The Klee universe
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There are artists whose métier is the observation or documentation of the world, and artists who set the world aside altogether to build their own visionary cosmology, designing its constituent parts from scratch as a personal mythology relayed in motifs. Paul Klee (1879-1940) was such an artist, as his aphorism “Art does not reproduce the visible, rather it makes(...)
The Klee universe
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There are artists whose métier is the observation or documentation of the world, and artists who set the world aside altogether to build their own visionary cosmology, designing its constituent parts from scratch as a personal mythology relayed in motifs. Paul Klee (1879-1940) was such an artist, as his aphorism “Art does not reproduce the visible, rather it makes visible” testifies, and The Klee Universe addresses his work from this perspective. In 1906, Klee noted in his diary, "All will be Klee," and in 1911, as the encyclopedist of his cosmos, he began to meticulously chronicle his works in a catalogue that, by the time he died, was to contain more than 9,000 items. Here, in the fashion of an Orbis Pictus or a Renaissance emblem book, Klee's oeuvre is made legible as a cogent entirety, in thematic units address: the human life cycle, from birth and childhood to sexual desire, parenthood and death; music, architecture, theater and religion; plants, animals and landscapes; and, finally, darker, destructive forces in the shape of war, fear and death. The Klee Universe reimagines the artist as a Renaissance man, an artist of great learning whose cosmos proves to be a coherent system of ideas and images.
Contemporary Art Monographs
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From making platinum prints for Paul Strand and books with Lee Friedlander to his own experiments with inkjet and digital offset processes, and as a teacher and dean of the Yale School of Art, by the time of his death in 2017, Benson had inspired over three decades of students and artisans through his mentorship and work. In words and images, this book stands as a(...)
Object lesson: On the influence of Richard Benson
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From making platinum prints for Paul Strand and books with Lee Friedlander to his own experiments with inkjet and digital offset processes, and as a teacher and dean of the Yale School of Art, by the time of his death in 2017, Benson had inspired over three decades of students and artisans through his mentorship and work. In words and images, this book stands as a testament to Benson’s wit, wisdom, and incomparable obsession with how photographic images render and connect us to the world.
Art Theory
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A representative figure of architecture in Sri Lanka Geoffrey Bawa was a virtuoso in the art of crafting a ‘paradise’. The works that he created until his death in 2003 have been an inspiration to architects not only in Sri Lanka but throughout Asian countries. Born in 1919 Bawa was a crossbreed, an embodiment of Sri Lanka’s history at the crossroads of Europe and Asia.(...)
Residential masterpieces 07 : Geoffrey Bawa, 33rd Lane Colombo, Sri Lanka 1960-98 / Lunuganga, Bentota, Sri Lanka 1948-98
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A representative figure of architecture in Sri Lanka Geoffrey Bawa was a virtuoso in the art of crafting a ‘paradise’. The works that he created until his death in 2003 have been an inspiration to architects not only in Sri Lanka but throughout Asian countries. Born in 1919 Bawa was a crossbreed, an embodiment of Sri Lanka’s history at the crossroads of Europe and Asia. This publication focuses on two of his own houses : his regular house in Colombo and his country house in Bentota.
Architecture Monographs
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Doris Salcedo, a Colombian-born artist, addresses the politics of memory and forgetting in work that embraces fraught situations in dangerous places. Noted critic and theorist Mieke Bal narrates between the disciplines of contemporary culture in order to boldly reimagine the role of the visual arts. In Of What One Cannot Speak, Bal leads us into intimate encounters with(...)
Doris Salcedo's political art: Of what one cannot speak
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Doris Salcedo, a Colombian-born artist, addresses the politics of memory and forgetting in work that embraces fraught situations in dangerous places. Noted critic and theorist Mieke Bal narrates between the disciplines of contemporary culture in order to boldly reimagine the role of the visual arts. In Of What One Cannot Speak, Bal leads us into intimate encounters with Salcedo’s art, encouraging us to consider each work as a “theoretical object” that invites—and demands—certain kinds of considerations about history, death, erasure, and grief.
Contemporary Art Monographs
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Focusing on concepts of spirituality, Heretics looks at themes such as the contrast between good and evil, sacredness, and the relationship between eroticism, sex, and death in the production of forty contemporary artists, including Marina Abramovic, Nobuyoshi Araki, Vanessa Beecroft, Robert Mapplethorpe, Paul McCarthy, and Joel-Peter Witkin. This richly illustrated(...)
