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In this breakthrough series of photographs, Deutsche Börse award-winner Mohamed Bourouissa chose to appropriate the codes of history painting by staging scenes with his friends and acquaintances in the Paris banlieues where they used to hang out. Confrontations, gatherings, incidents, looks, and frozen gestures all suggest a palpable tension. Invoking Delacroix as much as(...)
$86.95
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Summary:
In this breakthrough series of photographs, Deutsche Börse award-winner Mohamed Bourouissa chose to appropriate the codes of history painting by staging scenes with his friends and acquaintances in the Paris banlieues where they used to hang out. Confrontations, gatherings, incidents, looks, and frozen gestures all suggest a palpable tension. Invoking Delacroix as much as(...)
Subject:
Photography monographs
Photography monographs
Publication:
November 2021
November 2021
Title:
Mohamed Bourouissa: Périphérique
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In this breakthrough series of photographs, Deutsche Börse award-winner Mohamed Bourouissa chose to appropriate the codes of history painting by staging scenes with his friends and acquaintances in the Paris banlieues where they used to hang out. Confrontations, gatherings, incidents, looks, and frozen gestures all suggest a palpable tension. Invoking Delacroix as much as Jeff Wall, Bourouissa’s high drama in the outskirts of Paris attempts to give a place in French history to individuals usually neglected and overlooked in contemporary society. In Périphérique, Bourouissa uses staging to critique stereotypical representations of these individuals, engaging with and parodying media representations of the banlieues and their inhabitants.
Mohamed Bourouissa: Périphérique
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In this breakthrough series of photographs, Deutsche Börse award-winner Mohamed Bourouissa chose to appropriate the codes of history painting by staging scenes with his friends and acquaintances in the Paris banlieues where they used to hang out. Confrontations, gatherings, incidents, looks, and frozen gestures all suggest a palpable tension. Invoking Delacroix as much as Jeff Wall, Bourouissa’s high drama in the outskirts of Paris attempts to give a place in French history to individuals usually neglected and overlooked in contemporary society. In Périphérique, Bourouissa uses staging to critique stereotypical representations of these individuals, engaging with and parodying media representations of the banlieues and their inhabitants.
Form:
books
books
Publication:
November 2021
November 2021
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Bauhaus: a conceptual model
Bauhaus: a conceptual model
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One of Walter Gropius' guiding principles in founding the Bauhaus was that "design is neither an intellectual nor a material affair, but simply an integral part of the stuff of life, necessary for everyone in a civilized society." As a result of this ethos, Bauhaus artists and designers experimented freely with everything from painting to furniture, producing countless(...)
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One of Walter Gropius' guiding principles in founding the Bauhaus was that "design is neither an intellectual nor a material affair, but simply an integral part of the stuff of life, necessary for everyone in a civilized society." As a result of this ethos, Bauhaus artists and designers experimented freely with everything from painting to furniture, producing countless(...)
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Bauhaus: a conceptual model
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One of Walter Gropius' guiding principles in founding the Bauhaus was that "design is neither an intellectual nor a material affair, but simply an integral part of the stuff of life, necessary for everyone in a civilized society." As a result of this ethos, Bauhaus artists and designers experimented freely with everything from painting to furniture, producing countless masterpieces in many genres. This comprehensive volume takes stock of the Bauhaus' output by highlighting 68 projects, with a particular focus on neglected aspects of the school's legacy. Also featured are essays by the Director of the Bauhaus-Museum in Weimar, Michael Siebenbrodt, and the artist and writer, Jeff Wall.
Bauhaus: a conceptual model
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One of Walter Gropius' guiding principles in founding the Bauhaus was that "design is neither an intellectual nor a material affair, but simply an integral part of the stuff of life, necessary for everyone in a civilized society." As a result of this ethos, Bauhaus artists and designers experimented freely with everything from painting to furniture, producing countless masterpieces in many genres. This comprehensive volume takes stock of the Bauhaus' output by highlighting 68 projects, with a particular focus on neglected aspects of the school's legacy. Also featured are essays by the Director of the Bauhaus-Museum in Weimar, Michael Siebenbrodt, and the artist and writer, Jeff Wall.
