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A revelatory conversation between two major figures in visual culture. What is a singular object? An idea, a building, a color, a sentiment, a human being. Each in turn comes under scrutiny in this exhilarating dialogue between two of the most interesting thinkers working in philosophy and architecture today. From such singular objects, Jean Baudrillard and Jean Nouvel(...)
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A revelatory conversation between two major figures in visual culture. What is a singular object? An idea, a building, a color, a sentiment, a human being. Each in turn comes under scrutiny in this exhilarating dialogue between two of the most interesting thinkers working in philosophy and architecture today. From such singular objects, Jean Baudrillard and Jean Nouvel(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
octobre 2005, Minneapolis, London
octobre 2005, Minneapolis, London
Titre:
Jean Baudrillard and Jean Nouvel : the singular objects of architecture
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A revelatory conversation between two major figures in visual culture. What is a singular object? An idea, a building, a color, a sentiment, a human being. Each in turn comes under scrutiny in this exhilarating dialogue between two of the most interesting thinkers working in philosophy and architecture today. From such singular objects, Jean Baudrillard and Jean Nouvel move on to fundamental problems of politics, identity, and aesthetics as their exchange becomes an imaginative exploration of the possibilities of modern architecture and the future of modern life. Among the topics the two speakers take up are the city of tomorrow and the ideal of transparency, the gentrification of New York City and Frank Gehry's Guggenheim museum in Bilbao. As Nouvel prompts Baudrillard to reflect on some of his signature concepts (the virtual, transparency, fatal strategies, oblivion, and seduction, among others), the confrontation between such philosophical concerns and the specificity of architecture gives rise to novel and striking formulations-and a new way of establishing and understanding the connections between the practitioner and the philosopher, the object and the idea. This wide-ranging conversation builds a bridge between the fields of architecture and philosophy. At the same time it offers readers an intimate view of the meeting of objects and ideas in which the imagined, constructed, and inhabited environment is endlessly changing, forever evolving.
Jean Baudrillard and Jean Nouvel : the singular objects of architecture
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A revelatory conversation between two major figures in visual culture. What is a singular object? An idea, a building, a color, a sentiment, a human being. Each in turn comes under scrutiny in this exhilarating dialogue between two of the most interesting thinkers working in philosophy and architecture today. From such singular objects, Jean Baudrillard and Jean Nouvel move on to fundamental problems of politics, identity, and aesthetics as their exchange becomes an imaginative exploration of the possibilities of modern architecture and the future of modern life. Among the topics the two speakers take up are the city of tomorrow and the ideal of transparency, the gentrification of New York City and Frank Gehry's Guggenheim museum in Bilbao. As Nouvel prompts Baudrillard to reflect on some of his signature concepts (the virtual, transparency, fatal strategies, oblivion, and seduction, among others), the confrontation between such philosophical concerns and the specificity of architecture gives rise to novel and striking formulations-and a new way of establishing and understanding the connections between the practitioner and the philosopher, the object and the idea. This wide-ranging conversation builds a bridge between the fields of architecture and philosophy. At the same time it offers readers an intimate view of the meeting of objects and ideas in which the imagined, constructed, and inhabited environment is endlessly changing, forever evolving.
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livres
livres
Publication:
octobre 2005, Minneapolis, London
octobre 2005, Minneapolis, London
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
Titre:
L'esprit du terrorisme
L'esprit du terrorisme
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" (...) Nous avons même affaire, avec les attentats de New York et du World Trade Center, à l'événement absolu, la "mère" des événements, à l'événement pur qui concentre en lui tous les événements qui n'ont jamais eu lieu. Que nous ayons rêvé de cet événement, que tout le monde sans exception en ait rêvé, parce que nul ne peut pas rêver de la destruction de n'importe(...)
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" (...) Nous avons même affaire, avec les attentats de New York et du World Trade Center, à l'événement absolu, la "mère" des événements, à l'événement pur qui concentre en lui tous les événements qui n'ont jamais eu lieu. Que nous ayons rêvé de cet événement, que tout le monde sans exception en ait rêvé, parce que nul ne peut pas rêver de la destruction de n'importe(...)