Eretica: the transcendent and the profane in contemporary art
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Focusing on concepts of spirituality, Heretics looks at themes such as the contrast between good and evil, sacredness, and the relationship between eroticism, sex, and death in the production of forty contemporary artists, including Marina Abramovic, Nobuyoshi Araki, Vanessa Beecroft, Robert Mapplethorpe, Paul McCarthy, and Joel-Peter Witkin. This richly illustrated anthology includes critical essays by prominent philosophers, anthropologists, and art historians such as Gore Vidal, Faye Waddleton, Jean Baudrillard, Arthur C. Danto, Vito Mancuso, Michel Maffesoli, Pierre Riches, Julien Ries, Arturo Schwarz, and others.
Art Theory
C magazine 160: extra life
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In this issue’s extended editorial note, Bracy Appeikumoh asks, "Was utopia, like extra lives, envisioned as a means of escaping death?" Among the haunting contradictions of living in the imperial core, whose violences seek their own immortality, to seize a different kind of “extra life” takes an extra real imagination. Across virtual game worlds, ancestral inheritances,(...)
C magazine 160: extra life
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In this issue’s extended editorial note, Bracy Appeikumoh asks, "Was utopia, like extra lives, envisioned as a means of escaping death?" Among the haunting contradictions of living in the imperial core, whose violences seek their own immortality, to seize a different kind of “extra life” takes an extra real imagination. Across virtual game worlds, ancestral inheritances, unfinished revolutionary histories, artists’ data storage, and more, contributors to C160 reflect on extra life as a state both surplus and sacred—what persists in age-old cycles of decay.
Magazines
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Combining spectacular location sequences and cinema-quality animation, this program takes you to France's most famous and awe-inspiring cathedrals. You'll travel in time back to 1214 to explore the design of Notre Dame de Beaulieu, a magnificent Gothic cathedral shaped by cultural and religious forces. Take a close look at the vaulted arches, shimmering stained-glass(...)
Cathedral
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Combining spectacular location sequences and cinema-quality animation, this program takes you to France's most famous and awe-inspiring cathedrals. You'll travel in time back to 1214 to explore the design of Notre Dame de Beaulieu, a magnificent Gothic cathedral shaped by cultural and religious forces. Take a close look at the vaulted arches, shimmering stained-glass windows and dizzying vaulted ceilings. This award-winning program also tells compelling stories of life and death, faith and despair, prosperity and intrigue. Narrated by David Macaulay.
Children's Books
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This account of spies, zealots, royal tourists, and people on the brink of death provides a unique and extraordinary history of Montreal. From the city’s founding nearly four centuries ago down to the present day, an astonishing range of people have trod its streets. Priests and princes, heroes and the humble, financial wizards and outright fools—all have their stories to(...)
This island in time: remarkable tales from Montreal's past
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This account of spies, zealots, royal tourists, and people on the brink of death provides a unique and extraordinary history of Montreal. From the city’s founding nearly four centuries ago down to the present day, an astonishing range of people have trod its streets. Priests and princes, heroes and the humble, financial wizards and outright fools—all have their stories to be told. John Kalbfleisch is a long-time Montreal journalist. 'Second Draft' his weekly column in the city's history, appears in the Montreal Gazette.
Architecture de Montréal
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Ian Sullivan Cants zines / illustrated poems are collected here into his first book, Papercut Heart. In deceptively simple pages, he tackles love, death and dreams with a wistful existentialism. Chia pets frolic with narwhals under banners that flutter with secret hope, Frankensteins creation speculates on the nature of self, and a story written entirely in Morse Code(...)
Ian Sullivan Cant: papercut heart a book of zines
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Ian Sullivan Cants zines / illustrated poems are collected here into his first book, Papercut Heart. In deceptively simple pages, he tackles love, death and dreams with a wistful existentialism. Chia pets frolic with narwhals under banners that flutter with secret hope, Frankensteins creation speculates on the nature of self, and a story written entirely in Morse Code weaves through silent statuary. Cants writing confronts the tragic disparity between fantasy and ideal, and the disappointment of reality, but always seeks to touch the reader with melancholy.
Architecture du Québec
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These are the fragments Francis Upritchard has shored against her ruins. Thrift store pots have been remade as canopic urns, ancient Egyptian repositories for the organs of the dead. A gift from a relative, an unwanted wedding present or a memory of a day out, even the tackiest ornament once played a small symbolic function in someone’s life. Now they have been detourned(...)
Francis Upritchard: human problems
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These are the fragments Francis Upritchard has shored against her ruins. Thrift store pots have been remade as canopic urns, ancient Egyptian repositories for the organs of the dead. A gift from a relative, an unwanted wedding present or a memory of a day out, even the tackiest ornament once played a small symbolic function in someone’s life. Now they have been detourned to reveal the underlying purpose of all that frantic personalising and decorating of domestic space, the fabrication of memories to set against death.
Contemporary Art Monographs