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In 1825 the Erie Canal, connecting the Atlantic with the American heartland via the Great Lakes, was completed, and in 1861 the Civil War, disrupting American unity, began. This volume examines the exhilarating period between these two far-reaching events. The(...)
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Summary:
In 1825 the Erie Canal, connecting the Atlantic with the American heartland via the Great Lakes, was completed, and in 1861 the Civil War, disrupting American unity, began. This volume examines the exhilarating period between these two far-reaching events. The(...)
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sale books
sale books
Publication:
October 2000, New York
October 2000, New York
Title:
Art and the empire city : New York, 1825-1861
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In 1825 the Erie Canal, connecting the Atlantic with the American heartland via the Great Lakes, was completed, and in 1861 the Civil War, disrupting American unity, began. This volume examines the exhilarating period between these two far-reaching events. The Erie Canal turned the port of New York into the gateway to the United States, ushering in a time of enormous growth and change for the city of New York. Still very much a work in progress, New York became both an international economic and cultural center: it was transformed into what contemporary observers variously termed the Empire City, the Great Emporium, and the Empress City of the West. The cultural component of this transformation was as significant as its economic aspect. Highly skilled artists and craftsmen working in New York, both native born and immigrant, grew in number, and institutions devoted to the arts emerged and flourished. With Broadway at its heart, the Great Emporium developed into the nation’s major manufacturing and retailing center, the depot for luxury goods made in and around the city and imported from Europe. The complex story of the proliferation of the arts in New York and the evolution of an increasingly discerning audience for those arts during the antebellum period is the focus of this book, which accompanies a major exhibition at The Metropolitan Museum of Art. In essays that will interest scholars as well as a more general audience, specialists from the Metropolitan Museum, the Museum of the City of New York, and the University of California at Berkeley bring new research and insights to bear on a broad range of subjects. Their texts offer both historical and cultural contexts and explore the city’s development as a nexus for the marketing and display of art, as well as private collecting; landscape painting viewed against the background of tourism; new departures in sculpture, architecture, and printmaking; the birth of photography; New York as a fashion center; shopping for home decorations; changing styles in furniture; and the evolution of the ceramics, glass, and silver industries. This volume is lavishly illustrated in color and black and white, providing reproductions of the more than three hundred works in the exhibition as well as comparative material. A checklist of works in the exhibition, a bibliography, and an index are included.
Art and the empire city : New York, 1825-1861
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Summary:
In 1825 the Erie Canal, connecting the Atlantic with the American heartland via the Great Lakes, was completed, and in 1861 the Civil War, disrupting American unity, began. This volume examines the exhilarating period between these two far-reaching events. The Erie Canal turned the port of New York into the gateway to the United States, ushering in a time of enormous growth and change for the city of New York. Still very much a work in progress, New York became both an international economic and cultural center: it was transformed into what contemporary observers variously termed the Empire City, the Great Emporium, and the Empress City of the West. The cultural component of this transformation was as significant as its economic aspect. Highly skilled artists and craftsmen working in New York, both native born and immigrant, grew in number, and institutions devoted to the arts emerged and flourished. With Broadway at its heart, the Great Emporium developed into the nation’s major manufacturing and retailing center, the depot for luxury goods made in and around the city and imported from Europe. The complex story of the proliferation of the arts in New York and the evolution of an increasingly discerning audience for those arts during the antebellum period is the focus of this book, which accompanies a major exhibition at The Metropolitan Museum of Art. In essays that will interest scholars as well as a more general audience, specialists from the Metropolitan Museum, the Museum of the City of New York, and the University of California at Berkeley bring new research and insights to bear on a broad range of subjects. Their texts offer both historical and cultural contexts and explore the city’s development as a nexus for the marketing and display of art, as well as private collecting; landscape painting viewed against the background of tourism; new departures in sculpture, architecture, and printmaking; the birth of photography; New York as a fashion center; shopping for home decorations; changing styles in furniture; and the evolution of the ceramics, glass, and silver industries. This volume is lavishly illustrated in color and black and white, providing reproductions of the more than three hundred works in the exhibition as well as comparative material. A checklist of works in the exhibition, a bibliography, and an index are included.
