1463 Résultats
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La revue annuelle du Musée des Arts Contemporains au Grand-Hornu (MAC's) fait peau neuve avec un nouveau numéro consacré au thème du musée et de sa critique par les artistes. Dits n° 22 offre un panorama de projets artistiques contemporains et internationaux proposant une réflexion sur la notion muséale, avec Yto Barrada, Christoph Büchel, Jacques Charlier, LaToya Ruby(...)
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La revue annuelle du Musée des Arts Contemporains au Grand-Hornu (MAC's) fait peau neuve avec un nouveau numéro consacré au thème du musée et de sa critique par les artistes. Dits n° 22 offre un panorama de projets artistiques contemporains et internationaux proposant une réflexion sur la notion muséale, avec Yto Barrada, Christoph Büchel, Jacques Charlier, LaToya Ruby(...)
Titre:
Dits n° 22 : musées pour cible
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La revue annuelle du Musée des Arts Contemporains au Grand-Hornu (MAC's) fait peau neuve avec un nouveau numéro consacré au thème du musée et de sa critique par les artistes. Dits n° 22 offre un panorama de projets artistiques contemporains et internationaux proposant une réflexion sur la notion muséale, avec Yto Barrada, Christoph Büchel, Jacques Charlier, LaToya Ruby Frazier, Tamar Guimarães, Jompet Kuswidananto, Wesley Meuris, Rei Naito, Ryue Nishizawa, Noah Purifoy, Dayanita Singh, Fiona Tan et Fred Wilson.
Dits n° 22 : musées pour cible
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La revue annuelle du Musée des Arts Contemporains au Grand-Hornu (MAC's) fait peau neuve avec un nouveau numéro consacré au thème du musée et de sa critique par les artistes. Dits n° 22 offre un panorama de projets artistiques contemporains et internationaux proposant une réflexion sur la notion muséale, avec Yto Barrada, Christoph Büchel, Jacques Charlier, LaToya Ruby Frazier, Tamar Guimarães, Jompet Kuswidananto, Wesley Meuris, Rei Naito, Ryue Nishizawa, Noah Purifoy, Dayanita Singh, Fiona Tan et Fred Wilson.
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livres
livres
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février 2018
février 2018
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livres
livres
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From Coccoina, which sents of almonds, to Amarene Fabbri in its iconic pottery; Acca Kappa teethbrush and Amarelli liquorice in their stylish cans. There are objects that live in Italians' houses since ever: they are minute, silent, but with an irresistible charm. Over the years, their role has changed and from simple industrial products they have become true icons of(...)
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From Coccoina, which sents of almonds, to Amarene Fabbri in its iconic pottery; Acca Kappa teethbrush and Amarelli liquorice in their stylish cans. There are objects that live in Italians' houses since ever: they are minute, silent, but with an irresistible charm. Over the years, their role has changed and from simple industrial products they have become true icons of(...)
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Fattobene: Italian everyday archetypes
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From Coccoina, which sents of almonds, to Amarene Fabbri in its iconic pottery; Acca Kappa teethbrush and Amarelli liquorice in their stylish cans. There are objects that live in Italians' houses since ever: they are minute, silent, but with an irresistible charm. Over the years, their role has changed and from simple industrial products they have become true icons of everyday life. FATTOBENE - Italian Everyday Archetypes is a project run by Anna Lagorio and Alex Carnevali: an atlas of Italian material culture, a journey into the industrial history of our country.
Fattobene: Italian everyday archetypes
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From Coccoina, which sents of almonds, to Amarene Fabbri in its iconic pottery; Acca Kappa teethbrush and Amarelli liquorice in their stylish cans. There are objects that live in Italians' houses since ever: they are minute, silent, but with an irresistible charm. Over the years, their role has changed and from simple industrial products they have become true icons of everyday life. FATTOBENE - Italian Everyday Archetypes is a project run by Anna Lagorio and Alex Carnevali: an atlas of Italian material culture, a journey into the industrial history of our country.
