Emigre no. 64 : rant
$16.95
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Summary:
For almost twenty years, and over sixty issues, Émigré has been a sourcebook of ideas, fonts, images, work, products, and even music for an entire generation of designers. But this visual stimulation may have come at a price: are today’s young designers writing passionately enough about what they do? Acting as agent provocateur in Rant, Émigré invites designers, teachers,(...)
Graphic Design and Typography
January 2003, Sacramento
Emigre no. 64 : rant
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$16.95
(available in store)
Summary:
For almost twenty years, and over sixty issues, Émigré has been a sourcebook of ideas, fonts, images, work, products, and even music for an entire generation of designers. But this visual stimulation may have come at a price: are today’s young designers writing passionately enough about what they do? Acting as agent provocateur in Rant, Émigré invites designers, teachers, and critics including Jeffery Keedy, Rick Valicenti, Shawn Wolfe, Kenneth FitzGerald, Denise Gonzales Crisp, Andrew Blauvelt, and Elliott Earls to challenge today’s young designers to develop a critical attitude toward their own work and the design scene in general. Rant also signals a transition in the format of Émigré, away from its previous incarnation as a magazine/font catalog toward a series of "pocketbooks’ focusing on critical writing about the state of graphic design.
Graphic Design and Typography
$6.95
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Summary:
For almost twenty years, and over sixty issues, "Emigre" has been a sourcebook of ideas, fonts, images, work, products, and even music. Now, "Emigre" has made a transition into a new format, a series of "pocketbooks," focusing on critical writing about the state of graphic design. Previously priced at $16.95.
Emigre no. 65 : if we're standing on the shoulders of giants, what are we reaching for?
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Summary:
For almost twenty years, and over sixty issues, "Emigre" has been a sourcebook of ideas, fonts, images, work, products, and even music. Now, "Emigre" has made a transition into a new format, a series of "pocketbooks," focusing on critical writing about the state of graphic design. Previously priced at $16.95.
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Emigre no. 67 : graphic design vs. style, globalism, criticism, science, authenticity and humanism
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Summary:
Emigre No. 67 picks up where "Rant" (and its successors, "If We're Standing on the Shoulders of Giants", "What Are We Reaching For?" and "Nudging Graphic Design") left off, with more thought-provoking criticism that makes Emigre required - if not universally accepted - reading for anyone interested in contemporary design.
Graphic Design and Typography
August 2004, Berkeley / New York
Emigre no. 67 : graphic design vs. style, globalism, criticism, science, authenticity and humanism
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$16.95
(available to order)
Summary:
Emigre No. 67 picks up where "Rant" (and its successors, "If We're Standing on the Shoulders of Giants", "What Are We Reaching For?" and "Nudging Graphic Design") left off, with more thought-provoking criticism that makes Emigre required - if not universally accepted - reading for anyone interested in contemporary design.
Graphic Design and Typography
$15.95
(available in store)
Summary:
Everything must come to an end, and after publishing Emigre magazine for over two decades, Rudy Vanderlans is saying adieu. More than twenty- five contributors and colleagues, including Lorraine Wild, William Drenttel, Michael Bierut, Steve Heller, Ellen Lupton, Armin Vit, and Peter Bilak weigh in and bid the magazine farewell.
Emigre no. 69 : the end, final issue
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$15.95
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Summary:
Everything must come to an end, and after publishing Emigre magazine for over two decades, Rudy Vanderlans is saying adieu. More than twenty- five contributors and colleagues, including Lorraine Wild, William Drenttel, Michael Bierut, Steve Heller, Ellen Lupton, Armin Vit, and Peter Bilak weigh in and bid the magazine farewell.
Graphic Design and Typography
$37.95
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Summary:
''Anywhere, California'' is another close look by Rudy VanderLans into the cultural landscape of his favorite subject, the Golden State. Whether it’s the garage where Apple started in Los Altos, or the former location where the Manson Family lived in Chatsworth, or an anonymous abandoned storefront in Calexico, VanderLans finds beauty in the unlikeliest of locations. Yet(...)
Rudy VanderLans: Anywhere, California
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$37.95
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Summary:
''Anywhere, California'' is another close look by Rudy VanderLans into the cultural landscape of his favorite subject, the Golden State. Whether it’s the garage where Apple started in Los Altos, or the former location where the Manson Family lived in Chatsworth, or an anonymous abandoned storefront in Calexico, VanderLans finds beauty in the unlikeliest of locations. Yet he rarely divulges the why or what of his photographs. Instead he stresses that things aren’t always what they appear to be, leaving much to the imagination of the reader.
Photography monographs
$36.95
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Summary:
Inspired by artists like Edward Curtis and Charles Schulz, who devoted their lives to a single objective, Rudy VanderLans continues his pursuit to create a consistent body of work of postcard-size images, rendering a comprehensive portrait of California in the early part of the 21st century. VanderLans, who is often drawn to places with fantastical names- like Oleander(...)
Rudy Vanderlans: Oleander sunset
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Summary:
Inspired by artists like Edward Curtis and Charles Schulz, who devoted their lives to a single objective, Rudy VanderLans continues his pursuit to create a consistent body of work of postcard-size images, rendering a comprehensive portrait of California in the early part of the 21st century. VanderLans, who is often drawn to places with fantastical names- like Oleander Sunset- wanders about California's back roads with eyes wide open. Without theorizing, or searching for subjects, he allows himself to be receptive to the world around him and discovers beauty in the most ordinary locales. Like the men who named the cities and towns he visits, VanderLans makes the mundane seem less so, and in the process shows us what’s been overlooked. "Oleander Sunset" juxtaposes single images on opposing pages, setting up dynamic formal and contextual interactions through contrasting, complementing and reiteration. The book is interspersed with a number of fold-out panoramas, placing the viewer smack in the middle of the author's habitual stamping ground.
Photography monographs