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Description:
327 pages : illustrations ; 28 cm
Description:
327 pages : illustrations ; 28 cm
Author:
- Tiphaigne de La Roche Thomas Wedgwood and Sir Humphry Davy William Henry Fox Talbot William Henry Fox Talbot Albert Sands Southworth George Alfred Townsend Frederick Scott Archer Oliver Wendell Holmes Oliver Wendell Holmes Sir William J. Newton Lady Elizabeth Eastlake Henry Peach Robinson Philippe Burty Charles Baudelaire Francis Frith Edward L. Wilson Julia Margaret Cameron Richard Leach Maddox Alexander Black Jacob A. Riis Peter Henry Emerson Alfred Stieglitz Ernest Juhl Sadakichi Hartmann Dixon Scott Alvin Langdon Coburn Paul Rosenfeld Paul Strand Edward Weston Robert Desnos Fernand Léger Berenice Abbott Laszló Moholy-Nagy John Paul Edwards Ansel Adams Dorothea Lange Edward Steichen Felix H. Man, photographer, and Stefan Lorant, picture editor Nancy Newhall Beaumont Newhall with Arthur Goldsmith Paul Strand and Nancy Newhall Aaron Siskind Minor White,
- Newhall, Beaumont, 1908-1993,
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New York : Museum of Modern Art ; Boston : Distributed by New York Graphic Society, ©1980.
New York : Museum of Modern Art ; Boston : Distributed by New York Graphic Society, ©1980.
Title:
Photography, essays & images : illustrated readings in the history of photography / edited by Beaumont Newhall.
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Description:
327 pages : illustrations ; 28 cm
Photography, essays & images : illustrated readings in the history of photography / edited by Beaumont Newhall.
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Description:
327 pages : illustrations ; 28 cm
Form:
books
books
Publication:
New York : Museum of Modern Art ; Boston : Distributed by New York Graphic Society, ©1980.
New York : Museum of Modern Art ; Boston : Distributed by New York Graphic Society, ©1980.
Author:
- Tiphaigne de La Roche Thomas Wedgwood and Sir Humphry Davy William Henry Fox Talbot William Henry Fox Talbot Albert Sands Southworth George Alfred Townsend Frederick Scott Archer Oliver Wendell Holmes Oliver Wendell Holmes Sir William J. Newton Lady Elizabeth Eastlake Henry Peach Robinson Philippe Burty Charles Baudelaire Francis Frith Edward L. Wilson Julia Margaret Cameron Richard Leach Maddox Alexander Black Jacob A. Riis Peter Henry Emerson Alfred Stieglitz Ernest Juhl Sadakichi Hartmann Dixon Scott Alvin Langdon Coburn Paul Rosenfeld Paul Strand Edward Weston Robert Desnos Fernand Léger Berenice Abbott Laszló Moholy-Nagy John Paul Edwards Ansel Adams Dorothea Lange Edward Steichen Felix H. Man, photographer, and Stefan Lorant, picture editor Nancy Newhall Beaumont Newhall with Arthur Goldsmith Paul Strand and Nancy Newhall Aaron Siskind Minor White,
- Newhall, Beaumont, 1908-1993,
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$39.95
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Summary:
William Henry Fox Talbot (1800-1877) is best remembered as the scientist who invented photography. Others had tried recording the images projected by a lens, but Talbot was the first to grasp the physical basis for realizing this dream and to conceive of a practical means for fixing these ephemeral(...)
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Summary:
William Henry Fox Talbot (1800-1877) is best remembered as the scientist who invented photography. Others had tried recording the images projected by a lens, but Talbot was the first to grasp the physical basis for realizing this dream and to conceive of a practical means for fixing these ephemeral(...)
Title:
The photographic art of William Henry Fox Talbot
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William Henry Fox Talbot (1800-1877) is best remembered as the scientist who invented photography. Others had tried recording the images projected by a lens, but Talbot was the first to grasp the physical basis for realizing this dream and to conceive of a practical means for fixing these ephemeral images permanently onto a sheet of paper. But Talbot's considerable technical achievements have often overshadowed his growth as an artist. Larry Schaaf examines this artistic growth by bringing together for the first time high quality reproductions of one hundred photographs representing the full sweep of Talbot's work. These beautiful images are not only records of scientific triumphs, but also the evidence of the first steps in shaping a totally new type of vision. The one hundred plates are reproduced in the actual size of the originals and in all the subtle colours that comprised Talbot's early work. They range from Talbot's Lilliputian pre-1839 negatives (made in "mousetrap" cameras) through botanical photograms to mid-1840s calotypes that demonstrate a sure command of the new art. Each plate is discussed in detail, drawing on important new research conducted by the author.
