articles
Bringing Projects to Life
Amancio Williams, Claudia Shmidt, correspondence, letters, Jean Prouvé, Richard Neutra, Oscar Niemeyer, Max Bill, Kenneth Frampton
12 November 2023
Bringing Projects to Life
A selection of letters written by Amancio Williams, introduced by Claudia Shmidt
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articles
Far from Nostalgia
9 October 2023
articles
What the future looked like
articles
18th century, 19th century, Antiquité, antiquité, Antiquity, Buffon, Charles de Wailly, Charles-François Viel, Claude-Nicolas Ledoux, dessin, drawing, Etienne-Louis Boullée, Étienne-Louis Boullée, France, French Revolution, Grèce, Greece, hôpital, hospital, Jacques-Germain Soufflot, Jean-Louis Viel de Saint-Maux, Jean-Nicolas-Louis Durand, Lettres d’architecture des anciens et celle des moderns, Panthéon, Paris, Paul Holmquist, Principes de l’ordonnance et de la construction des bâtimens, Renaissance, Révolution française, Rome, Sainte-Geneviève, Vitruve,
28 November 2011
As part of our exhibition Far From Nostalgia, we invite you to a reading of the correspondence between Argentine architect Amancio Williams concerning his project The City That Humanity Needs (Ciudad que Necesita la Humanidad), in and around the gallery space, from 6 to 7 pm on Thursday, 23 November.
23 November 2023, 6pm to 7pm
A reading of Amancio Williams’s letters
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Description:
As part of our exhibition Far From Nostalgia, we invite you to a reading of the correspondence between Argentine architect Amancio Williams concerning his project The City That Humanity Needs (Ciudad que Necesita la Humanidad), in and around the gallery space, from 6 to 7 pm on Thursday, 23 November.
In the second iteration of the Out of the Box: Amancio Williams series, Claudia Shmidt focuses on letters both sent and received by Amancio Williams. These letters, written to politicians, leading cultural institutions, and influential architects, help to situate Williams’s practice and elaborate on his persistence in bringing his projects to life.
Octagonal gallery Keyword(s):
Amancio Williams, Claudia Shmidt, Buenos Aires, Out of the box, Argentina
12 October 2023 to 28 January 2024
Far from Nostalgia: Amancio Williams selected by Claudia Shmidt
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Description:
In the second iteration of the Out of the Box: Amancio Williams series, Claudia Shmidt focuses on letters both sent and received by Amancio Williams. These letters, written to politicians, leading cultural institutions, and influential architects, help to situate Williams’s practice and elaborate on his persistence in bringing his projects to life.
Octagonal gallery Keyword(s):
Amancio Williams, Claudia Shmidt, Buenos Aires, Out of the box, Argentina
During the eighteenth century, Rome was both an important centre for Italian art and the focal point for the studies of most European artists; all were drawn by the city’s antique art, architecture, and statuary, as well as its Renaissance, Baroque, and eighteenth-century masterpieces. Exploring Rome: Piranesi and His Contemporaries is concerned with eighteenth-century(...)
Main galleries
18 August 1993 to 2 January 1994
Exploring Rome: Piranesi and His Contemporaries
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During the eighteenth century, Rome was both an important centre for Italian art and the focal point for the studies of most European artists; all were drawn by the city’s antique art, architecture, and statuary, as well as its Renaissance, Baroque, and eighteenth-century masterpieces. Exploring Rome: Piranesi and His Contemporaries is concerned with eighteenth-century(...)
Main galleries
Architecture as Evidence
Architecture as Evidence presents a set of materials gathered during a forensic analysis of the architecture of Auschwitz. It assembles plaster casts of blueprints, letters, contractor bills, and photographs, as well as two reconstructed monuments (a gas column and a gas-tight hatch), which together provide tangible evidence that Auschwitz was designed by its architects(...)
Octagonal gallery
16 June 2016 to 11 September 2016
Architecture as Evidence
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Architecture as Evidence presents a set of materials gathered during a forensic analysis of the architecture of Auschwitz. It assembles plaster casts of blueprints, letters, contractor bills, and photographs, as well as two reconstructed monuments (a gas column and a gas-tight hatch), which together provide tangible evidence that Auschwitz was designed by its architects(...)
Octagonal gallery
exhibitions
As they fill their sketchbooks with both texts and images, architects capture initial reactions to sites; record impressions and make drawings as they travel; organise work to be done; articulate design concepts and pose solutions; draft essays, lectures, and letters; write research notes; and copy inspirational passages from their readings. The Architect’s Sketchbook:(...)
Hall cases
26 February 1992 to 24 May 1992
The Architect's Sketchbook: Current Practice
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As they fill their sketchbooks with both texts and images, architects capture initial reactions to sites; record impressions and make drawings as they travel; organise work to be done; articulate design concepts and pose solutions; draft essays, lectures, and letters; write research notes; and copy inspirational passages from their readings. The Architect’s Sketchbook:(...)
exhibitions
26 February 1992 to
24 May 1992
Hall cases
Amid education reform in American schools of architecture in the 1970s, Kenneth Frampton was integral in transforming the curriculum of Columbia University’s Graduate School of Architecture Planning. In particular, he designed and taught what became three core courses: the theory seminar “Comparative Critical Analysis,” the history lectures “Thresholds of Modern(...)
31 May 2017 to 24 September 2017
Educating Architects: Four Courses by Kenneth Frampton
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Amid education reform in American schools of architecture in the 1970s, Kenneth Frampton was integral in transforming the curriculum of Columbia University’s Graduate School of Architecture Planning. In particular, he designed and taught what became three core courses: the theory seminar “Comparative Critical Analysis,” the history lectures “Thresholds of Modern(...)