1 Résultats
Classification:
livres
livres
Prix:
$44.50
(disponible sur commande)
Résumé:
In Flintstone Modernism, Jeffrey Lieber investigates transformations in postwar American architecture and culture. He considers sword-and-sandal films of the 1950s and 1960s—including forgotten gems such as Land of the Pharaohs, Helen of Troy, and The Egyptian—and their protean, ideologically charged representations of totalitarianism and democracy. He connects(...)
$44.50
(disponible sur commande)
Résumé:
In Flintstone Modernism, Jeffrey Lieber investigates transformations in postwar American architecture and culture. He considers sword-and-sandal films of the 1950s and 1960s—including forgotten gems such as Land of the Pharaohs, Helen of Troy, and The Egyptian—and their protean, ideologically charged representations of totalitarianism and democracy. He connects(...)
Titre:
Flintstone modernism: or the crisis in postwar American culture
Actions:
Prix:
$44.50
(disponible sur commande)
Résumé:
In Flintstone Modernism, Jeffrey Lieber investigates transformations in postwar American architecture and culture. He considers sword-and-sandal films of the 1950s and 1960s—including forgotten gems such as Land of the Pharaohs, Helen of Troy, and The Egyptian—and their protean, ideologically charged representations of totalitarianism and democracy. He connects Cinemascope and other widescreen technologies to the architectural “glass curtain wall,” arguing that both represented the all-encompassing eye of American Enterprise. Lieber reminds us that until recently midcentury modern American architecture was reviled by architectural historians but celebrated by design enthusiasts, just as sword-and-sandal epics are alternately hailed as cult classics or derided as camp.
Flintstone modernism: or the crisis in postwar American culture
Actions:
Prix:
$44.50
(disponible sur commande)
Résumé:
In Flintstone Modernism, Jeffrey Lieber investigates transformations in postwar American architecture and culture. He considers sword-and-sandal films of the 1950s and 1960s—including forgotten gems such as Land of the Pharaohs, Helen of Troy, and The Egyptian—and their protean, ideologically charged representations of totalitarianism and democracy. He connects Cinemascope and other widescreen technologies to the architectural “glass curtain wall,” arguing that both represented the all-encompassing eye of American Enterprise. Lieber reminds us that until recently midcentury modern American architecture was reviled by architectural historians but celebrated by design enthusiasts, just as sword-and-sandal epics are alternately hailed as cult classics or derided as camp.
Classification:
livres
livres
Publication:
février 2018
février 2018
Sujet:
Théorie de l’architecture
Théorie de l’architecture
