1521 Résultats
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livres
livres
Titre:
Barozzi Veiga: Resonances
Barozzi Veiga: Resonances
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"Resonances" is a collection of sixteen projects—built, under construction, and in progress—by Barozzi Veiga, which reflects the studio’s ongoing exploration of form, matter, and atmosphere in contemporary cites.
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"Resonances" is a collection of sixteen projects—built, under construction, and in progress—by Barozzi Veiga, which reflects the studio’s ongoing exploration of form, matter, and atmosphere in contemporary cites.
Titre:
Barozzi Veiga: Resonances
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"Resonances" is a collection of sixteen projects—built, under construction, and in progress—by Barozzi Veiga, which reflects the studio’s ongoing exploration of form, matter, and atmosphere in contemporary cites.
Barozzi Veiga: Resonances
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"Resonances" is a collection of sixteen projects—built, under construction, and in progress—by Barozzi Veiga, which reflects the studio’s ongoing exploration of form, matter, and atmosphere in contemporary cites.
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livres
livres
Publication:
octobre 2025
octobre 2025
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$49.95
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Publiés initialement dans Architectural Design entre 1973 et 1975, la série des sept articles intitulée Collective Design rappelle l’essence collective de l’architecture. Au constat d’une fragmentation culturelle de la société jugée inéluctable, les Smithson interrogent la dimension politique de leur travail à un moment charnière de leur carrière. | Between 1973 and 1975,(...)
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Publiés initialement dans Architectural Design entre 1973 et 1975, la série des sept articles intitulée Collective Design rappelle l’essence collective de l’architecture. Au constat d’une fragmentation culturelle de la société jugée inéluctable, les Smithson interrogent la dimension politique de leur travail à un moment charnière de leur carrière. | Between 1973 and 1975,(...)
Titre:
Collective Design : Alison & Peter Smithson
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Publiés initialement dans Architectural Design entre 1973 et 1975, la série des sept articles intitulée Collective Design rappelle l’essence collective de l’architecture. Au constat d’une fragmentation culturelle de la société jugée inéluctable, les Smithson interrogent la dimension politique de leur travail à un moment charnière de leur carrière. | Between 1973 and 1975, Alison and Peter Smithson, published a series of seven articles in Architectural Design questioning the unity of the architectural form, as well as their commitment as architects. In recognition of the inevitable cultural fragmentation of society, they question the collective dimension of their work and their relationship with the community.
Collective Design : Alison & Peter Smithson
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Publiés initialement dans Architectural Design entre 1973 et 1975, la série des sept articles intitulée Collective Design rappelle l’essence collective de l’architecture. Au constat d’une fragmentation culturelle de la société jugée inéluctable, les Smithson interrogent la dimension politique de leur travail à un moment charnière de leur carrière. | Between 1973 and 1975, Alison and Peter Smithson, published a series of seven articles in Architectural Design questioning the unity of the architectural form, as well as their commitment as architects. In recognition of the inevitable cultural fragmentation of society, they question the collective dimension of their work and their relationship with the community.
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livres
livres
Publication:
janvier 2026
janvier 2026
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
Titre:
Espaces spéculatif, vol.1
Espaces spéculatif, vol.1
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Territoire en suspens: cartographies, conflits, imaginaires. Le groupe de recherche Espaces spéculatifs, fondé en 2024 au sein de l’École des arts visuels et médiatiques de l’UQAM, vise à étudier et à élargir le champ des connaissances lié à la notion d’espace à partir du champ interdisciplinaire des arts visuels et plastiques ainsi qu’à expérimenter de nouveaux(...)
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Territoire en suspens: cartographies, conflits, imaginaires. Le groupe de recherche Espaces spéculatifs, fondé en 2024 au sein de l’École des arts visuels et médiatiques de l’UQAM, vise à étudier et à élargir le champ des connaissances lié à la notion d’espace à partir du champ interdisciplinaire des arts visuels et plastiques ainsi qu’à expérimenter de nouveaux(...)
Titre:
Espaces spéculatif, vol.1
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$20.00
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Territoire en suspens: cartographies, conflits, imaginaires. Le groupe de recherche Espaces spéculatifs, fondé en 2024 au sein de l’École des arts visuels et médiatiques de l’UQAM, vise à étudier et à élargir le champ des connaissances lié à la notion d’espace à partir du champ interdisciplinaire des arts visuels et plastiques ainsi qu’à expérimenter de nouveaux agencements polysensoriels du temps et de l’espace.