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books
books
Publication:
October 2000, New York
October 2000, New York
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sale books
sale books
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books
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Description:
x, 241 pages ; 22 cm
Description:
x, 241 pages ; 22 cm
Subject:
- Nature Effect of human beings on New England History.,
- Landscape changes New England History.,
- Êtres humains Influence sur la nature Nouvelle-Angleterre Histoire.,
- Paysages Modifications Nouvelle-Angleterre Histoire.,
- Landscape changes,
- Nature Effect of human beings on,
- Kolonisation,
- Ökologie,
- Antropologia Cult Social.,
- Historia Dos Estados Unidos.,
- Nature Effect of human beings on New England.,
- Nature Effets de l'homme États-Unis Nouvelle-Angleterre (États-Unis),
- New England History Colonial period, ca. 1600-1775.,
- Nueva Inglaterra Historia Período colonial, ca. 1600 1775.,
- Nouvelle-Angleterre Histoire ca 1600-1775 (Période coloniale),
- New England,
- Neuengland,
- New England History Colonial Period, 1600-1775.,
- Nouvelle-Angleterre (États-Unis) 1600-1775 (Période coloniale),
- Geschichte,
- Landscape changes History New England,
- Nature Effect of human beings on History New England,
- History,
- Instructional and educational works.,
- Matériel d'éducation et de formation.
(See more)
Publication:
New York : Hill and Wang, 1983., ©1983.
New York : Hill and Wang, 1983., ©1983.
Title:
Changes in the land : Indians, colonists, and the ecology of New England / William Cronon.
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x, 241 pages ; 22 cm
Changes in the land : Indians, colonists, and the ecology of New England / William Cronon.
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Description:
x, 241 pages ; 22 cm
Form:
books
books
Publication:
New York : Hill and Wang, 1983., ©1983.
New York : Hill and Wang, 1983., ©1983.
Subject:
- Nature Effect of human beings on New England History.,
- Landscape changes New England History.,
- Êtres humains Influence sur la nature Nouvelle-Angleterre Histoire.,
- Paysages Modifications Nouvelle-Angleterre Histoire.,
- Landscape changes,
- Nature Effect of human beings on,
- Kolonisation,
- Ökologie,
- Antropologia Cult Social.,
- Historia Dos Estados Unidos.,
- Nature Effect of human beings on New England.,
- Nature Effets de l'homme États-Unis Nouvelle-Angleterre (États-Unis),
- New England History Colonial period, ca. 1600-1775.,
- Nueva Inglaterra Historia Período colonial, ca. 1600 1775.,
- Nouvelle-Angleterre Histoire ca 1600-1775 (Période coloniale),
- New England,
- Neuengland,
- New England History Colonial Period, 1600-1775.,
- Nouvelle-Angleterre (États-Unis) 1600-1775 (Période coloniale),
- Geschichte,
- Landscape changes History New England,
- Nature Effect of human beings on History New England,
- History,
- Instructional and educational works.,
- Matériel d'éducation et de formation.
(See more)
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books
books
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$49.95
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Summary:
"The great purpose of landscape art is to make us at home in our own country" was the nationalist maxim motivating the Group of Seven's artistic project. The empty landscape paintings of the Group played a significant role in the nationalization of nature in Canada, particularly in the development of ideas about northernness, wilderness, and identity. In this book, John(...)
$49.95
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Summary:
"The great purpose of landscape art is to make us at home in our own country" was the nationalist maxim motivating the Group of Seven's artistic project. The empty landscape paintings of the Group played a significant role in the nationalization of nature in Canada, particularly in the development of ideas about northernness, wilderness, and identity. In this book, John(...)
