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This edition begins with a conversation with Pier Vittorio Aureli and MartinoTattara, the founders of Dogma, an architectural firm concerned with the relationship between architecture and the city. By focusing mostly on urban design and large-scale projects, they consult with municipalities and agencies for urban planning and architectural issues. Atypically, El Croquis(...)
El Croquis 208 : Dogma (2002-2021) familiar / unfamiliar
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This edition begins with a conversation with Pier Vittorio Aureli and MartinoTattara, the founders of Dogma, an architectural firm concerned with the relationship between architecture and the city. By focusing mostly on urban design and large-scale projects, they consult with municipalities and agencies for urban planning and architectural issues. Atypically, El Croquis is this time only featuring plans not yet constructed, including a model for a city of 4,000,000 Inhabitants, a proposal for 44 social housing units, and a prototype for boarding houses in London. Timely articles about urban transformation follow, including an interesting genealogy of housing for the laboring classes.
El Croquis
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Issue 188 : Tham & Videgard, 2005-2017
El croquis 188 : Tham & Videgard
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Issue 188 : Tham & Videgard, 2005-2017
El Croquis
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el croquis issue 190 available
El Croquis 190: RCR Arquitectes 2012/17
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el croquis issue 190 available
El Croquis
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The magazine profiles Alvaro Siza’s recent work in this special edition. Featuring projects since 2015, it underlines why the Portuguese architect remains one of the most respected designers today. A variety of typologies and scales are covered, from extremely compact works such as the Clay Pavilion for teaching local earthenware techniques in Oaxaca (Mexico), a chapel in(...)
El Croquis 215/216 : Alvaro Siza 2015-2022, self-portrait
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The magazine profiles Alvaro Siza’s recent work in this special edition. Featuring projects since 2015, it underlines why the Portuguese architect remains one of the most respected designers today. A variety of typologies and scales are covered, from extremely compact works such as the Clay Pavilion for teaching local earthenware techniques in Oaxaca (Mexico), a chapel in Miljana (Croatia) as part of a farmhouse restoration project, and an observation tower with lookout post in the Portuguese mountains, to prominent works like the Huamao Museum of Art Education (China) and the Gramaxo Foundation Headquarters in Maia (Portugal), and many more.
El Croquis
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One of the main arguments in the narratives of modernity, though often disputed, is that which relates its urgency with the development of new materials, like window glass in large dimensions, reinforced concrete or rolled steel. The second issue of Collective Experiments contains projects by Andrés Jaque, Fabrizio Barozzi & Alberto Veiga, Antonio Jiménez Torrecillas,(...)
El croquis 149: Collective experiments II
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One of the main arguments in the narratives of modernity, though often disputed, is that which relates its urgency with the development of new materials, like window glass in large dimensions, reinforced concrete or rolled steel. The second issue of Collective Experiments contains projects by Andrés Jaque, Fabrizio Barozzi & Alberto Veiga, Antonio Jiménez Torrecillas, Federico Soriano & Dolores Palacios, Javier García Solera, Juan Carlos Sancho Osinaga y Sol Madridejos, Luis Moreno Mansilla & Emilio Tuñón.
El Croquis
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A selection of the most prominent works of architecture selected by El Croquis with an introduction by Juan Antonio Cortés and an essay by William Curtis. Among the works are the Sendai Mediatheque by Toyo Ito, the Dutch Embassy in Berlin by Rem Koolhaas, the Braga Municipal Stadium by Eduardo Souto de Moura, the Prada Aoyama Epicenter by Herzog & De Meuron in Tokyo, the(...)
El Croquis: The very best works at the turn of the century
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A selection of the most prominent works of architecture selected by El Croquis with an introduction by Juan Antonio Cortés and an essay by William Curtis. Among the works are the Sendai Mediatheque by Toyo Ito, the Dutch Embassy in Berlin by Rem Koolhaas, the Braga Municipal Stadium by Eduardo Souto de Moura, the Prada Aoyama Epicenter by Herzog & De Meuron in Tokyo, the Nelson Atkins Museum of Art expansion by Steven Holl, the Neues Museum by David Chipperfield, the Toledo Glass Pavilion by SANAA-Sejima & Nishizawa and others.