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books
books
Publication:
July 2009
July 2009
Subject:
Modernism
Modernism
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books
books
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Parachute was founded in 1975 by Chantal Pontbriand and France Morin. Following the previous three Parachute volumes, this last title of the Parachute anthology focuses on painting, sculpture, installation and architecture. These topics are approached from several perspectives: from new theories of aesthetic production, especially painting, to the expansion of the art(...)
$42.00
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Summary:
Parachute was founded in 1975 by Chantal Pontbriand and France Morin. Following the previous three Parachute volumes, this last title of the Parachute anthology focuses on painting, sculpture, installation and architecture. These topics are approached from several perspectives: from new theories of aesthetic production, especially painting, to the expansion of the art(...)
Title:
Parachute : the anthology, vol. III
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Parachute was founded in 1975 by Chantal Pontbriand and France Morin. Following the previous three Parachute volumes, this last title of the Parachute anthology focuses on painting, sculpture, installation and architecture. These topics are approached from several perspectives: from new theories of aesthetic production, especially painting, to the expansion of the art world to other artistic territories during the 1980s and 1990s (Russia and South America, for instance), from the "lessons" of postmodernism to the proliferation of installation art. The essays discuss works by artists such as Lothar Baumgarten, Mona Hatoum, Guillermo Kuitca, Louise Lawler, Reinhard Mucha, Jackson Pollock, Robert Ryman, Michael Snow and Sots Art artists, and include two particularly seminal artist's essays: Dan Graham on Gordon Matta-Clark, and Jeff Wall on Édouard Manet.
Parachute : the anthology, vol. III
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Parachute was founded in 1975 by Chantal Pontbriand and France Morin. Following the previous three Parachute volumes, this last title of the Parachute anthology focuses on painting, sculpture, installation and architecture. These topics are approached from several perspectives: from new theories of aesthetic production, especially painting, to the expansion of the art world to other artistic territories during the 1980s and 1990s (Russia and South America, for instance), from the "lessons" of postmodernism to the proliferation of installation art. The essays discuss works by artists such as Lothar Baumgarten, Mona Hatoum, Guillermo Kuitca, Louise Lawler, Reinhard Mucha, Jackson Pollock, Robert Ryman, Michael Snow and Sots Art artists, and include two particularly seminal artist's essays: Dan Graham on Gordon Matta-Clark, and Jeff Wall on Édouard Manet.
Form:
books
books
Publication:
February 2015
February 2015
Subject:
Art Theory
Art Theory
Form:
books
books
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Summary:
Parachute was founded in 1975 by Chantal Pontbriand and France Morin. Following the previous three Parachute volumes, this last title of the Parachute anthology focuses on painting, sculpture, installation and architecture. These topics are approached from several perspectives: from new theories of aesthetic production, especially painting, to the expansion of the art(...)
$42.00
(available in store)
Summary:
Parachute was founded in 1975 by Chantal Pontbriand and France Morin. Following the previous three Parachute volumes, this last title of the Parachute anthology focuses on painting, sculpture, installation and architecture. These topics are approached from several perspectives: from new theories of aesthetic production, especially painting, to the expansion of the art(...)
Title:
Parachute: the anthology, vol 4
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$42.00
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Summary:
Parachute was founded in 1975 by Chantal Pontbriand and France Morin. Following the previous three Parachute volumes, this last title of the Parachute anthology focuses on painting, sculpture, installation and architecture. These topics are approached from several perspectives: from new theories of aesthetic production, especially painting, to the expansion of the art world to other artistic territories during the 1980s and 1990s (Russia and South America, for instance), from the "lessons" of postmodernism to the proliferation of installation art. The essays discuss works by artists such as Lothar Baumgarten, Mona Hatoum, Guillermo Kuitca, Louise Lawler, Reinhard Mucha, Jackson Pollock, Robert Ryman, Michael Snow and Sots Art artists, and include two particularly seminal artist's essays: Dan Graham on Gordon Matta-Clark, and Jeff Wall on Édouard Manet.