The photographic art of William Henry Fox Talbot
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$39.95
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Summary:
William Henry Fox Talbot (1800-1877) is best remembered as the scientist who invented photography. Others had tried recording the images projected by a lens, but Talbot was the first to grasp the physical basis for realizing this dream and to conceive of a practical means for fixing these ephemeral images permanently onto a sheet of paper. But Talbot's considerable technical achievements have often overshadowed his growth as an artist. Larry Schaaf examines this artistic growth by bringing together for the first time high quality reproductions of one hundred photographs representing the full sweep of Talbot's work. These beautiful images are not only records of scientific triumphs, but also the evidence of the first steps in shaping a totally new type of vision. The one hundred plates are reproduced in the actual size of the originals and in all the subtle colours that comprised Talbot's early work. They range from Talbot's Lilliputian pre-1839 negatives (made in "mousetrap" cameras) through botanical photograms to mid-1840s calotypes that demonstrate a sure command of the new art. Each plate is discussed in detail, drawing on important new research conducted by the author.
Form:
books
books
Publication:
January 1900, Princeton
January 1900, Princeton
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Issues in the conservation of photographs / edited by Debra Hess Norris, Jennifer Jae Gutierrez.
Issues in the conservation of photographs / edited by Debra Hess Norris, Jennifer Jae Gutierrez.
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Description:
xvii, 734 pages : illustrations (some color) ; 26 cm
- Library main 269073 | TR465 .R4 2010 | Missing
- Library main 320514 | 320514 | 1 | Available
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Description:
xvii, 734 pages : illustrations (some color) ; 26 cm
Author:
Subject:
- Photographs Conservation and restoration.,
- Photographies Conservation et restauration.,
- Photographie.,
- Photoalbum.,
- Farbphotographie.,
- Archivierung.,
- Restaurierung.,
- Konservierung.,
- Daguerreotypie.,
- Ausstellungstechnik.,
- Negativ.,
- Fototeknik handböcker, manualer, etc.,
- Fotografi restaurering och konservering.,
- Fotografier restaurering och konservering.,
- 1850-2010
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Publication:
Los Angeles : The Getty Conservation Institute, 2010., ©2010
Los Angeles : The Getty Conservation Institute, 2010., ©2010
Title:
Issues in the conservation of photographs / edited by Debra Hess Norris, Jennifer Jae Gutierrez.
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Description:
xvii, 734 pages : illustrations (some color) ; 26 cm
Issues in the conservation of photographs / edited by Debra Hess Norris, Jennifer Jae Gutierrez.
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- Library main 269073 | TR465 .R4 2010 | Missing
- Library main 320514 | 320514 | 1 | Available
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Description:
xvii, 734 pages : illustrations (some color) ; 26 cm
Form:
books
books
Publication:
Los Angeles : The Getty Conservation Institute, 2010., ©2010
Los Angeles : The Getty Conservation Institute, 2010., ©2010
Subject:
- Photographs Conservation and restoration.,
- Photographies Conservation et restauration.,
- Photographie.,
- Photoalbum.,
- Farbphotographie.,
- Archivierung.,
- Restaurierung.,
- Konservierung.,
- Daguerreotypie.,
- Ausstellungstechnik.,
- Negativ.,
- Fototeknik handböcker, manualer, etc.,
- Fotografi restaurering och konservering.,
- Fotografier restaurering och konservering.,
- 1850-2010
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Form:
books
books
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Description:
282 pages : illustrations ; 26 x 31 cm
- Library study room cca productions 209092 | TR659 P4 1982 | c. 3 | hardcover | Available
- Library cage m cca productions 220387 | TR659 P4 1982 | c. 1 | Publisher's publicity | Available
- Library cage m cca productions 209093 | 1982-1 | c. 1 | hardcover | Available
- Library cage m cca productions 277264 | TR659 P4 1982 | c. 2 | Publisher's publicity | Available
- Library cage m cca productions 209094 | 1982-1 | c. 2 | hardcover | Available
- Library main m 209091 | TR659 P4 1982 | c. 4 | pbk. | Available
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Description:
282 pages : illustrations ; 26 x 31 cm
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Publication:
Montreal, Canada : Centre canadien d'architecture/Canadian Centre for Architecture ; New York, N.Y. : Callaway Editions, [1982], ©1982
Montreal, Canada : Centre canadien d'architecture/Canadian Centre for Architecture ; New York, N.Y. : Callaway Editions, [1982], ©1982
Title:
Photography and architecture, 1839-1939 / [edited by] Richard Pare ; introduction by Phyllis Lambert ; catalog by Catherine Evans Inbusch and Marjorie Munsterberg.
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Description:
282 pages : illustrations ; 26 x 31 cm
Photography and architecture, 1839-1939 / [edited by] Richard Pare ; introduction by Phyllis Lambert ; catalog by Catherine Evans Inbusch and Marjorie Munsterberg.