Titre:
L'esprit du terrorisme
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" (...) Nous avons même affaire, avec les attentats de New York et du World Trade Center, à l'événement absolu, la "mère" des événements, à l'événement pur qui concentre en lui tous les événements qui n'ont jamais eu lieu. Que nous ayons rêvé de cet événement, que tout le monde sans exception en ait rêvé, parce que nul ne peut pas rêver de la destruction de n'importe quelle puissance devenue à ce point hégémonique, cela est inacceptable pour la conscience morale occidentale, mais c'est pourtant un fait, et qui se mesure justement à la violence pathétique de tous les discours qui veulent l'effacer. (...) "
L'esprit du terrorisme
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" (...) Nous avons même affaire, avec les attentats de New York et du World Trade Center, à l'événement absolu, la "mère" des événements, à l'événement pur qui concentre en lui tous les événements qui n'ont jamais eu lieu. Que nous ayons rêvé de cet événement, que tout le monde sans exception en ait rêvé, parce que nul ne peut pas rêver de la destruction de n'importe quelle puissance devenue à ce point hégémonique, cela est inacceptable pour la conscience morale occidentale, mais c'est pourtant un fait, et qui se mesure justement à la violence pathétique de tous les discours qui veulent l'effacer. (...) "
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livres
livres
Publication:
janvier 2002, Paris
janvier 2002, Paris
Sujet:
Théorie/ philosophie
Théorie/ philosophie
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livres
livres
Titre:
The spirit of terrorism
The spirit of terrorism
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Résumé:
«In dealing all the cards to itself, the system forced the Other to change the rules of the game. And the new rules are ferocious, because the game is ferocious.»
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Résumé:
«In dealing all the cards to itself, the system forced the Other to change the rules of the game. And the new rules are ferocious, because the game is ferocious.»
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
septembre 2002, London / New York
septembre 2002, London / New York
Titre:
The spirit of terrorism
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«In dealing all the cards to itself, the system forced the Other to change the rules of the game. And the new rules are ferocious, because the game is ferocious.»
The spirit of terrorism
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«In dealing all the cards to itself, the system forced the Other to change the rules of the game. And the new rules are ferocious, because the game is ferocious.»
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livres
livres
Publication:
septembre 2002, London / New York
septembre 2002, London / New York
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$24.50
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Résumé:
In The Conspiracy of Art, Baudrillard questions the privilege attached to art by its practitioners. Art has lost all desire for illusion: feeding back endlessly into itself, it has turned its own vanishment into an art unto itself. Far from lamenting the "end of art," Baudrillard celebrates art's new function within the process of insider-trading. Spiraling from aesthetic(...)
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In The Conspiracy of Art, Baudrillard questions the privilege attached to art by its practitioners. Art has lost all desire for illusion: feeding back endlessly into itself, it has turned its own vanishment into an art unto itself. Far from lamenting the "end of art," Baudrillard celebrates art's new function within the process of insider-trading. Spiraling from aesthetic(...)
Publication:
octobre 2005, Cambridge, London
octobre 2005, Cambridge, London
Titre:
The conspiracy of art: manifestos, interviews, essays
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In The Conspiracy of Art, Baudrillard questions the privilege attached to art by its practitioners. Art has lost all desire for illusion: feeding back endlessly into itself, it has turned its own vanishment into an art unto itself. Far from lamenting the "end of art," Baudrillard celebrates art's new function within the process of insider-trading. Spiraling from aesthetic nullity to commercial frenzy, art has become transaesthetic, like society as a whole. Conceived and edited by life-long Baudrillard collaborator Sylvère Lotringer, The Conspiracy of Art presents Baudrillard's writings on art in a complicitous dance with politics, economics, and media. Culminating with "War Porn," a scathing analysis of the spectacular images from Abu Ghraib prison as a new genre of reality TV, the book folds back on itself to question the very nature of radical thought.
