archives
Level of archival description:
Fonds
AP106
Synopsis:
The Faubourg Québec project records, 1989-1994, document the redevelopment of Faubourg Québec, a 30 acre site east of the Old Port of Montréal, into an urban residential neighbourhood. Materials in these project records consist of approximately 253 drawings (including reprographic copies) and 0.33 of l.m. textual materials.
1989-1994
Faubourg Québec project records
Actions:
AP106
Synopsis:
The Faubourg Québec project records, 1989-1994, document the redevelopment of Faubourg Québec, a 30 acre site east of the Old Port of Montréal, into an urban residential neighbourhood. Materials in these project records consist of approximately 253 drawings (including reprographic copies) and 0.33 of l.m. textual materials.
archives
Level of archival description:
Fonds
1989-1994
archives
Level of archival description:
Fonds
John Bird fonds
AP108
Synopsis:
The John Bird fonds documents the professional practice of the Westmount-based architect, and includes drawings and photographs of 24 architectural projects carried out in and around Montréal, Québec between 1954 and 1992. The fonds also contains a number of published articles that document John Bird's professional activities. Key projects that are represented include the Canadian Technical Tape Building, St. Laurent (1955-1963), Saint Gabriel's Church, Montréal (1959-1960), and Saint John Brebeuf Church, Lasalle (1962-1966). The fonds also includes numerous projects for Toronto-Dominion Bank buildings (1959-1992) as well as residential designs completed for the Central Mortgage and Housing Corporation (1956-1969).
1942 - 1992
John Bird fonds
Actions:
AP108
Synopsis:
The John Bird fonds documents the professional practice of the Westmount-based architect, and includes drawings and photographs of 24 architectural projects carried out in and around Montréal, Québec between 1954 and 1992. The fonds also contains a number of published articles that document John Bird's professional activities. Key projects that are represented include the Canadian Technical Tape Building, St. Laurent (1955-1963), Saint Gabriel's Church, Montréal (1959-1960), and Saint John Brebeuf Church, Lasalle (1962-1966). The fonds also includes numerous projects for Toronto-Dominion Bank buildings (1959-1992) as well as residential designs completed for the Central Mortgage and Housing Corporation (1956-1969).
archives
Level of archival description:
Fonds
1942 - 1992
archives
Level of archival description:
Fonds
Guy Desbarats fonds
AP109
Synopsis:
The Fonds Guy Desbarats documents most aspects of Desbarats professional career as a teacher, critic and architect as well as personal materials relating to his time as a university student and after. The majority of the documents in the fonds consist of drawings, photographs and textual records relating to 81 architectural projects. Many commissions from the early 1950s are represented, including schools and residences designed for Abra, Balharrie & Shore in Ottawa, and various projects produced in association with Raymond Affleck. Additionally, projects by the firm Affleck, Desbarats, Dimakopoulos, Lebensold & Sise (later known as Arcop) are represented.
1947 - 1998
Guy Desbarats fonds
Actions:
AP109
Synopsis:
The Fonds Guy Desbarats documents most aspects of Desbarats professional career as a teacher, critic and architect as well as personal materials relating to his time as a university student and after. The majority of the documents in the fonds consist of drawings, photographs and textual records relating to 81 architectural projects. Many commissions from the early 1950s are represented, including schools and residences designed for Abra, Balharrie & Shore in Ottawa, and various projects produced in association with Raymond Affleck. Additionally, projects by the firm Affleck, Desbarats, Dimakopoulos, Lebensold & Sise (later known as Arcop) are represented.
archives
Level of archival description:
Fonds
1947 - 1998
archives
Level of archival description:
Fonds
AP128
Synopsis:
The Harold Ship Alexis Nihon Plaza and Nuns’ Island Master Plan project records, (1956- 1973), document architect Harold Ship’s design and plan for the Alexis Nihon Plaza (1956-1965) and the Nun’s Island Master Plan (1959-1973). Materials in these project records consist of 1 619 drawings (including reprographic copies), 330 photographs, 5 l.m. of textual records, 5 models and 2 panels.
1956-1973
Harold Ship Alexis Nihon Plaza and Nuns’ Island Master Plan project records
Actions:
AP128
Synopsis:
The Harold Ship Alexis Nihon Plaza and Nuns’ Island Master Plan project records, (1956- 1973), document architect Harold Ship’s design and plan for the Alexis Nihon Plaza (1956-1965) and the Nun’s Island Master Plan (1959-1973). Materials in these project records consist of 1 619 drawings (including reprographic copies), 330 photographs, 5 l.m. of textual records, 5 models and 2 panels.
archives
Level of archival description:
Fonds
1956-1973
archives
Level of archival description:
Fonds
Hazen Sise fonds
AP112
Synopsis:
The Hazen Sise fonds contains negatives, drawings, and other documents dating from 1933 to 1959. The negatives, taken in the early 1930s, mostly depict participants of the conferences CIAM IV and CIRPAC, including Le Corbusier, László Moholy-Nagy, Alvar Aalto and Fernand Léger. The drawings document the design of Beaver Lake Pavilion, built for the City of Montréal between 1955 and 1959 as part of the redevelopment of Mount Royal Park. Le fonds Hazen Sise est composé de négatifs, dessins, et autres documents datés entre 1933 et 1959. Les négatifs, pris au début des années 30s, présentent des participants des congres IVe CIAM et CIRPAC, incluant Le Corbusier, László Moholy-Nagy, Alvar Aalto et Fernand Léger. Les dessins documentent la conception du pavillon du Lac aux Castors, construit pour la Ville de Montréal entre 1955 et 1959 dans le cadre du réaménagement du Parc du Mont-Royal.
