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On January 31, 2008, Swiss curator, critic and historian Hans Ulrich Obrist conducted a "marathon" of conversations in Beijing, after the example of his famous Serpentine Gallery marathons. This marathon called on artists, cultural producers and media practitioners to discuss the post-Olympic state of the city. Participants included internationally renowned artists Ai(...)
Hans Ulrich Obrist : a post-Olympic Beijing mini-marathon
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On January 31, 2008, Swiss curator, critic and historian Hans Ulrich Obrist conducted a "marathon" of conversations in Beijing, after the example of his famous Serpentine Gallery marathons. This marathon called on artists, cultural producers and media practitioners to discuss the post-Olympic state of the city. Participants included internationally renowned artists Ai Weiwei and Cao Fei, writer and publisher Hung Huang, fashion designer Zhang Da and many others. Topics discussed included everyday life in contemporary Chinese society, the impact of the Olympic Games and the role of the internet in daily life.
Théorie de l’art
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Over the past three and a half decades, Marina Abramovic’s oeuvre has laid bare--perhaps more than any other artist has done--the human body’s strengths, limitations, vulnerabilities and complex bouquet of meanings. In addition, her projects have simultaneously provoked and deflected intense curiosity about who could possibly want to publicly subject herself to such(...)
Hans Ulrich Obrist and Marina Abramovic: the conversation series, volume 23
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Over the past three and a half decades, Marina Abramovic’s oeuvre has laid bare--perhaps more than any other artist has done--the human body’s strengths, limitations, vulnerabilities and complex bouquet of meanings. In addition, her projects have simultaneously provoked and deflected intense curiosity about who could possibly want to publicly subject herself to such agonizing conditions: who, in short, is Marina Abramovic? In this publication--conducted in train stations, hotels, galleries and her own private studio--between Abramovic and curator Hans Ulrich Obrist, the artist talks about her work, the strict discipline of her Yugoslav childhood and the process of preparing for her epochal retrospective at the Museum of Modern Art in New York.
Théorie de l’art
Mapping it out
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Over 130 leading lights from different fields artists, architects, writers and designers, geographers, mathematicians, computer pioneers, scientists make sense of exterior and interior worlds through highly personal and imaginative maps and charts. Some have translated scientific data into simplified visual language, while others have condensed vast social, political or(...)
Mapping it out
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Over 130 leading lights from different fields artists, architects, writers and designers, geographers, mathematicians, computer pioneers, scientists make sense of exterior and interior worlds through highly personal and imaginative maps and charts. Some have translated scientific data into simplified visual language, while others have condensed vast social, political or natural forms into concise diagrams. Many have reworked existing maps to subvert their original purpose or to present an alternative view of reality. Others play with the maps commitment to truth by plotting invented worlds and charting imaginative flights of fancy. In the introduction, acclaimed novelist Tom McCarthy reflects on the relationship between maps, literature and knowledge, while Hans Ulrich Obrist closes the book by considering the territory of maps from the perspective of the arts and philosophy.
Ways of curating
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Drawing on his own experiences and inspirations - from staging his first exhibition in his tiny Zurich kitchen in 1986 to encounters and conversations with artists, exhibition makers and thinkers alive and dead - Hans Ulrich Obrist's Ways of Curating looks to inspire all those engaged in the creation of culture.
Ways of curating
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Drawing on his own experiences and inspirations - from staging his first exhibition in his tiny Zurich kitchen in 1986 to encounters and conversations with artists, exhibition makers and thinkers alive and dead - Hans Ulrich Obrist's Ways of Curating looks to inspire all those engaged in the creation of culture.
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From curator Hans Ulrich Obrist, Lives of the Artists, Lives of the Architects offers a unique opportunity to learn about the lives and creativity of the world's leading artists. Hans Ulrich Obrist has been conducting ongoing conversations with the world's greatest living artists since he began in Switzerland, aged 19, with Fischli and Weiss. Here he chooses nineteen of(...)
Lives of the artists, lives of the architects
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From curator Hans Ulrich Obrist, Lives of the Artists, Lives of the Architects offers a unique opportunity to learn about the lives and creativity of the world's leading artists. Hans Ulrich Obrist has been conducting ongoing conversations with the world's greatest living artists since he began in Switzerland, aged 19, with Fischli and Weiss. Here he chooses nineteen of the greatest figures and presents their conversations, offering the reader intimacy with the artists and insight into their creative processes. Inspired by the great Vasari, this book explores the meaning of art and artists today, their varying approaches to creating, and a sense of how their thinking evolves over time.
