Box It Up
$62.00
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Résumé:
The humble box has come a long way from its origins as nondescript packaging. Box It Up demonstrates the multitude of ways cardboard, wood, and other boxes and crates have flourished in mediums beyond simple wrapping and storage.
Box It Up
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$62.00
(disponible sur commande)
Résumé:
The humble box has come a long way from its origins as nondescript packaging. Box It Up demonstrates the multitude of ways cardboard, wood, and other boxes and crates have flourished in mediums beyond simple wrapping and storage.
$25.00
(disponible sur commande)
Résumé:
The history of posters is rich in variations on the hand. In consumer posters, a hand presents desirable products. But the hand can also take the form of a symbolically charged gesture in the political poster. In cultural posters, the hand then becomes the emblem of the creative individual. Just as versatile as the rhetoric of the hand are its diverse uses as a design(...)
The hand: poster collection 27
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$25.00
(disponible sur commande)
Résumé:
The history of posters is rich in variations on the hand. In consumer posters, a hand presents desirable products. But the hand can also take the form of a symbolically charged gesture in the political poster. In cultural posters, the hand then becomes the emblem of the creative individual. Just as versatile as the rhetoric of the hand are its diverse uses as a design element. In this volume, photographic, illustrative and abstract graphic images add up to a small cultural history of the hand as an eloquent conveyor of messages.
Arts graphiques imprimés
$48.95
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In the 1930s, German photographer Werner Mantz was commissioned to produce an extensive series of photographs documenting the Limburg coal mines. From his studio in Maastricht, he photographed major works of industry and technology in the Dutch province, including commissions to document the regional network of roads and various state mines. Forgotten for a time, the(...)
Werner Mantz: on coal mining in Limburg
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$48.95
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Résumé:
In the 1930s, German photographer Werner Mantz was commissioned to produce an extensive series of photographs documenting the Limburg coal mines. From his studio in Maastricht, he photographed major works of industry and technology in the Dutch province, including commissions to document the regional network of roads and various state mines. Forgotten for a time, the legacy of this work, done in the style of New Objectivity, re-emerged in the 1970s and has since been thoroughly researched. Presented here as an important historical document, his photos depict a glorious industrial era which we can now look back upon from a different perspective.
Monographies photo