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Titre:
Parasite paradise : a manifesto for temporary architecture and flexible urbanism

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Résumé:
Parasites are flexible and temporary structures, designed by artists or architects, that feed off existing infrastructure. "Parasite Paradise" documents 23 projects that offer new ways of designing the public domain outside the existing rules. Many of these parasites have settled in the government-designated 'Vinex' district of Leidsche Rijn near Utrecht. There they have introduced new and unforeseen functions, turning a district almost exclusively concerned with dwelling into a more urban entity. What do these small, mobile architectural interventions mean for our strictly regulated society and for the planning of architecture and urbanism? What sense (or nonsense) is there in mobile architecture from a historical perspective? And how does it divide up the roles of art and architecture? Essays by Gijs van Oenen, Ivan Nio, Hans Ibelings, Jennifer Allen and Olof Koekebakker examine these issues in depth. The project descriptions and essays encourage us to consider another approach to planning, one where not everything is fixed beforehand. This makes Parasite Paradise required reading for architects, urban planners and artists whose concern is designing the public realm. "Parasite Paradise" features projects by a.o. Inge Roseboom and Mark Weemen, Shigeru Ban, Atelier van Lieshout, Exilhäuser Architekten, Hans Peter Wörndl, 2012 Architecten, Bik VanderPol with Korteknie Stuhlmacher Architecten, Alicia Framis, Eduard Böhtlingk, Luc Deleu, Attila Foundation (Kas Oosterhuis, Menno Rubbens, Ilona Lénárd), Daniel Milohnic & Dirk Paschke, Maurer United Architects and Dré Wapenaar.

Titre:
Modern architectures in Central America

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The Architecture Observer offers an overview of different forms of modern architecture in Central America since the outset of the 20th century. Although modern architectures constituted only a small percentage of the total building production in Guatemala, Honduras, El Salvador, Nicaragua, Costa Rica, and Panama, they hold in these countries an evident symbolic significance. Such buildings functioned as models for the desired societal, economic, and cultural changes, or as aspirational placeholders for a future state of modernity. With contributions by Mauricio Quirós Pacheco, Andrés Fernández, Hans Ibelings, Gloria Grimaldi, Sandra Gutiérrez, Martín Majewsky, and others.

Titre:
Nicolas Faure : landscape A

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Published on the occasion of the exhibition " Nicolas Faure, Landscape A " - Musée de l'Élysée, Lausanne, 17 november 2005 - 5 february 2006. Nicolas Faure has been working on the theme of Swiss landscape since the 1990s, concentrating in particular on the blend between the Traditional and the Modern. The motorway is the meeting point of technology, architecture and a certain concept of Nature, and through his photographs, Faure elicits aspects that characterise Switzerland. A landscape always has a cultural component and landscape is one of the major concerns of Swiss culture. The motorways, which criss-cross the country virtually, divide it. They constitute a whole “new territory”, enlivened by apparently natural but essentially man-made surroundings. These “natural surroundings” are but illusions. These places are the epitome of paradox: built amidst concrete artefacts, they are not accessible to visitors and almost invisible to motorists.

Titre:
Hans van Heeswijk : architecture, 1995-2005

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The Hans van Heeswijk architecture firm was founded in Amsterdam in 1985, and it has designed and realized a great variety of projects, among them offices, public buildings, museums, bridges, renovations, refurbishments, interiors and product design. Those projects are without exception matchlessly lucid and crafted to a standard rarely seen, particularly in an economy where tight budgets are the rule. Their forms, reticent at first, become articulate at close range. Each encounter with them seems right--thus the aura of tranquility, typical for buildings composed with great care and attention. This monograph deals with the works and ideas of Hans van Heeswijk architects over the last decade, including the recent commission for the refurbishment of the Hermitage Museum in Amsterdam.

