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Designed by Herzog & de Meuron, Tate Modern is one of the significant architectural projects at the turn of the millennium. Working with the shell of the redundant Bankside Power Station, Herzog & de Meuron have created spaces with a rare affinity for contemporary art. Texts by leading architectural writers describe the finished gallery, the ideas behind it, and the way(...)
Building Tate Modern : Herzog & de Meuron transforming Giles Gilbert Scott
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Designed by Herzog & de Meuron, Tate Modern is one of the significant architectural projects at the turn of the millennium. Working with the shell of the redundant Bankside Power Station, Herzog & de Meuron have created spaces with a rare affinity for contemporary art. Texts by leading architectural writers describe the finished gallery, the ideas behind it, and the way in which it was designed and built. An exclusive interview with Jacques Herzog and the Tate Director Nicholas Serota presents the philosophy and interchange of ideas that drove this project. The creation of Giles Gilbert Scott's original power station is also described.
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July 2000, London
Architecture Monographs
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Mies Van Der Rohe
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"Mies van der Rohe" provides a comprehensive analysis of this great architect's entire oeuvre and presents a detailed portfolio of 21 key works. Author Yehuda E. Safran is an architectural/art critic based in Paris and New York and is currently Adjunct Associate (...)
Mies Van Der Rohe
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"Mies van der Rohe" provides a comprehensive analysis of this great architect's entire oeuvre and presents a detailed portfolio of 21 key works. Author Yehuda E. Safran is an architectural/art critic based in Paris and New York and is currently Adjunct Associate Professor at Columbia University. Works include: Barcelona Pavilion, Tugendhat House, Weissenhof Apartment Building, Farnsworth House, 860-880 Lake Shore Drive, 900-910 Lake Shore Drive, Seagram Building, Lafayette Park, IBM Regional Office Building, New National Gallery, S.R. Crown Hall, Lange House, Esters House, Afrikanische Strasse Housing, Social Service Administration Building, and more.
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May 2000, Lisbon
Architecture Monographs
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Architect Charles Moore (1925-1993) was not only celebrated for his designs; he was also an admired writer and teacher. Though he wrote clearly and passionately about places, he was perhaps unique in avoiding the tone and stance of the personal manifesto. Through his buildings, books, and travels, Moore consistently sought insights into the questions that always underlie(...)
You have to pay for the private life : selected essays by Charles W. Moore
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Architect Charles Moore (1925-1993) was not only celebrated for his designs; he was also an admired writer and teacher. Though he wrote clearly and passionately about places, he was perhaps unique in avoiding the tone and stance of the personal manifesto. Through his buildings, books, and travels, Moore consistently sought insights into the questions that always underlie architecture and design: What does it mean to make a place, and how do we inhabit those places? How do we continue to build upon but respect the landscape? How do we reconcile democracy and private land ownership? What is original? What is taste? What is the relationship between past and present? How do we involve inhabitants in making places? Finally, what is public life? As the world becomes smaller, and the uniqueness of places and landscapes gives way to sameness, Moore's celebration of the vernacular and of the surprising are more relevant than ever. The pieces in this book span the years 1952 to 1993 and engage a myriad of topics and movements, such as contextualism, community participation, collaboration, environmentally sensitive design, and historic preservation. The essays in this book reflect as well Moore's scholarship, humanism, urbanity, and great wit.
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November 2000, Cambridge, Mass.
Architectural Theory
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The Good Life takes the reader on a tour of houses of the 20th century with the aim of freeing his or her vision of various preconceptions and prejudices. It is an invitation not only to celebrate the diversity of 20th century houses, but also to stimulate the pleasure of thinking, planning and living intensely, to encourage the invention of a house that doesn't yet exist.
The good life : a guided visit to the houses of modernity
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The Good Life takes the reader on a tour of houses of the 20th century with the aim of freeing his or her vision of various preconceptions and prejudices. It is an invitation not only to celebrate the diversity of 20th century houses, but also to stimulate the pleasure of thinking, planning and living intensely, to encourage the invention of a house that doesn't yet exist.
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October 2000, Barcelona
Residential Architecture
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Le Corbusier’s Modulor – a fundamental work in the history of architecture – now available in a beautiful facsimile edition. In the years 1942 to 1948, Le Corbusier (...)
Le Corbusier : the Modulor, Modulor 2
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Le Corbusier’s Modulor – a fundamental work in the history of architecture – now available in a beautiful facsimile edition. In the years 1942 to 1948, Le Corbusier developed a system of measurements which became known as "Modulor". Based on the Golden Section and Fibonacci numbers and also using the physical dimensions of the average human, Modulor is a sequence of measurements which Le Corbusier used to achieve harmony in his architectural compositions. Le Modulor was published in 1950 and after meeting with success, Le Corbusier went on to publish Modulor 2 in 1955. In many of Le Corbusier’s most notable buildings, including the Chapel at Ronchamp and the Unité d’habitation, evidence of his Modulor system can be seen. These two volumes form an important and integral part of Le Corbusier’s theoretical writings.
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January 2000, Basel
Architectural Theory
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John Soane (17531837) was one of the most influential and original of all English architects. In this lavishly illustrated biography, Gillian Darley places Soane's life and buildings side by side, examining both. Born the son of a bricklayer, Soane was a self-made man, egotistic, irascible, with encyclopedic interests. He built himself a remarkable town house that he(...)
