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Titre:
Biennale de Lyon 2007 : 00's - L'histoire d'une décennie qui n'est pas encore nommée

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Résumé:
Catalogue de la 9e Biennale d'art contemporain de Lyon (19 septembre 2007 – 6 janvier 2008), conçu suivant les principes qui régissent la programmation de la manifestation organisée par Stéphanie Moisdon et Hans Ulrich Obrist. Cet ouvrage relève à la fois du jeu, de la cartographie et de l'expérience d'une écriture collective. Pensé comme un livre d'histoire et de géographie de l'art contemporain, il est le résultat d'une série d'investigations et de programmations des concepteurs de la manifestation et de Thierry Raspail. Réunissant 70 « joueurs » du monde entier (artistes, critiques et commissaires d'exposition) répartis entre deux cercles selon le type d'intervention demandé, le projet s'est développé autour d'une question centrale : « Comment définir la décennie actuelle ? ». S'il était proposé au premier cercle de choisir de choisir des réponses parmi ce que les artistes produisent aujourd'hui, il était demandé aux joueurs du second cercle de séquencer leurs choix ou de les confronter à d'autres. L'ensemble de ces subjectivités, cadrées par quelques règles de présentation (qui ? pourquoi ? comment ?), participent ici à un exercice de délimitation, de détourage et de recadrage d'une décennie et d'un objet – l'art – dont le tracé est de plus en plus indispensable. La publication s'accompagne d'essais inédits de et d'entretiens avec Mehdi Belhaj-Kacem, Stefano Boeri, François Cusset, Okwui Enwezor, Michel Houellebecq, Anselm Jappe, Paul Veyne et Ralph Rugoff.

Titre:
Selgascano: Serpentine Pavilion 2015

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Résumé:
This publication documents this year's Serpentine Pavilion in London--a chrysalis-like structure made from colorful, transparent plastic by Spanish architects José Selgas (born 1965) and Lucía Cano (born 1965). Sketches, diagrams and construction methods are also included in this ample overview of the installation.

Titre:
We can't do this alone: Jefferson Hack the system

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'We Can’t Do This Alone: Jefferson Hack the System' re-defines the purpose of alternative media in the 21st century—drawing on a wealth of innovative projects to artfully map out a bright future for radical publishing. In the spirit of progressive individualism at its core every single copy is unique, emblazoned with an individuated, numbered cover displaying a one-off fresco of the provocative material between its pages. If you stand for nothing, you’ll fall for anything.

Titre:
Remember to dream! 100 artists, 100 notes

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$22.95
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Résumé:
In ''Remember to dream!'', celebrated curator Hans Ulrich Obrist collects an abundance of thoughts for the day, dreams, drawings, musings, jokes, quotations, questions, answers, poems and puns from some of the world’s greatest contemporary artists, musicians and more, handwritten on Post-it notes (and other scraps).

Titre:
The Extreme self

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Résumé:
If you’re wondering why the inside of your head feels so strange these days, this book has the answers. The Extreme Self is a new kind of graphic novel that shows how you’ve been morphing into something else. It’s about the remaking of your interior world as the exterior world becomes more unfamiliar and uncertain. Over 14 timely chapters, 'The Extreme Self' tours through fame and intimacy, post-work and new crowds, identity crisis and eternity.

Titre:
Serpentine Pavilion and summer houses 2016. BIG, Kunlé Adeyemi, Yona Friedman, Barkow Leib

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Résumé:
The Serpentine Architecture Program expands for 2016, with four Summer Houses joining the Serpentine Pavilion. The Pavilion, designed by Bjarke Ingels Group (BIG), is an unzipped wall that is transformed from straight line to three-dimensional space, creating a dramatic structure that by day houses a café and by night becomes a space for the Serpentine’s Park Nights performance program. Kunlé Adeyemi’s Summer House is an inverse replica of Queen Caroline’s Temple—a tribute to its robust form, space and material, recomposed into a new sculptural object. Barkow Leibinger were inspired by another, now extinct, 18th-century pavilion also designed by William Kent, which rotated and offered 360-degree views of the Park. Yona Friedman’s Summer House takes the form of a modular structure that can be assembled and disassembled. Asif Khan’s design is inspired by the fact that Queen Caroline’s Temple was positioned in a way that would allow it to catch the sunlight from the Serpentine lake.

Titre:
The air is blue: insights on art and architecture. Luis Barragan revisited

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Résumé:
Luis Barragán’s house, Louis Kahn wrote after visiting it, is a place that “could have been built a hundred years ago or a hundred years from now.” So, in more ways than one, is The Air is Blue, an exhibition orchestrated in the master's house and studio by Hans Ulrich Obrist and Pedro Reyes, over the course of three years. The ever-growing list of participants comprised at the end forty-seven artists and contributors, including Francis Alÿs, Daniel Buren, Gilbert & George, Dominique Gonzales-Foerster, Joseph Grigely, Rem Koolhaas, Lygia Pape, Anri Sala, Ettore Sottsass, Rikrit Tiravanija, and Niele Toroni. Their interventions collided visions and conversations about poetry, urbanism, music, sexuality, art, and architecture. A catalogue was published in 2006, but never circulated. After ten years, this reprint consists on an integral black-and-white scan of the original book, with a small appendix of previously unpublished images and a new afterword written by Reyes. All on blue paper.

Titre:
H U: The infinite conversations

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$34.00
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Résumé:
In 2014, for the thirtieth anniversary of the Fondation Cartier pour l'art contemporain in Paris, noted art historian Hans Ulrich Obrist imagined "The infinite conversation" a series of conversations with artists, scientists, and thinkers close to the Fondation Cartier and its exhibition program. "The infinite conversations" gathers together all of these conversations, with figures such as Patti Smith, Raymond Depardon, Agnes Varda, and Freddy Mamani, in an invitation to transcend the borders between art disciplines.

Titre:
Les entretiens infinis : conversations 2014-2018

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Résumé:
Pour les trente ans de la Fondation Cartier, l'auteur et commissaire d'exposition, propose un recueil des entretiens tenus avec des artistes, des penseurs, des architectes, des écrivains et des scientifiques réalisés à l'occasion d'expositions artistiques entre 2014 et 2018 : Jean Nouvel, Raymond Depardon, Agnès Varda, Vinciane Despret, Fredi Casco, Freddy Mamani, entre autres.

Titre:
Enzo Mari

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Résumé:
This volume, which accompanies the great retrospective exhibition devoted to Enzo Mari and curated by Hans Ulrich Obrist (Milan Triennial, 17 October 2020 – 18 April 2021), celebrates the work and thought of Enzo Mari, one of the leading masters and theorists of Italian design. These are chiefly reconstructed through the constant dialogue he engaged in, over the years, with the curator Hans Ulrich Obrist. Plans, sketches, unpublished archive material, essays and interviews illustrate over 60 years of work, tracing for the first time a systematic and exhaustive itinerary – articulated into 19 ''research platforms'' – that conveys Mari’s sensitivity as a designer, artist, critic and theoretician, along with the striking relevance of his thought. According to Mari, design can only be regarded as such if it also transmits knowledge. His projects, which have withstood the test of time, have been conceived in such a way as to be sustainable – from a material as much as aesthetic perspective – and accessible to all. As Hans Ulrich Obrist recalls, ''For Enzo everything revolves around the object, and good design alone is destined to triumph''.