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Offering a rare opportunity to explore the largest and most luxurious house designed by Walter Gropius, founder of the Bauhaus, and Marcel Breuer, leading architect and furniture designer of the twentieth century, this volume celebrates the Alan I W Frank House in Pittsburgh, Pennsylvania. Built in 1939-40, the house embodies the Bauhaus "total work of art" philosophy,(...)
Architecture Monographs
November 2019
Alan I Frank House: The modernist masterwork by Walter Gropius and Marcel Breuer
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Offering a rare opportunity to explore the largest and most luxurious house designed by Walter Gropius, founder of the Bauhaus, and Marcel Breuer, leading architect and furniture designer of the twentieth century, this volume celebrates the Alan I W Frank House in Pittsburgh, Pennsylvania. Built in 1939-40, the house embodies the Bauhaus "total work of art" philosophy, with Gropius and Breuer having designed every aspect of the building and its site. Illustrations including new and archival images and the architects' plans and sketches highlight an exquisite balance of proportions and colours. Accompanying essays place this house firmly within the American modernist canon just as the Bauhaus celebrates its one-hundreth anniversary in 2019.
Architecture Monographs
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«The Eiffel Tower» is a pictural study of the great structure by acclaimed architectural photographer Lucien Hervé, who began photographing the tower in his youth in the 1930s and has returned to it throughout his career as a source of artistic creativity. Hervé's stunning images convey the delicate balance between the structure's elegant ironwork and its sheer physical(...)
Photography monographs
November 2002, New York
The Eiffel Tower : a photographic survey of Lucien Hervé
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«The Eiffel Tower» is a pictural study of the great structure by acclaimed architectural photographer Lucien Hervé, who began photographing the tower in his youth in the 1930s and has returned to it throughout his career as a source of artistic creativity. Hervé's stunning images convey the delicate balance between the structure's elegant ironwork and its sheer physical force. Ranging from pictorial studies of the tower in the Paris landscape to abstract compositions of iron and glass, his photographs are modern masterworks in their own right.
Photography monographs
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Marcel Breuer (1902–81) is celebrated as a furniture designer, teacher and architect who changed the American house after his emigration from Hungary to the US in 1937. More recently historians, architects and—with the reopening in New York of the great megalith of his Whitney Museum as the Met Breuer—a larger public are gaining new insights into the cities and(...)
Marcel Breuer: building global institutions
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Marcel Breuer (1902–81) is celebrated as a furniture designer, teacher and architect who changed the American house after his emigration from Hungary to the US in 1937. More recently historians, architects and—with the reopening in New York of the great megalith of his Whitney Museum as the Met Breuer—a larger public are gaining new insights into the cities and large-scale buildings Breuer planned. Often seen as a pioneer of a “Brutalist modernism” of reinforced concrete, Breuer might best be understood through the lens of the changing institutional structures in and for which he worked, a vantage developed in the fresh approaches gathered here in essays by a group of younger scholars. These essays draw on an abundance of newly available documents held in the Breuer Archive at Syracuse University, now accessible online.
Architecture Monographs
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Ce livre présente l'histoire du Panthéon de Paris et se veut une réflexion sur les relations entre l'architecture monumentale et le changement politique. Textes de Gérard Auguier, Hervé Baptiste, Barry Bergdoll, Michel Colardelle, Mark K. Deming, Jacques Guillerme, Valérie-Noëlle Jouffre, Isabelle Lemaistre, Anne Pingeot, Daniel Rabreau et Pierre Vaisse.
Le Panthéon, symbole de révolutions : de l'église de la nation au temple des grands hommes
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Ce livre présente l'histoire du Panthéon de Paris et se veut une réflexion sur les relations entre l'architecture monumentale et le changement politique. Textes de Gérard Auguier, Hervé Baptiste, Barry Bergdoll, Michel Colardelle, Mark K. Deming, Jacques Guillerme, Valérie-Noëlle Jouffre, Isabelle Lemaistre, Anne Pingeot, Daniel Rabreau et Pierre Vaisse.
