books
Description:
li, 650 pages, 26 unnumbered pages of plans : illustrations (some color), map ; 29 cm.
Ann Arbor, Mich. : Published for the American Academy in Rome by the University of Michigan Press, 2009.
Symbols of wealth and power : architectural terracotta decoration in Etruria and Central Italy, 640-510 B.C. / Nancy A. Winter.
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li, 650 pages, 26 unnumbered pages of plans : illustrations (some color), map ; 29 cm.
books
Ann Arbor, Mich. : Published for the American Academy in Rome by the University of Michigan Press, 2009.
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Some of the largest architecture firms have effectively become war corporations. At the same time as designing Olympic parks and world-famous buildings, they have constructed military bases, maintained weaponry, and trained personnel for wars in which hundreds of thousands of people have been killed. In some conflicts, the same firms have been contracted from invasion to(...)
Architecture for warfare: How corporations profit from destruction and rerconstruction
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Some of the largest architecture firms have effectively become war corporations. At the same time as designing Olympic parks and world-famous buildings, they have constructed military bases, maintained weaponry, and trained personnel for wars in which hundreds of thousands of people have been killed. In some conflicts, the same firms have been contracted from invasion to reconstruction, including facilitating military attacks, rebuilding war-damaged infrastructure, and establishing new governments. Architecture for Warfare tells the story of a form of multidisciplinary corporation that employs architects skilled in designing structures alongside former military personnel with experience handling live-fire weapons. It highlights the tensions and contradictions within these architecture-led firms that claim to make the world a better place. The book combines personal narrative with detailed research to reveal unsettling relations between design, planning, and armed conflict.
Architectural Theory
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London has been rebuilt and reshaped perhaps more than any other city over its two-millennia history. From the construction of the Underground to slum clearance and the Blitz, buildings have long been damaged or demolished to pave way for the new. Today, demolition is big business, and around 3500 buildings are destroyed each year, most of which are social housing. Paul(...)
Lost London: From Crystal Palace to Heston Airport, a history in 25 missing buildings
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London has been rebuilt and reshaped perhaps more than any other city over its two-millennia history. From the construction of the Underground to slum clearance and the Blitz, buildings have long been damaged or demolished to pave way for the new. Today, demolition is big business, and around 3500 buildings are destroyed each year, most of which are social housing. Paul Knox traces the history of London from the Great Fire to the present day through twenty-five lost buildings. Knox explores surprising and unusual locations in the city’s history, like the Necropolis Station in Waterloo used by funeral parties traveling to a burial ground in Surrey. We see historic landmarks, like Christ Church Greyfriars and the Crystal Palace, as well as everyday places like the White Horse pub in Poplar and a housing estate in Hackney.
Architecture since 1900, Europe
Kingdom come
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A gunman opens fire in a shopping mall. Not a terrorist, apparently, but a madman with a rifle. Or not, as he is mysteriously (and quickly) set free without charge. One of the victims is the father of Richard Pearson, unemployed advertising executive and life-long rebel. Now he is driving out to Brooklands, the apparently peaceful town on the M25 which has at its heart(...)
Kingdom come
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A gunman opens fire in a shopping mall. Not a terrorist, apparently, but a madman with a rifle. Or not, as he is mysteriously (and quickly) set free without charge. One of the victims is the father of Richard Pearson, unemployed advertising executive and life-long rebel. Now he is driving out to Brooklands, the apparently peaceful town on the M25 which has at its heart the shining shoppers’ paradise where the shooting happened – the Metro-Centre. Richard, determined to unravel the mystery, starts to believe that something deeply sinister lurks behind the pristine facades of the labyrinthine mall, its 24-hour cable TV and sports club. In this, his final novel, Ballard holds up a mirror to Middle England, reflecting an unsettling image of suburbia and revealing the darker forces at work beneath the gloss of consumerism and flag-waving patriotism.
Literature and poetry
books
Anton Corbijn: 1-2-3-4
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Depuis les années 1970, le photographe et réalisateur Anton Corbijn collabore avec de nombreux groupes de musique. Certaines de ses photos ont marqué la carrière de ces musiciens. Pour cet ouvrage, Corbijn s’est replongé dans ses archives et a sélectionné plus de 350 photographies d’Arcade Fire, Depeche Mode, Metallica, Nirvana, R.E.M., des Rolling Stones, U2, Nick Cave,(...)
