1116 Results
Form:
events
events
Actions:
Description:
Making Mamak is a toolkit for all cultural workers, social organizers, and community members. The toolkit is devised to help commit to local, community-based forms of creating and gathering. Learning from arts collectives in the urban centres of Malaysia, one can develop kinships with one’s own community, formulate mutual aid, appropriate collective spaces, and start(...)
Making Mamak is a toolkit for all cultural workers, social organizers, and community members. The toolkit is devised to help commit to local, community-based forms of creating and gathering. Learning from arts collectives in the urban centres of Malaysia, one can develop kinships with one’s own community, formulate mutual aid, appropriate collective spaces, and start(...)
Date:
2024
2024
Title:
Making Mamak: Collective Ecologies of Urban Space
Actions:
Description:
Making Mamak is a toolkit for all cultural workers, social organizers, and community members. The toolkit is devised to help commit to local, community-based forms of creating and gathering. Learning from arts collectives in the urban centres of Malaysia, one can develop kinships with one’s own community, formulate mutual aid, appropriate collective spaces, and start(...)
Making Mamak: Collective Ecologies of Urban Space
Actions:
Description:
Making Mamak is a toolkit for all cultural workers, social organizers, and community members. The toolkit is devised to help commit to local, community-based forms of creating and gathering. Learning from arts collectives in the urban centres of Malaysia, one can develop kinships with one’s own community, formulate mutual aid, appropriate collective spaces, and start(...)
Form:
events
events
Date:
2024 to
2024
2024 to
2024
Form:
webpages
webpages
Actions:
Summary:
Making Mamak is a toolkit for all cultural workers, social organizers, and community members. The toolkit is devised to help commit to local, community-based forms of creating and gathering. Learning from arts collectives in the urban centres of Malaysia, one can develop kinships with one’s own community, formulate mutual aid, appropriate collective spaces, and start grounded social movements.
Title:
Making Mamak: Collective Ecologies of Urban Space
Actions:
Summary:
Making Mamak: Collective Ecologies of Urban Space
Actions:
Summary:
Making Mamak is a toolkit for all cultural workers, social organizers, and community members. The toolkit is devised to help commit to local, community-based forms of creating and gathering. Learning from arts collectives in the urban centres of Malaysia, one can develop kinships with one’s own community, formulate mutual aid, appropriate collective spaces, and start grounded social movements.
Form:
webpages
webpages
Form:
webpages
webpages
Actions:
Summary:
This project, by the CCA’s 2022-2023 Emerging Curator Clarissa Lim Kye Lee, engages with collectives in the Malay Archipelago with aims of developing a shared toolkit for art and cultural workers globally. Through a series of workshops held in Kuala Lumpur, Malaysia in 2024, this project looks to Malaysian collective ecologies and their relationship to their urban environments for ways to reinscribe a concern for the social in contemporary art and architecture.
Title:
Making Mamak: Collective Ecologies of Urban Space
Actions:
Summary:
Making Mamak: Collective Ecologies of Urban Space
Actions:
Summary:
This project, by the CCA’s 2022-2023 Emerging Curator Clarissa Lim Kye Lee, engages with collectives in the Malay Archipelago with aims of developing a shared toolkit for art and cultural workers globally. Through a series of workshops held in Kuala Lumpur, Malaysia in 2024, this project looks to Malaysian collective ecologies and their relationship to their urban environments for ways to reinscribe a concern for the social in contemporary art and architecture.
Form:
webpages
webpages
Form:
textual records
textual records
![Fear- realization of a new unknown / Edgyness fear & disconfort emotional space; [verso]: Anarchitecture is about making space without building it / A nice place to fuck](/img-collection/GFbhc7zWuX-91z5UbIh97jOgaZI=/500x316/368904.jpg)
Actions:
Reference number:
PHCON2002:0016:001:042.4
PHCON2002:0016:001:042.4
People:
Date:
1970-1978
1970-1978
Form:
textual records
textual records
Date:
1970-1978
1970-1978
People:
Form:
exhibitions
exhibitions
Title:
LAWS
LAWS
Actions:
Description:
Conceived as research-on-display, LAWS is a non-linear exploration of historical and contemporary case studies drawn from the CCA Collection and new commissions centred on Canadian contexts. Archival documents, manuals, drawings, and photography testify to the ever-evolving nature of space-making and policymaking, while workshop, studio, and assembly spaces serve as(...)
