Paris review spring 2025
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Ludmilla Petrushevskaya on the Art of Fiction: "Don’t you know my life story by now? I don’t experience fear." Margo Jefferson on the Art of Criticism: "You can be willing to be wrong if you have enough confidence in your brain." Prose by Amie Barrodale, A. M. Homes, Marie NDiaye, Domenico Starnone, Miriam Toews, and Zheng Zhi. Poetry by Abigail Dembo, Nora Fulton,(...)
Paris review spring 2025
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Ludmilla Petrushevskaya on the Art of Fiction: "Don’t you know my life story by now? I don’t experience fear." Margo Jefferson on the Art of Criticism: "You can be willing to be wrong if you have enough confidence in your brain." Prose by Amie Barrodale, A. M. Homes, Marie NDiaye, Domenico Starnone, Miriam Toews, and Zheng Zhi. Poetry by Abigail Dembo, Nora Fulton, Susan Howe, D. A. Powell, Nasser Rabah, Edward Salem, and Nanna Storr-Hansen. Art by Em Kettner, Agosto Machado, and Lady Shalamar Montague; cover by Anna Weyant.
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Fanny Howe on the Art of Poetry: "If I could say I was assigned something at birth, it would be to keep the soul fresh and clean, and to not let anything bring it down."; Marie NDiaye on the Art of Fiction: "Oh, no! Reading beautiful books can’t be traumatizing. Seeing awful things can be—but reading? I don’t believe in that at all."; Prose by Anuk Arudpragasam, Tom(...)
The Paris review n.252, summer 2025
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Fanny Howe on the Art of Poetry: "If I could say I was assigned something at birth, it would be to keep the soul fresh and clean, and to not let anything bring it down."; Marie NDiaye on the Art of Fiction: "Oh, no! Reading beautiful books can’t be traumatizing. Seeing awful things can be—but reading? I don’t believe in that at all."; Prose by Anuk Arudpragasam, Tom Crewe, GauZ’, Zans Brady Krohn, and Joy Williams; Poetry by Will Alexander, John Berryman, Yongyu Chen, Eugene Ostashevsky, Ricardo Reis, and Nell Wright; Art by Anne Collier, Celia Paul, and Alessandro Teoldi; cover by Tyler Mitchell.
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Eliot Weinberger on the Art of the Essay: “I have no interest in first-person investigation. Personally, I’ve never found myself an interesting person.” Maggie Nelson on the Art of Nonfiction: “It’s important to notice when the spark of magic or curiosity is there and what snuffs it out, and being around too many writers, for me, snuffs it out.” Prose by Anne(...)
The Paris Review n.253, fall 2025
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Eliot Weinberger on the Art of the Essay: “I have no interest in first-person investigation. Personally, I’ve never found myself an interesting person.” Maggie Nelson on the Art of Nonfiction: “It’s important to notice when the spark of magic or curiosity is there and what snuffs it out, and being around too many writers, for me, snuffs it out.” Prose by Anne Carson, Renny Gong, Aurora Huiza, Jordy Rosenberg, Bud Smith, and Yan Lianke. Poetry by Roque Dalton, Ishion Hutchinson, Patricia Lockwood, Mariano Melgar, Eileen Myles, Katie Peterson, and authors unknown.
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Paris Review Winter 2025
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Hélène Cixous on the Art of Criticism: “There’s a feminist discourse that women can’t do it all. This is what many women experience, and it’s very difficult. But I am not like that.” Alice Oswald on the Art of Poetry: “You come at poetry with the momentum of having failed. It’s only when other communication is absolutely impossible that a poem has to exist.” Prose by(...)
Paris Review Winter 2025
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Hélène Cixous on the Art of Criticism: “There’s a feminist discourse that women can’t do it all. This is what many women experience, and it’s very difficult. But I am not like that.” Alice Oswald on the Art of Poetry: “You come at poetry with the momentum of having failed. It’s only when other communication is absolutely impossible that a poem has to exist.” Prose by Eve Babitz, Marlene Morgan, Alec Niedenthal, Gwendoline Riley, and Elias Rodriques. Poetry by Millicent Borges Accardi, Monzer Masri, Alice Oswald, Jana Prikryl, and Ed Roberson. Art by Ali Banisadr, Pippa Garner, Joan Jonas, and Mieko Meguro; cover by Adebunmi Gbadebo.
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