Anton Corbijn: 1-2-3-4
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$120.00
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Summary:
Depuis les années 1970, le photographe et réalisateur Anton Corbijn collabore avec de nombreux groupes de musique. Certaines de ses photos ont marqué la carrière de ces musiciens. Pour cet ouvrage, Corbijn s’est replongé dans ses archives et a sélectionné plus de 350 photographies d’Arcade Fire, Depeche Mode, Metallica, Nirvana, R.E.M., des Rolling Stones, U2, Nick Cave, Johnny Rotten, Siouxsie Sioux, Tom Waits... Cette sélection présente à la fois des portraits emblématiques et plus méconnus de Joe Cocker, David Bowie, Johnny Cash, Grace Jones, Courtney Love, Morrissey, Neil Young. En 1980, Corbijn a aussi brièvement suivi les Slits, groupe de punk rock féminin, au cours de l’une de leurs tournées. Ce reportage est dévoilé ici pour la première fois. Cet ouvrage est publié à l’occasion de l’exposition rétrospective "Anton Corbijn 1-2-3-4" au Fotomuseum à La Haye en 2015.
books
June 2015
Photography monographs
Breathless
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''Breathless'' is published as part of an upcoming exhibition taking place within a pavilion on The Power Plant’s South Terrace Summer 2022. ''Breathless'' shares contributions on the paradoxes of air, atmosphere and the breath with key texts and artworks. The book begins in the smog of our current predicament, with philosopher Dehlia Hannah proposing a new vocabulary(...)
Breathless
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$25.00
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''Breathless'' is published as part of an upcoming exhibition taking place within a pavilion on The Power Plant’s South Terrace Summer 2022. ''Breathless'' shares contributions on the paradoxes of air, atmosphere and the breath with key texts and artworks. The book begins in the smog of our current predicament, with philosopher Dehlia Hannah proposing a new vocabulary for air in her text, ''Inversion Layer''. Following the flow of air, Flaka Haliti’s installation ''Speculating on the Blue'' opens a portal to an artificial atmosphere that defines boundaries of a closed reality. Connecting to parallel worlds, philosopher Achille Mbembe’s ''The Universal Right to Breathe'' captures a global perspective on breathing, offering alternative trajectories beyond suffocation. Marguerite Humeau’s speculative sculpture imagines a species that survives suffocation and evolves exclusively to breathe. Charles Stankievech exhumes the voices of Clarice Lispector and Lygia Clark as an interconnected mystical encounter in a text titled ''Breath with Me, A Breath of Life''. In ''Twilight of Sighs'', psychoanalyst and philosopher Alireza Taheri analyzes the sigh with a set of propositions. With the same intensity, Donna Kukama re-narrates history with her performance ''Chapter Q: Dem Short-Short-Falls'' as she breathes the memory of an invisible event. Invisibility of viral and virtual particles are positioned in the context of other historical times in Ala Roushan’s text ''Air of Our Closed World'', articulating the inversion experienced today within the domestic bubble/bunker. ''The Air Without'' by Kate Whiteway connects illness and metaphor to consider contradictions in the air that both oxygenates the lung while breathing diamond dust. With a granularity greater than dust, Heather Davis’s text ''Molecular Intimacy'' situates us at the nanoscale to position bodies within the atmosphere they breathe. This final text loops back to the start of the book in considering the air of our contemporary sky and the breath that exists in its precarious state. Under this arched sky, the book ends with ''Fire with Fire'', engulfed in the smoky aftermath of forest fires in the work of Julius von Bismarck.
Group Exhibitions
books
Description:
188 pages : illustrations (chiefly color) ; 26 cm
Basel ; Boston : Birkhäuser, ©2008.
The force is in the mind : the making of architecture / [editor] Elke Krasny.
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188 pages : illustrations (chiefly color) ; 26 cm
books
Basel ; Boston : Birkhäuser, ©2008.
books
Description:
x, 277 pages : illustrations ; 24 cm
Chicago ; London : The University of Chicago Press, ©2009.
Knossos and the prophets of modernism / Cathy Gere.
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x, 277 pages : illustrations ; 24 cm
books
Chicago ; London : The University of Chicago Press, ©2009.
books
Israel’s Destruction of the Port of Gaza and Palestinian Fishing Vessels [electronic resource].
Forensic Architecture Goldsmiths, University of London 2024
books
Forensic Architecture Goldsmiths, University of London 2024
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Summary:
The newly founded gallery Haunch of Venison inaugurates its opening with an exhibition by internationally acclaimed sculptor Rachel Whiteread. The exhibition and accompanying publication feature Whiteread's newest work, Untitled (Domestic), a massive sculpture cast from the fire escape staircases of Haunch of Venison's premises--a 3-storey building constructed in the late(...)
Contemporary Art Monographs
July 2003, London
Rachel Whiteread : Haunch of Venison
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The newly founded gallery Haunch of Venison inaugurates its opening with an exhibition by internationally acclaimed sculptor Rachel Whiteread. The exhibition and accompanying publication feature Whiteread's newest work, Untitled (Domestic), a massive sculpture cast from the fire escape staircases of Haunch of Venison's premises--a 3-storey building constructed in the late 18th century that was originally the home of Admiral Lord Nelson. Reincarnating the staircase in its negative form, the imposing white sculpture invokes the building's past while reflecting the artist's interest in the formal and purely architectural qualities of sculpture. This inaugural publication features installation views of the exhibition, including additional work dating from 1995 to the present day, as well as two amply illustrated essays and a complete bibliography. The first text considers Whiteread's immense public commissions in relation to their environment; the second outlines the history and techniques involved in creating the cast staircase sculptures.
Contemporary Art Monographs