The conspiracy of art: manifestos, interviews, essays
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In The Conspiracy of Art, Baudrillard questions the privilege attached to art by its practitioners. Art has lost all desire for illusion: feeding back endlessly into itself, it has turned its own vanishment into an art unto itself. Far from lamenting the "end of art," Baudrillard celebrates art's new function within the process of insider-trading. Spiraling from aesthetic nullity to commercial frenzy, art has become transaesthetic, like society as a whole. Conceived and edited by life-long Baudrillard collaborator Sylvère Lotringer, The Conspiracy of Art presents Baudrillard's writings on art in a complicitous dance with politics, economics, and media. Culminating with "War Porn," a scathing analysis of the spectacular images from Abu Ghraib prison as a new genre of reality TV, the book folds back on itself to question the very nature of radical thought.
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livres
livres
Publication:
octobre 2005, Cambridge, London
octobre 2005, Cambridge, London
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livres
livres
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Résumé:
“Behind every image, something has disappeared. And that is the source of its fascination,” writes French theorist Jean Baudrillard in Why Hasn’t Everything Already Disappeared? In this, one of the last texts written before his death in March 2007, Baudrillard meditates poignantly on the question of disappearance. Throughout, he weaves an intricate set of variations on(...)
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Résumé:
“Behind every image, something has disappeared. And that is the source of its fascination,” writes French theorist Jean Baudrillard in Why Hasn’t Everything Already Disappeared? In this, one of the last texts written before his death in March 2007, Baudrillard meditates poignantly on the question of disappearance. Throughout, he weaves an intricate set of variations on(...)
Titre:
Why hasn't everything already disappeared?
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“Behind every image, something has disappeared. And that is the source of its fascination,” writes French theorist Jean Baudrillard in Why Hasn’t Everything Already Disappeared? In this, one of the last texts written before his death in March 2007, Baudrillard meditates poignantly on the question of disappearance. Throughout, he weaves an intricate set of variations on his theme, ranging from the potential disappearance of humanity as a result of the fulfillment of its goal of world mastery to the vanishing of reality due to the continual transmutation of the real into the virtual. Along the way, he takes in the more conventional question of the philosophical “subject,” whose disappearance has, in his view, been caused by a “pulverization of consciousness into all the interstices of reality.”
Why hasn't everything already disappeared?
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Résumé:
“Behind every image, something has disappeared. And that is the source of its fascination,” writes French theorist Jean Baudrillard in Why Hasn’t Everything Already Disappeared? In this, one of the last texts written before his death in March 2007, Baudrillard meditates poignantly on the question of disappearance. Throughout, he weaves an intricate set of variations on his theme, ranging from the potential disappearance of humanity as a result of the fulfillment of its goal of world mastery to the vanishing of reality due to the continual transmutation of the real into the virtual. Along the way, he takes in the more conventional question of the philosophical “subject,” whose disappearance has, in his view, been caused by a “pulverization of consciousness into all the interstices of reality.”
Classification:
livres
livres
Publication:
octobre 2016
octobre 2016
Sujet:
Théorie/ philosophie
Théorie/ philosophie
Classification:
livres
livres
Titre:
The system of objects
The system of objects
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The System of Objects is a tour de force—a theoretical letter-in-a-bottle tossed into the ocean in 1968, which brilliantly communicates to us all the live ideas of the day—offering a cultural critique of the commodity in consumer society.
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The System of Objects is a tour de force—a theoretical letter-in-a-bottle tossed into the ocean in 1968, which brilliantly communicates to us all the live ideas of the day—offering a cultural critique of the commodity in consumer society.
Titre:
The system of objects
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The System of Objects is a tour de force—a theoretical letter-in-a-bottle tossed into the ocean in 1968, which brilliantly communicates to us all the live ideas of the day—offering a cultural critique of the commodity in consumer society.
The system of objects
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The System of Objects is a tour de force—a theoretical letter-in-a-bottle tossed into the ocean in 1968, which brilliantly communicates to us all the live ideas of the day—offering a cultural critique of the commodity in consumer society.
