textual records
AP197.S3.009
Description:
The box is comprised of correspondence for the years of 1999-2000, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Tadao Ando; Alvaro Siza; Norman Foster; the Architectural Society of China; and the Università della Svizzera italiana. Correspondence relates to his participation/involvement in: the Centennial Conference; the International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement’s (do.co,mo.mo) conference in Brasilia; the Le Corbusier Seminar in France; the Aga Khan Award for Architecture; the Le Corbusier publication; Journal of Architectural Education (JAE)’s "Technology and Place;" and the English version of his essay in the publication Alvaro Siza: Complete works.
1999-2000
Personal and professional correspondence from 1999-2000
Actions:
AP197.S3.009
Description:
The box is comprised of correspondence for the years of 1999-2000, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Tadao Ando; Alvaro Siza; Norman Foster; the Architectural Society of China; and the Università della Svizzera italiana. Correspondence relates to his participation/involvement in: the Centennial Conference; the International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement’s (do.co,mo.mo) conference in Brasilia; the Le Corbusier Seminar in France; the Aga Khan Award for Architecture; the Le Corbusier publication; Journal of Architectural Education (JAE)’s "Technology and Place;" and the English version of his essay in the publication Alvaro Siza: Complete works.
textual records
1999-2000
research
Visiting Scholars 2018
Elisa Dainese,Dalhousie University, Canada Architectural Culture in Translation: Postwar Cities and African Villages Martina Hrabová, Institute of Art History, Czech Academy of Sciences, Czech Republic The Geography of an Intellectual Field: The Social Network of Le Corbusier’s Studio Lina Malfona, Rome Sapienza, Italy Political Mind: Alvaro Siza’s Urban Projects From(...)
June 2018 to September 2018
Visiting Scholars 2018
Actions:
Description:
Elisa Dainese,Dalhousie University, Canada Architectural Culture in Translation: Postwar Cities and African Villages Martina Hrabová, Institute of Art History, Czech Academy of Sciences, Czech Republic The Geography of an Intellectual Field: The Social Network of Le Corbusier’s Studio Lina Malfona, Rome Sapienza, Italy Political Mind: Alvaro Siza’s Urban Projects From(...)
research
June 2018 to
September 2018
textual records
AP197.S1.SS9.019
Description:
The box contains drafts, articles, correspondence, interviews, keynote addresses, lectures, and notes by Kenneth Frampton. The materials are organized in alphabetical order, from SI-V. The largest portion of the box consists of drafts, articles, correspondence and notes on Alvaro Siza, James Stirling and Jorn Utzon. Other subjects and architects explored include: reflections on postmodernism and architecture; Manuel de Solà; Alejandro de la Sota; Southeast Asia; the status of man and his objects; MacKay-Lyons Sweetapple; Rimo Tami; technology; Giordino Tironi; Tyrolean regionalism; O.M. Ungers; and Georges Vantongerloo.
circa 1962-2016
Kenneth Frampton writings (SI-V) and notebooks
Actions:
AP197.S1.SS9.019
Description:
The box contains drafts, articles, correspondence, interviews, keynote addresses, lectures, and notes by Kenneth Frampton. The materials are organized in alphabetical order, from SI-V. The largest portion of the box consists of drafts, articles, correspondence and notes on Alvaro Siza, James Stirling and Jorn Utzon. Other subjects and architects explored include: reflections on postmodernism and architecture; Manuel de Solà; Alejandro de la Sota; Southeast Asia; the status of man and his objects; MacKay-Lyons Sweetapple; Rimo Tami; technology; Giordino Tironi; Tyrolean regionalism; O.M. Ungers; and Georges Vantongerloo.
textual records
circa 1962-2016
textual records
AP197.S1.SS9.004
Description:
The box is comprised of notes, drafts, articles and lectures by Kenneth Frampton. The materials are organized alphabetetically by either title or the architect's last name, from MO-Z. Subjects and architects explored in these texts include: William Morris; Robert Moses; Lewis Mumford; Glenn Murcutt; Museum of Modern Art; New York architecture; Oppositions and after; Felix Partner; Claude Perrault; Dimitri Pikionis; Alberto Ponis; purism; the rise and fall of the vernacular; the Rotterdam report; Scarborough College; SHIM Sutcliffe; Alvaro Siza; Luigi Snozzi; Spain's architecture; James Stirling; the street; style; Team 10; O.M. Ungers; and Harry Wolf.
