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Titre:
Detail 1/2 2024 : Simple + cost-efficient

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This latest issue is now available at the bookstore. / Ce dernier numéro est maintenant disponible à la librairie.

Titre:
Detail 3 2024 : Schools

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The latest issue is now available at the bookstore.

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Detail 4 2024 : balconies, loggias, terraces

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New issue now available at the bookstore!

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Detail 05 2024: New housing in old stock

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The latest issue is now available at the bookstore.

Titre:
Detail 11 2016 + Detail green 02 2016

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Dernier numéro disponible en librairie. Latest issue available at the bookstore.

Titre:
Detail green 02 2016

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Dernier numéro en librairie. Latest issue available at the bookstore.

Titre:
Detail 12 2016 : colour materials finishes

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Résumé:
ome places or epochs are identified with certain colours: Siena for example, which lent its name to yellowish-brown pig-ments, or the Habsburg era with its Imperial yellow. Tel Aviv, has its White City – a UNESCO World Heritage site designed by Jewish architects who studied at the Bauhaus. White is the colour identified with the Modern Movement, of course, but the coloured interiors of the masters’ houses in Dessau by Walter Gropius show that not everything was reduced to that hue. There are probably just as many colour theories as there are colour tones; but the streets in our towns and cities are rarely characterized by a consistent colour scheme. In this respect, the materials and their surface finishes play a dominant role. In our December issue, we present various architectural concepts that focus on the effects of colour. For example, the Sparren-burg Visitors’ Centre in Bielefeld with its tamped concrete facades enters into a dialogue with the historical surroundings, while the polychrome glazing of Sauerbruch Hutton’s office building in London forms a deliberate counterpoint to the urban environment. As one can see, architecture has to come to terms with colour. There is no such thing as neutrality.

Titre:
Detail 1/2 2017: refurbishment, conversion

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This issue focusses on refurbishments, rehabilitations, and additions. And these need not be associated with converting the building to a new use: many interventions also improve upon existing concepts. Following the restructuring by Studio Marco Vermeulen, the museum in De Biesbosch, a nature sancturay in the Netherlands, flows seemlessly into the surrounding polder landscape. And the historic Fondaco dei Tedeschi on the Canal Grande in Venice – which OMA has renovated for use as a high-end department store – has always been a platform for commerce. An interview with Reinier de Graaf gives a glimpse of the philosophy that lies behind the Office for Metropolitan Architecture’s refurbishment projects.

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Detail 7/8 2019

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Architecture and water

Titre:
Detail 9 2019

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Review of architecture + Construction details