Daido Moriyama: Record 40
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In this edition, Daido Moriyama publishes his snaps from a trip to Paris the previous year, in connection with the Paris Photo fair. While wandering in the Saint-Michel neighbourhood, rue Mouffetard, and the area around Moulin Rouge taking pictures, his thoughts gradually drifted to memories of 30 years ago, when he lived in Paris for a brief period. Moriyama reflects on(...)
Daido Moriyama: Record 40
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In this edition, Daido Moriyama publishes his snaps from a trip to Paris the previous year, in connection with the Paris Photo fair. While wandering in the Saint-Michel neighbourhood, rue Mouffetard, and the area around Moulin Rouge taking pictures, his thoughts gradually drifted to memories of 30 years ago, when he lived in Paris for a brief period. Moriyama reflects on his obsession at the time to open a private gallery, which for a variety of reasons failed to become a reality, so he ended up spending his days roaming the city’s streets instead. Picture this: a 50-year-old Japanese man with a camera, totally bewildered, who speaks no French and only some broken English.
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Daido Tokyo
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Daido Moriyama (born 1938 in Ikeda, Japan) invented a new visual language with his work beginning in the mid-1960s. Frenetic and tormented, it depicted a reality that was grainy, blurry, and out-of-focus. Witness to the spectacular changes that trans-formed postwar Japan, his photographs express the contradictions in a country where age-old traditions persist within a(...)
Daido Tokyo
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Daido Moriyama (born 1938 in Ikeda, Japan) invented a new visual language with his work beginning in the mid-1960s. Frenetic and tormented, it depicted a reality that was grainy, blurry, and out-of-focus. Witness to the spectacular changes that trans-formed postwar Japan, his photographs express the contradictions in a country where age-old traditions persist within a modern society. Often blurred, taken from vertiginous angles, or overwhelmed by close-ups, they show a proximity to and a particular relationship with the subject. This book was published to coincide with an exhibition at the Fondation Cartier, and includes many previously unpublished photographs (as well as those featured in the exhibition), and an interview with the artist.
Monographies photo
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Take an inspiring walk with legendary photographer Daido Moriyama while he explains his groundbreaking approach to street photography. For over half a century, Moriyama has provided a distinct vision of Japan and its people. Here he offers a unique opportunity for fans to learn about his methods, the cameras he uses, and the journeys he takes with a camera.
Daido Moriyama: how I take photographs
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Take an inspiring walk with legendary photographer Daido Moriyama while he explains his groundbreaking approach to street photography. For over half a century, Moriyama has provided a distinct vision of Japan and its people. Here he offers a unique opportunity for fans to learn about his methods, the cameras he uses, and the journeys he takes with a camera.
Monographies photo
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Daido Moriyama's work is characterised by powerful, high contrast black-and-white pictures, concentrating on the little-seen parts of the city and highlighting the effects of industrialisation on modern life in Japan. He has showcased his photography in dozens of extremely influential artists books which have had an enormous impact on the world of photography. One of(...)
Daido Moriyama: Tales of Tono
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Daido Moriyama's work is characterised by powerful, high contrast black-and-white pictures, concentrating on the little-seen parts of the city and highlighting the effects of industrialisation on modern life in Japan. He has showcased his photography in dozens of extremely influential artists books which have had an enormous impact on the world of photography. One of these is Tales of Tono, first published in 1976, which features work shot in the countryside of northern Honshu, Japan. Taking its name from a collection of Japanese rural folk legends, its non-narrative diptychs display a nascent nostalgia, whilst the formal qualities of the photos embrace the grainy and raw techniques that Moriyama brought to his more urban subject matter.
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The story of Daido Moriyama’s photobook “1980s Remnants” begins in 1987, when Moriyama handed Michitaka Ota (of photobook publisher Sokyusha) a box filled with one thousand of his photographs. Some photos from the box were published in “A Journey to Nakaji” later that year and, more than ten years later, in the 1999 photobook “Dreams of Water.” Moriyama insisted that Ota(...)
Daido Moriyama: 1980s Remnants
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The story of Daido Moriyama’s photobook “1980s Remnants” begins in 1987, when Moriyama handed Michitaka Ota (of photobook publisher Sokyusha) a box filled with one thousand of his photographs. Some photos from the box were published in “A Journey to Nakaji” later that year and, more than ten years later, in the 1999 photobook “Dreams of Water.” Moriyama insisted that Ota keep the box of photographs, and so they stayed in a corner of Ota’s apartment. Even though the more than 30 years that have passed between the creation of these photographs and their eventual publication becomes part of their charm and magic, these 1980s Moriyama snapshots – of streets and textures and the beauty of urban chaos and, somewhat atypically, plants and floral wildlife – remain fascinating in their own right.
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