softspot
$56.00
(disponible sur commande)
Résumé:
"softspot" is a fragile space seeking to make sense of a complex now. Through a collaborative process of editing and exchange between James Taylor-Foster and OK-RM, "softspot" is a dive into the recent past. Imagined as a container for the near and the close, it contains a patchwork of prose, verse and visual work that oscillate between the subjective and the objective.(...)
septembre 2021
softspot
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Prix:
$56.00
(disponible sur commande)
Résumé:
"softspot" is a fragile space seeking to make sense of a complex now. Through a collaborative process of editing and exchange between James Taylor-Foster and OK-RM, "softspot" is a dive into the recent past. Imagined as a container for the near and the close, it contains a patchwork of prose, verse and visual work that oscillate between the subjective and the objective. Written through the lens of one writer and augmented by a conversation of contributions and references, the book represents a study in how words can be written — and how they can be held in a hand. Conceived of and compiled during 2020 and 2021 with Esther Cloe Theaker, Max Creasy, Rosita Kær, Smari R. Robertsson, Tony Karlsson Savci, and Michela Zoppi. Each "softspot" contains three copies of the same book. You are invited to keep one and to gift the others as you wish.
A meaningful order: OK-RM
$105.00
(disponible en magasin)
Résumé:
Across its 328 pages it holds a new history of the distributed realities of design. It depicts designed objects on their own terms to give an account of vision, material, and curiosity—representing a selection of the vast archive of more than 16 years of work from OK-RM through an orchestration of the lithographic process with a special set of colours. It is a site for(...)
juillet 2025
A meaningful order: OK-RM
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Prix:
$105.00
(disponible en magasin)
Résumé:
Across its 328 pages it holds a new history of the distributed realities of design. It depicts designed objects on their own terms to give an account of vision, material, and curiosity—representing a selection of the vast archive of more than 16 years of work from OK-RM through an orchestration of the lithographic process with a special set of colours. It is a site for committed study and experimentation, away from the structures of academe. It generates examples, prototypes, and models. It stages a dialogue rendered in a designerly writing through 26 alphabetised chapters (A–Z). It is unashamedly performative in its play with language, direction, and story. It captures the ongoing, open-ended conversation between the editors, who are makers and thinkers of design, including a long form discussion in the form of an interview with long term collaborator Jack Self and is introduced by poet Lila Matsumoto. In this social arena, the book is considered as everyday object and object of art. It examines designed objects and their meanings, which emerge from the interplay of form and context. What does it do? Why does it do it? How does it do it? It lays out new ideas about how designed objects relate to the cultures that they are borne from and the cultures they can create. It strives for transparency, but not at the cost of transcendence.