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livres
livres
Publication:
novembre 2017
novembre 2017
Sujet:
Design industriel
Design industriel
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livres
livres
Titre:
Le mythe de Pierre
Le mythe de Pierre
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« Le Mythe de Pierre » est avant tout une histoire. Ce premier numéro de Classeur va raconter cette histoire. Pour cela il va en traquer les traces : rassembler, décrire, dessiner, narrer, photographier ; puis les faire se rencontrer, s’embrasser, s’affronter.
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« Le Mythe de Pierre » est avant tout une histoire. Ce premier numéro de Classeur va raconter cette histoire. Pour cela il va en traquer les traces : rassembler, décrire, dessiner, narrer, photographier ; puis les faire se rencontrer, s’embrasser, s’affronter.
Titre:
Le mythe de Pierre
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« Le Mythe de Pierre » est avant tout une histoire. Ce premier numéro de Classeur va raconter cette histoire. Pour cela il va en traquer les traces : rassembler, décrire, dessiner, narrer, photographier ; puis les faire se rencontrer, s’embrasser, s’affronter.
Le mythe de Pierre
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« Le Mythe de Pierre » est avant tout une histoire. Ce premier numéro de Classeur va raconter cette histoire. Pour cela il va en traquer les traces : rassembler, décrire, dessiner, narrer, photographier ; puis les faire se rencontrer, s’embrasser, s’affronter.
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livres
livres
Publication:
janvier 2016
janvier 2016
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
Titre:
Mare Nostrum
Mare Nostrum
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Espace-temps, espace-mouvement, la mer Méditerranée comme continuité nous positionne face l’histoire, à notre histoire commune. Ses contours, son paysage architectural nous la raconte et nous offre alors une grille de lecture du présent. Ce numéro de Classeur offre un panorama de cette sédimentation qui prend chaque jour passé plus de sens et d’importance. Plus de(...)
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Espace-temps, espace-mouvement, la mer Méditerranée comme continuité nous positionne face l’histoire, à notre histoire commune. Ses contours, son paysage architectural nous la raconte et nous offre alors une grille de lecture du présent. Ce numéro de Classeur offre un panorama de cette sédimentation qui prend chaque jour passé plus de sens et d’importance. Plus de(...)
Titre:
Mare Nostrum
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Espace-temps, espace-mouvement, la mer Méditerranée comme continuité nous positionne face l’histoire, à notre histoire commune. Ses contours, son paysage architectural nous la raconte et nous offre alors une grille de lecture du présent. Ce numéro de Classeur offre un panorama de cette sédimentation qui prend chaque jour passé plus de sens et d’importance. Plus de soixante contributions passionnantes nous ont été proposées pour nourrir sur ce thème. La France, l’Italie, la Grèce, Israël, le Liban, la Palestine, l’Egypte, la Libye, l’Algérie, l’ Espagne dessinent les contours de cette compilation de Récits.
Mare Nostrum
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Espace-temps, espace-mouvement, la mer Méditerranée comme continuité nous positionne face l’histoire, à notre histoire commune. Ses contours, son paysage architectural nous la raconte et nous offre alors une grille de lecture du présent. Ce numéro de Classeur offre un panorama de cette sédimentation qui prend chaque jour passé plus de sens et d’importance. Plus de soixante contributions passionnantes nous ont été proposées pour nourrir sur ce thème. La France, l’Italie, la Grèce, Israël, le Liban, la Palestine, l’Egypte, la Libye, l’Algérie, l’ Espagne dessinent les contours de cette compilation de Récits.
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livres
livres
Publication:
janvier 2017
janvier 2017
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
périodiques
périodiques
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La revue rassemble les fragments épars dans le temps et l’espace, pour mieux montrer l’homogénéité, la pureté et l’évidence d’une architecture qui pose les bonnes questions, et qui tente d’y apporter des réponses. Créée par de jeunes étudiants en architecture, Cosa Mentale naît en 2009 comme Revue d’Architecture et de Résistance. Contributeurs: Alberto Campo Baeza,(...)