Espaces spéculatif, vol.1
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Territoire en suspens: cartographies, conflits, imaginaires. Le groupe de recherche Espaces spéculatifs, fondé en 2024 au sein de l’École des arts visuels et médiatiques de l’UQAM, vise à étudier et à élargir le champ des connaissances lié à la notion d’espace à partir du champ interdisciplinaire des arts visuels et plastiques ainsi qu’à expérimenter de nouveaux agencements polysensoriels du temps et de l’espace.
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livres
livres
Publication:
juillet 2026
juillet 2026
Sujet:
Revues
Revues
Classification:
périodiques
périodiques
Prix:
$55.95
(disponible en magasin)
Résumé:
Fifty years ago, architects imagined worlds to come. Today, many have ceded the future to market logic, treating global capitalism as inevitable and reality as fixed. This issue of Architectural Design argues that when collective imagination falters, the utopian impulse returns?not as a blueprint for perfection, but as a vital means of reopening what can still be(...)
$55.95
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Résumé:
Fifty years ago, architects imagined worlds to come. Today, many have ceded the future to market logic, treating global capitalism as inevitable and reality as fixed. This issue of Architectural Design argues that when collective imagination falters, the utopian impulse returns?not as a blueprint for perfection, but as a vital means of reopening what can still be(...)
Titre:
AD 96:2 Chimera : The architecture of contemporary utopias
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Fifty years ago, architects imagined worlds to come. Today, many have ceded the future to market logic, treating global capitalism as inevitable and reality as fixed. This issue of Architectural Design argues that when collective imagination falters, the utopian impulse returns?not as a blueprint for perfection, but as a vital means of reopening what can still be conceived and made. As planetary computation, climate instability and synthetic cognition converge, utopia becomes a tool for speculative world?building: a way to design new systems, realities and relationalities with the more-than-human. Contributors navigate this shifting terrain from a range of vantages?from those who embrace technological acceleration as an instrument of renewal to others whose address to futurity is aimed at resisting the exhausted capitalist logics of the present.
AD 96:2 Chimera : The architecture of contemporary utopias
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Résumé:
Fifty years ago, architects imagined worlds to come. Today, many have ceded the future to market logic, treating global capitalism as inevitable and reality as fixed. This issue of Architectural Design argues that when collective imagination falters, the utopian impulse returns?not as a blueprint for perfection, but as a vital means of reopening what can still be conceived and made. As planetary computation, climate instability and synthetic cognition converge, utopia becomes a tool for speculative world?building: a way to design new systems, realities and relationalities with the more-than-human. Contributors navigate this shifting terrain from a range of vantages?from those who embrace technological acceleration as an instrument of renewal to others whose address to futurity is aimed at resisting the exhausted capitalist logics of the present.
Classification:
périodiques
périodiques
Publication:
juillet 2026
juillet 2026
Sujet:
Revues
Revues
Classification:
périodiques
périodiques
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$8.00
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Résumé:
Tight fascia, exhaustion. From the energy spent and drained in the routines of our days—from untangling ourselves from demands and expectations. But energy is also generative. And it emerges in the work of Mariuccia Secol in the textures of presence and absence that the stretching of fabric and skin have in common. Energy also pulses through Marina Vishmidt’s notion of(...)
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Tight fascia, exhaustion. From the energy spent and drained in the routines of our days—from untangling ourselves from demands and expectations. But energy is also generative. And it emerges in the work of Mariuccia Secol in the textures of presence and absence that the stretching of fabric and skin have in common. Energy also pulses through Marina Vishmidt’s notion of(...)
Titre:
Arts of the Working Class #41: Energy
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Tight fascia, exhaustion. From the energy spent and drained in the routines of our days—from untangling ourselves from demands and expectations. But energy is also generative. And it emerges in the work of Mariuccia Secol in the textures of presence and absence that the stretching of fabric and skin have in common. Energy also pulses through Marina Vishmidt’s notion of infrastructural critique—and in her tireless hours of writing, teaching, and collaborating. For both Secol and Vishmidt, energy is everything, and this issue owes its impetus to their shared attention to energy’s rhythms and resistances.