CCA Publications
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The Bauhaus, the school of art and design founded in Germany in 1919 and shut down by the Nazis in 1933, brought together artists, architects and designers--among them Anni and Josef Albers, Herbert Bayer, Marcel Breuer, Lyonel Feininger, Walter Gropius, Johannes Itten, Vasily Kandinsky, Paul Klee, Laszlo Moholy-Nagy, Lilly Reich, Oskar Schlemmer, Gunta Stolzl--in an(...)
Bauhaus 1919-1933: workshops for modernity
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The Bauhaus, the school of art and design founded in Germany in 1919 and shut down by the Nazis in 1933, brought together artists, architects and designers--among them Anni and Josef Albers, Herbert Bayer, Marcel Breuer, Lyonel Feininger, Walter Gropius, Johannes Itten, Vasily Kandinsky, Paul Klee, Laszlo Moholy-Nagy, Lilly Reich, Oskar Schlemmer, Gunta Stolzl--in an extraordinary conversation on the nature of art in the industrial age. Bauhaus 1919-1933: Workshops for Modernity, published to accompany a major multimedia exhibition offers a new generational perspective on the twentieth century's most influential experiment in artistic education. Organized in collaboration with the three major Bauhaus collections in Germany, this book examines the extraordinarily broad spectrum of the school's products, including industrial design, furniture, architecture, graphics, photography, textiles, ceramics, theater and costume design, painting and sculpture. Many of the objects discussed and illustrated here have rarely if ever been seen or published outside Germany.
Modernism
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In the fall of 2009, The Museum of Modern Art and MoMA PS1 selected five interdisciplinary teams of architects, engineers and landscape designers to propose solutions to the effects of climate change on New York's waterfront. The resulting proposals, exhibited at MoMA in 2010 in the exhibition "Rising Currents: Projects for New York's Waterfront," emphasize "soft"(...)
Rising currents : projects for New York's waterfront
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In the fall of 2009, The Museum of Modern Art and MoMA PS1 selected five interdisciplinary teams of architects, engineers and landscape designers to propose solutions to the effects of climate change on New York's waterfront. The resulting proposals, exhibited at MoMA in 2010 in the exhibition "Rising Currents: Projects for New York's Waterfront," emphasize "soft" infrastructure interventions that would make New York City and its surrounding areas more ecologically sound and more resilient in responding to rising sea levels and storm surges. These innovative projects include the creation of salt- and freshwater wetlands, a Venice-like aqueous landscape, habitable piers and man-made islands, and a protective reef of living oysters. Published to document the exhibition, "Rising Currents: Projects for New York's Waterfront" presents these five projects in detail through essays that summarize the innovative workshop and exhibition, the dialogues they engendered with outside experts and political figures involved in regional planning, and the climate change and urban planning implications of the proposed solutions.
Green Architecture
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Published to accompany the first exhibition devoted to Labrouste in the United States--and the first anywhere in the world in nearly 40 years--this publication presents nearly 225 works in all media, including drawings, watercolors, vintage and modern photographs, film stills and architectural models. Essays by a range of international architecture scholars explore(...)
Architecture Monographs
April 2013
Henri Labrouste: structure brought to light
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Published to accompany the first exhibition devoted to Labrouste in the United States--and the first anywhere in the world in nearly 40 years--this publication presents nearly 225 works in all media, including drawings, watercolors, vintage and modern photographs, film stills and architectural models. Essays by a range of international architecture scholars explore Labrouste's work and legacy through a variety of approaches.
Architecture Monographs
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As the world’s population swells and the need for sustainable ways of living grows ever more urgent and obvious, prefabricated architecture has taken center stage. Even before our current predicaments, the mass-produced, factory-made home had a distinguished history, having served as a vital precept in the development of Modern architecture. Today, with the digital(...)
