1521 Résultats
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The internationally active office White Arkitekter is dedicated to the renewable material wood and ecologically and socially sustainable architecture. In 2016, they designed a 20-storey building in Skellefteå in Sweden that will be one of the world’s tallest timber high-rise structures. Sara Kulturhus – a new cultural centre right in the core of the city combining(...)
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The internationally active office White Arkitekter is dedicated to the renewable material wood and ecologically and socially sustainable architecture. In 2016, they designed a 20-storey building in Skellefteå in Sweden that will be one of the world’s tallest timber high-rise structures. Sara Kulturhus – a new cultural centre right in the core of the city combining(...)
Publication:
septembre 2021
septembre 2021
Titre:
White Arkitekter : a heart of wood
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The internationally active office White Arkitekter is dedicated to the renewable material wood and ecologically and socially sustainable architecture. In 2016, they designed a 20-storey building in Skellefteå in Sweden that will be one of the world’s tallest timber high-rise structures. Sara Kulturhus – a new cultural centre right in the core of the city combining theatre, museum, art gallery, public library, conference centre and hotel – opens this year. The building, designed to reduce embodied as well as operational carbon emissions, is mainly made of wood grown in the regional boreal forests. Solar panels and efficient energy systems further contribute to minimising the project's climate footprint.
White Arkitekter : a heart of wood
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The internationally active office White Arkitekter is dedicated to the renewable material wood and ecologically and socially sustainable architecture. In 2016, they designed a 20-storey building in Skellefteå in Sweden that will be one of the world’s tallest timber high-rise structures. Sara Kulturhus – a new cultural centre right in the core of the city combining theatre, museum, art gallery, public library, conference centre and hotel – opens this year. The building, designed to reduce embodied as well as operational carbon emissions, is mainly made of wood grown in the regional boreal forests. Solar panels and efficient energy systems further contribute to minimising the project's climate footprint.
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livres
livres
Publication:
septembre 2021
septembre 2021
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livres
livres
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Twenty-five years ago, kister scheithauer gross completed its first brick building, the Institute for Biology in Halle. The replicated used brick of the façade is situated in the city centre in a self-evident way, and stands there today, still untouched by time. This is the starting point for the exhibition, which presents earlier brick buildings by the firm anew, along(...)
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Twenty-five years ago, kister scheithauer gross completed its first brick building, the Institute for Biology in Halle. The replicated used brick of the façade is situated in the city centre in a self-evident way, and stands there today, still untouched by time. This is the starting point for the exhibition, which presents earlier brick buildings by the firm anew, along(...)
Titre:
Kister Scheithauer Gross. Working title : BRICK
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Twenty-five years ago, kister scheithauer gross completed its first brick building, the Institute for Biology in Halle. The replicated used brick of the façade is situated in the city centre in a self-evident way, and stands there today, still untouched by time. This is the starting point for the exhibition, which presents earlier brick buildings by the firm anew, along with current projects and buildings. Building in brick implies an ability to adapt to a location and its atmosphere as well as social structures. The regional identity and character of cities are often associated with a specific type of brick. At a time of digital production, brick factories today are almost anachronistic places, where elementary work processes with lots of manual work take place and the brick is given its specific sand-coloured, reddish-orange, or sometimes greenish shade through the firing of the minerals in the clay soil. Each stone is thus a unique specimen and as a haptically rich product also helps the architectural project tell its own story. On the basis of filigree paper models set on brick bases, the exhibition presents eight projects by kister scheithauer gross, which has been designing and working with the sustainable and sensual material for a quarter of a century.
Kister Scheithauer Gross. Working title : BRICK
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Twenty-five years ago, kister scheithauer gross completed its first brick building, the Institute for Biology in Halle. The replicated used brick of the façade is situated in the city centre in a self-evident way, and stands there today, still untouched by time. This is the starting point for the exhibition, which presents earlier brick buildings by the firm anew, along with current projects and buildings. Building in brick implies an ability to adapt to a location and its atmosphere as well as social structures. The regional identity and character of cities are often associated with a specific type of brick. At a time of digital production, brick factories today are almost anachronistic places, where elementary work processes with lots of manual work take place and the brick is given its specific sand-coloured, reddish-orange, or sometimes greenish shade through the firing of the minerals in the clay soil. Each stone is thus a unique specimen and as a haptically rich product also helps the architectural project tell its own story. On the basis of filigree paper models set on brick bases, the exhibition presents eight projects by kister scheithauer gross, which has been designing and working with the sustainable and sensual material for a quarter of a century.