Subject:
Architecture in Canada
Architecture in Canada
Publication:
September 2007, Montreal Kingston
September 2007, Montreal Kingston
Title:
Beyond wilderness : The group of seven, Canadian identity, and contemporary art
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Summary:
"The great purpose of landscape art is to make us at home in our own country" was the nationalist maxim motivating the Group of Seven's artistic project. The empty landscape paintings of the Group played a significant role in the nationalization of nature in Canada, particularly in the development of ideas about northernness, wilderness, and identity. In this book, John O'Brian and Peter White pick up where the Group of Seven left off. They demonstrate that since the 1960s a growing body of both art and critical writing has looked "beyond wilderness" to re-imagine landscape in a world of vastly altered political, technological, and environmental circumstances. By emphasizing social relationships, changing identity politics, and issues of colonial power and dispossession contemporary artists have produced landscape art that explores what was absent in the work of their predecessors. Beyond Wilderness expands the public understanding of Canadian landscape representation, tracing debates about the place of landscape in Canadian art and the national imagination through the twentieth century to the present. Critical writings from both contemporary and historically significant curators, historians, feminists, media theorists, and cultural critics and exactingly reproduced artworks by contemporary and historical artists are brought together in productive dialogue. Beyond Wilderness explains why landscape art in Canada had to be reinvented, and what forms the reinvention took. Contributors include Benedict Anderson (Cornell), Grant Arnold (Vancouver Art Gallery). Rebecca Belmore, Jody Berland (York), Eleanor Bond (Concordia), Jonathan Bordo (Trent), Douglas Cole, Marlene Creates, Marcia Crosby (Malaspina), Greg Curnoe, Ann Davis (Nickle Arts Museum), Leslie Dawn (Lethbridge), Shawna Dempsey, Christos Dikeakos, Peter Doig, Rosemary Donegan (OCAD), Stan Douglas, Paterson Ewen, Robert Fones, Northrop Frye, Robert Fulford, General Idea, Rodney Graham, Reesa Greenberg, Gu Xiong (British Columbia), Cole Harris (British Columbia), Richard William Hill (Middlesex), Robert Houle, Andrew Hunter (Waterloo), Lynda Jessup (Queen's), Zacharias Kunuk (Igloolik Isuma Productions), Johanne Lamoureux (Montréal), Robert Linsley (Waterloo), Barry Lord (Lord Cultural Resources), Marshall McLuhan, Mike MacDonald, Liz Magor (ECIAD), Lorri Millan, Gerta Moray (Guelph), Roald Nasgaard (Florida State), N.E. Thing Company, Carol Payne (Carleton), Edward Poitras, Dennis Reid (Art Gallery of Ontario), Michel Saulnier, Nancy Shaw (Simon Fraser), Johanne Sloan (Concordia), Michael Snow, Robert Stacey, David Thauberger, Loretta Todd, Esther Trépanier (Québec), Dot Tuer (OCAD), Christopher Varley, Jeff Wall, Paul H. Walton (McMaster), Mel Watkins (Toronto), Scott Watson (British Columbia), Anne Whitelaw (Alberta), Joyce Wieland, Jin-me Yoon (Simon Fraser), Lawrence Paul Yuxweluptun, and Joyce Zemans (York).
Beyond wilderness : The group of seven, Canadian identity, and contemporary art
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$49.95
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Summary:
"The great purpose of landscape art is to make us at home in our own country" was the nationalist maxim motivating the Group of Seven's artistic project. The empty landscape paintings of the Group played a significant role in the nationalization of nature in Canada, particularly in the development of ideas about northernness, wilderness, and identity. In this book, John O'Brian and Peter White pick up where the Group of Seven left off. They demonstrate that since the 1960s a growing body of both art and critical writing has looked "beyond wilderness" to re-imagine landscape in a world of vastly altered political, technological, and environmental circumstances. By emphasizing social relationships, changing identity politics, and issues of colonial power and dispossession contemporary artists have produced landscape art that explores what was absent in the work of their predecessors. Beyond Wilderness expands the public understanding of Canadian landscape representation, tracing debates about the place of landscape in Canadian art and the national imagination through the twentieth century to the present. Critical writings from both contemporary and historically significant curators, historians, feminists, media theorists, and cultural critics and exactingly reproduced artworks by contemporary and historical artists are brought together in productive dialogue. Beyond Wilderness explains why landscape art in Canada had to be reinvented, and what forms the reinvention took. Contributors include Benedict Anderson (Cornell), Grant Arnold (Vancouver Art Gallery). Rebecca Belmore, Jody Berland (York), Eleanor Bond (Concordia), Jonathan Bordo (Trent), Douglas Cole, Marlene Creates, Marcia Crosby (Malaspina), Greg Curnoe, Ann Davis (Nickle Arts Museum), Leslie Dawn (Lethbridge), Shawna Dempsey, Christos Dikeakos, Peter Doig, Rosemary Donegan (OCAD), Stan Douglas, Paterson Ewen, Robert Fones, Northrop Frye, Robert Fulford, General Idea, Rodney Graham, Reesa Greenberg, Gu Xiong (British Columbia), Cole Harris (British Columbia), Richard William Hill (Middlesex), Robert Houle, Andrew Hunter (Waterloo), Lynda Jessup (Queen's), Zacharias Kunuk (Igloolik Isuma Productions), Johanne Lamoureux (Montréal), Robert Linsley (Waterloo), Barry Lord (Lord Cultural Resources), Marshall McLuhan, Mike MacDonald, Liz Magor (ECIAD), Lorri Millan, Gerta Moray (Guelph), Roald Nasgaard (Florida State), N.E. Thing Company, Carol Payne (Carleton), Edward Poitras, Dennis Reid (Art Gallery of Ontario), Michel Saulnier, Nancy Shaw (Simon Fraser), Johanne Sloan (Concordia), Michael Snow, Robert Stacey, David Thauberger, Loretta Todd, Esther Trépanier (Québec), Dot Tuer (OCAD), Christopher Varley, Jeff Wall, Paul H. Walton (McMaster), Mel Watkins (Toronto), Scott Watson (British Columbia), Anne Whitelaw (Alberta), Joyce Wieland, Jin-me Yoon (Simon Fraser), Lawrence Paul Yuxweluptun, and Joyce Zemans (York).