Conceived as research-on-display, LAWS is a non-linear exploration of historical and contemporary case studies drawn from the CCA Collection and new commissions centred on Canadian contexts. Archival documents, manuals, drawings, and photography testify to the ever-evolving nature of space-making and policymaking, while workshop, studio, and assembly spaces serve as(...)
Location:
Main Galleries Keyword(s):
law, laws, environment, activism, case studies, space-making, policymaking, negotiation, spatial agency, housing, social justice, Canada
Main Galleries Keyword(s):
law, laws, environment, activism, case studies, space-making, policymaking, negotiation, spatial agency, housing, social justice, Canada
Date:
18 March 2027 to 17 October 2027
18 March 2027 to 17 October 2027
Title:
LAWS
Actions:
Description:
Conceived as research-on-display, LAWS is a non-linear exploration of historical and contemporary case studies drawn from the CCA Collection and new commissions centred on Canadian contexts. Archival documents, manuals, drawings, and photography testify to the ever-evolving nature of space-making and policymaking, while workshop, studio, and assembly spaces serve as(...)
LAWS
Actions:
Description:
Conceived as research-on-display, LAWS is a non-linear exploration of historical and contemporary case studies drawn from the CCA Collection and new commissions centred on Canadian contexts. Archival documents, manuals, drawings, and photography testify to the ever-evolving nature of space-making and policymaking, while workshop, studio, and assembly spaces serve as(...)
Form:
exhibitions
exhibitions
Date:
18 March 2027 to
17 October 2027
18 March 2027 to
17 October 2027
Location:
Main Galleries Keyword(s):
law, laws, environment, activism, case studies, space-making, policymaking, negotiation, spatial agency, housing, social justice, Canada
Main Galleries Keyword(s):
law, laws, environment, activism, case studies, space-making, policymaking, negotiation, spatial agency, housing, social justice, Canada
Level of archival description:
Project
Project
Actions:
Reference number:
AP206.S1.1981.PR03
Description:
This project series documents a residence for Mrs. Shakuntla Khosla in New Delhi around 1981. Located on plot no. 902 in the neighbourhood of New Friends Colony, the project consisted of a three-storey, four bedroom home. The interior area of the floors got consecutively smaller at each higher level, with terraces making up the rest of the space. The top floor was comprised of a barsati. The project is recorded through original drawings of plans, elevations, sections and details, likely dating from around 1981.
AP206.S1.1981.PR03
Description:
This project series documents a residence for Mrs. Shakuntla Khosla in New Delhi around 1981. Located on plot no. 902 in the neighbourhood of New Friends Colony, the project consisted of a three-storey, four bedroom home. The interior area of the floors got consecutively smaller at each higher level, with terraces making up the rest of the space. The top floor was comprised of a barsati. The project is recorded through original drawings of plans, elevations, sections and details, likely dating from around 1981.
People:
Date:
circa 1981
circa 1981
Title:
Residence for Mrs. Shakuntla Khosla, New Delhi, India (circa 1981)
Actions:
AP206.S1.1981.PR03
Description:
This project series documents a residence for Mrs. Shakuntla Khosla in New Delhi around 1981. Located on plot no. 902 in the neighbourhood of New Friends Colony, the project consisted of a three-storey, four bedroom home. The interior area of the floors got consecutively smaller at each higher level, with terraces making up the rest of the space. The top floor was comprised of a barsati. The project is recorded through original drawings of plans, elevations, sections and details, likely dating from around 1981.
Residence for Mrs. Shakuntla Khosla, New Delhi, India (circa 1981)
Actions:
AP206.S1.1981.PR03
Description:
This project series documents a residence for Mrs. Shakuntla Khosla in New Delhi around 1981. Located on plot no. 902 in the neighbourhood of New Friends Colony, the project consisted of a three-storey, four bedroom home. The interior area of the floors got consecutively smaller at each higher level, with terraces making up the rest of the space. The top floor was comprised of a barsati. The project is recorded through original drawings of plans, elevations, sections and details, likely dating from around 1981.