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livres
livres
Publication:
septembre 2021
septembre 2021
Sujet:
Matériaux et éclairage
Matériaux et éclairage
Classification:
périodiques
périodiques
Titre:
Bosquet no. 6 : mémoire
Bosquet no. 6 : mémoire
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Sous forme de précis, Bosquet explore les plantes d’intérieur et d’extérieur en abordant des thèmes variant à chaque publication. Des horticulteurs, peintres, illustrateurs, architectes paysagistes, designer, photographes, et écrivains francophones de partout à travers le monde sont réunis et partagent leurs perceptions des plantes.
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Sous forme de précis, Bosquet explore les plantes d’intérieur et d’extérieur en abordant des thèmes variant à chaque publication. Des horticulteurs, peintres, illustrateurs, architectes paysagistes, designer, photographes, et écrivains francophones de partout à travers le monde sont réunis et partagent leurs perceptions des plantes.
Titre:
Bosquet no. 6 : mémoire
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Sous forme de précis, Bosquet explore les plantes d’intérieur et d’extérieur en abordant des thèmes variant à chaque publication. Des horticulteurs, peintres, illustrateurs, architectes paysagistes, designer, photographes, et écrivains francophones de partout à travers le monde sont réunis et partagent leurs perceptions des plantes.
Bosquet no. 6 : mémoire
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Sous forme de précis, Bosquet explore les plantes d’intérieur et d’extérieur en abordant des thèmes variant à chaque publication. Des horticulteurs, peintres, illustrateurs, architectes paysagistes, designer, photographes, et écrivains francophones de partout à travers le monde sont réunis et partagent leurs perceptions des plantes.
Classification:
périodiques
périodiques
Publication:
octobre 2021
octobre 2021
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livres
livres
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$67.50
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Résumé:
This book celebrates, by way of a dual narrative, the Italian Cultural Institute in Stockholm, designed and furnished by Gio Ponti to a commission from Carlo Maurilio Lerici. The essays aim to examine the events linked to the commission of the project itself, and to the planning and realization of the building together with its interior design. The volume contains a(...)
$67.50
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Résumé:
This book celebrates, by way of a dual narrative, the Italian Cultural Institute in Stockholm, designed and furnished by Gio Ponti to a commission from Carlo Maurilio Lerici. The essays aim to examine the events linked to the commission of the project itself, and to the planning and realization of the building together with its interior design. The volume contains a(...)
Titre:
Enchanting architecture: Gio Ponti's Italian Cultural institute in Stockholm
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This book celebrates, by way of a dual narrative, the Italian Cultural Institute in Stockholm, designed and furnished by Gio Ponti to a commission from Carlo Maurilio Lerici. The essays aim to examine the events linked to the commission of the project itself, and to the planning and realization of the building together with its interior design. The volume contains a selection of images taken from the Institute's historical archive, as well as a new photographic reportage on the architectural and design elements featured in this building. It is well-known that Ponti took a great interest in Sweden (suffice it to think of all the space that was devoted to Swedish design in the pages of the magazine Domus from the early 1950s), yet it is fascinating to learn more and find answers regarding the dynamics that lay behind the making of this structure. Indeed, Gio Ponti managed to surpass the Swedish architect Ture Wennerholm's original idea, to breathe life into a project where the spaces, albeit organized according to function, succeed one another in a harmonious play of broken lines and different hues. Assisting him in the task were Pier Luigi Nervi and Ferruccio Rossetti. Gio Ponti gave life to a "classical modern" project in which art and architecture merge, proof that he had overcome the limits that were set by the trends characterizing that day and age. In so doing, he laid the groundwork for a new course in the cultural relations between Italy and Sweden.