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- Library study room cca productions 209092 | TR659 P4 1982 | c. 3 | hardcover | Available
- Library cage m cca productions 220387 | TR659 P4 1982 | c. 1 | Publisher's publicity | Available
- Library cage m cca productions 209093 | 1982-1 | c. 1 | hardcover | Available
- Library cage m cca productions 277264 | TR659 P4 1982 | c. 2 | Publisher's publicity | Available
- Library cage m cca productions 209094 | 1982-1 | c. 2 | hardcover | Available
- Library main m 209091 | TR659 P4 1982 | c. 4 | pbk. | Available
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Description:
282 pages : illustrations ; 26 x 31 cm
Form:
books
books
Publication:
Montreal, Canada : Centre canadien d'architecture/Canadian Centre for Architecture ; New York, N.Y. : Callaway Editions, [1982], ©1982
Montreal, Canada : Centre canadien d'architecture/Canadian Centre for Architecture ; New York, N.Y. : Callaway Editions, [1982], ©1982
Form:
books
books
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Price:
$32.50
(available to order)
Summary:
Accompanying an exhibition at Carnegie Museum of Art in Pittsburgh opening in November 2017, this book brings together more than 30 photographs by Talbot that demonstrate his wide-ranging interests, including nature, still-life, portraiture, architecture and landscape. Some of these images are previously unpublished. Through thematic groupings elucidated by noted Talbot(...)
$32.50
(available to order)
Summary:
Accompanying an exhibition at Carnegie Museum of Art in Pittsburgh opening in November 2017, this book brings together more than 30 photographs by Talbot that demonstrate his wide-ranging interests, including nature, still-life, portraiture, architecture and landscape. Some of these images are previously unpublished. Through thematic groupings elucidated by noted Talbot(...)
Title:
William Henry Fox Talbot and the promise of photography
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$32.50
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Summary:
Accompanying an exhibition at Carnegie Museum of Art in Pittsburgh opening in November 2017, this book brings together more than 30 photographs by Talbot that demonstrate his wide-ranging interests, including nature, still-life, portraiture, architecture and landscape. Some of these images are previously unpublished. Through thematic groupings elucidated by noted Talbot scholar Larry Schaaf, the book reveals the photographer’s early striving to test the boundaries of his medium at a historic moment when art and science intersected. With its luminous reproductions of Talbot’s fragile works, this publication demonstrates that, in its earliest days, photography required a form of magic-making and innovation that continues to inspire people today.
William Henry Fox Talbot and the promise of photography
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$32.50
(available to order)
Summary:
Accompanying an exhibition at Carnegie Museum of Art in Pittsburgh opening in November 2017, this book brings together more than 30 photographs by Talbot that demonstrate his wide-ranging interests, including nature, still-life, portraiture, architecture and landscape. Some of these images are previously unpublished. Through thematic groupings elucidated by noted Talbot scholar Larry Schaaf, the book reveals the photographer’s early striving to test the boundaries of his medium at a historic moment when art and science intersected. With its luminous reproductions of Talbot’s fragile works, this publication demonstrates that, in its earliest days, photography required a form of magic-making and innovation that continues to inspire people today.
Form:
books
books
Publication:
November 2017
November 2017
Subject:
Photography monographs
Photography monographs
Form:
books
books
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Description:
xxxi, 211 pages : illustrations ; 25 cm
Description:
xxxi, 211 pages : illustrations ; 25 cm
Author:
Subject:
- Photography Congresses.,
- Photography History Congresses.,
- Photographie Congrès.,
- Photographie Histoire Congrès.,
- 21.42 history of photographic art.,
- Photography Historiography.,
- Photography Study and teaching.,
- Photography,
- Kongress,
- Fotografie,
- Art review.,
- Photography History.,
- Fotokonst teori, filosofi historia.,
- Fotografi teori, filosofi.,
- Fotografi konferenser.,
- Fotografi historia konferenser.,
- Williamstown
- Congress,
- Williamstown (Mass., 2005),
- Conference publications.,
- proceedings (reports),
- Conference papers and proceedings,
- History,
- Congresses (form),
- Actes de congrès.
(See more)
Publication:
Williamstown, Mass. : Sterling and Francine Clark Art Institute ; New Haven : Distributed by Yale University Press, ©2008.
Williamstown, Mass. : Sterling and Francine Clark Art Institute ; New Haven : Distributed by Yale University Press, ©2008.
Title:
The meaning of photography / edited by Robin Kelsey and Blake Stimson.
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Description:
xxxi, 211 pages : illustrations ; 25 cm
The meaning of photography / edited by Robin Kelsey and Blake Stimson.
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Description:
xxxi, 211 pages : illustrations ; 25 cm
Form:
books
books
Publication:
Williamstown, Mass. : Sterling and Francine Clark Art Institute ; New Haven : Distributed by Yale University Press, ©2008.
