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Résumé:
First published nearly a decade ago, and here translated into English for the first time, The Encyclopedia of Fictional Artists is a project by author and editor Koen Brams, for which he commissioned and compiled an anthology of imaginary biographies based on the numerous artists invented by writers across the centuries, from the beginning of the seventeenth century to(...)
The encyclopedia of fictional artists
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$66.00
(disponible sur commande)
Résumé:
First published nearly a decade ago, and here translated into English for the first time, The Encyclopedia of Fictional Artists is a project by author and editor Koen Brams, for which he commissioned and compiled an anthology of imaginary biographies based on the numerous artists invented by writers across the centuries, from the beginning of the seventeenth century to the present. The imaginary artist is, of course, a supremely seductive figure to readers, writers and artists alike, being a sort of screen upon which the most astounding imaginary creations may be projected, without need of them ever being visible to the eye. As such, this book constitutes a trove of inspiration for all manner of creative endeavor. The Addition is Krist Gruijthuisen's editorial answer to the Encyclopedia, in which he invites more than 20 artists to reflect on the aspirations and ideals of encyclopedias.
Théorie de l’art
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Works 1965-Today stems from a retrospective held at the Grazer Kunstverein showcasing Josef Bauer’s experiments with language, color, and their spatial contexts nearly forty years after his last exhibition in Graz. His practice combines sculpture, installation, painting, and performance to disturb our perception of words and colors as mere “carriers” of meaning. By(...)
Josef Bauer : works, 1965-today
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$58.95
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Résumé:
Works 1965-Today stems from a retrospective held at the Grazer Kunstverein showcasing Josef Bauer’s experiments with language, color, and their spatial contexts nearly forty years after his last exhibition in Graz. His practice combines sculpture, installation, painting, and performance to disturb our perception of words and colors as mere “carriers” of meaning. By removing their two-dimensional context, letters become objects that communicate directly with our bodies in an unfiltered and urgent language called “tactile poetry.”