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This collection of essays includes pieces by Alberto Perez-Gomez, Jean-François Bédard, Helmut Klassen, Donald Kunze, Graham Livesay, Indra Kagis McEwen, Juhani Pallasmaa, Stephen Parcell, Louise Pelletier, and Nadia Subotincic.
Théorie de l’architecture
novembre 1994, Montréal
Chora 1: intervals in the philosophy of architecture
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This collection of essays includes pieces by Alberto Perez-Gomez, Jean-François Bédard, Helmut Klassen, Donald Kunze, Graham Livesay, Indra Kagis McEwen, Juhani Pallasmaa, Stephen Parcell, Louise Pelletier, and Nadia Subotincic.
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novembre 1994, Montréal
Théorie de l’architecture
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Photographs by Robert Keziere.
Publications du CCA
juin 2000, Farnham
Geoffrey Smedley - memory, measure, time, and numbers : a sculptural meditation on a drawing by Piero della Francesca
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Photographs by Robert Keziere.
Publications du CCA
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Dans un traité sur la perspective écrit vers la fin de sa vie, Piero della Francesca tente d’établir les proportions mathématiques « idéales » de la tête humaine. Après des années de méditation créative à partir de ces dessins, Smedley a décidé d’en traduire concrètement le mystère en leur donnant une forme physique. Travaillant à la manière d’un architecte, il en a(...)
Publications du CCA
janvier 2001, Montréal
Piero en tête : sculptures de Geoffrey Smedley / Meditations on Piero: sculptures by Geoffrey Smedley
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Dans un traité sur la perspective écrit vers la fin de sa vie, Piero della Francesca tente d’établir les proportions mathématiques « idéales » de la tête humaine. Après des années de méditation créative à partir de ces dessins, Smedley a décidé d’en traduire concrètement le mystère en leur donnant une forme physique. Travaillant à la manière d’un architecte, il en a extrait la structure de ses sculptures. Sa pièce principale, The Numbers, est une méticuleuse représentation de plus d’un mètre de haut de la tête idéale de Piero della Francesca. In a treatise on perspective written towards the end of his life, Piero della Francesca attempted to determine the mathematically "ideal" proportions of the human head, basing his drawings on a belief in the cosmological significance of certain numbers and their geometrical relationships. After many years of creative meditation on these drawings, Smedley decided to translate their mystery into physical form, working the way an architect works to extract from them the structure of his sculptures. His principal piece, The Numbers, is a meticulous, four-foot high realization of Piero’s ideal head.
Publications du CCA
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Cette courte monographie et l'exposition itinérante qu'elle accompagne ont pour but de faire mieux connaître l'une des principales figures de l'architecture canadienne à l'heure actuelle. Ce livre contient les essais d'Alberto Pérez-Gomez et d'Howard Shubert ainsi que des photographies de Geoffrey James. / This short monograph and the travelling(...)
Publications du CCA
janvier 1994, Montréal
Richard Henriquez et le Théâtre de la mémoire / Richard Henriquez : Memory Theatre
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Cette courte monographie et l'exposition itinérante qu'elle accompagne ont pour but de faire mieux connaître l'une des principales figures de l'architecture canadienne à l'heure actuelle. Ce livre contient les essais d'Alberto Pérez-Gomez et d'Howard Shubert ainsi que des photographies de Geoffrey James. / This short monograph and the travelling exhibition to which it is a guide introduce a major figure in Canadian architecture today. With essays by Alberto Pérez-Gomez and Howard Shubert, and photographs by Geoffrey James.
Publications du CCA
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In this second volume in the Chora series, contributing authors take an interdisciplinary approach to architecture and other cultural concerns, challenging readers to consider alternatives to conventional aesthetic and technological reductions. Karsten Harris provides a new and long-overdue reading of Martin Heidegger's well-known(...)
Théorie de l’architecture
septembre 1996, Montréal
Chora 2 : intervals in the philosophy of architecture
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In this second volume in the Chora series, contributing authors take an interdisciplinary approach to architecture and other cultural concerns, challenging readers to consider alternatives to conventional aesthetic and technological reductions. Karsten Harris provides a new and long-overdue reading of Martin Heidegger's well-known essay "Building Dwelling Thinking." Donald Kunze and Stephen Parcell consider possibilities of meaningful architectural space for a visual culture, continuing themes they addressed in Chora 1. Further reflections on the spaces of literature, cinema, and architecture include an interview with French writer and film maker Alain Robbe-Grillet and articles by Dagmar Motycka Weston on the surrealist city, Tracey Eve Winton on the museum as a paradigmatic modern building, and Terrance Galvin on spiritual space in the works of Jean Cocteau. Jean-Pierre Chupin and Bram Ratner explore historical themes in their essays on French Renaissance architect Philibert de l'Orme and the Jewish myth of the Golem. Gregory Caicco addresses ethical questions in his essay on the Greek agora and the death of Socrates, as does Lily Chi in her meditation on the critical issue of use in architectural works. A concern with architectural representation and generative strategies for the making of architecture is present throughout, especially in the essay by Joanna Merwood on the provocative House by British artist Rachel Whiteread.
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septembre 1996, Montréal
Théorie de l’architecture
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Chora 7, the final volume in the Chora series, includes fifteen essays on architectural topics from around the world (France, Greece, Iran, Italy, Korea, and the United States) and from diverse cultures (antiquity, Renaissance Italy, early modern France, and the past hundred years). Thematically, they bring original approaches to human experience, theatre, architectural(...)
Théorie de l’architecture
février 2016
Chora 7: intervals in the philosophy of architecture
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Chora 7, the final volume in the Chora series, includes fifteen essays on architectural topics from around the world (France, Greece, Iran, Italy, Korea, and the United States) and from diverse cultures (antiquity, Renaissance Italy, early modern France, and the past hundred years). Thematically, they bring original approaches to human experience, theatre, architectural creation, and historical origins. Readers will also gain insights into theoretical and practical work by architects and artists such as Leon Battista Alberti, Peter Brook, Douglas Darden, Filarete, Andy Goldsworthy, Anselm Kiefer, Frederick Kiesler, Claude-Nicolas Ledoux, and Peter Zumthor.
Théorie de l’architecture
$75.00
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In this publication, Alberto Pérez-Gómez calls for an architecture that can enhance our human values and capacities, an architecture that is connected -- attuned -- to its location and its inhabitants. Architecture, Pérez-Gómez explains, operates as a communicative setting for societies; its beauty and its meaning lie in its connection to human health and self-understanding.
Attunement: Architectural Meaning after the Crisis of Modern Science
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In this publication, Alberto Pérez-Gómez calls for an architecture that can enhance our human values and capacities, an architecture that is connected -- attuned -- to its location and its inhabitants. Architecture, Pérez-Gómez explains, operates as a communicative setting for societies; its beauty and its meaning lie in its connection to human health and self-understanding.
Théorie de l’architecture