circa 1967-2015
Kenneth Frampton texts, articles and notes MO-Z
Actions:
AP197.S1.SS9.004
Description:
The box is comprised of notes, drafts, articles and lectures by Kenneth Frampton. The materials are organized alphabetetically by either title or the architect's last name, from MO-Z. Subjects and architects explored in these texts include: William Morris; Robert Moses; Lewis Mumford; Glenn Murcutt; Museum of Modern Art; New York architecture; Oppositions and after; Felix Partner; Claude Perrault; Dimitri Pikionis; Alberto Ponis; purism; the rise and fall of the vernacular; the Rotterdam report; Scarborough College; SHIM Sutcliffe; Alvaro Siza; Luigi Snozzi; Spain's architecture; James Stirling; the street; style; Team 10; O.M. Ungers; and Harry Wolf.
textual records
circa 1967-2015
textual records
AP197.S3.010
Description:
The box is comprised of correspondence for the year 2001. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Yale University; Université de Montréal; Patkau Architects; Tadao Ando; Manuel de Sola-Morales; the Royal Institute of British Architects; ArquitecturaViva; Maki and Associates; and Kisho Kurakawa. Included in this box is correspondence with Oscar Niemeyer and Alvaro Siza in relation to the Michael Blackwood production on both these architects; correspondence about the Aga Khan Award; correspondence about writing an introduction essay to the publication Tadao Ando Light & Water; and correspondence about Frampton’s trip and itinerary to Japan and to meet with Tadao Ando.
2001
Personal and professional correspondence from 2001
Actions:
AP197.S3.010
Description:
The box is comprised of correspondence for the year 2001. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Yale University; Université de Montréal; Patkau Architects; Tadao Ando; Manuel de Sola-Morales; the Royal Institute of British Architects; ArquitecturaViva; Maki and Associates; and Kisho Kurakawa. Included in this box is correspondence with Oscar Niemeyer and Alvaro Siza in relation to the Michael Blackwood production on both these architects; correspondence about the Aga Khan Award; correspondence about writing an introduction essay to the publication Tadao Ando Light & Water; and correspondence about Frampton’s trip and itinerary to Japan and to meet with Tadao Ando.
textual records
2001
textual records
AP197.S3.002
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1984-1990. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation at Columbia University and his related professional activities. Correspondence in this box includes: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, attend or present at lectures/symposiums/conferences; and requests to serve on juries such as the American Academy in Rome. Throughout this period, Frampton corresponded with architects, professors, publishers, and editors of various publications such as: Ignasi de Sola-Morales Rubio; Tadao Ando; Rafael Moneo; James Stirling; Marco Frascari; Alvaro Siza; Arata Isozaki; the Casabella; the Progressive Architecture; and Architecture and Urbanism. This correspondence includes Frampton’s invitation to be the Craig Francis Cullinan Visiting Lecturer at the School of Architecture, Rice University; correspondence with Rizzoli International Publications about the Tadao Ando book; correspondence with MIT Press for the Studies in Tectonic Culture publication; and correspondence about critical regionalism.
1984-1990
Personal and professional correspondence from 1984-1990
Actions:
AP197.S3.002
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1984-1990. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation at Columbia University and his related professional activities. Correspondence in this box includes: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, attend or present at lectures/symposiums/conferences; and requests to serve on juries such as the American Academy in Rome. Throughout this period, Frampton corresponded with architects, professors, publishers, and editors of various publications such as: Ignasi de Sola-Morales Rubio; Tadao Ando; Rafael Moneo; James Stirling; Marco Frascari; Alvaro Siza; Arata Isozaki; the Casabella; the Progressive Architecture; and Architecture and Urbanism. This correspondence includes Frampton’s invitation to be the Craig Francis Cullinan Visiting Lecturer at the School of Architecture, Rice University; correspondence with Rizzoli International Publications about the Tadao Ando book; correspondence with MIT Press for the Studies in Tectonic Culture publication; and correspondence about critical regionalism.
textual records
1984-1990
archives
Level of archival description:
Fonds
AP174
Synopsis:
The Testa & Weiser project records, 2001-2014, document the firm’s involvement in several projects as well as the development and use of the software script Weaver. The bulk of the records in the archive are digital files, the majority of which relate to the unbuilt research projects Carbon Tower (2001) and Strand Tower (2006). The archive also contains eight 3D printed physical models and 56 drawings.