Parachute: the anthology, vol 4
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$42.00
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Summary:
Parachute was founded in 1975 by Chantal Pontbriand and France Morin. Following the previous three Parachute volumes, this last title of the Parachute anthology focuses on painting, sculpture, installation and architecture. These topics are approached from several perspectives: from new theories of aesthetic production, especially painting, to the expansion of the art world to other artistic territories during the 1980s and 1990s (Russia and South America, for instance), from the "lessons" of postmodernism to the proliferation of installation art. The essays discuss works by artists such as Lothar Baumgarten, Mona Hatoum, Guillermo Kuitca, Louise Lawler, Reinhard Mucha, Jackson Pollock, Robert Ryman, Michael Snow and Sots Art artists, and include two particularly seminal artist's essays: Dan Graham on Gordon Matta-Clark, and Jeff Wall on Édouard Manet.
Form:
books
books
Publication:
June 2015
June 2015
Subject:
Art Theory
Art Theory
Form:
books
books
Price:
$79.95
(available to order)
Summary:
Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries—hardly time enough. But how, in our culture of distraction, might we extend attention? Slow Art models sustained ways of looking, through encounters with various media both present and past—including photography, painting, sculpture, “living pictures,” film, video,(...)
$79.95
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Summary:
Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries—hardly time enough. But how, in our culture of distraction, might we extend attention? Slow Art models sustained ways of looking, through encounters with various media both present and past—including photography, painting, sculpture, “living pictures,” film, video,(...)
Title:
Slow art: the experience of looking, sacred images to James Turrell
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$79.95
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Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries—hardly time enough. But how, in our culture of distraction, might we extend attention? Slow Art models sustained ways of looking, through encounters with various media both present and past—including photography, painting, sculpture, “living pictures,” film, video, digital and performance art—even light and space. Works by Diderot, Emma Hamilton, Oscar Wilde, Jeff Wall, Sam Taylor-Johnson, Andy Warhol, and Richard Serra, among others, shape a new and distinct aesthetic field. But rather than a collection of objects, slow art is participatory—it directly engages beholders to bring artworks to life. Against current orthodoxy, Arden Reed argues that, for contemporary viewers, the contemplation of slow art is akin to religious practices during the ages of faith.
Slow art: the experience of looking, sacred images to James Turrell
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$79.95
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Summary:
Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries—hardly time enough. But how, in our culture of distraction, might we extend attention? Slow Art models sustained ways of looking, through encounters with various media both present and past—including photography, painting, sculpture, “living pictures,” film, video, digital and performance art—even light and space. Works by Diderot, Emma Hamilton, Oscar Wilde, Jeff Wall, Sam Taylor-Johnson, Andy Warhol, and Richard Serra, among others, shape a new and distinct aesthetic field. But rather than a collection of objects, slow art is participatory—it directly engages beholders to bring artworks to life. Against current orthodoxy, Arden Reed argues that, for contemporary viewers, the contemplation of slow art is akin to religious practices during the ages of faith.
Form:
books
books
Publication:
June 2017
June 2017
Subject:
Art Theory
Art Theory
Form:
books
books
Price:
$39.95
(available to order)
Summary:
Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries—hardly time enough. But how, in our culture of distraction, might we extend attention? "Slow Art" models sustained ways of looking, through encounters with various media both present and past—including photography, painting, sculpture, “living pictures,” film, video,(...)
$39.95
(available to order)
Summary:
Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries—hardly time enough. But how, in our culture of distraction, might we extend attention? "Slow Art" models sustained ways of looking, through encounters with various media both present and past—including photography, painting, sculpture, “living pictures,” film, video,(...)
Title:
Slow art: the experience of looking, sacred images to James Turrell
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Price:
$39.95
(available to order)
Summary:
Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries—hardly time enough. But how, in our culture of distraction, might we extend attention? "Slow Art" models sustained ways of looking, through encounters with various media both present and past—including photography, painting, sculpture, “living pictures,” film, video, digital and performance art—even light and space. Works by Diderot, Emma Hamilton, Oscar Wilde, Jeff Wall, Sam Taylor-Johnson, Andy Warhol, and Richard Serra, among others, shape a new and distinct aesthetic field. But rather than a collection of objects, slow art is participatory—it directly engages beholders to bring artworks to life. Against current orthodoxy, Arden Reed argues that, for contemporary viewers, the contemplation of slow art is akin to religious practices during the ages of faith.