Arts of the Working Class #41: Energy
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Tight fascia, exhaustion. From the energy spent and drained in the routines of our days—from untangling ourselves from demands and expectations. But energy is also generative. And it emerges in the work of Mariuccia Secol in the textures of presence and absence that the stretching of fabric and skin have in common. Energy also pulses through Marina Vishmidt’s notion of infrastructural critique—and in her tireless hours of writing, teaching, and collaborating. For both Secol and Vishmidt, energy is everything, and this issue owes its impetus to their shared attention to energy’s rhythms and resistances.
Classification:
périodiques
périodiques
Publication:
mai 2026
mai 2026
Sujet:
Revues
Revues
Classification:
périodiques
périodiques
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Résumé:
Our new editorial cycle, Transformers, begins from the reckoning that transformation in the arts has never been linear. For us at AWC, it flourishes in repetition, meandering, and the subtle work of what often goes unnoticed. Rather than asking what is new, Transformers—not the 2007 blockbuster, but the era it anticipated, a spectacle of war, digitalization, and(...)
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Résumé:
Our new editorial cycle, Transformers, begins from the reckoning that transformation in the arts has never been linear. For us at AWC, it flourishes in repetition, meandering, and the subtle work of what often goes unnoticed. Rather than asking what is new, Transformers—not the 2007 blockbuster, but the era it anticipated, a spectacle of war, digitalization, and(...)
Titre:
Arts of the Working Class #40: Synthetics
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Our new editorial cycle, Transformers, begins from the reckoning that transformation in the arts has never been linear. For us at AWC, it flourishes in repetition, meandering, and the subtle work of what often goes unnoticed. Rather than asking what is new, Transformers—not the 2007 blockbuster, but the era it anticipated, a spectacle of war, digitalization, and profit—attends to what has been quietly shifting as new configurations of power, labor, and life crystallize. The unfolding chronicle of atrocities revealed in the Jeffrey Epstein files exposes how greed underwrites tribalism, and how the dismantling of an already iniquitous globalism has been further engineered to concentrate wealth in the hands of the fewest of the few.
Arts of the Working Class #40: Synthetics
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Our new editorial cycle, Transformers, begins from the reckoning that transformation in the arts has never been linear. For us at AWC, it flourishes in repetition, meandering, and the subtle work of what often goes unnoticed. Rather than asking what is new, Transformers—not the 2007 blockbuster, but the era it anticipated, a spectacle of war, digitalization, and profit—attends to what has been quietly shifting as new configurations of power, labor, and life crystallize. The unfolding chronicle of atrocities revealed in the Jeffrey Epstein files exposes how greed underwrites tribalism, and how the dismantling of an already iniquitous globalism has been further engineered to concentrate wealth in the hands of the fewest of the few.
Classification:
périodiques
périodiques
Publication:
février 2026
février 2026
Sujet:
Revues
Revues
Classification:
périodiques
périodiques
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$8.00
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Résumé:
As this year’s editorial cycle was titled Value Attachment—a poetic and materialist inquiry into how we assign worth to our worlds—the Sumud Flotilla offers a paradigm for what that question truly entails. The Gaza Biennial reasserts, in its own terms, the primacy of relationships as the ground on which politics is built. Not relationships as networks of exchange or(...)
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Résumé:
As this year’s editorial cycle was titled Value Attachment—a poetic and materialist inquiry into how we assign worth to our worlds—the Sumud Flotilla offers a paradigm for what that question truly entails. The Gaza Biennial reasserts, in its own terms, the primacy of relationships as the ground on which politics is built. Not relationships as networks of exchange or(...)
Titre:
Arts of the Working Class #39: Relationships
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Résumé:
As this year’s editorial cycle was titled Value Attachment—a poetic and materialist inquiry into how we assign worth to our worlds—the Sumud Flotilla offers a paradigm for what that question truly entails. The Gaza Biennial reasserts, in its own terms, the primacy of relationships as the ground on which politics is built. Not relationships as networks of exchange or capital, but as infrastructures of mutual dependence and resistance: fragile, chaotic, complex, indispensable. Across the previous four issues in 2025, we have traced how this question recurs across different registers. Now, we turn to Relationships: to sentimental versions and terrains of struggle. Fascism, in its twenty-first-century iterations, thrives not only on nationalism and exclusion but on dismantling relational life: isolating, atomizing, privatizing it until solidarity becomes suspect and empathy itself a form of dissent. Proximity is policed, intimacy is surveilled. Love is reduced to transaction. Care is outsourced. Trust weaponized. Even friendship, the most basic form of political relation, is co-opted as a tool of influence and control.