Prefabricated Architecture
August 2008, New York
Home delivery, fabricating the modern dwelling
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As the world’s population swells and the need for sustainable ways of living grows ever more urgent and obvious, prefabricated architecture has taken center stage. Even before our current predicaments, the mass-produced, factory-made home had a distinguished history, having served as a vital precept in the development of Modern architecture. Today, with the digital revolution reorganizing the relationship between drafting board and factory, it continues to spur innovative manufacturing and design, and its potential has clearly not yet come to fruition. Home Delivery traces the history of prefabrication in architecture, from its early roots in colonial cottages though the work of such figures as Jean Prouvé and Buckminster Fuller, and mass-produced variants such as the Lustron house, to a group of full-scale contemporary houses commissioned specifically for the MoMA exhibition that this book accompanies. In addition to an introductory essay by Barry Bergdoll, Chief Curator in the Museum’s Department of Architecture and Design, this volume contains essays on prefabricated housing in Japan and in Nordic countries by Ken Tadashi Oshima and Rasmus Waern, respectively. It also includes focused texts on approximately 40 historical projects and five commissions, as well as a bibliography.
Prefabricated Architecture
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Published for a major exhibition at The Museum of Modern Art, this catalog reveals new perspectives on the work of Frank Lloyd Wright, a designer so prolific and familiar as to nearly preclude critical reexamination. Structured as a series of inquiries into the Frank Lloyd Wright Foundation Archives at Taliesin West, Arizona (recently acquired by MoMA and Avery(...)
Frank Lloyd Wright: unpacking the archive
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Published for a major exhibition at The Museum of Modern Art, this catalog reveals new perspectives on the work of Frank Lloyd Wright, a designer so prolific and familiar as to nearly preclude critical reexamination. Structured as a series of inquiries into the Frank Lloyd Wright Foundation Archives at Taliesin West, Arizona (recently acquired by MoMA and Avery Architectural & Fine Arts Library, Columbia University), the book is a collection of scholarly explorations rather than an attempt to construct a master narrative. Each chapter centers on a key object from the archive that an invited author has “unpacked”— tracing its meanings and connections, and juxtaposing it with other works from the archive, from MoMA, or from outside collections. Wright’s quest to build a mile-high skyscraper reveals him to be one of the earliest celebrity architects, using television, press relations and other forms of mass media to advance his own self-crafted image. A little-known project for a Rosenwald School for African-American children, together with other projects that engage Japanese and Native American culture, ask provocative questions about Wright’s positions on race and cultural identity. Still other investigations engage the architect’s lifelong dedication to affordable and do-it-yourself housing, as well as the ecological systems, both social and environmental, that informed his approach to cities, landscapes and even ornament. The publication aims to open up Wright’s work to questions, interrogations and debates, and to highlight interpretations by contemporary scholars, both established Wright experts and others considering this iconic figure from new and illuminating perspectives.
Architecture Monographs
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Long a pioneer in architecture, Emilio Ambasz has retained a belief in the environment, or rather the larger ecology, as fundamental in viewing the world: as the author notes in the introduction, "his philosophy of ‘green over gray’ may often have fallen on deaf ears at the height of Postmodernism, but it today seems profoundly relevant." And it is in the context of today(...)
Emilio Ambasz: Curating a new nature
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Long a pioneer in architecture, Emilio Ambasz has retained a belief in the environment, or rather the larger ecology, as fundamental in viewing the world: as the author notes in the introduction, "his philosophy of ‘green over gray’ may often have fallen on deaf ears at the height of Postmodernism, but it today seems profoundly relevant." And it is in the context of today that the book considers his work and its three main areas of concentration—architecture, industrial design, curating—with an aim of shining a light on the interdisciplinary nature of the work as a whole. Featuring built and manufactured designs that have achieved iconic fame and challenged others to approach new ways of reconciling architecture and nature, the book also considers Ambasz’s work as curator at MoMA and his ongoing influence and legacy.
Architecture Monographs