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At a moment when the word “design” has come to refer to everything and thus nothing, this issue examines the hidden mechanics and visible output of design practice in order to track the shifting role of designers in society and to gauge the capacity of designers to effect change in a world of mounting crises. The issue’s title, ''Instruments of Service'', carries a(...)
Harvard Design Magazine no. 52 : Instruments of service
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At a moment when the word “design” has come to refer to everything and thus nothing, this issue examines the hidden mechanics and visible output of design practice in order to track the shifting role of designers in society and to gauge the capacity of designers to effect change in a world of mounting crises. The issue’s title, ''Instruments of Service'', carries a double meaning. As defined in standard American Institute of Architects contracts, “Instruments of Service are representations, in any medium of expression now known or later developed, of the tangible and intangible creative work performed by the Architect and the Architect’s consultants under their respective professional services agreements. Instruments of Service may include, without limitation, studies, surveys, models, sketches, drawings, specifications, and other similar materials.” Instruments of service are the instruction manuals that architects—and other designers—make so that others can make something. They define the architect’s relationships with labor, construction, clients, and society. And these relationships—along with the agency of architectural practice—are changing as a growing number of external pressures force instruments of service to change. Architects and designers can also be seen as instruments of service to society, responsible to a continually shifting set of values. At a fundamental level, the designer’s job is to imagine and articulate a better future. In a time of crisis and competing value systems—market returns, cultural relevance, environmental response, social equity, automation—the role of the designer in society is ever more important and increasingly accountable to divergent interests that call into question the raison d’être of design practice itself.
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Harvard Design Magazine 51
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Multihyphenation refers to alternate modes of creative production: "collab" culture, "brand X brand" projects, and multiple or even opaque styles of attribution and ownership among individuals, studios, and practices. For them, the body of work they produce matters more than maintaining a singular creative identity as an individual designer, architect, artist, etc. But is(...)
Harvard Design Magazine 51
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Multihyphenation refers to alternate modes of creative production: "collab" culture, "brand X brand" projects, and multiple or even opaque styles of attribution and ownership among individuals, studios, and practices. For them, the body of work they produce matters more than maintaining a singular creative identity as an individual designer, architect, artist, etc. But is this practice actually new? Architects, curators, fashion designers, scholars, and artists were invited to question the theme from different vantage points. A highlight of the issue is a visual folio featuring more than 40 multihyphenated works that exemplify complex strategies for navigating creative practice today.
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The 47th issue of Harvard Design Magazine is a renewed call to expand the architectural imagination to the interior.
Harvard Design Magazine 47: Inside scoop
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The 47th issue of Harvard Design Magazine is a renewed call to expand the architectural imagination to the interior.
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Harvard Design Magazine 50
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The latest issue seeks to answer the question of what is ''Today’s Global,'' avoiding a simple and ineffective return to a mere celebration of the local or the regional.
Harvard Design Magazine 50
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The latest issue seeks to answer the question of what is ''Today’s Global,'' avoiding a simple and ineffective return to a mere celebration of the local or the regional.
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The latest issue questions how public spaces—the physical, the cultural, and the theoretical—operate in a fragmented social and political environment, both in the US and abroad.
Harvard Design Magazine 49 : Publics
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The latest issue questions how public spaces—the physical, the cultural, and the theoretical—operate in a fragmented social and political environment, both in the US and abroad.
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