Level of archival description:
Project
Project
Date:
circa 1981
circa 1981
People:
Level of archival description:
Project
Project
Title:
Human Space (2012)
Human Space (2012)
Actions:
Reference number:
AP207.S1.2012.PR06
Description:
The project series documents the installation "Human Wall", designed by Pettena for the Galleria Enrico Fornello in Milan in 2012. The installation consists of a wall made of handmade balls of clay on which the handprints from making the clay balls intentionally remain. "The physicality and action of constructing is also accentuated here by the use of a natural material, clay, whose malleability and lack of homogeneity in themselves generate architecture, an architecture that can however be directed toward a mental use of space." [1] Another edition of this installation was presented at the Utah Museum of Contemporary Art in Salt Lake City in 2012. The project series contains drawings showing the construction of the installation and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-space-2012-1/ (last accessed 27 January 2020)
AP207.S1.2012.PR06
Description:
The project series documents the installation "Human Wall", designed by Pettena for the Galleria Enrico Fornello in Milan in 2012. The installation consists of a wall made of handmade balls of clay on which the handprints from making the clay balls intentionally remain. "The physicality and action of constructing is also accentuated here by the use of a natural material, clay, whose malleability and lack of homogeneity in themselves generate architecture, an architecture that can however be directed toward a mental use of space." [1] Another edition of this installation was presented at the Utah Museum of Contemporary Art in Salt Lake City in 2012. The project series contains drawings showing the construction of the installation and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-space-2012-1/ (last accessed 27 January 2020)
People:
Date:
2011-2015
2011-2015
Title:
Human Space (2012)
Actions:
AP207.S1.2012.PR06
Description:
The project series documents the installation "Human Wall", designed by Pettena for the Galleria Enrico Fornello in Milan in 2012. The installation consists of a wall made of handmade balls of clay on which the handprints from making the clay balls intentionally remain. "The physicality and action of constructing is also accentuated here by the use of a natural material, clay, whose malleability and lack of homogeneity in themselves generate architecture, an architecture that can however be directed toward a mental use of space." [1] Another edition of this installation was presented at the Utah Museum of Contemporary Art in Salt Lake City in 2012. The project series contains drawings showing the construction of the installation and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-space-2012-1/ (last accessed 27 January 2020)
Human Space (2012)
Actions:
AP207.S1.2012.PR06
Description:
The project series documents the installation "Human Wall", designed by Pettena for the Galleria Enrico Fornello in Milan in 2012. The installation consists of a wall made of handmade balls of clay on which the handprints from making the clay balls intentionally remain. "The physicality and action of constructing is also accentuated here by the use of a natural material, clay, whose malleability and lack of homogeneity in themselves generate architecture, an architecture that can however be directed toward a mental use of space." [1] Another edition of this installation was presented at the Utah Museum of Contemporary Art in Salt Lake City in 2012. The project series contains drawings showing the construction of the installation and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-space-2012-1/ (last accessed 27 January 2020)
Level of archival description:
Project
Project
Date:
2011-2015
2011-2015
People:
Level of archival description:
Project
Project
Reference number:
AP075.S1.1952.PR02
Description:
This project series documents Cornelia Hahn Oberlander's landscape design for the Mill Creek Public Housing Complex between 40th Street, Aspen Street, and Fairmount Avenue in Philadelphia, Pennsylvania. Oberlander worked on this project in the early 1950s as Dan Kiley's associate. They both were consulting for Louis Kahn's office, Kahn, McAllister, Braik, & Day. The first phase of the project consisted of a complex of three seventeen-storey apartment towers accomodating 218 units on a four-acre site. The landscape design consisted of a system of pedestrian areas to connect the site with the city, including a central alley linking Fairmount Avenue to a common green space. Trees to provide shade were planted around the parking spaces and the housing towers. The project was completed in 1954, but most of the landscaping by Kiley and Oberlander was never realized. The Mill Creek complex was demolished in 2002 to make space for the new low-rise public housing development. The project series contains only two reprographic copies of landscape plans. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