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La revue rassemble les fragments épars dans le temps et l’espace, pour mieux montrer l’homogénéité, la pureté et l’évidence d’une architecture qui pose les bonnes questions, et qui tente d’y apporter des réponses. Créée par de jeunes étudiants en architecture, Cosa Mentale naît en 2009 comme Revue d’Architecture et de Résistance. Contributeurs: Alberto Campo Baeza,(...)
Titre:
Cosa Mentale, n.12 : organisation
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La revue rassemble les fragments épars dans le temps et l’espace, pour mieux montrer l’homogénéité, la pureté et l’évidence d’une architecture qui pose les bonnes questions, et qui tente d’y apporter des réponses. Créée par de jeunes étudiants en architecture, Cosa Mentale naît en 2009 comme Revue d’Architecture et de Résistance. Contributeurs: Alberto Campo Baeza, William J.R. Curtis, Herve´ Dubois, Giacomo Guidotti, Jacques Lucan, Giuila Mazza, Giacomo Ortalli.
Cosa Mentale, n.12 : organisation
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La revue rassemble les fragments épars dans le temps et l’espace, pour mieux montrer l’homogénéité, la pureté et l’évidence d’une architecture qui pose les bonnes questions, et qui tente d’y apporter des réponses. Créée par de jeunes étudiants en architecture, Cosa Mentale naît en 2009 comme Revue d’Architecture et de Résistance. Contributeurs: Alberto Campo Baeza, William J.R. Curtis, Herve´ Dubois, Giacomo Guidotti, Jacques Lucan, Giuila Mazza, Giacomo Ortalli.
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périodiques
périodiques
Publication:
juin 2018
juin 2018
Sujet:
Revues
Revues
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livres
livres
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The contributors to this volume, devoted entirely to Mies van der Rohe’s Barcelona Pavilion of 1929, address here for the first time the forgotten contexts of the Pavilion’s genesis. Habitually thought of as an abstract, unpolluted, and splendidly isolated building—a precursor of Mies’s American period—the Pavilion is revealed here as a thoroughly European work, perhaps(...)
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The contributors to this volume, devoted entirely to Mies van der Rohe’s Barcelona Pavilion of 1929, address here for the first time the forgotten contexts of the Pavilion’s genesis. Habitually thought of as an abstract, unpolluted, and splendidly isolated building—a precursor of Mies’s American period—the Pavilion is revealed here as a thoroughly European work, perhaps(...)
Titre:
Mies van der Rohe: Barcelona-1929
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The contributors to this volume, devoted entirely to Mies van der Rohe’s Barcelona Pavilion of 1929, address here for the first time the forgotten contexts of the Pavilion’s genesis. Habitually thought of as an abstract, unpolluted, and splendidly isolated building—a precursor of Mies’s American period—the Pavilion is revealed here as a thoroughly European work, perhaps less pristine but more authentic. Mies and Lilly Reich were commissioned to design not only the Pavilion but also more than one hundred thousand square feet of German stands spread throughout the Exposition. By examining that work in addition to the Pavilion itself, the contributors present a far-reaching reinterpretation of the whole. They also explore connections with the mass media, highlight the work’s antecedents and meaning in the history of architecture, and analyze the current pavilion, a reconstruction of the original built in 1986.
Mies van der Rohe: Barcelona-1929
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The contributors to this volume, devoted entirely to Mies van der Rohe’s Barcelona Pavilion of 1929, address here for the first time the forgotten contexts of the Pavilion’s genesis. Habitually thought of as an abstract, unpolluted, and splendidly isolated building—a precursor of Mies’s American period—the Pavilion is revealed here as a thoroughly European work, perhaps less pristine but more authentic. Mies and Lilly Reich were commissioned to design not only the Pavilion but also more than one hundred thousand square feet of German stands spread throughout the Exposition. By examining that work in addition to the Pavilion itself, the contributors present a far-reaching reinterpretation of the whole. They also explore connections with the mass media, highlight the work’s antecedents and meaning in the history of architecture, and analyze the current pavilion, a reconstruction of the original built in 1986.