Enchanting architecture: Gio Ponti's Italian Cultural institute in Stockholm
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Résumé:
This book celebrates, by way of a dual narrative, the Italian Cultural Institute in Stockholm, designed and furnished by Gio Ponti to a commission from Carlo Maurilio Lerici. The essays aim to examine the events linked to the commission of the project itself, and to the planning and realization of the building together with its interior design. The volume contains a selection of images taken from the Institute's historical archive, as well as a new photographic reportage on the architectural and design elements featured in this building. It is well-known that Ponti took a great interest in Sweden (suffice it to think of all the space that was devoted to Swedish design in the pages of the magazine Domus from the early 1950s), yet it is fascinating to learn more and find answers regarding the dynamics that lay behind the making of this structure. Indeed, Gio Ponti managed to surpass the Swedish architect Ture Wennerholm's original idea, to breathe life into a project where the spaces, albeit organized according to function, succeed one another in a harmonious play of broken lines and different hues. Assisting him in the task were Pier Luigi Nervi and Ferruccio Rossetti. Gio Ponti gave life to a "classical modern" project in which art and architecture merge, proof that he had overcome the limits that were set by the trends characterizing that day and age. In so doing, he laid the groundwork for a new course in the cultural relations between Italy and Sweden.
Classification:
livres
livres
Publication:
juin 2021
juin 2021
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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Résumé:
The "New York Review of Architecture" is organizing as a cooperative of working writers, architects, and artists who review architecture in New York. The Review is print only.
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Résumé:
The "New York Review of Architecture" is organizing as a cooperative of working writers, architects, and artists who review architecture in New York. The Review is print only.
Titre:
NYRA 22 : New York Review of Architecture issue #22
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The "New York Review of Architecture" is organizing as a cooperative of working writers, architects, and artists who review architecture in New York. The Review is print only.
NYRA 22 : New York Review of Architecture issue #22
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The "New York Review of Architecture" is organizing as a cooperative of working writers, architects, and artists who review architecture in New York. The Review is print only.
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livres
livres
Publication:
août 2021
août 2021
Sujet:
Revues
Revues
Classification:
livres
livres
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Résumé:
« Les villes peuvent sauver le monde. » La formule est devenue classique. Que ce soit en développant les réseaux de transport, en protégeant les milieux naturels, en planifiant la densification des agglomérations ou encore en organisation la gestion des matières résiduelles, ces gouvernements de proximité sont en effet au centre des enjeux écologiques du XXIe siècle. En(...)
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« Les villes peuvent sauver le monde. » La formule est devenue classique. Que ce soit en développant les réseaux de transport, en protégeant les milieux naturels, en planifiant la densification des agglomérations ou encore en organisation la gestion des matières résiduelles, ces gouvernements de proximité sont en effet au centre des enjeux écologiques du XXIe siècle. En(...)
Titre:
11 brefs essais pour des villes résilientes et durables
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« Les villes peuvent sauver le monde. » La formule est devenue classique. Que ce soit en développant les réseaux de transport, en protégeant les milieux naturels, en planifiant la densification des agglomérations ou encore en organisation la gestion des matières résiduelles, ces gouvernements de proximité sont en effet au centre des enjeux écologiques du XXIe siècle. En revanche, si plusieurs leviers de pouvoir déterminants dans la transition verte et durable se trouvent entre les mains des administrations municipales, leur actionnement semble rester timide dans beaucoup de villes et municipalités québécoises.
11 brefs essais pour des villes résilientes et durables
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« Les villes peuvent sauver le monde. » La formule est devenue classique. Que ce soit en développant les réseaux de transport, en protégeant les milieux naturels, en planifiant la densification des agglomérations ou encore en organisation la gestion des matières résiduelles, ces gouvernements de proximité sont en effet au centre des enjeux écologiques du XXIe siècle. En revanche, si plusieurs leviers de pouvoir déterminants dans la transition verte et durable se trouvent entre les mains des administrations municipales, leur actionnement semble rester timide dans beaucoup de villes et municipalités québécoises.