AP075.S1.1952.PR02
Description:
This project series documents Cornelia Hahn Oberlander's landscape design for the Mill Creek Public Housing Complex between 40th Street, Aspen Street, and Fairmount Avenue in Philadelphia, Pennsylvania. Oberlander worked on this project in the early 1950s as Dan Kiley's associate. They both were consulting for Louis Kahn's office, Kahn, McAllister, Braik, & Day. The first phase of the project consisted of a complex of three seventeen-storey apartment towers accomodating 218 units on a four-acre site. The landscape design consisted of a system of pedestrian areas to connect the site with the city, including a central alley linking Fairmount Avenue to a common green space. Trees to provide shade were planted around the parking spaces and the housing towers. The project was completed in 1954, but most of the landscaping by Kiley and Oberlander was never realized. The Mill Creek complex was demolished in 2002 to make space for the new low-rise public housing development. The project series contains only two reprographic copies of landscape plans. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
People:
Date:
1952-1953
1952-1953
Title:
Mills Creek Public Housing, Philadelphia, Pennsylvania (1952-1953)
Actions:
AP075.S1.1952.PR02
Description:
This project series documents Cornelia Hahn Oberlander's landscape design for the Mill Creek Public Housing Complex between 40th Street, Aspen Street, and Fairmount Avenue in Philadelphia, Pennsylvania. Oberlander worked on this project in the early 1950s as Dan Kiley's associate. They both were consulting for Louis Kahn's office, Kahn, McAllister, Braik, & Day. The first phase of the project consisted of a complex of three seventeen-storey apartment towers accomodating 218 units on a four-acre site. The landscape design consisted of a system of pedestrian areas to connect the site with the city, including a central alley linking Fairmount Avenue to a common green space. Trees to provide shade were planted around the parking spaces and the housing towers. The project was completed in 1954, but most of the landscaping by Kiley and Oberlander was never realized. The Mill Creek complex was demolished in 2002 to make space for the new low-rise public housing development. The project series contains only two reprographic copies of landscape plans. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Mills Creek Public Housing, Philadelphia, Pennsylvania (1952-1953)
Actions:
AP075.S1.1952.PR02
Description:
This project series documents Cornelia Hahn Oberlander's landscape design for the Mill Creek Public Housing Complex between 40th Street, Aspen Street, and Fairmount Avenue in Philadelphia, Pennsylvania. Oberlander worked on this project in the early 1950s as Dan Kiley's associate. They both were consulting for Louis Kahn's office, Kahn, McAllister, Braik, & Day. The first phase of the project consisted of a complex of three seventeen-storey apartment towers accomodating 218 units on a four-acre site. The landscape design consisted of a system of pedestrian areas to connect the site with the city, including a central alley linking Fairmount Avenue to a common green space. Trees to provide shade were planted around the parking spaces and the housing towers. The project was completed in 1954, but most of the landscaping by Kiley and Oberlander was never realized. The Mill Creek complex was demolished in 2002 to make space for the new low-rise public housing development. The project series contains only two reprographic copies of landscape plans. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Level of archival description:
Project
Project
Date:
1952-1953
1952-1953
People:
Level of archival description:
Project
Project
Reference number:
AP164.S1.1993.D5
Description:
This project series documents the planning or reorganisation of the central sector of Abandoibarra, in Bilbao. The firm identified this project as number 83. At the time, the development of this area was essential for the development of the city. The firm described their project as: “[...] The centre of attention would be transferred from the material to the space between the things, working with the void: making a project of air, converting the dimensional [sic], the distance between the things, the public space (ARCH270975)." The project was developed by the Abalos & Herreros with César Azcárate and Patxi Mangado. They also worked with Eva Gómez, Juan Lahuerta, David Torres and Carlos Urtailquil. In 1993, the project won first prize at the competition Ordenación Abando-Ibarra, an open national competition organised by the Ayuntamiento de Bilbao (Bilbao City Council) and Colegio de Arquitectos del País Vasco y Navarra. This qualified the project for the international level of the competetion. However the project was not selected for the final round. Documenting the project are conceptual and design development drawings, and photographic materials.