Form:
books
books
Publication:
September 2007, Montreal Kingston
September 2007, Montreal Kingston
Subject:
Architecture in Canada
Architecture in Canada
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books
books
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Description:
525 pages : illustrations ; 19 cm
Description:
525 pages : illustrations ; 19 cm
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Publication:
Genève : Métis Presses, 2014.
Genève : Métis Presses, 2014.
Title:
Recycler l'urbain : pour une écologie des milieux habités / sous la direction de R. D'Arienzo, C. Younès.
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Description:
525 pages : illustrations ; 19 cm
Recycler l'urbain : pour une écologie des milieux habités / sous la direction de R. D'Arienzo, C. Younès.
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Description:
525 pages : illustrations ; 19 cm
Form:
books
books
Publication:
Genève : Métis Presses, 2014.
Genève : Métis Presses, 2014.
Form:
books
books
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$20.00
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Summary:
Almost ten years ago, Canary architectural practice AmP with its founders Felipe Artengo Rufino and José Pastrana (and their former partner Fernando Menis / Today: Menis Arquitectos) received acclaim far beyond their own country of Spain with their government building for the Canary Islands. A decisive factor for the international success of the team, which can be(...)
$20.00
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Summary:
Almost ten years ago, Canary architectural practice AmP with its founders Felipe Artengo Rufino and José Pastrana (and their former partner Fernando Menis / Today: Menis Arquitectos) received acclaim far beyond their own country of Spain with their government building for the Canary Islands. A decisive factor for the international success of the team, which can be(...)
Title:
Amp - the mark of the volcano : artengo + pastrana
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Summary:
Almost ten years ago, Canary architectural practice AmP with its founders Felipe Artengo Rufino and José Pastrana (and their former partner Fernando Menis / Today: Menis Arquitectos) received acclaim far beyond their own country of Spain with their government building for the Canary Islands. A decisive factor for the international success of the team, which can be considered neither minimalist nor traditionalist, was the congenial mixture of four elements: their expressionist creative impulse, their deep roots in their home environment, the Canary Islands, their sculptural approach to architecture and the creative use of concrete as design element in combination with local materials. These vital aspects of their architecture also characterize the latest works of AmP, which are always the result of exact observations of space and locality. The Aedes exhibition’s focus is on the athletics stadium in Tenerife which was completed this year. Fitted like a giant earth and stone embankment into the suburban context, it represents at the same time a master piece of modern high-tech architecture. The two residential towers in Añaza, 2007, which have already gained landmark character and are an example of an offbeat approach to council housing in Spain, appear like giant concrete sculptures with their slightly bent shape and their odd-sized windows irregularly dispersed throughout the façade. Other projects are the court house in Santa Cruz, 2007 (competition entry), the extension building Cabildo, 2007 and a school in Orotawa, 2005. The competition entry for the harbour area in Los Cristianos, 2007, illustrates the sensitive approach of Felipe Artengo Rufino und José Pastrana within the urban context, achieving a user- friendly transformation of this area where the city meets the sea, for residents as well as for tourist. A fundamental principle of AmP would be to understand a place as a sediment of geological and climatic forces, of industrial, agrarian and urban residue, permeated by sociological and cultural components. Closeness to their environment and the means at their disposal enable Felipe Artengo Rufino and José Pastrana to do research in situ and thus create a clearly defined architecture. The scenic variety of the islands, in which light plays an essential role, has a strong influence on their design process. The effects of time on their work are vital to AmP. The aging process of their favourite materials concrete, stone and timber fosters a continuous natural change which accentuates the power of architecture and makes the formal and structural aspects become even more evident in the course of time.