Titre:
Supermodernism : architecture in the age of globalization / enlarged edition

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There are all kinds of indications that architecture in the nineties has set off in a new direction after the domination of the two last decades by postmodernism as a style or attitude. This trend, which can be seen in the work of architectural firms like OMA, Jean Nouvel, Dominique Perrault, Herzog & De Meuron and Toyo Ito, can be connected with one of the dominant forces of the present time: the globalization that is taking place in virtually every field. One of the consequences for architecture is the erosion of the postmodern (and deconstructivist) axiom of the uniqueness of the site. The context, let alone contextualism, no longer seems to play an important role in an increasing number of designs and buildings. Semiotic expressiveness - another postmodern theme - is also often lacking in this architecture. The author explores this new trend towards abstract, neutral architecture, which in various respects can be seen as the last word of modern architecture of the postwar International Style. This enlarged edition of "Supermodernism" includes a new final chapter in which Ibelings charts the latest examples of supermodernism, as well as a revised introduction and conclusion in which he responds to the numerous reactions his provocative stance has triggered.

Titre:
Claus en Kaan building

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Building - for all its simplicity the title of this book speaks volumes about the work of Claus and Kaan. It reduces architecture to what they see as the essence of their profession. Kees Kaan and Felix Claus once claimed that their ambition was to extinguish the schism between low practice and high theory, between architecture that serves its immediate objective and architecture that speaks over the heads of its users to colleagues and critics. Severity and repose are hallmarks of Claus and Kaan's oeuvre and these qualities are often found in it simultaneously. For even at its most Spartan, their architecture is never harsh. Although one can hardly describe Claus and Kaan's architecture as postmodern, their stance does owe something to postmodernism. This can be seen in their free handling of references, such as Marcel Breuer's Whitney Museum or Mies van der Rohe's Barcelona Pavilion, and in their undogmatically broad range of interest, spanning from Heinrich Tessenow to Gordon Bunshaft and from Auguste Perret to I.M. Pei. For them there is no essential contradiction between modernity and classical values. This first comprehensive monograph on Claus and Kaan gives a complete overview of all their projects (250 or so), including those yet to be realized. Of this total, fifty are exhaustively documented and illustrated. With essays by Rafael Moneo, David Chipperfield, Andrea Deplazes, Christoph Grafe, Han Michel, and Felix Claus and Kees Kaan themselves. The book is designed by Karel Martens and Jaap van Triest.

Titre:
Supermodernisme : l'architecture à l'ère de la globalisation

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La globalisation en architecture est généralement perçue comme une force négative conduisant à l'homogénéité et à l'uniformité. Ces dernières années cependant, sous l'influence des processus de globalisation, se dessinent les contours d'une nouvelle et intrigante architecture au sein de laquelle la superficialité et la neutralité ont acquis une signification particulière.

Titre:
Europan 8 in the Netherland : European urbanity and strategic projects

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Résumé:
Europan is a biennial competition for architects and architecture students under the age of 40 that looks for innovative housing designs for real, specific sites across Europe. Guidelines encourage participants to address social and economic changes occurring around their sites, and, for this eighth Europan, that’s 74 properties across the continent. This year’s theme of "European urbanity and strategic projects" drew, for the six sites in the Netherlands alone, nearly 160 designs. Europan 8 offers a complete overview of the winning plans for the Dutch sites, including models, plans, sketches and interviews with the designers. The project section is complemented by descriptions of the six sites, an essay about the central theme, and a critique of the entries from a European perspective. An additional CD-ROM contains all other entries along with the prizewinning designs.

Titre:
Courthouse Zwolle: Jo Kruger, Rob Hootsmans

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$39.00
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Résumé:
For both Jo Kruger (1914–1983) and Rob Hootsmans (1962) the architecture of the Courthouse in Zwolle, the Netherlands, was a long time in the making. Kruger began in 1963 with his project for a combined district and subdistrict court, which took fourteen years to be completed. In 2004, while still working for the Government Building Agency, Hootsmans began exploring how Kruger’s building could be expanded. He finished a new extension in 2013, and completed the renovation of Kruger’s original building in 2016. Even if the architecture of Jo Kruger is very different from that of Rob Hootsmans, it is somehow a meeting of kindred spirits.

Titre:
Adrian Phiffer: strange primitivism

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This book from The Architecture Observer (Dutch architecture critic Hans Ibelings) takes readers through some of the unexpected twists and turns in the mind of the Toronto-based Romanian architect and urbanist Adrian Phiffer. It can be seen as an attempt to produce architecture with images and words – a non-linear flow of images interrupted by text, and vice versa. Its point of view is that of a youngish architect, and at times the book takes the form of a distorted self-portrait. He writes, “The cruelty of our profession is that we always have to imagine something special… we are required to make something sophisticated, slightly complex, preferably very expensive.”