AP164.S1.1993.D5
Description:
This project series documents the planning or reorganisation of the central sector of Abandoibarra, in Bilbao. The firm identified this project as number 83. At the time, the development of this area was essential for the development of the city. The firm described their project as: “[...] The centre of attention would be transferred from the material to the space between the things, working with the void: making a project of air, converting the dimensional [sic], the distance between the things, the public space (ARCH270975)." The project was developed by the Abalos & Herreros with César Azcárate and Patxi Mangado. They also worked with Eva Gómez, Juan Lahuerta, David Torres and Carlos Urtailquil. In 1993, the project won first prize at the competition Ordenación Abando-Ibarra, an open national competition organised by the Ayuntamiento de Bilbao (Bilbao City Council) and Colegio de Arquitectos del País Vasco y Navarra. This qualified the project for the international level of the competetion. However the project was not selected for the final round. Documenting the project are conceptual and design development drawings, and photographic materials.
People:
Date:
1993-1997
1993-1997
Title:
Ordenación del área de Abandoibarra, Bilbao, Spain (1993)
Actions:
AP164.S1.1993.D5
Description:
This project series documents the planning or reorganisation of the central sector of Abandoibarra, in Bilbao. The firm identified this project as number 83. At the time, the development of this area was essential for the development of the city. The firm described their project as: “[...] The centre of attention would be transferred from the material to the space between the things, working with the void: making a project of air, converting the dimensional [sic], the distance between the things, the public space (ARCH270975)." The project was developed by the Abalos & Herreros with César Azcárate and Patxi Mangado. They also worked with Eva Gómez, Juan Lahuerta, David Torres and Carlos Urtailquil. In 1993, the project won first prize at the competition Ordenación Abando-Ibarra, an open national competition organised by the Ayuntamiento de Bilbao (Bilbao City Council) and Colegio de Arquitectos del País Vasco y Navarra. This qualified the project for the international level of the competetion. However the project was not selected for the final round. Documenting the project are conceptual and design development drawings, and photographic materials.
Ordenación del área de Abandoibarra, Bilbao, Spain (1993)
Actions:
AP164.S1.1993.D5
Description:
This project series documents the planning or reorganisation of the central sector of Abandoibarra, in Bilbao. The firm identified this project as number 83. At the time, the development of this area was essential for the development of the city. The firm described their project as: “[...] The centre of attention would be transferred from the material to the space between the things, working with the void: making a project of air, converting the dimensional [sic], the distance between the things, the public space (ARCH270975)." The project was developed by the Abalos & Herreros with César Azcárate and Patxi Mangado. They also worked with Eva Gómez, Juan Lahuerta, David Torres and Carlos Urtailquil. In 1993, the project won first prize at the competition Ordenación Abando-Ibarra, an open national competition organised by the Ayuntamiento de Bilbao (Bilbao City Council) and Colegio de Arquitectos del País Vasco y Navarra. This qualified the project for the international level of the competetion. However the project was not selected for the final round. Documenting the project are conceptual and design development drawings, and photographic materials.
Level of archival description:
Project
Project
Date:
1993-1997
1993-1997
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP164.S1.2002.D11
Description:
The project series documents the public commission for a project of the hotel, clubhouse and golf course ''El Toyo'', in Almería, Spain. The promoter was Alboran Golf U.T.E. The firm identified this project as number 155. The hotel has 90 double rooms including 3 suites, storage room, and a technical space underground. The roof was designed as an ecological green space, including a running path and the club house was arranged as a pavillion. "Making use of the differences in height created by the terraces proposed for the hotels Gran Terrace with the swimming pool, the Club-House will appear as a fold in the terrain, practically a topographic accident since it will be constructed by inclined concrete slabs which generate the interior space. The roof is accessible turning itself into a viewing platform for the whole complex, a strategy which gives the club a strong landscaping character.” (ARCH270975) Abalos & Herreros worked with José Maria Ezquiaga, Ángel Jaramillo Esteban, Elena Jaramillo Sánchez, Ángel Jaramillo Sánchez, Ramón Espinosa Garcia-Bermúdez, Leopoldo Espinosa Herraiz and OMA, Agustí Obiol y Luis Moya. The team won first prize for their project. It was not built, but was approved. Documenting the project are design development, presentation and working drawings, digital and reference materials, minutes, clippings, resumes, presentation documents, and project descriptions.