Amp - the mark of the volcano : artengo + pastrana
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$20.00
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Summary:
Almost ten years ago, Canary architectural practice AmP with its founders Felipe Artengo Rufino and José Pastrana (and their former partner Fernando Menis / Today: Menis Arquitectos) received acclaim far beyond their own country of Spain with their government building for the Canary Islands. A decisive factor for the international success of the team, which can be considered neither minimalist nor traditionalist, was the congenial mixture of four elements: their expressionist creative impulse, their deep roots in their home environment, the Canary Islands, their sculptural approach to architecture and the creative use of concrete as design element in combination with local materials. These vital aspects of their architecture also characterize the latest works of AmP, which are always the result of exact observations of space and locality. The Aedes exhibition’s focus is on the athletics stadium in Tenerife which was completed this year. Fitted like a giant earth and stone embankment into the suburban context, it represents at the same time a master piece of modern high-tech architecture. The two residential towers in Añaza, 2007, which have already gained landmark character and are an example of an offbeat approach to council housing in Spain, appear like giant concrete sculptures with their slightly bent shape and their odd-sized windows irregularly dispersed throughout the façade. Other projects are the court house in Santa Cruz, 2007 (competition entry), the extension building Cabildo, 2007 and a school in Orotawa, 2005. The competition entry for the harbour area in Los Cristianos, 2007, illustrates the sensitive approach of Felipe Artengo Rufino und José Pastrana within the urban context, achieving a user- friendly transformation of this area where the city meets the sea, for residents as well as for tourist. A fundamental principle of AmP would be to understand a place as a sediment of geological and climatic forces, of industrial, agrarian and urban residue, permeated by sociological and cultural components. Closeness to their environment and the means at their disposal enable Felipe Artengo Rufino and José Pastrana to do research in situ and thus create a clearly defined architecture. The scenic variety of the islands, in which light plays an essential role, has a strong influence on their design process. The effects of time on their work are vital to AmP. The aging process of their favourite materials concrete, stone and timber fosters a continuous natural change which accentuates the power of architecture and makes the formal and structural aspects become even more evident in the course of time.
Form:
books
books
Publication:
July 2007, Berlin
July 2007, Berlin
Subject:
small format
small format
Form:
books
books
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Description:
xiv, 207 pages : illustrations ; 27 cm
Description:
xiv, 207 pages : illustrations ; 27 cm
Subject:
- Exposition internationale des arts et techniques dans la vie moderne. 1937,
- Exposition internationale (1937 : Paris, France),
- Exposition internationale,
- Art, Modern 20th century Exhibitions History.,
- Art Exhibitions History 20th century.,
- Ethnological museums and collections France History.,
- Exhibitions France History 20th century.,
- Surrealism France Exhibitions History 20th century.,
- Art and society France History 20th century.,
- Art 20e siècle Expositions Histoire.,
- Art Expositions Histoire 20e siècle.,
- Ethnologie Musées et collections France Histoire.,
- Surréalisme France Expositions Histoire 20e siècle.,
- Art et société France Histoire 20e siècle.,
- Expositions France Histoire 20e siècle.,
- 20.13 art exhibitions.,
- Art and society,
- Art Exhibitions,
- Art, Modern Exhibitions,
- Ethnological museums and collections,
- Exhibitions,
- Tentoonstellingen.,
- Exhibitions France Paris 20th century.,
- Surrealism France Exhibitions History.,
- Expositions artistiques.,
- Expositions France 20e siècle.,
- France,
- 1937-1938,
- History,
- Books.
