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Titre:
Translation Lar/Pernando Romero

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$32.00
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Résumé:
Fernando Romero is the founder of LCM (1999) and most recently LAR (2005), an office that considers architecture to be vital as a translator of current societal needs. LAR seeks to generate unprecedented spaces, explore new structures and geometries, and to implement new materials and construction methods. “Translation” divides the projects of LCM and LAR into three categories: 'Fluid Bodies' are long-lasting private projects, designed for specific situations and built with high-tech resources; 'Revised Boxes' are buildings of a more public nature, whose technology is based on industrial products. The Inbursa Bank building, located on one of Mexico City's most prestigious avenues, the Paseo de la Reforma, has a façade of laminated glass that becomes opaque or transparent depending on the visitors physical position; 'Boxes', the third category of projects, combines rapidly applicable, cheap low-tech architecture generated from commercial wholesale products, like the facade of the Cinna Bar which LCM gave a new skin of red-tinted glass.

Titre:
The air is blue: insights on art and architecture. Luis Barragan revisited

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$46.95
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Résumé:
Luis Barragán’s house, Louis Kahn wrote after visiting it, is a place that “could have been built a hundred years ago or a hundred years from now.” So, in more ways than one, is The Air is Blue, an exhibition orchestrated in the master's house and studio by Hans Ulrich Obrist and Pedro Reyes, over the course of three years. The ever-growing list of participants comprised at the end forty-seven artists and contributors, including Francis Alÿs, Daniel Buren, Gilbert & George, Dominique Gonzales-Foerster, Joseph Grigely, Rem Koolhaas, Lygia Pape, Anri Sala, Ettore Sottsass, Rikrit Tiravanija, and Niele Toroni. Their interventions collided visions and conversations about poetry, urbanism, music, sexuality, art, and architecture. A catalogue was published in 2006, but never circulated. After ten years, this reprint consists on an integral black-and-white scan of the original book, with a small appendix of previously unpublished images and a new afterword written by Reyes. All on blue paper.