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Classification:
livres
livres
Prix:
$49.50
(disponible sur commande)
Résumé:
Unlike traditional art works, installation art has no autonomous existence. It is usually created at the exhibition site, and its essence is spectator participation. Installation art originated as a radical art form presented only at alternative art spaces;(...)
$49.50
(disponible sur commande)
Résumé:
Unlike traditional art works, installation art has no autonomous existence. It is usually created at the exhibition site, and its essence is spectator participation. Installation art originated as a radical art form presented only at alternative art spaces;(...)
Publication:
avril 2000, Cambridge, Mass.
avril 2000, Cambridge, Mass.
Titre:
From margin to center : the spaces of installation art
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Prix:
$49.50
(disponible sur commande)
Résumé:
Unlike traditional art works, installation art has no autonomous existence. It is usually created at the exhibition site, and its essence is spectator participation. Installation art originated as a radical art form presented only at alternative art spaces; its assimilation into mainstream museums and galleries is a relatively recent phenomenon. The move of installation art from the margin to the center of the art world has had far-reaching effects on the works created and on museum practice. This is the first book-length study of installation art. Julie Reiss concentrates on some of the central figures in its emergence, including artists, critics, and curators. Her primary focus is installations created in New York City--which has a particularly rich history of installation art--beginning in the late 1950s. She takes us from Allan Kaprow's 1950s' environments to examples from minimalism, performance art, and process art to establish installation art¹s autonomy as its relationship to other movements.
From margin to center : the spaces of installation art
Actions:
Prix:
$49.50
(disponible sur commande)
Résumé:
Unlike traditional art works, installation art has no autonomous existence. It is usually created at the exhibition site, and its essence is spectator participation. Installation art originated as a radical art form presented only at alternative art spaces; its assimilation into mainstream museums and galleries is a relatively recent phenomenon. The move of installation art from the margin to the center of the art world has had far-reaching effects on the works created and on museum practice. This is the first book-length study of installation art. Julie Reiss concentrates on some of the central figures in its emergence, including artists, critics, and curators. Her primary focus is installations created in New York City--which has a particularly rich history of installation art--beginning in the late 1950s. She takes us from Allan Kaprow's 1950s' environments to examples from minimalism, performance art, and process art to establish installation art¹s autonomy as its relationship to other movements.
Classification:
livres
livres
Publication:
avril 2000, Cambridge, Mass.
avril 2000, Cambridge, Mass.