(See more)
Publication:
Ithaca, NY : Cornell University Press, 1998.
Ithaca, NY : Cornell University Press, 1998.
Title:
Paris 1937 : worlds on exhibition / James D. Herbert.
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Description:
xiv, 207 pages : illustrations ; 27 cm
Paris 1937 : worlds on exhibition / James D. Herbert.
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Description:
xiv, 207 pages : illustrations ; 27 cm
Form:
books
books
Publication:
Ithaca, NY : Cornell University Press, 1998.
Ithaca, NY : Cornell University Press, 1998.
Subject:
- Exposition internationale des arts et techniques dans la vie moderne. 1937,
- Exposition internationale (1937 : Paris, France),
- Exposition internationale,
- Art, Modern 20th century Exhibitions History.,
- Art Exhibitions History 20th century.,
- Ethnological museums and collections France History.,
- Exhibitions France History 20th century.,
- Surrealism France Exhibitions History 20th century.,
- Art and society France History 20th century.,
- Art 20e siècle Expositions Histoire.,
- Art Expositions Histoire 20e siècle.,
- Ethnologie Musées et collections France Histoire.,
- Surréalisme France Expositions Histoire 20e siècle.,
- Art et société France Histoire 20e siècle.,
- Expositions France Histoire 20e siècle.,
- 20.13 art exhibitions.,
- Art and society,
- Art Exhibitions,
- Art, Modern Exhibitions,
- Ethnological museums and collections,
- Exhibitions,
- Tentoonstellingen.,
- Exhibitions France Paris 20th century.,
- Surrealism France Exhibitions History.,
- Expositions artistiques.,
- Expositions France 20e siècle.,
- France,
- 1937-1938,
- History,
- Books.
(See more)
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books
books
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Description:
[8], 292, [8] pages : illustrations ; 31 cm
Description:
[8], 292, [8] pages : illustrations ; 31 cm
Subject:
- Defensive (Military science) Early works to 1700.,
- Offensive (Military science) Early works to 1700.,
- Fortification Early works to 1800.,
- Siege warfare Early works to 1800.,
- Guerre de siège Ouvrages avant 1800.,
- Defensive (Military science),
- Fortification.,
- Offensive (Military science),
- Siege warfare.,
- Fortifications.,
- Microfilms.,
- Early works.
(See more)
Publication:
A Paris : Chez Matthieu Guillemot ..., M. DC. XXXIX. [1639]
A Paris : Chez Matthieu Guillemot ..., M. DC. XXXIX. [1639]
Title:
De la charge des gouuerneurs des places / par Messire Anthoine de Ville cheualier ; où sont contenus tous les ordres qu'on doit tenir pour preparer les choses necessaires dans vne place, tant pour la conseruer, comme pour la deffendre, & pour s'empescher de toute sorte de surprises ; vn discours facile pour reconnoistre tous les deffauts des places, & pour y sçauoir remedier ; vn abregé de la fortification, où il est traitté en quoy consiste sa perfection, & tout ce qu'vn caualier & vn homme de commandement en doit sçavoir, pour en discourir, & pour s'en seruir ; de plus y est adiousté vn traitté des parties de guerre.
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Description:
[8], 292, [8] pages : illustrations ; 31 cm
De la charge des gouuerneurs des places / par Messire Anthoine de Ville cheualier ; où sont contenus tous les ordres qu'on doit tenir pour preparer les choses necessaires dans vne place, tant pour la conseruer, comme pour la deffendre, & pour s'empescher de toute sorte de surprises ; vn discours facile pour reconnoistre tous les deffauts des places, & pour y sçauoir remedier ; vn abregé de la fortification, où il est traitté en quoy consiste sa perfection, & tout ce qu'vn caualier & vn homme de commandement en doit sçavoir, pour en discourir, & pour s'en seruir ; de plus y est adiousté vn traitté des parties de guerre.