2001-2014
Testa & Weiser project records
Actions:
AP174
Synopsis:
The Testa & Weiser project records, 2001-2014, document the firm’s involvement in several projects as well as the development and use of the software script Weaver. The bulk of the records in the archive are digital files, the majority of which relate to the unbuilt research projects Carbon Tower (2001) and Strand Tower (2006). The archive also contains eight 3D printed physical models and 56 drawings.
archives
Level of archival description:
Fonds
2001-2014
textual records
AP197.S3.011
Description:
The box is comprised of correspondence for the years of 2002-2014, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Alvaro Siza; Mario Botta; Glenn Murcutt; Angelo Bucci; Kengo Kuma; Charles Correa; Rafael Moneo; Raj Rewal; Harry Wolf; Tadao Ando; and David Chipperfield. Correspondence relates to Frampton participation/involvement in: writing Richard Meier and Steven Holl essays for Electa Architecture and the Labor, Work and Architecture publication; in the Chinese translation of Studies in Tectonic Culture; in the International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement’s (do.co,mo.mo) "The Challenge of the Modern Movement;" lecturing at the Bard Graduate Center; providing the keynote address at the Architectural Association of Ireland Symposium; acting as a jury member for the Museum of the History of Polish Jews.
2002-2014
Personal and professional correspondence from 2002-2014
Actions:
AP197.S3.011
Description:
The box is comprised of correspondence for the years of 2002-2014, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Alvaro Siza; Mario Botta; Glenn Murcutt; Angelo Bucci; Kengo Kuma; Charles Correa; Rafael Moneo; Raj Rewal; Harry Wolf; Tadao Ando; and David Chipperfield. Correspondence relates to Frampton participation/involvement in: writing Richard Meier and Steven Holl essays for Electa Architecture and the Labor, Work and Architecture publication; in the Chinese translation of Studies in Tectonic Culture; in the International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement’s (do.co,mo.mo) "The Challenge of the Modern Movement;" lecturing at the Bard Graduate Center; providing the keynote address at the Architectural Association of Ireland Symposium; acting as a jury member for the Museum of the History of Polish Jews.
textual records
2002-2014
Project
Guardiola House
AP143.S4.D73
Description:
File documents the unexecuted project for Guardiola House, Cádiz, Spain. Material in this file was produced in 1988. File contains conceptual drawings, design development drawings, photographic material, presentation drawings, working drawings, models, and textual records. Drawings by Eisenman include conceptual sketches (DR1994:0147:001-004), and a drawing and final presentation drawing of the transformation process (DR1994:0147:279; DR1994:0147:635). Drawings by Eisenman's office include: samples for serigraphed drawings (DR1994:0147:644-669); drawings for house model construction (DR1994:0147:387-438); and presentation drawings in coloured film on KC5 (DR1994:0147:635-643). A schematic set shows an early scheme for the house: a site and situation plan, two longitudinal sections, floor and roof plans, transverse sections and a section showing construction materials (DR1994:0147:361-367). Four "record blueprint sets" of working drawings are dated between April and May 1988 (DR1994:0147:606-609). Documents include a list of security procedures for Eisenman's office, a schedule for Guardiola House, a report from Static engineering firm, Barcelona, a copy of the Aedes Gallery catalogue on Guardiola House, a filing index and list of the drawings, an address directory, a description of the project, correspondance, and a contract between the architect and client (DR1994:0147:1069-1071). Photographs and photocopies document an early working model of the house which no longer exists (photographs: DR1994:0147:1054-1056; photocopies: DR1994:0147:1056-1067). Miscellaneous drawings in this group include: an incomplete set of blueprints of Alvaro Siza's project for the same site (DR1994:0147:1073); a set of working drawings by Spanish architects for a project in Barcelona which Eisenman referred to when developing this project (DR1994:0147:1074); and Eisenman's designs for a lamp and carpet for Cleto Munari (not part of this project; DR1994:0147:894-1049). Conceptual drawings include plans, site plans, elevations, sections, and axonometrics - mostly black felt-tip pen and/or graphite on white or yellow tracing paper. Design development drawings include plans, site plans, elevations, sections, perspectives and axonometrics - some graphite on tracing vellum; sets - many blueline prints on wove paper; and reprographic copies - some photocopies on tracing vellum or wove paper. Presentation drawings include plans, elevations, and sections - all translucent adhesive coloured film on stats; reprographic copies - all stats; and screen prints on wove paper. Working drawings include plans, site plans, elevations, sections, and details - some pen and black ink on mylar; sets - many coloured pencil on blueline prints on wove paper; and reprographic copies - some photocopies on wove paper. Furniture drawings include plans and elevations for a lamp and carpets - many black felt-tip pen on yellow tracing paper; reprographic copies - mostly photocopies on wove paper; and a manuscript - one typescript on wove paper. Parts of models include - all grey paint on cardboard; photographs of a model; and reprographic copies - all photocopies of photographs of models. Textual records include project files, notes, correspondence, and project files - mostly typescripts on wove paper; sets include copies of drawings - many photocopies on wove paper; and reprographic copies - one photocopy on wove paper. Models include one grey paint on wood and cardboard model.
