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livres
livres
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$75.00
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Résumé:
Rarely seen together, the artworks of Josef Albers (1888–1976) and Giorgio Morandi (1890–1964) share many similarities. Although they never met, both artists worked in series as they explored difference and potential through their distinctive treatment of color, shape, form, and morphology. They were also both influenced by Cezanne. As master illusionists and experts in(...)
$75.00
(disponible sur commande)
Résumé:
Rarely seen together, the artworks of Josef Albers (1888–1976) and Giorgio Morandi (1890–1964) share many similarities. Although they never met, both artists worked in series as they explored difference and potential through their distinctive treatment of color, shape, form, and morphology. They were also both influenced by Cezanne. As master illusionists and experts in(...)
Titre:
Albers and Morandi: never finished
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$75.00
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Résumé:
Rarely seen together, the artworks of Josef Albers (1888–1976) and Giorgio Morandi (1890–1964) share many similarities. Although they never met, both artists worked in series as they explored difference and potential through their distinctive treatment of color, shape, form, and morphology. They were also both influenced by Cezanne. As master illusionists and experts in proportion, they tackled similar conceits from different perspectives. Albers focused on the effects of subtle or bold changes and interactions in color, while Morandi made still lifes that treat simple objects as a cast of characters on a stage, exploring their relationship in space. Published on the occasion of the critically acclaimed exhibition ''Albers and Morandi: Never Finished'' at David Zwirner New York in 2021, the book illuminates the visual conversation between these two artists.
Albers and Morandi: never finished
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Prix:
$75.00
(disponible sur commande)
Résumé:
Rarely seen together, the artworks of Josef Albers (1888–1976) and Giorgio Morandi (1890–1964) share many similarities. Although they never met, both artists worked in series as they explored difference and potential through their distinctive treatment of color, shape, form, and morphology. They were also both influenced by Cezanne. As master illusionists and experts in proportion, they tackled similar conceits from different perspectives. Albers focused on the effects of subtle or bold changes and interactions in color, while Morandi made still lifes that treat simple objects as a cast of characters on a stage, exploring their relationship in space. Published on the occasion of the critically acclaimed exhibition ''Albers and Morandi: Never Finished'' at David Zwirner New York in 2021, the book illuminates the visual conversation between these two artists.
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livres
livres
Publication:
octobre 2021
octobre 2021
Classification:
livres
livres
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Prix:
$57.50
(disponible sur commande)
Résumé:
This gorgeously produced monograph focuses on the period during which Giorgio Morandi (1890–1964) developed and refined his investigations of serial, reductive and permutational forms and compositions, a body of work that has had a profound influence on 20th-century contemporary art and painting. Included here are four of the ten iconic “yellow cloth paintings,” a series(...)
$57.50
(disponible sur commande)
Résumé:
This gorgeously produced monograph focuses on the period during which Giorgio Morandi (1890–1964) developed and refined his investigations of serial, reductive and permutational forms and compositions, a body of work that has had a profound influence on 20th-century contemporary art and painting. Included here are four of the ten iconic “yellow cloth paintings,” a series(...)
Titre:
Giorgio Morandi: late paintings
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$57.50
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Résumé:
This gorgeously produced monograph focuses on the period during which Giorgio Morandi (1890–1964) developed and refined his investigations of serial, reductive and permutational forms and compositions, a body of work that has had a profound influence on 20th-century contemporary art and painting. Included here are four of the ten iconic “yellow cloth paintings,” a series featured prominently in the historic 1998 exhibition at the Peggy Guggenheim Collection in Venice, and numerous late paintings by the Italian master. Lavishly reproduced, these immersive plates draw attention to the idiosyncratic perspectival and color-driven decisions that give the work its abstract power. In addition to an essay by art historian Laura Mattioli, founder of the Center for Italian Modern Art (CIMA), the book includes a fantastic array of contributions by contemporary artists, including John Baldessari, Lawrence Carroll, Vija Celmins, Mark Greenwold, Liu Ye, Alexi Worth and Zeng Fanzhi. Each of the artists offers a personal response to Morandi’s work, and to the 2015 David Zwirner exhibition this book accompanies. Working in different mediums across many disciplines, this diverse list of contributors is a testament to the reach of Morandi’s paintings and their influence on contemporary art.
Giorgio Morandi: late paintings
Actions:
Prix:
$57.50
(disponible sur commande)
Résumé:
This gorgeously produced monograph focuses on the period during which Giorgio Morandi (1890–1964) developed and refined his investigations of serial, reductive and permutational forms and compositions, a body of work that has had a profound influence on 20th-century contemporary art and painting. Included here are four of the ten iconic “yellow cloth paintings,” a series featured prominently in the historic 1998 exhibition at the Peggy Guggenheim Collection in Venice, and numerous late paintings by the Italian master. Lavishly reproduced, these immersive plates draw attention to the idiosyncratic perspectival and color-driven decisions that give the work its abstract power. In addition to an essay by art historian Laura Mattioli, founder of the Center for Italian Modern Art (CIMA), the book includes a fantastic array of contributions by contemporary artists, including John Baldessari, Lawrence Carroll, Vija Celmins, Mark Greenwold, Liu Ye, Alexi Worth and Zeng Fanzhi. Each of the artists offers a personal response to Morandi’s work, and to the 2015 David Zwirner exhibition this book accompanies. Working in different mediums across many disciplines, this diverse list of contributors is a testament to the reach of Morandi’s paintings and their influence on contemporary art.
Classification:
livres
livres
Publication:
mai 2017
mai 2017