Classification:
livres
livres
Publication:
mars 2020
mars 2020
Sujet:
Théorie/ philosophie
Théorie/ philosophie
Classification:
livres
livres
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$12.95
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Résumé:
"On a l'impression qu'une partie de l'art actuel concourt à un travail de dissuasion, à un travail de deuil de l'imaginaire, à un travail de deuil esthétique, la plupart du temps raté, ce qui entraîne une mélancolie générale de la sphère artistique, dont il semble qu'elle se survive dans le recyclage de son histoire et de ses vestiges (mais ni l'art ni(...)
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"On a l'impression qu'une partie de l'art actuel concourt à un travail de dissuasion, à un travail de deuil de l'imaginaire, à un travail de deuil esthétique, la plupart du temps raté, ce qui entraîne une mélancolie générale de la sphère artistique, dont il semble qu'elle se survive dans le recyclage de son histoire et de ses vestiges (mais ni l'art ni(...)
Titre:
Illusion, désillusion, esthétiques
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"On a l'impression qu'une partie de l'art actuel concourt à un travail de dissuasion, à un travail de deuil de l'imaginaire, à un travail de deuil esthétique, la plupart du temps raté, ce qui entraîne une mélancolie générale de la sphère artistique, dont il semble qu'elle se survive dans le recyclage de son histoire et de ses vestiges (mais ni l'art ni l'esthétique ne sont les suls voués à ce destin mélancolique de vivre non pas au-dessus de ses moyens, mais au-delà de ses propres fins)." Jean Baudrillard
Illusion, désillusion, esthétiques
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"On a l'impression qu'une partie de l'art actuel concourt à un travail de dissuasion, à un travail de deuil de l'imaginaire, à un travail de deuil esthétique, la plupart du temps raté, ce qui entraîne une mélancolie générale de la sphère artistique, dont il semble qu'elle se survive dans le recyclage de son histoire et de ses vestiges (mais ni l'art ni l'esthétique ne sont les suls voués à ce destin mélancolique de vivre non pas au-dessus de ses moyens, mais au-delà de ses propres fins)." Jean Baudrillard
Classification:
livres
livres
Publication:
décembre 1997, Paris
décembre 1997, Paris
Sujet:
petits formats
petits formats
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livres
livres
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Résumé:
The Utopie group was born in 1966 at Henri Lefebvre's house in the Pyrenees. The eponymous journal edited by Hubert Tonka brought together sociologists Jean Baudrillard, René Lourau, and Catherine Cot, architects Jean Aubert, Jean-Paul Jungmann, Antoine Stinco, and landscape architect Isabelle Auricoste. Over the next decade, both in theory and in practice, the group(...)
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The Utopie group was born in 1966 at Henri Lefebvre's house in the Pyrenees. The eponymous journal edited by Hubert Tonka brought together sociologists Jean Baudrillard, René Lourau, and Catherine Cot, architects Jean Aubert, Jean-Paul Jungmann, Antoine Stinco, and landscape architect Isabelle Auricoste. Over the next decade, both in theory and in practice, the group(...)
Titre:
Utopia deferred : Jean Baudrillard, writings for Utopie (1967-1978)
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The Utopie group was born in 1966 at Henri Lefebvre's house in the Pyrenees. The eponymous journal edited by Hubert Tonka brought together sociologists Jean Baudrillard, René Lourau, and Catherine Cot, architects Jean Aubert, Jean-Paul Jungmann, Antoine Stinco, and landscape architect Isabelle Auricoste. Over the next decade, both in theory and in practice, the group articulated a radical ultra-leftist critique of architecture, urbanism, and everyday life. "Utopia deferred" collects all of the essays Jean Baudrillard published in Utopie as well as recent interviews with Jean Baudrillard and Hubert Tonka. Utopie served as a workshop for Baudrillard's thought. Many of the essays he first published in Utopie were seminal for some of his books: "For a critique of the political economy of the sign", "The mirror of production", "Simulations", "Symbolic exchange and death", and "In the shadow of the silent majorities". But Utopie was also a topical journal and a political one; the topics of these essays are often torn from the headlines of the tumultuous decade following the uprisings of May 1968.