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Description:
[8], 292, [8] pages : illustrations ; 31 cm
Form:
books
books
Publication:
A Paris : Chez Matthieu Guillemot ..., M. DC. XXXIX. [1639]
A Paris : Chez Matthieu Guillemot ..., M. DC. XXXIX. [1639]
Subject:
- Defensive (Military science) Early works to 1700.,
- Offensive (Military science) Early works to 1700.,
- Fortification Early works to 1800.,
- Siege warfare Early works to 1800.,
- Guerre de siège Ouvrages avant 1800.,
- Defensive (Military science),
- Fortification.,
- Offensive (Military science),
- Siege warfare.,
- Fortifications.,
- Microfilms.,
- Early works.
(See more)
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books
books
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Description:
[12], 292, [8] p., [1] leaf of plates : ill., plans ; 31 cm. (fol.)
Description:
[12], 292, [8] p., [1] leaf of plates : ill., plans ; 31 cm. (fol.)
Subject:
- Defensive (Military science) Early works to 1800.,
- Offensive (Military science) Early works to 1800.,
- Siege warfare Early works to 1800.,
- Fortification Early works to 1800.,
- Défensive (Science militaire) Ouvrages avant 1800.,
- Attaque (Science militaire) Ouvrages avant 1800.,
- Guerre de siège Ouvrages avant 1800.,
- Defensive (Military science),
- Fortification.,
- Offensive (Military science),
- Siege warfare.,
- Fortifications.,
- Early works.
(See more)
Publication:
A Paris : Chez Matthieu Guillemot ... , M. DC. XXXIX [1639]
A Paris : Chez Matthieu Guillemot ... , M. DC. XXXIX [1639]
Title:
De la charge des gouuerneurs des places / par Messire Anthoine de Ville cheualier ; où sont contenus tous les ordres qu'on doit tenir pour preparer les choses necessaires dans vne place, tant pour la conseruer, comme pour la deffendre, & pour s'empescher de toute sorte de surprises ; vn discours facile pour reconnoistre tous les deffauts des places, & pour y sc̦auoir remedier ; vn abregé de la fortification, où il est traitté en quoy consiste sa perfection, & tout ce qu'vn caualier & vn homme de commandement en doit sçavoir, pour en discourir, & pour s'en seruir ; de plus y est adiousté vn traitté des parties de guerre.
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Description:
[12], 292, [8] p., [1] leaf of plates : ill., plans ; 31 cm. (fol.)
De la charge des gouuerneurs des places / par Messire Anthoine de Ville cheualier ; où sont contenus tous les ordres qu'on doit tenir pour preparer les choses necessaires dans vne place, tant pour la conseruer, comme pour la deffendre, & pour s'empescher de toute sorte de surprises ; vn discours facile pour reconnoistre tous les deffauts des places, & pour y sc̦auoir remedier ; vn abregé de la fortification, où il est traitté en quoy consiste sa perfection, & tout ce qu'vn caualier & vn homme de commandement en doit sçavoir, pour en discourir, & pour s'en seruir ; de plus y est adiousté vn traitté des parties de guerre.
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Description:
[12], 292, [8] p., [1] leaf of plates : ill., plans ; 31 cm. (fol.)
Form:
books
books
Publication:
A Paris : Chez Matthieu Guillemot ... , M. DC. XXXIX [1639]
A Paris : Chez Matthieu Guillemot ... , M. DC. XXXIX [1639]
Subject:
- Defensive (Military science) Early works to 1800.,
- Offensive (Military science) Early works to 1800.,
- Siege warfare Early works to 1800.,
- Fortification Early works to 1800.,
- Défensive (Science militaire) Ouvrages avant 1800.,
- Attaque (Science militaire) Ouvrages avant 1800.,
- Guerre de siège Ouvrages avant 1800.,
- Defensive (Military science),
- Fortification.,
- Offensive (Military science),
- Siege warfare.,
- Fortifications.,
- Early works.
(See more)
Form:
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books
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Description:
153 pages : illustrations ; 27 cm
Description:
153 pages : illustrations ; 27 cm
Subject:
- Mather, Margrethe Relations with men.,
- Weston, Edward, 1886-1958.,
- Mather, Margrethe Et les hommes.,
- Mather, Margrethe, 1885 or 1886-1952,
- Mather, Margrethe 1886-1948,
- Weston, Edward 1886-1958,
- Weston, Edward (Photograph),
- Mather, Margrethe.,
- Women photographers United States Biography.,
- Photographers United States Biography.,
- Femmes photographes États-Unis Biographies.,
- Photographes États-Unis Biographies.,
- Relations with men,
- Photographers,
- Women photographers,
- Bildband,
- Fotografie,
- United States,
- USA,
- Biography,
- Mather, Margarethe.,
- Biographies.,
- Biografie.