Arts of the Working Class #39: Relationships
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Résumé:
As this year’s editorial cycle was titled Value Attachment—a poetic and materialist inquiry into how we assign worth to our worlds—the Sumud Flotilla offers a paradigm for what that question truly entails. The Gaza Biennial reasserts, in its own terms, the primacy of relationships as the ground on which politics is built. Not relationships as networks of exchange or capital, but as infrastructures of mutual dependence and resistance: fragile, chaotic, complex, indispensable. Across the previous four issues in 2025, we have traced how this question recurs across different registers. Now, we turn to Relationships: to sentimental versions and terrains of struggle. Fascism, in its twenty-first-century iterations, thrives not only on nationalism and exclusion but on dismantling relational life: isolating, atomizing, privatizing it until solidarity becomes suspect and empathy itself a form of dissent. Proximity is policed, intimacy is surveilled. Love is reduced to transaction. Care is outsourced. Trust weaponized. Even friendship, the most basic form of political relation, is co-opted as a tool of influence and control.
Classification:
périodiques
périodiques
Publication:
novembre 2025
novembre 2025
Sujet:
Revues
Revues
Classification:
périodiques
périodiques
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$8.00
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Issue 38: Choreography inquires into how memories, histories, and rituals transform individuals into groups, words into policies, threads into textures, notes into dances, gestures into positions. Today, choreography thrives not only on stage but through social media, where short videos compress movement into consumable poses—endlessly repeated and algorithmically(...)
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Issue 38: Choreography inquires into how memories, histories, and rituals transform individuals into groups, words into policies, threads into textures, notes into dances, gestures into positions. Today, choreography thrives not only on stage but through social media, where short videos compress movement into consumable poses—endlessly repeated and algorithmically(...)
Titre:
Arts of the Working Class #38: Choreography
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Issue 38: Choreography inquires into how memories, histories, and rituals transform individuals into groups, words into policies, threads into textures, notes into dances, gestures into positions. Today, choreography thrives not only on stage but through social media, where short videos compress movement into consumable poses—endlessly repeated and algorithmically rewarded. Here the body mirrors Mark Fisher’s architecture of capitalist realism: gestures circulate even as they are emptied of meaning, as if there were no alternative but to keep performing. It is a dance of reflexive impotence, where participation feels inevitable and refusal unimaginable.
Arts of the Working Class #38: Choreography
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Issue 38: Choreography inquires into how memories, histories, and rituals transform individuals into groups, words into policies, threads into textures, notes into dances, gestures into positions. Today, choreography thrives not only on stage but through social media, where short videos compress movement into consumable poses—endlessly repeated and algorithmically rewarded. Here the body mirrors Mark Fisher’s architecture of capitalist realism: gestures circulate even as they are emptied of meaning, as if there were no alternative but to keep performing. It is a dance of reflexive impotence, where participation feels inevitable and refusal unimaginable.
Classification:
périodiques
périodiques
Publication:
septembre 2025
septembre 2025
Sujet:
Revues
Revues
Classification:
livres
livres
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$104.95
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Résumé:
Gaetano Pesce traces the visionary collaboration between the Italian designer and American entrepreneur Jay Chiat, founder of the advertising agency ChiatDay. Through 500 images, rare archives, and previously unpublished interviews, this book explores the creation of ChiatDay’s New York offices—true laboratories of the virtual office concept. Conceived in the 1990s, this(...)
$104.95
(disponible en magasin)
Résumé:
Gaetano Pesce traces the visionary collaboration between the Italian designer and American entrepreneur Jay Chiat, founder of the advertising agency ChiatDay. Through 500 images, rare archives, and previously unpublished interviews, this book explores the creation of ChiatDay’s New York offices—true laboratories of the virtual office concept. Conceived in the 1990s, this(...)