Utopia deferred : Jean Baudrillard, writings for Utopie (1967-1978)
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The Utopie group was born in 1966 at Henri Lefebvre's house in the Pyrenees. The eponymous journal edited by Hubert Tonka brought together sociologists Jean Baudrillard, René Lourau, and Catherine Cot, architects Jean Aubert, Jean-Paul Jungmann, Antoine Stinco, and landscape architect Isabelle Auricoste. Over the next decade, both in theory and in practice, the group articulated a radical ultra-leftist critique of architecture, urbanism, and everyday life. "Utopia deferred" collects all of the essays Jean Baudrillard published in Utopie as well as recent interviews with Jean Baudrillard and Hubert Tonka. Utopie served as a workshop for Baudrillard's thought. Many of the essays he first published in Utopie were seminal for some of his books: "For a critique of the political economy of the sign", "The mirror of production", "Simulations", "Symbolic exchange and death", and "In the shadow of the silent majorities". But Utopie was also a topical journal and a political one; the topics of these essays are often torn from the headlines of the tumultuous decade following the uprisings of May 1968.
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livres
livres
Publication:
octobre 2006, Cambridge (MA)
octobre 2006, Cambridge (MA)
Sujet:
Théorie/ philosophie
Théorie/ philosophie
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livres
livres
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$57.00
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Résumé:
Ce livre - le premier que Jean Baudrillard consacre à sa pratique de la photographie - nous propose une vision à la fois ironique, subtile et radicale qui nous entraîne dans des directions bien différentes de celles tracées par Walter Benjamin, Pierre Bourdieu ou Roland Barthes. Non paginé.
$57.00
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Ce livre - le premier que Jean Baudrillard consacre à sa pratique de la photographie - nous propose une vision à la fois ironique, subtile et radicale qui nous entraîne dans des directions bien différentes de celles tracées par Walter Benjamin, Pierre Bourdieu ou Roland Barthes. Non paginé.
Titre:
Car l'illusion ne s'oppose pas à la réalité...
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Ce livre - le premier que Jean Baudrillard consacre à sa pratique de la photographie - nous propose une vision à la fois ironique, subtile et radicale qui nous entraîne dans des directions bien différentes de celles tracées par Walter Benjamin, Pierre Bourdieu ou Roland Barthes. Non paginé.
Car l'illusion ne s'oppose pas à la réalité...
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$57.00
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Résumé:
Ce livre - le premier que Jean Baudrillard consacre à sa pratique de la photographie - nous propose une vision à la fois ironique, subtile et radicale qui nous entraîne dans des directions bien différentes de celles tracées par Walter Benjamin, Pierre Bourdieu ou Roland Barthes. Non paginé.
Classification:
livres
livres
Publication:
octobre 1998, Paris
octobre 1998, Paris
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Le complot de l'art
Le complot de l'art
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Résumé:
Ce texte de Jean Baudrillard a paru dans le quotidien Libération du 20 mai 1996 et a connu de nombreuses traductions de par le monde. Le voici reproduit in extenso.
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Résumé:
Ce texte de Jean Baudrillard a paru dans le quotidien Libération du 20 mai 1996 et a connu de nombreuses traductions de par le monde. Le voici reproduit in extenso.
Titre:
Le complot de l'art
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Résumé:
Ce texte de Jean Baudrillard a paru dans le quotidien Libération du 20 mai 1996 et a connu de nombreuses traductions de par le monde. Le voici reproduit in extenso.
Le complot de l'art
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Résumé:
Ce texte de Jean Baudrillard a paru dans le quotidien Libération du 20 mai 1996 et a connu de nombreuses traductions de par le monde. Le voici reproduit in extenso.
Classification:
livres
livres
Publication:
mars 1997, Paris
mars 1997, Paris
Sujet:
petits formats
petits formats