Slow art: the experience of looking, sacred images to James Turrell
Actions:
Price:
$39.95
(available to order)
Summary:
Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries—hardly time enough. But how, in our culture of distraction, might we extend attention? "Slow Art" models sustained ways of looking, through encounters with various media both present and past—including photography, painting, sculpture, “living pictures,” film, video, digital and performance art—even light and space. Works by Diderot, Emma Hamilton, Oscar Wilde, Jeff Wall, Sam Taylor-Johnson, Andy Warhol, and Richard Serra, among others, shape a new and distinct aesthetic field. But rather than a collection of objects, slow art is participatory—it directly engages beholders to bring artworks to life. Against current orthodoxy, Arden Reed argues that, for contemporary viewers, the contemplation of slow art is akin to religious practices during the ages of faith.
Form:
books
books
Publication:
March 2019
March 2019
Subject:
Art Theory
Art Theory
Form:
books
books
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$65.00
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Since 2009, historian and photographer Philipp Sarasin has been traveling the globe for his visual research on major cities and megacities. He visited Los Angeles, London, Berlin, Cairo, Nairobi, Dubai, Mumbai, Beijing, Jakarta, Panama City, and more, driven by his search to represent the world in which we live. More than half of humanity lives in an urban environment—and(...)
$65.00
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Summary:
Since 2009, historian and photographer Philipp Sarasin has been traveling the globe for his visual research on major cities and megacities. He visited Los Angeles, London, Berlin, Cairo, Nairobi, Dubai, Mumbai, Beijing, Jakarta, Panama City, and more, driven by his search to represent the world in which we live. More than half of humanity lives in an urban environment—and(...)
Title:
The big city: A visual anthology. Photographs 2009-2024
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Since 2009, historian and photographer Philipp Sarasin has been traveling the globe for his visual research on major cities and megacities. He visited Los Angeles, London, Berlin, Cairo, Nairobi, Dubai, Mumbai, Beijing, Jakarta, Panama City, and more, driven by his search to represent the world in which we live. More than half of humanity lives in an urban environment—and the trend is only going up. ''The Big City'' features some 120 of Sarasin’s color photographs that are marked by his analytical, perceptive eye. His focus is on urban spaces with all their signs embedded in the faceless architecture that shapes twenty-first-century cities. Sarasin’s shots are neither architectural photography in the narrow sense nor classic street photography. He follows the tradition of urban photography, inspired in particular by the concepts of artists such as Stephen Shore, Thomas Struth, and Jeff Wall.
The big city: A visual anthology. Photographs 2009-2024
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$65.00
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Summary:
Since 2009, historian and photographer Philipp Sarasin has been traveling the globe for his visual research on major cities and megacities. He visited Los Angeles, London, Berlin, Cairo, Nairobi, Dubai, Mumbai, Beijing, Jakarta, Panama City, and more, driven by his search to represent the world in which we live. More than half of humanity lives in an urban environment—and the trend is only going up. ''The Big City'' features some 120 of Sarasin’s color photographs that are marked by his analytical, perceptive eye. His focus is on urban spaces with all their signs embedded in the faceless architecture that shapes twenty-first-century cities. Sarasin’s shots are neither architectural photography in the narrow sense nor classic street photography. He follows the tradition of urban photography, inspired in particular by the concepts of artists such as Stephen Shore, Thomas Struth, and Jeff Wall.
Form:
books
books
Publication:
October 2026
October 2026
Subject:
Photography monographs
Photography monographs
Form:
journals and magazines
journals and magazines
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$14.95
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Summary:
Le dossier du numéro rassemble des portfolios de Jeff Wall (Vancouver), Luc Delahaye (Paris) et Donigan Cumming (Montréal) dont les travaux combinent la photographie à l'influence de la peinture. Sous la thématique du tableau, leurs travaux présentent des scènes de la vie quotidienne ou des scènes de conflits de guerre comme de grands tableaux d'histoire, ou comme des(...)