El Croquis
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This edition focuses on work completed between 2002-2013, featuring eighteen exemplary projects, from residences and schools to museums and public buildings. Besides an interview with the architect, an essay by Juan Antonio Cortés explains how territory and landscape play a role in his oeuvre. Notable works include the Lisbon Cruise Terminal, Candeias House, Belém Palace(...)
El croquis 170: Joao Luis Carrilho Da Graca
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This edition focuses on work completed between 2002-2013, featuring eighteen exemplary projects, from residences and schools to museums and public buildings. Besides an interview with the architect, an essay by Juan Antonio Cortés explains how territory and landscape play a role in his oeuvre. Notable works include the Lisbon Cruise Terminal, Candeias House, Belém Palace Archive, Carpinteira Pedestrian Bridge and more.
El Croquis
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The magazine once again brings the Japanese architecture powerhouse duo of Kazuyo Sejima and Ryue Nishizawa into the spotlight, highlighting their collaborative and individual work between 2015 and 2023. Featuring even more projects than part one (‘El Croquis’ 205), it also includes an essay by architecture critic and curator Bart Lootsma. Notable works are the New(...)
El Croquis 220-221: SANAA II (2015-2023)
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The magazine once again brings the Japanese architecture powerhouse duo of Kazuyo Sejima and Ryue Nishizawa into the spotlight, highlighting their collaborative and individual work between 2015 and 2023. Featuring even more projects than part one (‘El Croquis’ 205), it also includes an essay by architecture critic and curator Bart Lootsma. Notable works are the New National Gallery in Budapest, a canopy for Umekita Park in Osaka, and the Suzhou Arts Theatre (SANAA); Nichia Corporation Yokohama Research Centre and three private homes (Sejima); and Mishima Office Building and the Sirakawa Exit Plaza at Kumamoto Station in southern Japan (Nishizawa).
El Croquis
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Weighing three and a half kilograms, this colossal volume combines three previous El Croquis editions examining the work of Gehry, namely numbers 45, 74/75 and 117. Forming a comprehensive overview the volume examines a total of thirty-five projects, all documented with sketches, elevations, diagrams and full page images of completed buildings. Also features interviews(...)
El Croquis
January 1900, Madrid
El croquis : Frank Gehry, 1987-2003
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Weighing three and a half kilograms, this colossal volume combines three previous El Croquis editions examining the work of Gehry, namely numbers 45, 74/75 and 117. Forming a comprehensive overview the volume examines a total of thirty-five projects, all documented with sketches, elevations, diagrams and full page images of completed buildings. Also features interviews with Gehry and various essays examining his work within a broader context.
El Croquis
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The global renaissance in architecture has afforded Portuguese architect Alvaro Siza a wide range of opportunities to generate new and exciting architecture over recent years. These buildings and projects reflect Siza's continuing belief, in his own words, that ‘the limits of a building can be found in the way the relations between exterior and interior are controlled.'(...)
El Croquis
August 2008, Madrid
El Croquis 140 Alvaro Siza 2001-2008
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The global renaissance in architecture has afforded Portuguese architect Alvaro Siza a wide range of opportunities to generate new and exciting architecture over recent years. These buildings and projects reflect Siza's continuing belief, in his own words, that ‘the limits of a building can be found in the way the relations between exterior and interior are controlled.' Seventeen projects built over the last eight years, including Maison van Middelem-Dupont, the Multipurpose Pavilion, Gondomar, House in Majorca, Armande Passos House, Anyang Pavilion, and the Museum for the Ibere Carmago Foundation are thoroughly examined in this volume. All are accompanied by full page colour photographs, sketches, plans, elevations, models, and introduced by an extensive interview with the architect.
El Croquis