1988
Guardiola House
Actions:
AP143.S4.D73
Description:
File documents the unexecuted project for Guardiola House, Cádiz, Spain. Material in this file was produced in 1988. File contains conceptual drawings, design development drawings, photographic material, presentation drawings, working drawings, models, and textual records. Drawings by Eisenman include conceptual sketches (DR1994:0147:001-004), and a drawing and final presentation drawing of the transformation process (DR1994:0147:279; DR1994:0147:635). Drawings by Eisenman's office include: samples for serigraphed drawings (DR1994:0147:644-669); drawings for house model construction (DR1994:0147:387-438); and presentation drawings in coloured film on KC5 (DR1994:0147:635-643). A schematic set shows an early scheme for the house: a site and situation plan, two longitudinal sections, floor and roof plans, transverse sections and a section showing construction materials (DR1994:0147:361-367). Four "record blueprint sets" of working drawings are dated between April and May 1988 (DR1994:0147:606-609). Documents include a list of security procedures for Eisenman's office, a schedule for Guardiola House, a report from Static engineering firm, Barcelona, a copy of the Aedes Gallery catalogue on Guardiola House, a filing index and list of the drawings, an address directory, a description of the project, correspondance, and a contract between the architect and client (DR1994:0147:1069-1071). Photographs and photocopies document an early working model of the house which no longer exists (photographs: DR1994:0147:1054-1056; photocopies: DR1994:0147:1056-1067). Miscellaneous drawings in this group include: an incomplete set of blueprints of Alvaro Siza's project for the same site (DR1994:0147:1073); a set of working drawings by Spanish architects for a project in Barcelona which Eisenman referred to when developing this project (DR1994:0147:1074); and Eisenman's designs for a lamp and carpet for Cleto Munari (not part of this project; DR1994:0147:894-1049). Conceptual drawings include plans, site plans, elevations, sections, and axonometrics - mostly black felt-tip pen and/or graphite on white or yellow tracing paper. Design development drawings include plans, site plans, elevations, sections, perspectives and axonometrics - some graphite on tracing vellum; sets - many blueline prints on wove paper; and reprographic copies - some photocopies on tracing vellum or wove paper. Presentation drawings include plans, elevations, and sections - all translucent adhesive coloured film on stats; reprographic copies - all stats; and screen prints on wove paper. Working drawings include plans, site plans, elevations, sections, and details - some pen and black ink on mylar; sets - many coloured pencil on blueline prints on wove paper; and reprographic copies - some photocopies on wove paper. Furniture drawings include plans and elevations for a lamp and carpets - many black felt-tip pen on yellow tracing paper; reprographic copies - mostly photocopies on wove paper; and a manuscript - one typescript on wove paper. Parts of models include - all grey paint on cardboard; photographs of a model; and reprographic copies - all photocopies of photographs of models. Textual records include project files, notes, correspondence, and project files - mostly typescripts on wove paper; sets include copies of drawings - many photocopies on wove paper; and reprographic copies - one photocopy on wove paper. Models include one grey paint on wood and cardboard model.
File 73
1988
textual records
ARCH153618
Description:
transcript of a conference at Venice Biennale, Italy about American and European architectural traditions; rejected for publication by editorial board of Oppositions magazine. Participants include: Peter Eisenman, James Stirling, Carlo Aymonino, Aldo Rossi, Denise Scott Brown, Manfredo Tafuri, Giancarlo De Carlo, Raimund Abraham, John Hejduk, O.M. Ungers, Peter Smithson; in Italian and English
1 August 1976
Transcript of a conference at Venice Biennale
Actions:
ARCH153618
Description:
transcript of a conference at Venice Biennale, Italy about American and European architectural traditions; rejected for publication by editorial board of Oppositions magazine. Participants include: Peter Eisenman, James Stirling, Carlo Aymonino, Aldo Rossi, Denise Scott Brown, Manfredo Tafuri, Giancarlo De Carlo, Raimund Abraham, John Hejduk, O.M. Ungers, Peter Smithson; in Italian and English
textual records
1 August 1976