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livres
livres
Publication:
octobre 2021
octobre 2021
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
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$52.00
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Résumé:
Taking as a point of departure Derrida's notion of "hostipitality" – that is the presence of hostility in all hospitality and hosting – this anthology brings together original contributions from artists, scholars, activists, poets, curators, and musicians who reflect on different experiences and notions of hospitality. In an age of flourishing resentments and antipathy(...)
$52.00
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Résumé:
Taking as a point of departure Derrida's notion of "hostipitality" – that is the presence of hostility in all hospitality and hosting – this anthology brings together original contributions from artists, scholars, activists, poets, curators, and musicians who reflect on different experiences and notions of hospitality. In an age of flourishing resentments and antipathy(...)
Titre:
Whose land have I lit on now? Contemplations on the notions of hospitality
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Taking as a point of departure Derrida's notion of "hostipitality" – that is the presence of hostility in all hospitality and hosting – this anthology brings together original contributions from artists, scholars, activists, poets, curators, and musicians who reflect on different experiences and notions of hospitality. In an age of flourishing resentments and antipathy towards all that seems conceptually or physically "strange"/ a "stranger," in a time when the historical violence of the guest (as a colonizer) over the host is reiterated and fortified; in an era that has turned hospitality into a neoliberal commodity, it becomes urgent to reconsider hospitality's gradients of power.
Whose land have I lit on now? Contemplations on the notions of hospitality
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Taking as a point of departure Derrida's notion of "hostipitality" – that is the presence of hostility in all hospitality and hosting – this anthology brings together original contributions from artists, scholars, activists, poets, curators, and musicians who reflect on different experiences and notions of hospitality. In an age of flourishing resentments and antipathy towards all that seems conceptually or physically "strange"/ a "stranger," in a time when the historical violence of the guest (as a colonizer) over the host is reiterated and fortified; in an era that has turned hospitality into a neoliberal commodity, it becomes urgent to reconsider hospitality's gradients of power.
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livres
livres
Publication:
octobre 2021
octobre 2021
Sujet:
Théorie/ philosophie
Théorie/ philosophie
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livres
livres
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This publication presents four essays and one conversation with contemporary artists and curators from different backgrounds and origins (Jerusalem, Lebanon, Kuwait, USA, Egypt) who discuss their experience of becoming mothers as professionals in the arts, its reality and effects. While their reflections represent a similar strata of art worker in terms of background,(...)
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This publication presents four essays and one conversation with contemporary artists and curators from different backgrounds and origins (Jerusalem, Lebanon, Kuwait, USA, Egypt) who discuss their experience of becoming mothers as professionals in the arts, its reality and effects. While their reflections represent a similar strata of art worker in terms of background,(...)
Titre:
Why call it labor? On motherhood and art work
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This publication presents four essays and one conversation with contemporary artists and curators from different backgrounds and origins (Jerusalem, Lebanon, Kuwait, USA, Egypt) who discuss their experience of becoming mothers as professionals in the arts, its reality and effects. While their reflections represent a similar strata of art worker in terms of background, class, and career trajectory, the impact of instruments of patriarchy on rendering maternity invisible that they describe is recognizable and insidious.
Why call it labor? On motherhood and art work
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This publication presents four essays and one conversation with contemporary artists and curators from different backgrounds and origins (Jerusalem, Lebanon, Kuwait, USA, Egypt) who discuss their experience of becoming mothers as professionals in the arts, its reality and effects. While their reflections represent a similar strata of art worker in terms of background, class, and career trajectory, the impact of instruments of patriarchy on rendering maternity invisible that they describe is recognizable and insidious.
Classification:
livres
livres
Publication:
octobre 2021
octobre 2021
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$47.00
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Résumé:
German designer Matthias Sauerbruch (born 1955) and British designer Louisa Hutton (born 1957) have asked a diverse group of authors to reflect on the various conditions that have shaped the conception, production and circulation of European architecture over the past 30 years. While the essays collected in this volume include observations of Sauerbruch Hutton’s(...)
