Michel Campeau : Darkroom
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Darkroom is the first book in a series edited by Martin Parr, for Nazraeli Press, with the aim of presenting work that has never before been published in book form but which most definitely "should have been." This evocative set of images has risen from visits to over darkrooms in Campeau's native Canada, and while it might be a stretch to imagine a less promising subject(...)
Michel Campeau : Darkroom
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$43.95
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Summary:
Darkroom is the first book in a series edited by Martin Parr, for Nazraeli Press, with the aim of presenting work that has never before been published in book form but which most definitely "should have been." This evocative set of images has risen from visits to over darkrooms in Campeau's native Canada, and while it might be a stretch to imagine a less promising subject matter, the end result is a superb and fascinating tribute to an increasingly rare working environment. Michel Campeau lives and works in Montreal.
Photography monographs
$108.00
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Martin Parr's vast collections of photography books and postcards are world-renowned. Unbeknownst to many, he is also an obsessive collector of photographic and themed objects. In this publication, a two-volume set, his affinity for focused accumulation is presented with appropriate thoroughness, and with typical Parrian humor. Some of the items in the first volume,(...)
Parrworld
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$108.00
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Martin Parr's vast collections of photography books and postcards are world-renowned. Unbeknownst to many, he is also an obsessive collector of photographic and themed objects. In this publication, a two-volume set, his affinity for focused accumulation is presented with appropriate thoroughness, and with typical Parrian humor. Some of the items in the first volume, Objects, have already achieved notoriety - for instance, the wrist watches featuring Saddam Hussein's visage. Others mythologize well-known figures such as Lenin and the Spice Girls. Then there is the kitsch - from wallpaper to trays and objects commemorating Sputnik, Charles and Di's wedding and 9/11. While Objects is the first publication to document Parr's 25-plus years of such collecting, Postcards is the "last word" on an extraordinary collection of over 20,000 cards. Presented in album format, it is a highly entertaining yet serious study of postcard history, and includes early cards that depict local news events such as car crashes and murders. The book finishes in Boring Postcards territory with a selection of cards promoting motorways and shopping. Objects is introduced by Parr and Postcards features an introduction by Thomas Weski, curator of the companion exhibition, Parrworld.
Photography monographs
books
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224 pages : illustrations (some of which are in color) ; 29 cm
New York : Aperture, [2005], ©2005
Art photography now / Susan Bright.
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224 pages : illustrations (some of which are in color) ; 29 cm
books
New York : Aperture, [2005], ©2005
Life's a beach
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Parr photographie la plage depuis des décennies, des séances de bronzage en gros plans à la fougue du nageur en plein plongeon, sans oublier le sempiternel pique-nique au goût de sable. Ce recueil nous présente les meilleurs clichés de son exploration de la beach culture, avec des photos d'estivants prises en Argentine, au Brésil, en Chine, en Espagne, en Italie, en(...)
Life's a beach
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Parr photographie la plage depuis des décennies, des séances de bronzage en gros plans à la fougue du nageur en plein plongeon, sans oublier le sempiternel pique-nique au goût de sable. Ce recueil nous présente les meilleurs clichés de son exploration de la beach culture, avec des photos d'estivants prises en Argentine, au Brésil, en Chine, en Espagne, en Italie, en Lettonie, au Japon, aux Etats-Unis, au Mexique, en Thaïlande et bien sûr au Royaume-Uni.
Photography monographs
books
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399 pages : illustrations (chiefly color) ; 25 cm
New Haven, CT : Yale University Press, [2014], ©2014
The World Atlas of Street Photography / Jackie Higgins ; foreword by Max Kozloff.