Théorie de l’art
Room 763
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In 1993, the curator and art critic Hans Ulrich Obrist (born 1968) organized an unannounced exhibition in a hotel room in Paris, where he lived for the duration of the show. This publication tours the now-legendary event, documenting the work of the 70 invited artists.
août 2014
Room 763
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In 1993, the curator and art critic Hans Ulrich Obrist (born 1968) organized an unannounced exhibition in a hotel room in Paris, where he lived for the duration of the show. This publication tours the now-legendary event, documenting the work of the 70 invited artists.
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The 2014 Serpentine Pavilion is designed by Chilean architect Smiljan Radic (born 1965) as a multipurpose social space with a café. A semi-translucent, cylindrical structure that resembles a shell and rests on large quarry stones, its torus-shaped fiberglass shell resembles the cast-off chrysalis of some bulbous insect.
Architecture, monographies
novembre 2014
Smiljan Radic : Serpentine Gallery Pavilion 2014
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The 2014 Serpentine Pavilion is designed by Chilean architect Smiljan Radic (born 1965) as a multipurpose social space with a café. A semi-translucent, cylindrical structure that resembles a shell and rests on large quarry stones, its torus-shaped fiberglass shell resembles the cast-off chrysalis of some bulbous insect.
Architecture, monographies
Qu'est-ce que le curating ?
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Le terme "curating", qu'on traduit souvent par commissariat d'exposition, n'a pas de véritable équivalent en français. Dans cette conférence tenue à l'École normale supérieure de Paris, il apparaît que l'essentiel du travail du curator réside dans la discussion avec les artistes et la maïeutique de la pensée.
Qu'est-ce que le curating ?
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Le terme "curating", qu'on traduit souvent par commissariat d'exposition, n'a pas de véritable équivalent en français. Dans cette conférence tenue à l'École normale supérieure de Paris, il apparaît que l'essentiel du travail du curator réside dans la discussion avec les artistes et la maïeutique de la pensée.
Muséologie
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Né en 1910 en Hongrie, László Elkán arrive à Paris en 1929. Attiré d’abord par la peinture, la musique et la mode, il commence à photographier en 1938 pour Marianne Magazine. Militant communiste, il rejoint dès 1941 les rangs de la Résistance sous le nom de Lucien Hervé. Proche de l’école française humaniste d’après-guerre, sa carrière prend un tournant décisif en 1949(...)
Conversation avec Lucien Hervé
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Né en 1910 en Hongrie, László Elkán arrive à Paris en 1929. Attiré d’abord par la peinture, la musique et la mode, il commence à photographier en 1938 pour Marianne Magazine. Militant communiste, il rejoint dès 1941 les rangs de la Résistance sous le nom de Lucien Hervé. Proche de l’école française humaniste d’après-guerre, sa carrière prend un tournant décisif en 1949 lorsque, grâce au Père Couturier, ami de Matisse, il rencontre Le Corbusier. Photographe attitré de l’architecte jusqu’au décès de ce dernier en 1965, il collabore, entre autres, avec Alvar Aalto et Oscar Niemeyer, et est également reconnu pour ses images de l’abbaye du Thoronet et de l’Escorial. Son œuvre a été exposée dans de nombreux musées et galeries à travers le monde. Dans cet entretien, réalisé avec l'aide de Federico Nicolao, il revisite avec sincérité et passion ses années de travail.
Théorie de l’art
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Here, Hans Ulrich Obrist and Hans-Peter Feldmann have decided to play with the interview format: Obrist poses the questions in writing and Feldmann answers each of them with a picture. The results are frequently funny, and an impressive exercise in visual thinking.
Hans Ulrich Obrist & Hans-Peter Feldmann: Interview
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Here, Hans Ulrich Obrist and Hans-Peter Feldmann have decided to play with the interview format: Obrist poses the questions in writing and Feldmann answers each of them with a picture. The results are frequently funny, and an impressive exercise in visual thinking.
Théorie de l’art