AP164.S1.2002.D11
Description:
The project series documents the public commission for a project of the hotel, clubhouse and golf course ''El Toyo'', in Almería, Spain. The promoter was Alboran Golf U.T.E. The firm identified this project as number 155. The hotel has 90 double rooms including 3 suites, storage room, and a technical space underground. The roof was designed as an ecological green space, including a running path and the club house was arranged as a pavillion. "Making use of the differences in height created by the terraces proposed for the hotels Gran Terrace with the swimming pool, the Club-House will appear as a fold in the terrain, practically a topographic accident since it will be constructed by inclined concrete slabs which generate the interior space. The roof is accessible turning itself into a viewing platform for the whole complex, a strategy which gives the club a strong landscaping character.” (ARCH270975) Abalos & Herreros worked with José Maria Ezquiaga, Ángel Jaramillo Esteban, Elena Jaramillo Sánchez, Ángel Jaramillo Sánchez, Ramón Espinosa Garcia-Bermúdez, Leopoldo Espinosa Herraiz and OMA, Agustí Obiol y Luis Moya. The team won first prize for their project. It was not built, but was approved. Documenting the project are design development, presentation and working drawings, digital and reference materials, minutes, clippings, resumes, presentation documents, and project descriptions.
People:
Date:
2000-2005
2000-2005
Title:
Hotel Toyo, Almería, Spain (2002)
Actions:
AP164.S1.2002.D11
Description:
The project series documents the public commission for a project of the hotel, clubhouse and golf course ''El Toyo'', in Almería, Spain. The promoter was Alboran Golf U.T.E. The firm identified this project as number 155. The hotel has 90 double rooms including 3 suites, storage room, and a technical space underground. The roof was designed as an ecological green space, including a running path and the club house was arranged as a pavillion. "Making use of the differences in height created by the terraces proposed for the hotels Gran Terrace with the swimming pool, the Club-House will appear as a fold in the terrain, practically a topographic accident since it will be constructed by inclined concrete slabs which generate the interior space. The roof is accessible turning itself into a viewing platform for the whole complex, a strategy which gives the club a strong landscaping character.” (ARCH270975) Abalos & Herreros worked with José Maria Ezquiaga, Ángel Jaramillo Esteban, Elena Jaramillo Sánchez, Ángel Jaramillo Sánchez, Ramón Espinosa Garcia-Bermúdez, Leopoldo Espinosa Herraiz and OMA, Agustí Obiol y Luis Moya. The team won first prize for their project. It was not built, but was approved. Documenting the project are design development, presentation and working drawings, digital and reference materials, minutes, clippings, resumes, presentation documents, and project descriptions.
Hotel Toyo, Almería, Spain (2002)
Actions:
AP164.S1.2002.D11
Description:
The project series documents the public commission for a project of the hotel, clubhouse and golf course ''El Toyo'', in Almería, Spain. The promoter was Alboran Golf U.T.E. The firm identified this project as number 155. The hotel has 90 double rooms including 3 suites, storage room, and a technical space underground. The roof was designed as an ecological green space, including a running path and the club house was arranged as a pavillion. "Making use of the differences in height created by the terraces proposed for the hotels Gran Terrace with the swimming pool, the Club-House will appear as a fold in the terrain, practically a topographic accident since it will be constructed by inclined concrete slabs which generate the interior space. The roof is accessible turning itself into a viewing platform for the whole complex, a strategy which gives the club a strong landscaping character.” (ARCH270975) Abalos & Herreros worked with José Maria Ezquiaga, Ángel Jaramillo Esteban, Elena Jaramillo Sánchez, Ángel Jaramillo Sánchez, Ramón Espinosa Garcia-Bermúdez, Leopoldo Espinosa Herraiz and OMA, Agustí Obiol y Luis Moya. The team won first prize for their project. It was not built, but was approved. Documenting the project are design development, presentation and working drawings, digital and reference materials, minutes, clippings, resumes, presentation documents, and project descriptions.
Level of archival description:
Project
Project
Date:
2000-2005
2000-2005
People:
