Agnes Martin: On beauty
$54.00
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Résumé:
"When I think of art I think of beauty. Beauty is the mystery of life," wrote Agnes Martin in 1989. Edited by Milly Glimcher, this handsomely produced volume collects writings by the artist centered around the theme of beauty, as well as a range of subjects related to her life and work, from the workings of nature and politics to the inspiration to be found in solitude(...)
Agnes Martin: On beauty
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Prix:
$54.00
(disponible sur commande)
Résumé:
"When I think of art I think of beauty. Beauty is the mystery of life," wrote Agnes Martin in 1989. Edited by Milly Glimcher, this handsomely produced volume collects writings by the artist centered around the theme of beauty, as well as a range of subjects related to her life and work, from the workings of nature and politics to the inspiration to be found in solitude and silence. Poetic and reflective, these texts range from compact insights, as with "Underside of the Leaf" and "Awareness of Perfection," to longer meditations, such as "The Current of the River of Life Moves Us" and "The Untroubled Mind." ''On Beauty'' also includes reproductions of paintings such as Blessings (2000) and Tranquillity (2001), among others, while the front and back covers are debossed with reproductions of Affection (2001) and Little Children Playing with Love (2001). By providing a window into the thoughts and feelings that moved her, this title is the perfect companion for anyone who admires Martin's intuitive approach to art. Canadian American artist Agnes Martin (1912–2004) was one of the most influential painters of her generation and left an enduring mark on the history of modern and contemporary art. Characterized by austere lines and grids superimposed upon grounds of muted color, her paintings elegantly negotiate the confines of structure, space, draftsmanship and the metaphysical. Their underlying ideologies can be found in the writings she composed over the course of her career.
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Agnes Martin (1912–2004) wrote Religion of Love, a late statement on her work and thought, sometime in the 1990s. Composed of short, aphoristic statements and paragraphs, it lucidly states her art credo and life advice: "Love makes us want to do all the good things. Get up in the morning and work for life." "The part of the mind that's aware of perfection tells us(...)
Agnes Martin & Richard Tuttle: religion of love
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$75.00
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Agnes Martin (1912–2004) wrote Religion of Love, a late statement on her work and thought, sometime in the 1990s. Composed of short, aphoristic statements and paragraphs, it lucidly states her art credo and life advice: "Love makes us want to do all the good things. Get up in the morning and work for life." "The part of the mind that's aware of perfection tells us everything that is good." "You can contact the mind by asking for help." Somewhat uncharacteristically, Martin asked her friend Richard Tuttle to illustrate it. As Tuttle writes in his introduction, "on the one hand, it reconfirms her most classical thought (Beauty is the mystery of life), and, on the other, adds new thought with an urgency only found in a mature artist of her age and persuasion." This beautiful, slim volume constitutes both an important artist's statement and a great collaboration.
$68.00
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Résumé:
Exploring the evolution of Agnes Martin's sublime use of color, this volume celebrates Agnes Martin's pursuit of beauty, happiness and innocence in her nonobjective art created while living in the desert of New Mexico. From her multicolored striped works to compositions of color-washed bands defined by hand-drawn lines, to the deep gray Black Paintings that characterized(...)
janvier 2022
Agnes Martin: The distillation of color
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$68.00
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Résumé:
Exploring the evolution of Agnes Martin's sublime use of color, this volume celebrates Agnes Martin's pursuit of beauty, happiness and innocence in her nonobjective art created while living in the desert of New Mexico. From her multicolored striped works to compositions of color-washed bands defined by hand-drawn lines, to the deep gray Black Paintings that characterized her work in the late 1980s, Martin's treatment of color in each of these phases is examined. A particular emphasis is placed on the latter half of her career and the broadening vision that developed during her years working in the desert, which crystalized her quest to deepen her understanding of the essence of painting, unattached to emotion or subject, yet radiant and meditative in its pure abstraction.