Williamstown, Mass. : Sterling and Francine Clark Art Institute ; New Haven : Distributed by Yale University Press, ©2008.
Subject:
- Photography Congresses.,
- Photography History Congresses.,
- Photographie Congrès.,
- Photographie Histoire Congrès.,
- 21.42 history of photographic art.,
- Photography Historiography.,
- Photography Study and teaching.,
- Photography,
- Kongress,
- Fotografie,
- Art review.,
- Photography History.,
- Fotokonst teori, filosofi historia.,
- Fotografi teori, filosofi.,
- Fotografi konferenser.,
- Fotografi historia konferenser.,
- Williamstown
- Congress,
- Williamstown (Mass., 2005),
- Conference publications.,
- proceedings (reports),
- Conference papers and proceedings,
- History,
- Congresses (form),
- Actes de congrès.
(See more)
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books
books
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$44.95
(available to order)
Summary:
Focusing on early nineteenth-century England, and on the works and texts of the inventor of paper photography, William Henry Fox Talbot, Singular Images, Failed Copies historicizes the conceptualization of photography in that era as part of a major historical change. Treating photography not merely as a medium or a system of representation but also as an epistemology,(...)
$44.95
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Summary:
Focusing on early nineteenth-century England, and on the works and texts of the inventor of paper photography, William Henry Fox Talbot, Singular Images, Failed Copies historicizes the conceptualization of photography in that era as part of a major historical change. Treating photography not merely as a medium or a system of representation but also as an epistemology,(...)
Title:
Singular images, failed copies: William Henry Fox Talbot and the early photograph
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$44.95
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Summary:
Focusing on early nineteenth-century England, and on the works and texts of the inventor of paper photography, William Henry Fox Talbot, Singular Images, Failed Copies historicizes the conceptualization of photography in that era as part of a major historical change. Treating photography not merely as a medium or a system of representation but also as an epistemology, Vered Maimon challenges today's prevalent association of the early photograph with the camera obscura. Instead, she points to material, formal, and conceptual differences between those two types of images by considering the philosophical and aesthetic premises linked with early photography. Through this analysis she argues that the emphasis in Talbot's accounts on the removal of the artist's hand in favor of the pencil of nature did not mark a shift from manual to mechanical and more accurate or objective systems of representation. In Singular Images, Failed Copies, Maimon shows that the perception of the photographic image in the 1830s and 1840s was in fact symptomatic of a crisis in the epistemological framework that had informed philosophical, scientific, and aesthetic thought for two centuries.
Singular images, failed copies: William Henry Fox Talbot and the early photograph
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$44.95
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Summary:
Focusing on early nineteenth-century England, and on the works and texts of the inventor of paper photography, William Henry Fox Talbot, Singular Images, Failed Copies historicizes the conceptualization of photography in that era as part of a major historical change. Treating photography not merely as a medium or a system of representation but also as an epistemology, Vered Maimon challenges today's prevalent association of the early photograph with the camera obscura. Instead, she points to material, formal, and conceptual differences between those two types of images by considering the philosophical and aesthetic premises linked with early photography. Through this analysis she argues that the emphasis in Talbot's accounts on the removal of the artist's hand in favor of the pencil of nature did not mark a shift from manual to mechanical and more accurate or objective systems of representation. In Singular Images, Failed Copies, Maimon shows that the perception of the photographic image in the 1830s and 1840s was in fact symptomatic of a crisis in the epistemological framework that had informed philosophical, scientific, and aesthetic thought for two centuries.
Form:
books
books
Publication:
December 2015
December 2015
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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Description:
152 pages : illustrations (some color), portraits ; 28 cm
Description:
152 pages : illustrations (some color), portraits ; 28 cm
Author:
Subject:
- Menschel, Robert Photograph collections Exhibitions.,
- Museum of Modern Art (New York, N.Y.) Photograph collections Exhibitions.,
- Museum of Modern Art (New York, N.Y.),
- Photography History 20th century Exhibitions.,
- Photograph collections New York (State) New York Exhibitions.,
- Photographie Histoire 20e siècle Expositions.,
- Collections de photographies New York (État) New York Expositions.,
- Photography.,
- Photograph collections,
- New York (State) New York,
- 1840-2005,
- Exhibition catalogs.,
- exhibition catalogs.,
- History.,
- Catalogues d'exposition.
(See more)
Publication:
New York : The Museum of Modern Art [2016], ©2016
New York : The Museum of Modern Art [2016], ©2016
Title:
The shape of things : photographs from Robert B. Menschel / Quentin Bajac ; with an essay by Sarah Hermanson Meister.
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Description:
152 pages : illustrations (some color), portraits ; 28 cm
The shape of things : photographs from Robert B. Menschel / Quentin Bajac ; with an essay by Sarah Hermanson Meister.