John Soane : an accidental romantic
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John Soane (17531837) was one of the most influential and original of all English architects. In this lavishly illustrated biography, Gillian Darley places Soane's life and buildings side by side, examining both. Born the son of a bricklayer, Soane was a self-made man, egotistic, irascible, with encyclopedic interests. He built himself a remarkable town house that he filled with treasures and left in trust to the nation. By 1800 he was rich and successful, designing both private houses for powerful clients and public works. Consummate at securing patronage, he was the personal architect to two prime ministers. He was architect to the Bank of England, to Chelsea Hospital, and to the United Grand Lodge of Freemasons. He designed the Dulwich Art Gallery, the first purpose-built art gallery in Britain. Possessed throughout his life by a dream to rebuild the Houses of Parliament, he developed many visionary schemes. Late in life, he built the new Law Courts at Westminster and many of the premises for the growing departments of state.
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August 2000, New Haven
Architecture Monographs
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The cities of Paris and Chandigarh are the two poles in whose field of tension Le Corbusier's unique creative powers developed. Paris stands for the experimental white modernism of the twenties, a phase that begins immediately after his early works and peaks in the Villa Savoye. Chandigarh in India is the location of the brutalist monumental buildings that accompanied Le(...)
Le Corbusier:Paris - Chandigarh
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The cities of Paris and Chandigarh are the two poles in whose field of tension Le Corbusier's unique creative powers developed. Paris stands for the experimental white modernism of the twenties, a phase that begins immediately after his early works and peaks in the Villa Savoye. Chandigarh in India is the location of the brutalist monumental buildings that accompanied Le Corbusier almost throughout his late period until his death. In between these two great phases - in this book as well - comes his town planning work applied to concrete projects and also his preoccupation with geometrical design principles in the Modulor.
Architecture Monographs
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"Inclusive Design" is a documentation of the attitudes, values, and practices of property professionals, including developers, surveyors and architects, in responding to the building needs of disabled people. It looks at the way in which pressure for accessible building design is influencing the policies and practices of property companies and professionals, with a(...)
Architectural Theory
June 2001, London / New York
Inclusive design : designing and developing accessible environments
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"Inclusive Design" is a documentation of the attitudes, values, and practices of property professionals, including developers, surveyors and architects, in responding to the building needs of disabled people. It looks at the way in which pressure for accessible building design is influencing the policies and practices of property companies and professionals, with a primary focus on commercial developments in the UK. The book also provides comments on, and references to, other countries, particularly the USA, Sweden, and New Zealand.
Architectural Theory
The Houses of Philip Johnson
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Johnson's celebrated Glass House, built in 1949 in New Canaan, Connecticut, is perhaps the single most famous house of the twentieth century. Until now, however, that house has not been looked at in the context of Johnson's many other house projects. This book, the first to comprehensively survey Johnson's residential work, not only brings to light a largely neglected(...)
Architecture Monographs
September 2001, New York, London
The Houses of Philip Johnson
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Johnson's celebrated Glass House, built in 1949 in New Canaan, Connecticut, is perhaps the single most famous house of the twentieth century. Until now, however, that house has not been looked at in the context of Johnson's many other house projects. This book, the first to comprehensively survey Johnson's residential work, not only brings to light a largely neglected side of Johnson's achievement, but fresly illuminates his entire career.
Architecture Monographs
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This book introduces to an English-language audience the writings of the so-called New Vienna School of art history. In the 1930s Hans Sedlmayr (1896-1984) and Otto Pächt (1902-1988) undertook an ambitious extension of the formalist art historical project of Alois (...)
The Vienna School reader : politics and art historical method in the 1930s
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This book introduces to an English-language audience the writings of the so-called New Vienna School of art history. In the 1930s Hans Sedlmayr (1896-1984) and Otto Pächt (1902-1988) undertook an ambitious extension of the formalist art historical project of Alois Riegl (1858-1905). Sedlmayr and Pächt began with an aestheticist conception of the autonomy and irreducibility of the artistic process. At the same time they believed they could read entire cultures and worldviews in the work of art. The key to this contextualist alchemy was the concept of "structure," a kind of deep formal property that the work of art shared with the world. Sedlmayr and Pächt's project immediately caught the attention of thinkers like Walter Benjamin who were similarly impatient with traditional empiricist scholarship. But the new project had its dark side. Sedlmayr used art history as a vehicle for a sweeping critique of modernity that soon escalated into nationalist and outright fascist polemic, even while Pächt, a Jew, was forced into exile. Sedlmayr and the whole scholarly project of Strukturanalyse were sharply repudiated by Meyer Schapiro and later Ernst Gombrich. After an introductory essay, the book opens with two selections from Riegl. The next section includes two essays by Sedlmayr, two by Pächt, and one each by Guido Kaschnitz-Weinberg and Fritz Novotny, all dating from the 1930s. The book closes with the divergent responses of Benjamin (1933) and Schapiro (1936). The difference of opinion between these two key voices raises again the question of the legitimacy and effectiveness of the method, and reveals the analogies between the New Vienna School project and the antiempiricist cultural histories of our own time. The book also contains an extensive bibliography.
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January 1900, New York
Architectural Theory