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livres
livres
Publication:
avril 2018
avril 2018
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
Titre:
Adolf Loos: private spaces
Adolf Loos: private spaces
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Adolf Loos held that a building should have a soberly discreet exterior, reserving all its riches for its interior. Given that, any real appreciation of the spatial complexity of the work of one of the most misunderstood architects of the twentieth century requires engagement with his interiors, which this book does, brilliantly. In marked contrast to his contemporaries(...)
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Adolf Loos held that a building should have a soberly discreet exterior, reserving all its riches for its interior. Given that, any real appreciation of the spatial complexity of the work of one of the most misunderstood architects of the twentieth century requires engagement with his interiors, which this book does, brilliantly. In marked contrast to his contemporaries(...)
Titre:
Adolf Loos: private spaces
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Adolf Loos held that a building should have a soberly discreet exterior, reserving all its riches for its interior. Given that, any real appreciation of the spatial complexity of the work of one of the most misunderstood architects of the twentieth century requires engagement with his interiors, which this book does, brilliantly. In marked contrast to his contemporaries in the Vienna Secession, who designed their spaces down to the smallest detail, Loos presented himself as a “professor of interior design,” perfectly willing to adapt to the habits and tastes of his clients, inviting them to embrace their own tastelessness rather than defer to the discernment of an “aesthete” architect. Together with the future occupant, he designed welcoming interiors whose warmth came from the effective use of quality materials and the creation of a flowing continuity articulated by the furnishings. What Loos created thereby was not merely architecture, but a new culture of living.
Adolf Loos: private spaces
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Adolf Loos held that a building should have a soberly discreet exterior, reserving all its riches for its interior. Given that, any real appreciation of the spatial complexity of the work of one of the most misunderstood architects of the twentieth century requires engagement with his interiors, which this book does, brilliantly. In marked contrast to his contemporaries in the Vienna Secession, who designed their spaces down to the smallest detail, Loos presented himself as a “professor of interior design,” perfectly willing to adapt to the habits and tastes of his clients, inviting them to embrace their own tastelessness rather than defer to the discernment of an “aesthete” architect. Together with the future occupant, he designed welcoming interiors whose warmth came from the effective use of quality materials and the creation of a flowing continuity articulated by the furnishings. What Loos created thereby was not merely architecture, but a new culture of living.
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livres
livres
Publication:
juin 2018
juin 2018
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$26.00
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Accompanying the exhibition "Carol Rama. Spazio anche più che tempo" (Carol Rama. Space even more than time), presented by the Archivio Carol Rama at the Palazzo Ca' nova in Venice from May 8 – June 28, 2017, this publication includes full-color illustrations of Rama’s works featured in the exhibition, an unprecedented selection representing the broad range of materials(...)
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Accompanying the exhibition "Carol Rama. Spazio anche più che tempo" (Carol Rama. Space even more than time), presented by the Archivio Carol Rama at the Palazzo Ca' nova in Venice from May 8 – June 28, 2017, this publication includes full-color illustrations of Rama’s works featured in the exhibition, an unprecedented selection representing the broad range of materials(...)
Titre:
Carol Rama: Space even more than time
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Accompanying the exhibition "Carol Rama. Spazio anche più che tempo" (Carol Rama. Space even more than time), presented by the Archivio Carol Rama at the Palazzo Ca' nova in Venice from May 8 – June 28, 2017, this publication includes full-color illustrations of Rama’s works featured in the exhibition, an unprecedented selection representing the broad range of materials and styles that comprise her iconoclastic oeuvre. The catalogue also features newly commissioned texts by acclaimed curator and founder of Participant, Inc. Lia Gangitano and Turin-based novelist Andrea Bajani, as well as an introduction by Maria Cristina Mundici and Raffaella Roddolo of the Archivio Carol Rama. With this publication, new light is cast on Rama’s groundbreaking oeuvre.
Carol Rama: Space even more than time
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Résumé:
Accompanying the exhibition "Carol Rama. Spazio anche più che tempo" (Carol Rama. Space even more than time), presented by the Archivio Carol Rama at the Palazzo Ca' nova in Venice from May 8 – June 28, 2017, this publication includes full-color illustrations of Rama’s works featured in the exhibition, an unprecedented selection representing the broad range of materials and styles that comprise her iconoclastic oeuvre. The catalogue also features newly commissioned texts by acclaimed curator and founder of Participant, Inc. Lia Gangitano and Turin-based novelist Andrea Bajani, as well as an introduction by Maria Cristina Mundici and Raffaella Roddolo of the Archivio Carol Rama. With this publication, new light is cast on Rama’s groundbreaking oeuvre.