$14.95
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Le dossier du numéro rassemble des portfolios de Jeff Wall (Vancouver), Luc Delahaye (Paris) et Donigan Cumming (Montréal) dont les travaux combinent la photographie à l'influence de la peinture. Sous la thématique du tableau, leurs travaux présentent des scènes de la vie quotidienne ou des scènes de conflits de guerre comme de grands tableaux d'histoire, ou comme des(...)
Title:
Ciel Variable no. 132 : tableaux
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Le dossier du numéro rassemble des portfolios de Jeff Wall (Vancouver), Luc Delahaye (Paris) et Donigan Cumming (Montréal) dont les travaux combinent la photographie à l'influence de la peinture. Sous la thématique du tableau, leurs travaux présentent des scènes de la vie quotidienne ou des scènes de conflits de guerre comme de grands tableaux d'histoire, ou comme des portraits qui ont des allures d'instantanés. La section Focus comprend trois essais. Le premier rend compte de l'engagement du photographe Michel Huneault à documenter la région de Tohoku, au Japon, après la triple catastophe qui l'a frappée en 2011. Le second s'attarde au travail du collectif le commun des mortels dont la pratique consiste à collectionner des photographies vernaculaires et anonymes destinées à la destruction. Le troisième commente la publication "La femme 100 têtes/The Hundred Headless Woman" d'Angela Grauerholz.
Ciel Variable no. 132 : tableaux
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Le dossier du numéro rassemble des portfolios de Jeff Wall (Vancouver), Luc Delahaye (Paris) et Donigan Cumming (Montréal) dont les travaux combinent la photographie à l'influence de la peinture. Sous la thématique du tableau, leurs travaux présentent des scènes de la vie quotidienne ou des scènes de conflits de guerre comme de grands tableaux d'histoire, ou comme des portraits qui ont des allures d'instantanés. La section Focus comprend trois essais. Le premier rend compte de l'engagement du photographe Michel Huneault à documenter la région de Tohoku, au Japon, après la triple catastophe qui l'a frappée en 2011. Le second s'attarde au travail du collectif le commun des mortels dont la pratique consiste à collectionner des photographies vernaculaires et anonymes destinées à la destruction. Le troisième commente la publication "La femme 100 têtes/The Hundred Headless Woman" d'Angela Grauerholz.
Form:
journals and magazines
journals and magazines
Publication:
May 2026
May 2026
Subject:
Magazines
Magazines
Form:
books
books
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$38.95
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Summary:
Digital photographic and imaging technologies are the most recent development in an art and science whose history is one of constant technological innovation. Using sophisticated software and scanners, artists are able to enhance or alter photographs, and create mesmerizing effects. Focusing exclusively on digital photography, Sylvia Wolf explores a medium that(...)
$38.95
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Summary:
Digital photographic and imaging technologies are the most recent development in an art and science whose history is one of constant technological innovation. Using sophisticated software and scanners, artists are able to enhance or alter photographs, and create mesmerizing effects. Focusing exclusively on digital photography, Sylvia Wolf explores a medium that(...)
Title:
The digital eye: Photographic art in the electronic age
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$38.95
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Digital photographic and imaging technologies are the most recent development in an art and science whose history is one of constant technological innovation. Using sophisticated software and scanners, artists are able to enhance or alter photographs, and create mesmerizing effects. Focusing exclusively on digital photography, Sylvia Wolf explores a medium that challenges our notions of the role of the artist and of an image's relationship to the real. Taking readers from the earliest experiments in digital photography to the latest innovations, Wolf offers a historical perspective and points to future trends. The work of a global panoply of artists, including Ida Applebroog, Sheila Pree Bright, Peter Campus, Xing Danwen, Joan Fontcuberta, Tom Friedman, Andreas Gursky, Martina Lopez, Loretta Lux, Mary Mattingly, Wendy McMurdo, Andreas Müller-Pohle, Thomas Ruff, Lucas Samaras, and Jeff Wall, demonstrates how diverse and complex the field has become.
