889 Results
Form:
events
events
Actions:
Date:
13 November 2008 to 21 October 2009
13 November 2008 to 21 October 2009
Form:
events
events
Date:
13 November 2008 to
21 October 2009
13 November 2008 to
21 October 2009
Form:
photographs
photographs
Form:
photographs
photographs
Date:
2000
2000
People:
Form:
photographs
photographs
Actions:
Reference number:
AP149.S3.SS1.090
Description:
Group consist of photographs of the group working on the Beijing Renewal projects, in collaboration with the R.A.I.C.. Also includes somes photographs taken during the Natinal Elements workshop in Chongquing. Also includes postcards and buissness cards.
AP149.S3.SS1.090
Description:
Group consist of photographs of the group working on the Beijing Renewal projects, in collaboration with the R.A.I.C.. Also includes somes photographs taken during the Natinal Elements workshop in Chongquing. Also includes postcards and buissness cards.
People:
Date:
1980s
1980s
Title:
Photographs of the Beijing Renewal project collaboration
Actions:
AP149.S3.SS1.090
Description:
Group consist of photographs of the group working on the Beijing Renewal projects, in collaboration with the R.A.I.C.. Also includes somes photographs taken during the Natinal Elements workshop in Chongquing. Also includes postcards and buissness cards.
Photographs of the Beijing Renewal project collaboration
Actions:
AP149.S3.SS1.090
Description:
Group consist of photographs of the group working on the Beijing Renewal projects, in collaboration with the R.A.I.C.. Also includes somes photographs taken during the Natinal Elements workshop in Chongquing. Also includes postcards and buissness cards.
Form:
photographs
photographs
Date:
1980s
1980s
People:
Level of archival description:
Project
Project
Reference number:
AP164.S1.2005.D7
Description:
The project series documents prototypes for small, medium and large homes in Beijing, China. The firm identified this project as number 111. Documenting the project are reference materials, project descriptions, contracts, correspondence and a model.
AP164.S1.2005.D7
Description:
The project series documents prototypes for small, medium and large homes in Beijing, China. The firm identified this project as number 111. Documenting the project are reference materials, project descriptions, contracts, correspondence and a model.
People:
Date:
2005-2006
2005-2006
Title:
Villa en Forest Forever, Beijing, China (2005)
Actions:
AP164.S1.2005.D7
Description:
The project series documents prototypes for small, medium and large homes in Beijing, China. The firm identified this project as number 111. Documenting the project are reference materials, project descriptions, contracts, correspondence and a model.
Villa en Forest Forever, Beijing, China (2005)
Actions:
AP164.S1.2005.D7
Description:
The project series documents prototypes for small, medium and large homes in Beijing, China. The firm identified this project as number 111. Documenting the project are reference materials, project descriptions, contracts, correspondence and a model.
Level of archival description:
Project
Project
Date:
2005-2006
2005-2006
People:
Form:
drawings
drawings
Reference number:
AP149.S2.SS3.027
AP149.S2.SS3.027
People:
Date:
1980s
1980s
Form:
drawings
drawings
Date:
1980s
1980s
People:
Level of archival description:
Series
Series
Reference number:
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
People:
Date:
2000 - 2007
2000 - 2007
Title:
Tongxian Art Center, Beijing, China (2000 - 2007)
Actions:
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
Tongxian Art Center, Beijing, China (2000 - 2007)
Actions:
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
Level of archival description:
Series
Series
Date:
2000 - 2007
2000 - 2007
People:
Form:
models
models
Actions:
Reference number:
ARCH283671
ARCH283671
People:
Date:
2005
2005
Form:
textual records
textual records
Reference number:
AP179.S3.038
AP179.S3.038
People:
Date:
2000
2000
Form:
textual records
textual records
Date:
2000
2000
People:
Form:
textual records
textual records
Reference number:
AP179.S3.044
AP179.S3.044
People:
Date:
2003
2003
Form:
textual records
textual records
Date:
2003
2003
People:
Form:
textual records
textual records
Reference number:
AP179.S3.045
AP179.S3.045
People:
Date:
2003
2003
Form:
textual records
textual records
Date:
2003
2003
People:
