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Résumé:
Anna Dezeuze offers an examination of Hirschhorn's Deleuze Monument (2000), the second in his series of four Monuments. Deleuze Monument - a sculpture, an altar, and a library dedicated to Gilles Deleuze -- was conceived as a work open to visitors twenty-four hours a day, seven days a week. Part of the exhibition "La Beauté" in Avignon, Deleuze Monument was controversial(...)
Thomas Hirschhorn: Deleuze monument
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$38.95
(disponible sur commande)
Résumé:
Anna Dezeuze offers an examination of Hirschhorn's Deleuze Monument (2000), the second in his series of four Monuments. Deleuze Monument - a sculpture, an altar, and a library dedicated to Gilles Deleuze -- was conceived as a work open to visitors twenty-four hours a day, seven days a week. Part of the exhibition "La Beauté" in Avignon, Deleuze Monument was controversial from the start, and it was dismantled two months before the end of the exhibition after being vandalized. Dezeuze describes the chronology of the project, including negotiations with local residents; the dynamic between affirmation and vulnerability in Hirschhorn's work; failure and "scatter art" in the 1990s; participatory practices; and problems of presence, maintenance, and appearance, raised by Hirschhorn's acknowledgement of "error" in his discontinuous presence on site following the installation of Deleuze Monument.
Théorie de l’art