The digital eye: Photographic art in the electronic age
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$38.95
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Summary:
Digital photographic and imaging technologies are the most recent development in an art and science whose history is one of constant technological innovation. Using sophisticated software and scanners, artists are able to enhance or alter photographs, and create mesmerizing effects. Focusing exclusively on digital photography, Sylvia Wolf explores a medium that challenges our notions of the role of the artist and of an image's relationship to the real. Taking readers from the earliest experiments in digital photography to the latest innovations, Wolf offers a historical perspective and points to future trends. The work of a global panoply of artists, including Ida Applebroog, Sheila Pree Bright, Peter Campus, Xing Danwen, Joan Fontcuberta, Tom Friedman, Andreas Gursky, Martina Lopez, Loretta Lux, Mary Mattingly, Wendy McMurdo, Andreas Müller-Pohle, Thomas Ruff, Lucas Samaras, and Jeff Wall, demonstrates how diverse and complex the field has become.
Form:
books
books
Publication:
May 2010
May 2010
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
Title:
Street life & home stories
Street life & home stories
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$66.00
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Summary:
Since she began collecting in the 1960s, Ingvild Goetz has been assembling one of the most impressive photography collections in Europe, now housed in an extraordinary museum building designed by architects Herzog & de Meuron. Goetz has consistently loaned works to promote a wider public reception. Published on the occasion of an exhibition at Villa Stuck in Munich,(...)
$66.00
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Summary:
Since she began collecting in the 1960s, Ingvild Goetz has been assembling one of the most impressive photography collections in Europe, now housed in an extraordinary museum building designed by architects Herzog & de Meuron. Goetz has consistently loaned works to promote a wider public reception. Published on the occasion of an exhibition at Villa Stuck in Munich,(...)
Title:
Street life & home stories
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$66.00
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Summary:
Since she began collecting in the 1960s, Ingvild Goetz has been assembling one of the most impressive photography collections in Europe, now housed in an extraordinary museum building designed by architects Herzog & de Meuron. Goetz has consistently loaned works to promote a wider public reception. Published on the occasion of an exhibition at Villa Stuck in Munich, "Street Life and Home Stories" features the work of 25 artists from the collection who transform city streets and domestic environments into staged scenarios. The world-renowned artists in this volume include Francis Alÿs, Nobuyoshi Araki, Diane Arbus, Stan Douglas, William Eggleston, Michael Elmgreen & Ingar Dragset, Ed van der Elsken, Walker Evans, Hans-Peter Feldmann, Nan Goldin, Paul Graham, Evelyn Hofer, Candida Hofer, Sarah Jones, Steve McQueen, Robin Rhode, Daniela Rossell, August Sander, Cindy Sherman, Laurie Simmons, Thomas Struth, Wolfgang Tillmans, Jeff Wall and Tobias Zielony.
Street life & home stories
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$66.00
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Summary:
Since she began collecting in the 1960s, Ingvild Goetz has been assembling one of the most impressive photography collections in Europe, now housed in an extraordinary museum building designed by architects Herzog & de Meuron. Goetz has consistently loaned works to promote a wider public reception. Published on the occasion of an exhibition at Villa Stuck in Munich, "Street Life and Home Stories" features the work of 25 artists from the collection who transform city streets and domestic environments into staged scenarios. The world-renowned artists in this volume include Francis Alÿs, Nobuyoshi Araki, Diane Arbus, Stan Douglas, William Eggleston, Michael Elmgreen & Ingar Dragset, Ed van der Elsken, Walker Evans, Hans-Peter Feldmann, Nan Goldin, Paul Graham, Evelyn Hofer, Candida Hofer, Sarah Jones, Steve McQueen, Robin Rhode, Daniela Rossell, August Sander, Cindy Sherman, Laurie Simmons, Thomas Struth, Wolfgang Tillmans, Jeff Wall and Tobias Zielony.
Form:
books
books
Publication:
October 2011
October 2011
Subject:
Photography Collections
Photography Collections