(See more)
Publication:
Santa Barbara, CA : Santa Barbara Museum of Art in association with W.W. Norton, ©2001.
Santa Barbara, CA : Santa Barbara Museum of Art in association with W.W. Norton, ©2001.
Title:
Margrethe Mather & Edward Weston : a passionate collaboration / Beth Gates Warren.
Actions:
Holdings:
Description:
153 pages : illustrations ; 27 cm
Margrethe Mather & Edward Weston : a passionate collaboration / Beth Gates Warren.
Actions:
Holdings:
Description:
153 pages : illustrations ; 27 cm
Form:
books
books
Publication:
Santa Barbara, CA : Santa Barbara Museum of Art in association with W.W. Norton, ©2001.
Santa Barbara, CA : Santa Barbara Museum of Art in association with W.W. Norton, ©2001.
Subject:
- Mather, Margrethe Relations with men.,
- Weston, Edward, 1886-1958.,
- Mather, Margrethe Et les hommes.,
- Mather, Margrethe, 1885 or 1886-1952,
- Mather, Margrethe 1886-1948,
- Weston, Edward 1886-1958,
- Weston, Edward (Photograph),
- Mather, Margrethe.,
- Women photographers United States Biography.,
- Photographers United States Biography.,
- Femmes photographes États-Unis Biographies.,
- Photographes États-Unis Biographies.,
- Relations with men,
- Photographers,
- Women photographers,
- Bildband,
- Fotografie,
- United States,
- USA,
- Biography,
- Mather, Margarethe.,
- Biographies.,
- Biografie.
(See more)
Form:
books
books
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Description:
387 pages : illustrations ; 23 cm.
Description:
387 pages : illustrations ; 23 cm.
Author:
- Silvestra Mariniello et Anne Lardeux -- Cornelius Borck ; Walter Moser ; Jean-François Vallée ; From a post-Edison time machine to new media histories : speculative drawings, uchronic spaces of graphic propositions, and time travel / David Tomas -- Jean-Pierre Sirois-Trahan ; Laurent Guido -- Pamela Lee ; Elizabeth Plourde -- Jean-Marc Larrue ; André Gaudreault et Philippe Marion ; Viva Paci -- Anindita Banerjee ; Karl Froschauer ; Samir Saul ; Martha Khoury et Silvestra Mariniello.,
- Mariniello, Silvestra.,
- Asselin, Olivier, 1960-,
- Oberhuber, Andrea.
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Subject:
Publication:
[Ottawa] : Presses de l'Université d'Ottawa, [2011]
[Ottawa] : Presses de l'Université d'Ottawa, [2011]
Title:
L'ère électrique = The electric age / dirigé par Olivier Asselin, Silvestra Mariniello, Andrea Oberhuber.
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Description:
387 pages : illustrations ; 23 cm.
L'ère électrique = The electric age / dirigé par Olivier Asselin, Silvestra Mariniello, Andrea Oberhuber.
Actions:
Holdings:
Description:
387 pages : illustrations ; 23 cm.
Form:
books
books
Publication:
[Ottawa] : Presses de l'Université d'Ottawa, [2011]
[Ottawa] : Presses de l'Université d'Ottawa, [2011]
Author:
- Silvestra Mariniello et Anne Lardeux -- Cornelius Borck ; Walter Moser ; Jean-François Vallée ; From a post-Edison time machine to new media histories : speculative drawings, uchronic spaces of graphic propositions, and time travel / David Tomas -- Jean-Pierre Sirois-Trahan ; Laurent Guido -- Pamela Lee ; Elizabeth Plourde -- Jean-Marc Larrue ; André Gaudreault et Philippe Marion ; Viva Paci -- Anindita Banerjee ; Karl Froschauer ; Samir Saul ; Martha Khoury et Silvestra Mariniello.,
- Mariniello, Silvestra.,
- Asselin, Olivier, 1960-,
- Oberhuber, Andrea.
(See more)