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Description:
152 pages : illustrations (some color), portraits ; 28 cm
Form:
books
books
Publication:
New York : The Museum of Modern Art [2016], ©2016
New York : The Museum of Modern Art [2016], ©2016
Subject:
- Menschel, Robert Photograph collections Exhibitions.,
- Museum of Modern Art (New York, N.Y.) Photograph collections Exhibitions.,
- Museum of Modern Art (New York, N.Y.),
- Photography History 20th century Exhibitions.,
- Photograph collections New York (State) New York Exhibitions.,
- Photographie Histoire 20e siècle Expositions.,
- Collections de photographies New York (État) New York Expositions.,
- Photography.,
- Photograph collections,
- New York (State) New York,
- 1840-2005,
- Exhibition catalogs.,
- exhibition catalogs.,
- History.,
- Catalogues d'exposition.
(See more)
Form:
books
books
Price:
$72.00
(available to order)
Summary:
"First photographs" is an extraordinary view into the origins of photography. This monograph includes many hitherto unpublished images of landscapes, architectural studies, and portraits from Talbot’s personal archive and selections from his detailed research notebooks made during the 1830s and 1840s and currently housed at Lacock Abbey in England. A gentleman and an(...)
$72.00
(available to order)
Summary:
"First photographs" is an extraordinary view into the origins of photography. This monograph includes many hitherto unpublished images of landscapes, architectural studies, and portraits from Talbot’s personal archive and selections from his detailed research notebooks made during the 1830s and 1840s and currently housed at Lacock Abbey in England. A gentleman and an(...)
Subject:
Photography monographs
Photography monographs
Publication:
October 2002, New York
October 2002, New York
Title:
First photographs : William Henry Fox Talbot and the birth of photography
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$72.00
(available to order)
Summary:
"First photographs" is an extraordinary view into the origins of photography. This monograph includes many hitherto unpublished images of landscapes, architectural studies, and portraits from Talbot’s personal archive and selections from his detailed research notebooks made during the 1830s and 1840s and currently housed at Lacock Abbey in England. A gentleman and an intellectual, Talbot was a great student of the Arts and Sciences and kept detailed notes of his activities and experiments. He discovered the negative/positive paper process which made multiple reproductions of a single image possible, and which distinguished it from its contemporary, the one-of-a-kind daguerreotype. Talbot first announced his invention to the public in 1839 in his paper “An account of the art of photogenic drawing or the process by which natural objects may be made to delineate themselves without the aid of the artist’s pencil”. The work he did during this time established in principle and in practice the foundation of modern photography—the basis of the process that is still used today. In addition to Talbot’s technological contributions, his photographs represent exceptional artistic achievement. "First photographs" includes a significant text by Michael Gray, who provides a comprehensive essay, biography, and timeline of Talbot’s life and revolutionary work. Arthur Ollman, gives an in-depth analysis of the aesthetic and social significance of Talbot’s first image, the “Oriel window.” Curator Carol McCusker considers how the Romantic Movement and the women of the Lacock household influenced Talbot’s aesthetic choices. "First photographs" and the accompanying exhibition provide a rare opportunity for contemporary audiences to experience these uncommon images and the personal, cultural, and scientific contexts in which they were made.
First photographs : William Henry Fox Talbot and the birth of photography
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Price:
$72.00
(available to order)
Summary:
"First photographs" is an extraordinary view into the origins of photography. This monograph includes many hitherto unpublished images of landscapes, architectural studies, and portraits from Talbot’s personal archive and selections from his detailed research notebooks made during the 1830s and 1840s and currently housed at Lacock Abbey in England. A gentleman and an intellectual, Talbot was a great student of the Arts and Sciences and kept detailed notes of his activities and experiments. He discovered the negative/positive paper process which made multiple reproductions of a single image possible, and which distinguished it from its contemporary, the one-of-a-kind daguerreotype. Talbot first announced his invention to the public in 1839 in his paper “An account of the art of photogenic drawing or the process by which natural objects may be made to delineate themselves without the aid of the artist’s pencil”. The work he did during this time established in principle and in practice the foundation of modern photography—the basis of the process that is still used today. In addition to Talbot’s technological contributions, his photographs represent exceptional artistic achievement. "First photographs" includes a significant text by Michael Gray, who provides a comprehensive essay, biography, and timeline of Talbot’s life and revolutionary work. Arthur Ollman, gives an in-depth analysis of the aesthetic and social significance of Talbot’s first image, the “Oriel window.” Curator Carol McCusker considers how the Romantic Movement and the women of the Lacock household influenced Talbot’s aesthetic choices. "First photographs" and the accompanying exhibition provide a rare opportunity for contemporary audiences to experience these uncommon images and the personal, cultural, and scientific contexts in which they were made.