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livres
livres
Publication:
mai 2018
mai 2018
Classification:
livres
livres
Titre:
Bauhaus World Heritage Site
Bauhaus World Heritage Site
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$21.00
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Between 1919 and 1933, the Bauhaus revolutionized prevailing ideas about architecture and design, and the construction methods associated with them. The architecture of the Bauhaus itself was equally innovative; the buildings conceived by Walter Gropius and Hannes Meyer had a lasting influence on the architecture of the 20th century. To celebrate and preserve this legacy,(...)
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Between 1919 and 1933, the Bauhaus revolutionized prevailing ideas about architecture and design, and the construction methods associated with them. The architecture of the Bauhaus itself was equally innovative; the buildings conceived by Walter Gropius and Hannes Meyer had a lasting influence on the architecture of the 20th century. To celebrate and preserve this legacy,(...)
Titre:
Bauhaus World Heritage Site
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$21.00
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Between 1919 and 1933, the Bauhaus revolutionized prevailing ideas about architecture and design, and the construction methods associated with them. The architecture of the Bauhaus itself was equally innovative; the buildings conceived by Walter Gropius and Hannes Meyer had a lasting influence on the architecture of the 20th century. To celebrate and preserve this legacy, the Bauhaus buildings in Weimar and Dessau were named UNESCO World Heritage Sites in 1996. More recently, UNESCO added several other Bauhaus buildings to the list, including the houses with balcony access in Dessau, the ADGB Trades Union School in Bernau, the Haus am Horn and the old Art School and the old School of Arts and Crafts in Weimar. Bauhaus World Heritage Site documents the Bauhaus buildings protected by UNESCO, exploring the architectural legacy of the Bauhaus through a close look at the school’s own architecture.
Bauhaus World Heritage Site
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Between 1919 and 1933, the Bauhaus revolutionized prevailing ideas about architecture and design, and the construction methods associated with them. The architecture of the Bauhaus itself was equally innovative; the buildings conceived by Walter Gropius and Hannes Meyer had a lasting influence on the architecture of the 20th century. To celebrate and preserve this legacy, the Bauhaus buildings in Weimar and Dessau were named UNESCO World Heritage Sites in 1996. More recently, UNESCO added several other Bauhaus buildings to the list, including the houses with balcony access in Dessau, the ADGB Trades Union School in Bernau, the Haus am Horn and the old Art School and the old School of Arts and Crafts in Weimar. Bauhaus World Heritage Site documents the Bauhaus buildings protected by UNESCO, exploring the architectural legacy of the Bauhaus through a close look at the school’s own architecture.
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livres
livres
Publication:
juin 2018
juin 2018
Sujet:
Modernisme
Modernisme
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livres
livres
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$60.00
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Italian photographer Gabriele Basilico (1944–2013) is best known for his photographs of industrial and postindustrial sites. This volume focuses on contemporary ruins and the oscillation between urban space and natural space in cities.
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Italian photographer Gabriele Basilico (1944–2013) is best known for his photographs of industrial and postindustrial sites. This volume focuses on contemporary ruins and the oscillation between urban space and natural space in cities.
Titre:
Gabriele Basilico: entropy and urban space
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Italian photographer Gabriele Basilico (1944–2013) is best known for his photographs of industrial and postindustrial sites. This volume focuses on contemporary ruins and the oscillation between urban space and natural space in cities.
Gabriele Basilico: entropy and urban space
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Italian photographer Gabriele Basilico (1944–2013) is best known for his photographs of industrial and postindustrial sites. This volume focuses on contemporary ruins and the oscillation between urban space and natural space in cities.
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livres
livres
Publication:
février 2018
février 2018
Sujet:
Monographies photo
Monographies photo