1933-1959
Hazen Sise fonds
Actions:
AP112
Synopsis:
The Hazen Sise fonds contains negatives, drawings, and other documents dating from 1933 to 1959. The negatives, taken in the early 1930s, mostly depict participants of the conferences CIAM IV and CIRPAC, including Le Corbusier, László Moholy-Nagy, Alvar Aalto and Fernand Léger. The drawings document the design of Beaver Lake Pavilion, built for the City of Montréal between 1955 and 1959 as part of the redevelopment of Mount Royal Park. Le fonds Hazen Sise est composé de négatifs, dessins, et autres documents datés entre 1933 et 1959. Les négatifs, pris au début des années 30s, présentent des participants des congres IVe CIAM et CIRPAC, incluant Le Corbusier, László Moholy-Nagy, Alvar Aalto et Fernand Léger. Les dessins documentent la conception du pavillon du Lac aux Castors, construit pour la Ville de Montréal entre 1955 et 1959 dans le cadre du réaménagement du Parc du Mont-Royal.
archives
Level of archival description:
Fonds
1933-1959
archives
Level of archival description:
Fonds
AP113
Synopsis:
The Illinois Institute of Technology (IIT) - New Campus Center Competition fonds documents the projects of 4 of the 5 finalists (Eisenman, Hadid, Jahn/Sobek and Sejima/Nishizawa) of the international competition Richard H. Driehaus Foundation Design Competition for the University’s New Campus Center held by the Illinois Institute of Technology (IIT) of Chicago in November 1996. The fonds contains 20 presentation panels and 7 models. _____________________ Le Illinois Institute of Technology (IIT) - New Campus Center Competition fonds documentent les projets soumis par 4 des 5 finalistes (Eisenman, Hadid, Jahn/Sobek et Sejima/Nishizawa) au concours international Richard H. Driehaus Foundation Design Competition for the University’s New Campus Center lancé par l’Illinois Institute of Technology (IIT) de Chicago en novembre 1996. Le fonds contient 20 panneaux de présentation et 7 maquettes.
[1997]-1998
IIT - New Campus Center Competition fonds
Actions:
AP113
Synopsis:
The Illinois Institute of Technology (IIT) - New Campus Center Competition fonds documents the projects of 4 of the 5 finalists (Eisenman, Hadid, Jahn/Sobek and Sejima/Nishizawa) of the international competition Richard H. Driehaus Foundation Design Competition for the University’s New Campus Center held by the Illinois Institute of Technology (IIT) of Chicago in November 1996. The fonds contains 20 presentation panels and 7 models. _____________________ Le Illinois Institute of Technology (IIT) - New Campus Center Competition fonds documentent les projets soumis par 4 des 5 finalistes (Eisenman, Hadid, Jahn/Sobek et Sejima/Nishizawa) au concours international Richard H. Driehaus Foundation Design Competition for the University’s New Campus Center lancé par l’Illinois Institute of Technology (IIT) de Chicago en novembre 1996. Le fonds contient 20 panneaux de présentation et 7 maquettes.
archives
Level of archival description:
Fonds
[1997]-1998
archives
Level of archival description:
Fonds
Gene Summers fonds
AP114
Synopsis:
The Gene Summers fonds documents primarily the later part of Gene Summers' career as an architect, developer, artist and art collector. Summer's early work with the Office of Mies van der Rohe and C.F. Murphy Associates is summarily represented by notes, sketches and photographs.
1957 - 2004
Gene Summers fonds
Actions:
AP114
Synopsis:
The Gene Summers fonds documents primarily the later part of Gene Summers' career as an architect, developer, artist and art collector. Summer's early work with the Office of Mies van der Rohe and C.F. Murphy Associates is summarily represented by notes, sketches and photographs.
archives
Level of archival description:
Fonds
1957 - 2004
archives
Level of archival description:
Fonds
Robert Duchesnay fonds
AP115
Synopsis:
Le Fonds Robert Duchesnay consiste en une série de photographies montrant les divers structure (principalement des dômes géodésiques) conçus ou influencée par R. Buckminster Fuller. Les photographies, prises par l'artiste et photographe montréalais Robert Duchesnay, ont été créées entre 1985 et 1992.
1985-1992
Robert Duchesnay fonds
Actions:
AP115
Synopsis:
Le Fonds Robert Duchesnay consiste en une série de photographies montrant les divers structure (principalement des dômes géodésiques) conçus ou influencée par R. Buckminster Fuller. Les photographies, prises par l'artiste et photographe montréalais Robert Duchesnay, ont été créées entre 1985 et 1992.
archives
Level of archival description:
Fonds
1985-1992
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
AP119
Synopsis:
The Peter Yeadon Prix de Rome project records consist of twenty ink jet printouts of computer-generated images, four sketchbooks, as well as project documentation of Yeadon's Prix de Rome project. All of the drawings were made in Rome between 1999 and 2000.
1998-2002
Peter Yeadon Prix de Rome project records
Actions:
AP119
Synopsis:
The Peter Yeadon Prix de Rome project records consist of twenty ink jet printouts of computer-generated images, four sketchbooks, as well as project documentation of Yeadon's Prix de Rome project. All of the drawings were made in Rome between 1999 and 2000.
archives
Level of archival description:
Fonds
1998-2002