Robert Burley, CCA Mellon Senior Fellow and Assistant Professor at Ryerson University, speaks on “The Architecture of Photography in an Age of Obsolescence.” The CCA Mellon Foundation Senior Fellowship Program was established in 2001 to encourage advanced research in architectural history and thought. With the generous support of The Andrew W. Mellon Foundation,(...)
Paul Desmarais Theatre
16 September 2010, 6pm
Robert Burley: The Architecture of Photography in an Age of Obsolescence
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Robert Burley, CCA Mellon Senior Fellow and Assistant Professor at Ryerson University, speaks on “The Architecture of Photography in an Age of Obsolescence.” The CCA Mellon Foundation Senior Fellowship Program was established in 2001 to encourage advanced research in architectural history and thought. With the generous support of The Andrew W. Mellon Foundation,(...)
Paul Desmarais Theatre
Liquidated Architecture
American urban planner and designer Damon Rich examines the links among politics, architecture, and history. His research analyses the evolution of the real estate market – foreclosures, mortgages, construction and zoning. He is also a collaborator of the Center for Urban Pedagogy (CUP), an organization based in Brooklyn that studies movements within cities and their(...)
Paul Desmarais Theatre
26 February 2009
Liquidated Architecture
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American urban planner and designer Damon Rich examines the links among politics, architecture, and history. His research analyses the evolution of the real estate market – foreclosures, mortgages, construction and zoning. He is also a collaborator of the Center for Urban Pedagogy (CUP), an organization based in Brooklyn that studies movements within cities and their(...)
Paul Desmarais Theatre
Rebecca Solnit, 2008 CCA Mellon Senior Fellow, is an independent writer, historian, and activist with a particular interest in geography, landscape, slowness, insurrection, photography, indirect routes and subjects that escape category. She lives in San Francisco, has received various awards, including the Lannan, a Guggenheim, and the Western Writers of America Spur(...)
9 October 2008
Rebecca Solnit: The Ruins of Hope, Hope in the Ruins
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Rebecca Solnit, 2008 CCA Mellon Senior Fellow, is an independent writer, historian, and activist with a particular interest in geography, landscape, slowness, insurrection, photography, indirect routes and subjects that escape category. She lives in San Francisco, has received various awards, including the Lannan, a Guggenheim, and the Western Writers of America Spur(...)
Shaughnessy House
30 July 2009 , 6PM
Shaughnessy House
Meat and dairy products are ubiquitous ingredients in the globe’s diet. However, the buildings that transform living beings into commodities are usually hidden from the public eye. The architecture of factory farming may seem anonymous and banal, and yet it is made possible by sophisticated technologies and practices of biosecurity. How was the design of intensive animal(...)
20 July 2023, 6pm to 7:30pm
Cages for non-humans: An architectural history of animal farming
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Meat and dairy products are ubiquitous ingredients in the globe’s diet. However, the buildings that transform living beings into commodities are usually hidden from the public eye. The architecture of factory farming may seem anonymous and banal, and yet it is made possible by sophisticated technologies and practices of biosecurity. How was the design of intensive animal(...)
Visiting Scholar Tamar Zinguer presents her research: This talk explores the attraction that the quantitatively precise literary term “degree zero” holds. Through a selection of historic references to the zero degree in and about architecture, the talk articulates a plurality of zeroes and different modalities of nothingness as they apply to the discipline of(...)
Shaughnessy House
10 July 2014, 6PM
Visiting Scholar Seminar: Tamar Zinguer
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Visiting Scholar Tamar Zinguer presents her research: This talk explores the attraction that the quantitatively precise literary term “degree zero” holds. Through a selection of historic references to the zero degree in and about architecture, the talk articulates a plurality of zeroes and different modalities of nothingness as they apply to the discipline of(...)
Shaughnessy House
In 1982, the CCA organized its first exhibition, Photography and Architecture: 1839–1939, prior to the construction of the CCA’s current building. The exhibition was shown in Galerie Lempertz Contempora in Cologne (1982), the Art Institute of Chicago (1983), the Cooper-Hewitt National Design Museum in New York (1983), Centre Georges Pompidou in Paris (1984), and the(...)
15 September 1982 to 16 October 1982
Photography and Architecture: 1839–1939
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In 1982, the CCA organized its first exhibition, Photography and Architecture: 1839–1939, prior to the construction of the CCA’s current building. The exhibition was shown in Galerie Lempertz Contempora in Cologne (1982), the Art Institute of Chicago (1983), the Cooper-Hewitt National Design Museum in New York (1983), Centre Georges Pompidou in Paris (1984), and the(...)
Devices of Design
A collaboration between the CCA and the Daniel Langlois Foundation for Art, Science, and Technology, Devices of Design was initiated in response to the increasingly widespread use of digital media and software technologies in architectural design and construction. A colloquium and a subsequent roundtable discussion address both the consequences that this shift implies for(...)
Paul-Desmarais Theatre
18 November 2004 to 19 November 2004
Devices of Design
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A collaboration between the CCA and the Daniel Langlois Foundation for Art, Science, and Technology, Devices of Design was initiated in response to the increasingly widespread use of digital media and software technologies in architectural design and construction. A colloquium and a subsequent roundtable discussion address both the consequences that this shift implies for(...)
Paul-Desmarais Theatre
articles
A history of references
The exhibition addresses a central and timely aspect of the work of Carlo Scarpa: its distinctive approach to contending with the layers of history that mark the fabric of a city and a building. In addressing Scarpa’s ability to weave new work into, and often out of, the disparate fragments of the old, Carlo Scarpa, Architect: Intervening with History begins to unravel(...)
Main galleries
26 May 1999 to 31 October 1999
Carlo Scarpa, Architect: Intervening with History
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The exhibition addresses a central and timely aspect of the work of Carlo Scarpa: its distinctive approach to contending with the layers of history that mark the fabric of a city and a building. In addressing Scarpa’s ability to weave new work into, and often out of, the disparate fragments of the old, Carlo Scarpa, Architect: Intervening with History begins to unravel(...)
Main galleries