Titre:
Gaetano Pesce: The ChiatDay project
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$104.95
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Gaetano Pesce traces the visionary collaboration between the Italian designer and American entrepreneur Jay Chiat, founder of the advertising agency ChiatDay. Through 500 images, rare archives, and previously unpublished interviews, this book explores the creation of ChiatDay’s New York offices—true laboratories of the virtual office concept. Conceived in the 1990s, this groundbreaking project merges art, architecture, and technology, redefining the very notion of workspace. From Venice to New York, the book situates this adventure within the career of a leading figure of radical design, for whom humanity and diversity remain central to every form of creation. "Gaetano Pesce" offers a journey into the world of a total artist whose influence continues to shape the way we think about work, space, and creativity today.
Gaetano Pesce: The ChiatDay project
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$104.95
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Résumé:
Gaetano Pesce traces the visionary collaboration between the Italian designer and American entrepreneur Jay Chiat, founder of the advertising agency ChiatDay. Through 500 images, rare archives, and previously unpublished interviews, this book explores the creation of ChiatDay’s New York offices—true laboratories of the virtual office concept. Conceived in the 1990s, this groundbreaking project merges art, architecture, and technology, redefining the very notion of workspace. From Venice to New York, the book situates this adventure within the career of a leading figure of radical design, for whom humanity and diversity remain central to every form of creation. "Gaetano Pesce" offers a journey into the world of a total artist whose influence continues to shape the way we think about work, space, and creativity today.
Classification:
livres
livres
Publication:
août 2026
août 2026
Sujet:
Design, monographies
Design, monographies
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livres
livres
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$34.95
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Elle apparaît fragile, la Mémo, posée au milieu de son rond-point. On dit qu'elle ressemble à un vaisseau spatial, que ses lignes sont futuristes. Certains la trouvent belle et moderne, d'autres simplement moche. Même si elle semble étrange, comme atterri sans raison, dans ce site jugé par beaucoup ordinaire, elle est le fruit d'une volonté politique et d'une ambition(...)
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Résumé:
Elle apparaît fragile, la Mémo, posée au milieu de son rond-point. On dit qu'elle ressemble à un vaisseau spatial, que ses lignes sont futuristes. Certains la trouvent belle et moderne, d'autres simplement moche. Même si elle semble étrange, comme atterri sans raison, dans ce site jugé par beaucoup ordinaire, elle est le fruit d'une volonté politique et d'une ambition(...)
Titre:
Colboc Franzen & Associés: Médiathèque de Montauban
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Elle apparaît fragile, la Mémo, posée au milieu de son rond-point. On dit qu'elle ressemble à un vaisseau spatial, que ses lignes sont futuristes. Certains la trouvent belle et moderne, d'autres simplement moche. Même si elle semble étrange, comme atterri sans raison, dans ce site jugé par beaucoup ordinaire, elle est le fruit d'une volonté politique et d'une ambition culturelle et urbaine : celles de valoriser l'ordinaire du périurbain. Cet ouvrage conte l'histoire de cette création, à travers les textes des bibliothécaires Anne Verneuil, Bernard Mnich et Ann-Sarah Laroche, de l'architecte Benjamin Colboc, de l'ingénieur structure Marc Malinowsky et de l'acousticien Jean-Paul Lamoureux.
Colboc Franzen & Associés: Médiathèque de Montauban
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Résumé:
Elle apparaît fragile, la Mémo, posée au milieu de son rond-point. On dit qu'elle ressemble à un vaisseau spatial, que ses lignes sont futuristes. Certains la trouvent belle et moderne, d'autres simplement moche. Même si elle semble étrange, comme atterri sans raison, dans ce site jugé par beaucoup ordinaire, elle est le fruit d'une volonté politique et d'une ambition culturelle et urbaine : celles de valoriser l'ordinaire du périurbain. Cet ouvrage conte l'histoire de cette création, à travers les textes des bibliothécaires Anne Verneuil, Bernard Mnich et Ann-Sarah Laroche, de l'architecte Benjamin Colboc, de l'ingénieur structure Marc Malinowsky et de l'acousticien Jean-Paul Lamoureux.
Classification:
livres
livres
Publication:
octobre 2013
octobre 2013
Sujet:
Architecture, monographies
Architecture, monographies