Form:
books
books
Publication:
October 2002, New York
October 2002, New York
Subject:
Photography monographs
Photography monographs
Form:
books
books
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Description:
304 pages : illustrations (some color) ; 29 cm
- Library main 37094 | ID:88-B8139 | Available
- Library main 10014 | PO2095; ID:85-B5820 | Available
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Description:
304 pages : illustrations (some color) ; 29 cm
Author:
- Beaton, Cecil, 1904-1980,,
- Cecil Beaton -- William Henry Fox Talbot -- Hippolyte Bayard -- David Octavius Hill and Robert Adamson -- Antoine-François-Jean Claudet -- Albert Sands Southworth and Josiah Johnson Hawes -- Carl Ferdinand Stelzner -- Henri Le Secq -- Roger Fenton -- Hugh Welch Diamond -- Philip Henry Delamotte -- Charles Nègre -- John Jabez Mayall -- Gustave Le Gray -- Felice A. Beato and James Robertson -- Henry Peach Robinson -- Oscar Gustave Rejlander -- Charles Lutwidge Dodgson (Lewis Carroll) -- Lady Hawarden -- Camille Silvy -- Mathew B. Brady -- Alexander Gardner -- Julia Margaret Cameron -- Nadar -- Antoine Samuel Adam-Salomon -- Etienne Carjet -- William Henry Jackson -- Charles Marville -- Timothy H. O'Sullivan -- George Washington Wilson -- William Notman -- Louis-Auguste and Auguste-Rosalie Bisson -- Francis Frith -- Samuel Bourne -- Adolphe Braun -- John Thomson -- Eadweard Muybridge -- Frank Meadow Sutcliffe -- George Davison -- Peter Henry Emerson -- Count Giuseppe Primoli -- Thomas Eakins -- Frances Benjamin Johnston -- Jacob August Riis -- John Benjamin Stone -- James Craig Annan -- Frederick Henry Evans -- Eugene Atget -- Paul Martin -- Robert Demachy -- Fred Holland Day -- Heinrich Kühn -- Alfred Steiglitz -- Gertrude Käsebier -- Clarence H. White -- Lewis W. Hine -- Baron Gayne de Meyer -- Edward Jean Steichen -- Alvin Langdon Coburn -- Malcolm Arbuthnot -- Pirie McDonald -- Jacques-Henri Lartigue -- John B. B. Wellington -- Frank Eugene -- Richard Polak -- Alexander Keighley -- Adam Clark Vroman -- Edward S. Curtis -- J. Dudley Johnston -- Joseph Byron and Percy Claude Byron -- Charles Puyo -- Léonard Misonne -- Horace W. Nicholls -- Emil Otto Hoppé -- Arnold Genthe -- August Sander -- Doris Ulmann -- Alexander Rodchenko -- Hans Finsler -- Francis Bruguière -- Man Ray -- Herbert Bayer -- André Kertész -- George Hoyningen-Huene -- Curtis Moffat -- Brassai -- Berenice Abbott -- Rudolf Koppitz -- Frantis̆ek Dritkol -- Hugo Erfurth -- Martin Munkacsi -- László Moholy-Nagy -- Andreas Feininger -- Imogen Cunningham -- Edward Weston -- Erwin Blumenfeld -- Richard Kearton and Cherry Kearton -- Helmar Lerski -- Erich Salomon -- Tim N. Gidal -- Roman Vishniac -- Walker Evans -- José Ortíz Echagüe -- Daniel Masclet -- Manuel Alvarez Bravo -- Dorothea Lange -- Arthur Rothstein -- Maurice Beck -- Herbert Lambert -- Lotte Meitner-Graf -- Charles Sheeler -- Barbara Morgan -- Robert Capa -- Aaron Siskind -- Cecil Beaton -- Brett Weston -- Yousuf Karsh -- Angus McBean -- Edouard Boubat -- Howard Coster -- George Rodger -- Wolfgang Weber -- Herbert List -- Margaret Bourke-White -- Alfred Eisenstaedt -- John Heartfield -- Felix H. Man -- Eric Hosking -- James Abbé -- Henri Cartier-Bresson -- Horst P. Horst -- Toni Frissell -- Paul Strand -- Eliot Porter -- Gjon Mili -- Emmanuel Sougez -- Kurt Hutton -- Harold E. Edgerton -- Bill Brandt -- Ansel Adams -- Albert Renger-Patzsch -- Josef Sudek -- Clarence John Laughlin -- Dmitri Kessel -- Nickolas Muray -- Alexander Libermann -- W. Eugene Smith -- Edwin Smith -- Anthony Ayscough -- Douglas Glass -- Jean-Pierre Sudre -- Lilo Raymond -- Lennart Nilsson -- Werner Bischof -- Frederick Sommer -- Wynn Bullock -- Minor White -- William