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399 pages : illustrations (chiefly color) ; 25 cm
books
New Haven, CT : Yale University Press, [2014], ©2014
books
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142 pages, 10 unnumbered pages : illustrations (some color) ; 22 cm
[New York, N.Y.] : CLOG, [2015], ©2015
Landmark / Kyle May (editor-in-chief), Julia van den Hout (editor), Jacob Reidel (editor), Jeffrey Franklin (editor & designer), Archie Lee Coates IV (editor & designer), Stephanie Lee (assistant editor), Thomas Lozada (assistant editor), Dorin Baul (research assistant), Adam Feldman (research assistant), Patrick Sarmiento (distribution manager), Lukas Debiasi (special projects).
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142 pages, 10 unnumbered pages : illustrations (some color) ; 22 cm
books
[New York, N.Y.] : CLOG, [2015], ©2015
$99.95
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This volume includes over 200 publications carefully selected by Martin Parr and the critic and curator Gerry Badger. All the books are accompanied by extensive commentaries by Badger and are illustrated as three-dimensional objects, providing a true sense of them as art works in their own right.
The photobook : a history, volume II
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This volume includes over 200 publications carefully selected by Martin Parr and the critic and curator Gerry Badger. All the books are accompanied by extensive commentaries by Badger and are illustrated as three-dimensional objects, providing a true sense of them as art works in their own right.
Theory of Photography
books
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261, 555 pages : illustrations (some color), portraits (some color) ; 22 cm
Arles : Actes sud, 2009.
Rencontres d'Arles 2009 : 40e édition, 40 ans de rencontres, 40 ans de ruptures: semaine d'ouverture du 7 au 12 juillet, expositions jusqu'au 13 septembre, stages printemps-été / rencontres d'Arles ; [Nan Goldin, commissaire invitée].
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261, 555 pages : illustrations (some color), portraits (some color) ; 22 cm
books
Arles : Actes sud, 2009.
books
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While the history of photography is a well-established canon, much less critical attention has been directed at the phenomenon of the photobook, which for many photographers is perhaps the most significant vehicle for the display of their work and the communication of their vision to a mass audience. In the first of two volumes, both co-edited by Martin Parr and Gerry(...)
Photography Collections
November 2004, London
The photobook : a history, volume 1
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While the history of photography is a well-established canon, much less critical attention has been directed at the phenomenon of the photobook, which for many photographers is perhaps the most significant vehicle for the display of their work and the communication of their vision to a mass audience. In the first of two volumes, both co-edited by Martin Parr and Gerry Badger, "The Photobook" provides a comprehensive overview of the development of the photobook, from its inception at the dawn of photography in the early nineteenth century through to the radical Japanese photobooks of the 1960s and 70s, by way of the modernist and propaganda books of the 1930s and 40s. In his introduction, Badger argues that the photobook is one of the most significant photographic genres due to the extent of its distribution and level of availability, and contests the traditional notion that the history of photography is best represented by the original print. This study provides an important corrective to the traditional history of photography. The selection of photographers made by Badger and Parr challenges the popular canon, and their survey of the history of the photobook reveals a secret web of influence and interrelationships between photographers and photographic movements around the world. The book is divided into a series of thematic and broadly chronological chapters, each featuring a general introductory text providing background information and highlighting the dominant political and artistic influences on the photobook in the period, followed by more detailed discussion of the individual photobooks. The chapter texts are followed by spreads and images from over 200 books, which provide the central means of telling the history of the photobook. Chosen by Parr and Badger, these illustrations show around 200 of the most artistically and culturally important photobooks in three dimensions, with the cover or jacket and a selection of spreads from the book shown. Volume One also features an illuminating and provocative introduction, ‘The Photobook: Between the Film and the Novel’ by Badger, which is accompanied by a preface written by Parr.
books
November 2004, London
Photography Collections
books
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44 unnumbered pages : all illustrations ; 18 cm
[Los Angeles, California] : [Edward Ruscha], 1970., Los Angeles : Printed by Anderson, Ritchie & Simon, ©1965
Some Los Angeles apartments / Edward Ruscha.
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44 unnumbered pages : all illustrations ; 18 cm
books
[Los Angeles, California] : [Edward Ruscha], 1970., Los Angeles : Printed by Anderson, Ritchie & Simon, ©1965