Border crossing issue 144
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In this issue, Border Crossings looks in large part at contemporary sculpture in the work of two artists, American icon Richard Serra and Montreal-based Jean-Pierre Gauthier; In the articles section, Gary Pearson discusses works by senior Canadian photographer and filmmaker, Ian Wallace, in “The Art of Deep Collecting: Ian Wallace and the Rennie Museum”. Michael Davidge(...)
Border crossing issue 144
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In this issue, Border Crossings looks in large part at contemporary sculpture in the work of two artists, American icon Richard Serra and Montreal-based Jean-Pierre Gauthier; In the articles section, Gary Pearson discusses works by senior Canadian photographer and filmmaker, Ian Wallace, in “The Art of Deep Collecting: Ian Wallace and the Rennie Museum”. Michael Davidge takes an in-depth look at the National Gallery of Canada after the recent reconfiguration of its Canadian and Indigenous Galleries; Stephen Horne takes the “grand tour” of arts exhibitions as the Venice Biennale, documenta, and the Münster Skulptur Projekte align in what is nearly a once-in-a-lifetime exhibition lineup; Aryen Hoekstra discuses fakery and fiction in the work of artist Thomas Demand, filmmaker Alexander Kluge and scenographer Anna Viebrock in “The Boat is Leaking. The Captain Lied.”
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Border crossings issue 145
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Border Crossings takes an in-depth look at California-based American artist Nancy Rubins. For over forty years, Rubins’ work has contained unpredictable elements as she has transformed industrial materials such as mattresses, television sets, RV campers and boat parts into large-scale installations. This issue also includes a look into the world of one of Canada’s most(...)
Border crossings issue 145
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Border Crossings takes an in-depth look at California-based American artist Nancy Rubins. For over forty years, Rubins’ work has contained unpredictable elements as she has transformed industrial materials such as mattresses, television sets, RV campers and boat parts into large-scale installations. This issue also includes a look into the world of one of Canada’s most important conceptual artists, Toronto-based Kelly Mark; a portfolio of charcoal drawings by Berlin-based Canadian artist Ambera Wellmann, winner of the 2017 RBC painting competition; Stephen Horne looks at artifact and artifice in Sophie Calle’s and Serena Carone’s quiet insertions into the quirky, lavish and eccentric Paris museum, La Musée de la Chasse et de la Nature; Robin Laurence presents a profile of Inuit artist Shuvinai Ashoona and writes about the work recently presented at the Marion Scott Gallery; Ray Cronin looks at "Places, paths and pauses", a retrospective of Newfoundland photographer Marlene Creates.
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A special edition on crossovers in art and architecture, with features on Carlos Bunga, Phyllis Lambert, Paulo Mendes da Rocha, Alvin Boyarsky and Geoffrey James, as well as the Venice Biennale.
Border Crossings 138: Art and architecture special issue
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A special edition on crossovers in art and architecture, with features on Carlos Bunga, Phyllis Lambert, Paulo Mendes da Rocha, Alvin Boyarsky and Geoffrey James, as well as the Venice Biennale.
Border crossings 150
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The latest issue is now available at the bookstore!
Border crossings 150
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The latest issue is now available at the bookstore!
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Le dernier numéro est maintenant disponible !
Border crossings 147 : painting
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Le dernier numéro est maintenant disponible !
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The latest issue is now available at the bookstore!
Border Crossings 148 : women + sculpture
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The latest issue is now available at the bookstore!
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"With every step forward we leave a backward trace. A footprint in wet sand is ephemeral but photographs fill a drawer and linger and haunt us; letters and journals call out to be read. We don’t really want our lives and the activities and objects that filled them to be lost and forgotten. Not really. It is our sop against oblivion, and out of our desire to be in the(...)
Bordercrossings 167: the archive
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"With every step forward we leave a backward trace. A footprint in wet sand is ephemeral but photographs fill a drawer and linger and haunt us; letters and journals call out to be read. We don’t really want our lives and the activities and objects that filled them to be lost and forgotten. Not really. It is our sop against oblivion, and out of our desire to be in the company of others that we store and sort and arrange the material evidence of our having been here. The ordering of these artifacts brings sense and coherence to lives that seem fleeting and without conclusive purpose. Our collections—whatever it is that composes them—take an almost imitative corporeal form that we feel may represent us as we are and have been. I am here; this is what I have done; my accomplishments have been assembled and are shown. An Archive."
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Border Crossings 137
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Interviews with Angela Grauerholz and Fred Wilson, articles on art and weather, Mindy Yan Miller, art and disability, the post photographic condition, and a portfolio of photographs by Michael Campbell.
Border Crossings 137
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Interviews with Angela Grauerholz and Fred Wilson, articles on art and weather, Mindy Yan Miller, art and disability, the post photographic condition, and a portfolio of photographs by Michael Campbell.
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Border crossings 140
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Dernier numéro disponible en librairie. Latest issue available at the bookstore.
Border crossings 140
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Dernier numéro disponible en librairie. Latest issue available at the bookstore.
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Border crossings 141
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Border crossings magazine March 2017 – Volume 36, Number 141.
Border crossings 141
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Border crossings magazine March 2017 – Volume 36, Number 141.
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