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Catalogue documentant la rencontre entre les œuvres sensorielles d'Olafur Eliasson et l'écrin baroque du palace d'hiver du prince Eugène à Vienne. Publié à l'occasion de l'exposition «Olafur Eliasson: Baroque Baroque», Winterpalais, Vienne, du 21 novembre 2015 au 6 mars 2016.
janvier 2015
Olafur Eliasson: Baroque Baroque
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Catalogue documentant la rencontre entre les œuvres sensorielles d'Olafur Eliasson et l'écrin baroque du palace d'hiver du prince Eugène à Vienne. Publié à l'occasion de l'exposition «Olafur Eliasson: Baroque Baroque», Winterpalais, Vienne, du 21 novembre 2015 au 6 mars 2016.
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Unspoken Spaces explores the artist’s driving interest in finding visionary shapes to represent abstract ideas. It is a richly illustrated journey through spheres, tunnels, towers, walkways and archways, as well as pavilions and larger buildings realized by Eliasson and his studio since the late 1990s.
Studio Olafur Eliasson: unspoken spaces
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Unspoken Spaces explores the artist’s driving interest in finding visionary shapes to represent abstract ideas. It is a richly illustrated journey through spheres, tunnels, towers, walkways and archways, as well as pavilions and larger buildings realized by Eliasson and his studio since the late 1990s.
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The work of the Danish-Icelandic artist Olafur Eliasson (born in Copenhagen, 1967) focuses on sensorial perception, the laws of physics and natural phenomena. He works in a variety of media, but is particularly known for his sculptural installations for specific places. His use of light, water, ice and clouds in these spaces is a reflection of his Icelandic roots,and the(...)
septembre 2008, Barcelona
Olafur Eliasson: the nature of things
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The work of the Danish-Icelandic artist Olafur Eliasson (born in Copenhagen, 1967) focuses on sensorial perception, the laws of physics and natural phenomena. He works in a variety of media, but is particularly known for his sculptural installations for specific places. His use of light, water, ice and clouds in these spaces is a reflection of his Icelandic roots,and the complexity and diversity of his work have made him a point of reference in the current international art scene. Olafur Eliasson was awarded the Joan Miro Prize in 2007 for his status as one of the leading artists of our times. His work has been shown in major museums around the world. "Light Lab" was at the Portikus centre in Frankfurt and "Take your Time:Olafur Eliasson," a retrospective for the San Francisco Museum of Modern Art that was later exhibited in the MoMA in New York.
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In 2005 a BMW H2R hydrogen-powered vehicle was delivered to Studio Olafur Eliasson and then stripped bare of its outer shell. To create a new skin several form studies have been carried out in a temporary geodesic dome, constructed in the yard of the studio. The final surface of the car consists of layers of ice, frozen around two intricate nets, mirrored plates and(...)
Olafur Eliasson: your mobile expectations. BMW H2R project
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In 2005 a BMW H2R hydrogen-powered vehicle was delivered to Studio Olafur Eliasson and then stripped bare of its outer shell. To create a new skin several form studies have been carried out in a temporary geodesic dome, constructed in the yard of the studio. The final surface of the car consists of layers of ice, frozen around two intricate nets, mirrored plates and light. The “Climate car” can only exist in a microclimate with a temperature of minus 6 degrees Celsius or below. Including conversations between Olafur Eliasson and a number of distinguished thinkers, such as architect and artist Yona Friedman, urban theorist Bart Lootsma, and Head of Design BMW Christopher Bangle.
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Center for Contemporary Art, CCA, Kitakyushu
Olafur Eliasson: your difference & repetition
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Center for Contemporary Art, CCA, Kitakyushu
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In 2007, Serpentine Gallery Co-Director Hans Ulrich Obrist and artist Olafur Eliasson invited more than 100 leading artists, architects, filmmakers, academics and scientists--including Peter Cook, Simon Baron-Cohen, Gloria Friedmann, Neil Turok, Kim Gordon, Spartacus Chetwynd, Simon Forti, Fia Backstrom and Joseph Grigely--to expand the notion of experimentation for their(...)
Hans Ulrich Obrist and Olafur Eliasson: experiment marathon
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In 2007, Serpentine Gallery Co-Director Hans Ulrich Obrist and artist Olafur Eliasson invited more than 100 leading artists, architects, filmmakers, academics and scientists--including Peter Cook, Simon Baron-Cohen, Gloria Friedmann, Neil Turok, Kim Gordon, Spartacus Chetwynd, Simon Forti, Fia Backstrom and Joseph Grigely--to expand the notion of experimentation for their 24-Hour Experiment Marathon, held in the Rem Koolhaas-designed Serpentine Gallery Pavilion. In the tradition of Obrist's now-legendary ongoing 24-Hour Interview Marathon, the crowds were standing-room-only and the action never stopped. This publication details the more than 40 screenings, performances and experimental films making up this genre-bending blend of science and art.
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janvier 1900
Théorie de l’art
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Since the 1990's, Olafur Eliasson has been exploring cognitive and physical phenomena as we know them from the natural sciences and nature. He uses both technically sophisticated equipment and deceptively simple means such as water or light to create artificial landscapes and moments of perception that let viewers perceive or reenact natural phenomena. Their strongly(...)
Olafur Eliasson : sonne statt regen
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Since the 1990's, Olafur Eliasson has been exploring cognitive and physical phenomena as we know them from the natural sciences and nature. He uses both technically sophisticated equipment and deceptively simple means such as water or light to create artificial landscapes and moments of perception that let viewers perceive or reenact natural phenomena. Their strongly atmospheric but entirely constructed nature makes viewers become painfully conscious of how far modern civilization has progressed from immediate experience; they question the acceptance of authenticity in the area of perception. This book, published in an edition of only 1,500 copies and conceived in cooperation with the artist, features a series of landscape photographs by Eliasson from his native Iceland, exploring the limits and conventions of our traditional view of landscape. They show that our perception of nature has been fundamentally affected by cultural influences, memories, and expectations.