estates in France, and shantytowns in Martinique have in common? In "Urban revolutions," Stefan Kipfer shows how these struggles force us to understand the (neo-)colonial aspects of capitalist urbanization in a comparatively and historically nuanced fashion. In so doing, he demonstrates that urban research can offer a rich, if uneven, terrain upon which to develop the relationship between Marxist and anti-colonial intellectual traditions. After a detailed dialogue between Henri Lefebvre and Frantz Fanon, Kipfer engages creole literature in the French Antilles, Indigenous radicalism in North America and political anti-racism in mainland France.
Urban Theory
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''A Set of Actual Tracks'' brings a contemporary critical lens to the work of Reyner Banham, one of the most prescient architectural and design critics of the 20th century. Sixteen of the acerbic historian’s essays and book chapters have been selected by the book’s contributors, ranging from classics such as “The Great Gizmo” to lesser-known texts, such as “The Wall,” an(...)
Reyner Banham: A set of actual tracks
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''A Set of Actual Tracks'' brings a contemporary critical lens to the work of Reyner Banham, one of the most prescient architectural and design critics of the 20th century. Sixteen of the acerbic historian’s essays and book chapters have been selected by the book’s contributors, ranging from classics such as “The Great Gizmo” to lesser-known texts, such as “The Wall,” an intimate confession he penned at the hospital shortly before his death. Each is accompanied by a contemporary response that contextualises Banham’s text, drawing out reflections on what the critic’s work means today.
Architectural Theory