3 Résultats
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livres
livres
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$24.00
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Résumé:
Inspired by the symmetrical, Jeffersonian layout of the American Pavilion’s neoclassical architecture, and by Thomas Cole's cycle of the same name, Ed Ruscha installed this ten-painting exhibition titled "Course of empire" at the 2005 Venice biennale. Five pieces are painted in color and five in black and white. The artist paired each work from his 1992 Blue collar series(...)
$24.00
(disponible sur commande)
Résumé:
Inspired by the symmetrical, Jeffersonian layout of the American Pavilion’s neoclassical architecture, and by Thomas Cole's cycle of the same name, Ed Ruscha installed this ten-painting exhibition titled "Course of empire" at the 2005 Venice biennale. Five pieces are painted in color and five in black and white. The artist paired each work from his 1992 Blue collar series(...)
Publication:
septembre 2005, New York
septembre 2005, New York
Titre:
Course of empire : paintings of Ed Ruscha, United State pavilion, 51st Venice biennale, 2005
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$24.00
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Résumé:
Inspired by the symmetrical, Jeffersonian layout of the American Pavilion’s neoclassical architecture, and by Thomas Cole's cycle of the same name, Ed Ruscha installed this ten-painting exhibition titled "Course of empire" at the 2005 Venice biennale. Five pieces are painted in color and five in black and white. The artist paired each work from his 1992 Blue collar series with a new color canvas depicting the future of the same urban landscape, some deteriorated, some growing and changing, some seemingly gentrifying. The exhibition will travel in 2006 to The Whitney museum of American art in New York. Essays from Linda Norden, the U.S. commissioner for the Venice Biennale, and artist Frances Stark celebrate the work, while Joan Didion’s coolly written but deeply felt piece about her own brokenhearted longing for Los Angeles hits a perfect note.
Course of empire : paintings of Ed Ruscha, United State pavilion, 51st Venice biennale, 2005
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Prix:
$24.00
(disponible sur commande)
Résumé:
Inspired by the symmetrical, Jeffersonian layout of the American Pavilion’s neoclassical architecture, and by Thomas Cole's cycle of the same name, Ed Ruscha installed this ten-painting exhibition titled "Course of empire" at the 2005 Venice biennale. Five pieces are painted in color and five in black and white. The artist paired each work from his 1992 Blue collar series with a new color canvas depicting the future of the same urban landscape, some deteriorated, some growing and changing, some seemingly gentrifying. The exhibition will travel in 2006 to The Whitney museum of American art in New York. Essays from Linda Norden, the U.S. commissioner for the Venice Biennale, and artist Frances Stark celebrate the work, while Joan Didion’s coolly written but deeply felt piece about her own brokenhearted longing for Los Angeles hits a perfect note.
Classification:
livres
livres
Publication:
septembre 2005, New York
septembre 2005, New York
Classification:
livres
livres
Titre:
Anish Kapoor : Marsyas
Anish Kapoor : Marsyas
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$47.95
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Résumé:
Anish Kapoor's output ranges from works on a human scale, including powdered pigment sculptures and convex mirrors, to massive installations, both inside buildings and in the landscape. Taking on the challenge of the cavernous space of the Turbine Hall at the Tate Modern in London, Kapoor created his largest sculpture ever: built of PVC membrane, stetched taut across(...)
$47.95
(disponible sur commande)
Résumé:
Anish Kapoor's output ranges from works on a human scale, including powdered pigment sculptures and convex mirrors, to massive installations, both inside buildings and in the landscape. Taking on the challenge of the cavernous space of the Turbine Hall at the Tate Modern in London, Kapoor created his largest sculpture ever: built of PVC membrane, stetched taut across(...)
Titre:
Anish Kapoor : Marsyas
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Prix:
$47.95
(disponible sur commande)
Résumé:
Anish Kapoor's output ranges from works on a human scale, including powdered pigment sculptures and convex mirrors, to massive installations, both inside buildings and in the landscape. Taking on the challenge of the cavernous space of the Turbine Hall at the Tate Modern in London, Kapoor created his largest sculpture ever: built of PVC membrane, stetched taut across massive steel hoops and hovering in mid-air, the sculpture dominates the space in a way no other artist has attempted. The creative process behind this ambitious project is documented here in specially commissioned photographs, drawings, and maquettes, and further explored in conversations with Kapoor, and Cecil Balmond's essay on the process of engineering this project.
Anish Kapoor : Marsyas
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Prix:
$47.95
(disponible sur commande)
Résumé:
Anish Kapoor's output ranges from works on a human scale, including powdered pigment sculptures and convex mirrors, to massive installations, both inside buildings and in the landscape. Taking on the challenge of the cavernous space of the Turbine Hall at the Tate Modern in London, Kapoor created his largest sculpture ever: built of PVC membrane, stetched taut across massive steel hoops and hovering in mid-air, the sculpture dominates the space in a way no other artist has attempted. The creative process behind this ambitious project is documented here in specially commissioned photographs, drawings, and maquettes, and further explored in conversations with Kapoor, and Cecil Balmond's essay on the process of engineering this project.
Classification:
livres
livres
Publication:
mai 2003, London
mai 2003, London
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livres
livres
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$95.95
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Résumé:
This book is the first to examine Warhol's work in its entirety. It builds on a wealth of new research and materials that have come to light in recent decades and offers a rare and much-needed comprehensive look at the full scope of Warhol's production—from his commercial illustrations of the 1950s through his monumental paintings of the 1980s. Donna De Salvo explores how(...)
$95.95
(disponible sur commande)
Résumé:
This book is the first to examine Warhol's work in its entirety. It builds on a wealth of new research and materials that have come to light in recent decades and offers a rare and much-needed comprehensive look at the full scope of Warhol's production—from his commercial illustrations of the 1950s through his monumental paintings of the 1980s. Donna De Salvo explores how(...)
Titre:
Andy Warhol: from a to b and back
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$95.95
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Résumé:
This book is the first to examine Warhol's work in its entirety. It builds on a wealth of new research and materials that have come to light in recent decades and offers a rare and much-needed comprehensive look at the full scope of Warhol's production—from his commercial illustrations of the 1950s through his monumental paintings of the 1980s. Donna De Salvo explores how Warhol's work engages with notions of public and private, the redefinition of media, and the role of abstraction, while a series of incisive and eye-opening essays by eminent scholars and contemporary artists touch on a broad range of topics, such as Warhol's response to the AIDS epidemic, his international influence, and how his work relates to constructs of self-image seen in social media today.
Andy Warhol: from a to b and back
Actions:
Prix:
$95.95
(disponible sur commande)
Résumé:
This book is the first to examine Warhol's work in its entirety. It builds on a wealth of new research and materials that have come to light in recent decades and offers a rare and much-needed comprehensive look at the full scope of Warhol's production—from his commercial illustrations of the 1950s through his monumental paintings of the 1980s. Donna De Salvo explores how Warhol's work engages with notions of public and private, the redefinition of media, and the role of abstraction, while a series of incisive and eye-opening essays by eminent scholars and contemporary artists touch on a broad range of topics, such as Warhol's response to the AIDS epidemic, his international influence, and how his work relates to constructs of self-image seen in social media today.
Classification:
livres
livres
Publication:
novembre 2018
novembre 2018