Klein -- Arthur H. Fellig ('Weejee') -- Helen Levitt -- Robert Frank -- Larry Burrows -- Georg Gerster -- Arnold Newman -- Bert Hardy -- Philippe Halsman -- Elliot Erwitt -- Robert Doisneau -- Norman Parkinson -- George Platt Lynes -- Otto Steinert -- David Seymour ('Chim') -- Jerry N. Uelsmann -- Hiroshi Hamaya -- Paul Caponigro -- Marc Riboud -- Bruce Davidson -- Gordon Parks -- Philip Jones Griffiths -- Irving Penn -- Ralph Eugene Meatyard -- Diane Arbus -- Lord Snowdon (Antony Armstrong-Jones) -- Danny Lyon -- Leonard Freed -- Ian Berry -- Raymond Moore -- Mirella Ricciardi -- Roloff Beny -- Ernst Haas -- Garry Winogrand -- Jeanloup Sieff -- Gerry Cranham -- Lee Friedlander -- Erwin Fieger -- Lucas Samaras -- Richard Avedon -- David Bailey -- George Silk -- David Douglas Duncan -- Harry Callahan -- Duane Michals -- Bernhard and Hilla Becher -- Tony Ray Jones -- Gianni Berengo Gardin -- Donald McCullin -- Mario Giacomelli -- Ronald Traeger -- Josef Koudelka --,
- Buckland, Gail,,
- Wan, Barney,,
- Little, Brown and Company,,
- Arnoldo Mondadori editore,
(See more)
Subject:
- Photographers Biography.,
- Photography History.,
- Photography, Artistic.,
- Photographers.,
- Photographs.,
- Photographie Histoire.,
- Photographes Biographies.,
- Photographie artistique.,
- Photographes.,
- Photographies.,
- photographers.,
- photographs.,
- art photography.,
- Photography,
- Fotografie,
- Photography Biography,
- Biography,
- Bildband.,
- photobooks.,
- collective biographies.,
- Biographies,
- History,
- Biografie.,
- Photobooks.,
- Livres de photographies.
(See more)
Publication:
Boston ; Toronto : Little, Brown & Company, [1975], Verona : Arnoldo Mondadori Editore, ©1975
Boston ; Toronto : Little, Brown & Company, [1975], Verona : Arnoldo Mondadori Editore, ©1975
Title:
The magic image : the genius of photography from 1839 to the present day / Cecil Beaton and Gail Buckland.
Actions:
Holdings:
Description:
304 pages : illustrations (some color) ; 29 cm
The magic image : the genius of photography from 1839 to the present day / Cecil Beaton and Gail Buckland.
Actions:
Holdings:
- Library main 37094 | ID:88-B8139 | Available
- Library main 10014 | PO2095; ID:85-B5820 | Available
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Description:
304 pages : illustrations (some color) ; 29 cm
Form:
books
books
Publication:
Boston ; Toronto : Little, Brown & Company, [1975], Verona : Arnoldo Mondadori Editore, ©1975
Boston ; Toronto : Little, Brown & Company, [1975], Verona : Arnoldo Mondadori Editore, ©1975
Author:
- Beaton, Cecil, 1904-1980,,
- Cecil Beaton -- William Henry Fox Talbot -- Hippolyte Bayard -- David Octavius Hill and Robert Adamson -- Antoine-François-Jean Claudet -- Albert Sands Southworth and Josiah Johnson Hawes -- Carl Ferdinand Stelzner -- Henri Le Secq -- Roger Fenton -- Hugh Welch Diamond -- Philip Henry Delamotte -- Charles Nègre -- John Jabez Mayall -- Gustave Le Gray -- Felice A. Beato and James Robertson -- Henry Peach Robinson -- Oscar Gustave Rejlander -- Charles Lutwidge Dodgson (Lewis Carroll) -- Lady Hawarden -- Camille Silvy -- Mathew B. Brady -- Alexander Gardner -- Julia Margaret Cameron -- Nadar -- Antoine Samuel Adam-Salomon -- Etienne Carjet -- William Henry Jackson -- Charles Marville -- Timothy H. O'Sullivan -- George Washington Wilson -- William Notman -- Louis-Auguste and Auguste-Rosalie Bisson -- Francis Frith -- Samuel Bourne -- Adolphe Braun -- John Thomson -- Eadweard Muybridge -- Frank Meadow Sutcliffe -- George Davison -- Peter Henry Emerson -- Count Giuseppe Primoli -- Thomas Eakins -- Frances Benjamin Johnston -- Jacob August Riis -- John Benjamin Stone -- James Craig Annan -- Frederick Henry Evans -- Eugene Atget -- Paul Martin -- Robert Demachy -- Fred Holland Day -- Heinrich Kühn -- Alfred Steiglitz -- Gertrude Käsebier -- Clarence H. White -- Lewis W. Hine -- Baron Gayne de Meyer -- Edward Jean Steichen -- Alvin Langdon Coburn -- Malcolm Arbuthnot -- Pirie McDonald -- Jacques-Henri Lartigue -- John B. B. Wellington -- Frank Eugene -- Richard Polak -- Alexander Keighley -- Adam Clark Vroman -- Edward S. Curtis -- J. Dudley Johnston -- Joseph Byron and Percy Claude Byron -- Charles Puyo -- Léonard Misonne -- Horace W. Nicholls -- Emil Otto Hoppé -- Arnold Genthe -- August Sander -- Doris Ulmann -- Alexander Rodchenko -- Hans Finsler -- Francis Bruguière -- Man Ray -- Herbert Bayer -- André Kertész -- George Hoyningen-Huene -- Curtis Moffat -- Brassai -- Berenice Abbott -- Rudolf Koppitz -- Frantis̆ek Dritkol -- Hugo Erfurth -- Martin Munkacsi -- László Moholy-Nagy -- Andreas Feininger -- Imogen Cunningham -- Edward Weston -- Erwin Blumenfeld -- Richard Kearton and Cherry Kearton -- Helmar Lerski -- Erich Salomon -- Tim N. Gidal -- Roman Vishniac -- Walker Evans -- José Ortíz Echagüe -- Daniel Masclet -- Manuel Alvarez Bravo -- Dorothea Lange -- Arthur Rothstein -- Maurice Beck -- Herbert Lambert -- Lotte Meitner-Graf -- Charles Sheeler -- Barbara Morgan -- Robert Capa -- Aaron Siskind -- Cecil Beaton -- Brett Weston -- Yousuf Karsh -- Angus McBean -- Edouard Boubat -- Howard Coster -- George Rodger -- Wolfgang Weber -- Herbert List -- Margaret Bourke-White -- Alfred Eisenstaedt -- John Heartfield -- Felix H. Man -- Eric Hosking -- James Abbé -- Henri Cartier-Bresson -- Horst P. Horst -- Toni Frissell -- Paul Strand -- Eliot Porter -- Gjon Mili -- Emmanuel Sougez -- Kurt Hutton -- Harold E. Edgerton -- Bill Brandt -- Ansel Adams -- Albert Renger-Patzsch -- Josef Sudek -- Clarence John Laughlin -- Dmitri Kessel -- Nickolas Muray -- Alexander Libermann -- W. Eugene Smith -- Edwin Smith -- Anthony Ayscough -- Douglas Glass -- Jean-Pierre Sudre -- Lilo Raymond -- Lennart Nilsson -- Werner Bischof -- Frederick Sommer -- Wynn Bullock -- Minor White -- William Klein -- Arthur H. Fellig ('Weejee') -- Helen Levitt -- Robert Frank -- Larry Burrows -- Georg Gerster -- Arnold Newman -- Bert Hardy -- Philippe Halsman -- Elliot Erwitt -- Robert Doisneau -- Norman Parkinson -- George Platt Lynes -- Otto Steinert -- David Seymour ('Chim') -- Jerry N. Uelsmann -- Hiroshi Hamaya -- Paul Caponigro -- Marc Riboud -- Bruce Davidson -- Gordon Parks -- Philip Jones Griffiths -- Irving Penn -- Ralph Eugene Meatyard -- Diane Arbus -- Lord Snowdon (Antony Armstrong-Jones) -- Danny Lyon -- Leonard Freed -- Ian Berry -- Raymond Moore -- Mirella Ricciardi -- Roloff Beny -- Ernst Haas -- Garry Winogrand -- Jeanloup Sieff -- Gerry Cranham -- Lee Friedlander -- Erwin Fieger -- Lucas Samaras -- Richard Avedon -- David Bailey -- George Silk -- David Douglas Duncan -- Harry Callahan -- Duane Michals -- Bernhard and Hilla Becher -- Tony Ray Jones -- Gianni Berengo Gardin -- Donald McCullin -- Mario Giacomelli -- Ronald Traeger -- Josef Koudelka --,
- Buckland, Gail,,
- Wan, Barney,,
- Little, Brown and Company,,
- Arnoldo Mondadori editore,
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Subject:
- Photographers Biography.,
- Photography History.,
- Photography, Artistic.,
- Photographers.,
- Photographs.,
- Photographie Histoire.,
- Photographes Biographies.,
- Photographie artistique.,
- Photographes.,
- Photographies.,
- photographers.,
- photographs.,
- art photography.,
- Photography,
- Fotografie,
- Photography Biography,
- Biography,
- Bildband.,
- photobooks.,
- collective biographies.,
- Biographies,
- History,
- Biografie.,
- Photobooks.,
- Livres de photographies.
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