As the Earth’s climate reaches a state of constant instability, there is growing awareness of how global warming can affect human rights and increase social strife. Less attention has been paid to the ways in which political violence and human rights abuses, from past and present, constitute driving factors in the transformations of the global environment and climate.(...)
Paul Demarais Theatre
1 December 2016, 6pm
In the Frontiers of Climate Change (Toward a Politics of Nonhuman Rights)
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As the Earth’s climate reaches a state of constant instability, there is growing awareness of how global warming can affect human rights and increase social strife. Less attention has been paid to the ways in which political violence and human rights abuses, from past and present, constitute driving factors in the transformations of the global environment and climate.(...)
Paul Demarais Theatre
The formaldehyde-based resins that bind pressed woods are an overlooked, yet foundational, agent in the homemaking and technological dreamworlds of mid-twentieth century North America. Formaldehyde, an irritant, allergen, neurotoxin, and carcinogen, undergirds much of the comfort, security, and affordability of the modern home. In this talk Nicholas Shapiro tracks(...)
9 March 2017
When Shelter Becomes Exposure
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The formaldehyde-based resins that bind pressed woods are an overlooked, yet foundational, agent in the homemaking and technological dreamworlds of mid-twentieth century North America. Formaldehyde, an irritant, allergen, neurotoxin, and carcinogen, undergirds much of the comfort, security, and affordability of the modern home. In this talk Nicholas Shapiro tracks(...)
On New Year’s Eve 1987, the people of Gonaïves, an impoverished port town on Haiti’s west coast, awoke to 4,000 tons of toxic ash. Amidst political turmoil in Haiti, officials had approved the import of toxic waste from the United States classified as “fertilizer.” In this case, the ash came from Philadelphia, which was facing a waste management crisis brought on by the(...)
Canada, environment, Jodoin, Müller, It's all happening so fast, toxic, Haiti, voluntary exchange, garbage imperialism, Gonaives
16 March 2017
Here It Is Toxic, There It Is Not
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On New Year’s Eve 1987, the people of Gonaïves, an impoverished port town on Haiti’s west coast, awoke to 4,000 tons of toxic ash. Amidst political turmoil in Haiti, officials had approved the import of toxic waste from the United States classified as “fertilizer.” In this case, the ash came from Philadelphia, which was facing a waste management crisis brought on by the(...)
Canada, environment, Jodoin, Müller, It's all happening so fast, toxic, Haiti, voluntary exchange, garbage imperialism, Gonaives
Kazuo Shinohara was a deeply influential figure in postwar architecture in Japan best known for his individual houses, but he remains little studied today, especially outside Japan. Shinohara connected traditional forms and an investigation of modernist tenets with the high-tech and information technology moments yet to come. What was his attitude toward history, and how(...)
Paul Desmarais Theatre Keyword(s):
David B. Stewart, Kazuo Shinohara, What is/was history for…
21 September 2017, 6:30pm
David B. Stewart, what was history for Kazuo Shinohara?
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Kazuo Shinohara was a deeply influential figure in postwar architecture in Japan best known for his individual houses, but he remains little studied today, especially outside Japan. Shinohara connected traditional forms and an investigation of modernist tenets with the high-tech and information technology moments yet to come. What was his attitude toward history, and how(...)
Paul Desmarais Theatre Keyword(s):
David B. Stewart, Kazuo Shinohara, What is/was history for…
Mark Lee discusses the influence of John Hejduk’s project Victims (1984) on the work of his firm, Johnston Marklee. 1:1 (1 architect, 1 building) is a series that presents an in-depth look at a building through a contemporary architects perspective. Rescheduled from 22 April 2016.
Paul Desmarais Theatre
8 September 2016, 6pm
1:1: Mark Lee on John Hejduk
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Mark Lee discusses the influence of John Hejduk’s project Victims (1984) on the work of his firm, Johnston Marklee. 1:1 (1 architect, 1 building) is a series that presents an in-depth look at a building through a contemporary architects perspective. Rescheduled from 22 April 2016.
Paul Desmarais Theatre
events
Speed and its Limits
Speed and its Limits explores the pivotal role played by speed in modern life: from art to architecture and urbanism to graphics and design to economics to the material culture of the eras of industry and information. A colloquium organised by the CCA, in collaboration with the Wolfsonian-Florida International University and Stanford Humanities Lab, in preparation for the(...)
Paul Desmarais Theatre
21 June 2008, 9am - 5pm
Speed and its Limits
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Speed and its Limits explores the pivotal role played by speed in modern life: from art to architecture and urbanism to graphics and design to economics to the material culture of the eras of industry and information. A colloquium organised by the CCA, in collaboration with the Wolfsonian-Florida International University and Stanford Humanities Lab, in preparation for the(...)
events
21 June 2008
9am - 5pm
Paul Desmarais Theatre
Soon after the opening of The University Is Now on Air: Broadcasting Modern Architecture, Tim Benton presents another reading of the new exhibition through a counter-tour. Rather than a tour through the galleries that gives voice to the curator’s ideas, counter-tours propose critical, subversive, corrective, or alternative versions of a given project through encounters(...)
16 November 2017
Counter-tour: Tim Benton’s Cut
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Soon after the opening of The University Is Now on Air: Broadcasting Modern Architecture, Tim Benton presents another reading of the new exhibition through a counter-tour. Rather than a tour through the galleries that gives voice to the curator’s ideas, counter-tours propose critical, subversive, corrective, or alternative versions of a given project through encounters(...)
No Parks?
Are parks bad? These quarantined bits of land and water speak to a confused desire for some kind of “nature”—and they might be good for our health—but do they also serve to excuse our continued bad behaviour? Parks are not innocent. City parks are real estate assets and urban “amenities” created by planners, landscape architects, hydrological engineers, police(...)
25 May 2017
No Parks?
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Are parks bad? These quarantined bits of land and water speak to a confused desire for some kind of “nature”—and they might be good for our health—but do they also serve to excuse our continued bad behaviour? Parks are not innocent. City parks are real estate assets and urban “amenities” created by planners, landscape architects, hydrological engineers, police(...)
The history of architecture addresses the relationships between spaces, buildings, urban geometries, and social practices—it tells us how an experience of space corresponds to an experience of the world. To this end, this lecture will analyze the sixteenth-century debate around the completion of the facade of the Basilica of San Petronio in Bologna, partially built in the(...)
Paul Desmarais Theatre Keyword(s):
Guido Beltramini, church of San Petronio, Bologna, Andrea Palladio, Baldassare Peruzzi, Giacomo da Vignola
5 October 2017, 6:30pm
Guido Beltramini, what was history for patrons and architects in Bologna in 1579?
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The history of architecture addresses the relationships between spaces, buildings, urban geometries, and social practices—it tells us how an experience of space corresponds to an experience of the world. To this end, this lecture will analyze the sixteenth-century debate around the completion of the facade of the Basilica of San Petronio in Bologna, partially built in the(...)
Paul Desmarais Theatre Keyword(s):
Guido Beltramini, church of San Petronio, Bologna, Andrea Palladio, Baldassare Peruzzi, Giacomo da Vignola
Paul Desmarais Theatre
1 November 2018, 6:30pm
Paul Desmarais Theatre