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Résumé:
First published by Oxford University Press in 1969, "A view of early typography" has long been out of print. It is a wonderful summary of what can be known about the production and use of type in the first 150 years of printing. By focusing on type, Carter goes to the heart of the matter: this is the point at which the material processes of printing meet the intellectual(...)
A view of early typography up to about 1600
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$54.00
(disponible sur commande)
Résumé:
First published by Oxford University Press in 1969, "A view of early typography" has long been out of print. It is a wonderful summary of what can be known about the production and use of type in the first 150 years of printing. By focusing on type, Carter goes to the heart of the matter: this is the point at which the material processes of printing meet the intellectual concerns of the publishers and the nature of the texts that they published. Among the topics covered are the technicalities of type production, and the passage from craft to industrial manufacture; the diversity of letterforms (blackletter, roman, italic, and more); the tensions between Latin and the vernacular languages; the establishment of standards and norms in type design. Carter ranges widely and deftly over the field of European printing in the period 1450—1600, drawing principally on his own long experience of the materials surviving from that time in libraries and archives. The argument is illustrated with a large gathering of pictures, mainly of details from books, freshly taken for this purpose. This is a photo-reprint of the first edition, augmented by a new introduction in which James Mosley explains the significance of the book and gives a short account a Carter’s life and work.