Judy Chicago-isms
$24.00
(disponible en magasin)
Résumé:
A fierce activist for women’s rights and against climate change, Judy Chicago defines herself best: “I’m Judy Chicago, and I’m an artist and a troublemaker.” A leader of the Women’s Art Movement of the 1970s, Chicago also founded the first feminist art program in the United States. She is renowned for her monumental installation ''The Dinner Party'' (1974–1979), an iconic(...)
Judy Chicago-isms
Actions:
Prix:
$24.00
(disponible en magasin)
Résumé:
A fierce activist for women’s rights and against climate change, Judy Chicago defines herself best: “I’m Judy Chicago, and I’m an artist and a troublemaker.” A leader of the Women’s Art Movement of the 1970s, Chicago also founded the first feminist art program in the United States. She is renowned for her monumental installation ''The Dinner Party'' (1974–1979), an iconic work that celebrates female luminaries from history and mythology, including Georgia O’Keefe, Emily Dickinson, Sojourner Truth, and Hatshepsut. Gathered from interviews and other sources, Judy Chicago-isms is an inspiring collection of the memorable and powerful words of a trailblazing artist.
livres
$46.00
(disponible en magasin)
Résumé:
Judy Chicago provides an autobiographical look at higher education in art. How should women—and men—be prepared for a career in today’s art world? For more than a decade, Judy Chicago has been formulating a critique of studio art education, in colleges or art schools, based upon observation, study, and, most importantly, her own teaching expériences. Founder of(...)
Institutional time: a critique of studio art education
Actions:
Prix:
$46.00
(disponible en magasin)
Résumé:
Judy Chicago provides an autobiographical look at higher education in art. How should women—and men—be prepared for a career in today’s art world? For more than a decade, Judy Chicago has been formulating a critique of studio art education, in colleges or art schools, based upon observation, study, and, most importantly, her own teaching expériences. Founder of the first program dedicated to feminist art, at California State University, Fresno, in 1970, she went on to initiate the Feminist Art Program at California Institute of the Arts with artist Miriam Schapiro, the first program at a major art school to specifically address the needs of female art students. Creator of the celebrated The Dinner Party, a monumental art installation now on permanent display at the Brooklyn Museum, Chicago reviews her own art education, in the 1960s, when she overcame sexist obstacles to beginning a career as an artist and became recognized as one of the key figures in the dynamic California art scene of that decade. She reviews the present-day situation of young people aspiring to become artists and uncovers the persistence of a bias against women and other minorities in studio art education.
livres
mars 2014
Muséologie