$47.00
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Résumé:
German designer Matthias Sauerbruch (born 1955) and British designer Louisa Hutton (born 1957) have asked a diverse group of authors to reflect on the various conditions that have shaped the conception, production and circulation of European architecture over the past 30 years. While the essays collected in this volume include observations of Sauerbruch Hutton’s(...)
Titre:
The turn of the century: A reader about architecture within Europe 1990-2020
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German designer Matthias Sauerbruch (born 1955) and British designer Louisa Hutton (born 1957) have asked a diverse group of authors to reflect on the various conditions that have shaped the conception, production and circulation of European architecture over the past 30 years. While the essays collected in this volume include observations of Sauerbruch Hutton’s buildings, the scope of the authors’ conclusions about European design trends far exceeds the work of this particular agency. The text is supplemented by a photographic essay by Finnish artist Ola Kolehmainen, offering readers an immersive experience of the firm’s most impressive accomplishments.
The turn of the century: A reader about architecture within Europe 1990-2020
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$47.00
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Résumé:
German designer Matthias Sauerbruch (born 1955) and British designer Louisa Hutton (born 1957) have asked a diverse group of authors to reflect on the various conditions that have shaped the conception, production and circulation of European architecture over the past 30 years. While the essays collected in this volume include observations of Sauerbruch Hutton’s buildings, the scope of the authors’ conclusions about European design trends far exceeds the work of this particular agency. The text is supplemented by a photographic essay by Finnish artist Ola Kolehmainen, offering readers an immersive experience of the firm’s most impressive accomplishments.
Classification:
livres
livres
Publication:
novembre 2021
novembre 2021
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$49.95
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Faire – Regarder le graphisme est une revue critique bimensuelle consacrée au design graphique, qui paraît en librairie sous la forme de recueils de trois ou quatre numéros. nº 31 — Une édition: The Serving Library. Entretien avec Stuart Bertolotti-Bailey par James Langdon. nº 32 — Un graphiste illustrateur: Bráulio Amado. Auteure: Manon Bruet. nº 33 — Formes ligneuses et(...)
$49.95
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Faire – Regarder le graphisme est une revue critique bimensuelle consacrée au design graphique, qui paraît en librairie sous la forme de recueils de trois ou quatre numéros. nº 31 — Une édition: The Serving Library. Entretien avec Stuart Bertolotti-Bailey par James Langdon. nº 32 — Un graphiste illustrateur: Bráulio Amado. Auteure: Manon Bruet. nº 33 — Formes ligneuses et(...)
Titre:
Faire : Regarder le graphisme – Volume 09 (n° 31, 32, 33, 34)
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Faire – Regarder le graphisme est une revue critique bimensuelle consacrée au design graphique, qui paraît en librairie sous la forme de recueils de trois ou quatre numéros. nº 31 — Une édition: The Serving Library. Entretien avec Stuart Bertolotti-Bailey par James Langdon. nº 32 — Un graphiste illustrateur: Bráulio Amado. Auteure: Manon Bruet. nº 33 — Formes ligneuses et tentaculaires: Plantes mangeuses d'hommes et invasions décoratives. Auteur: Camille Pageard. nº 34 — Un prix: Qu'est-ce qu'un plus beau livre? Auteur: Thierry Chancogne.
Faire : Regarder le graphisme – Volume 09 (n° 31, 32, 33, 34)
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Faire – Regarder le graphisme est une revue critique bimensuelle consacrée au design graphique, qui paraît en librairie sous la forme de recueils de trois ou quatre numéros. nº 31 — Une édition: The Serving Library. Entretien avec Stuart Bertolotti-Bailey par James Langdon. nº 32 — Un graphiste illustrateur: Bráulio Amado. Auteure: Manon Bruet. nº 33 — Formes ligneuses et tentaculaires: Plantes mangeuses d'hommes et invasions décoratives. Auteur: Camille Pageard. nº 34 — Un prix: Qu'est-ce qu'un plus beau livre? Auteur: Thierry Chancogne.
Classification:
livres
livres
Publication:
octobre 2021
octobre 2021
Sujet:
Revues
Revues
