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2 G Eduardo Arroyo
$46.95
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Résumé:
In recent years the Madrid school has gone through a renewal that is generating an architecture which is especially interested in what is done on the other side of the Spanish frontier. Without losing sight of a rich local tradition, the many different architecture studios of Madrid -like Ábalos and Herreros, Tuñón and Mansilla, Soriano and Palacios, Cero9, Acebo and(...)
Architecture, monographies
avril 2007, Barcelona
2 G Eduardo Arroyo
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$46.95
(disponible en magasin)
Résumé:
In recent years the Madrid school has gone through a renewal that is generating an architecture which is especially interested in what is done on the other side of the Spanish frontier. Without losing sight of a rich local tradition, the many different architecture studios of Madrid -like Ábalos and Herreros, Tuñón and Mansilla, Soriano and Palacios, Cero9, Acebo and Alonso, Aranguren and Gallegos, Nieto and Sobejano- are displaying a much fresher and more active approach in terms of defining new advances for contemporary Spanish architecture than their compatriots of the Barcelona School. As part of this, Eduardo Arroyo and the members of the Madrid studio no.mad arquitectos occupy an important place within the new Spanish architecture. Despite having built very little (a day nursery in Sondika, a square and a stadium in Barakaldo, and a single-family house on the outskirts of Madrid), Eduardo Arroyo is a key figure for understanding the new directions that not only Spanish, but also European, architecture is taking. This new 41st issue of the magazine 2G presents all his studio’s built work and some of its more recent projects, a total oeuvre that moves between the fiercest pragmatism and rigour, a playful geometry, the value of architecture as part of the landscape, and constructional responsibility.
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avril 2007, Barcelona
Architecture, monographies
London: Being in the library
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Daniela Keiser ranks among the most renowned contemporary artists in Switzerland. In 2017 she was awarded the Swiss national art prize Prix Meret Oppenheim as well as a studio grant from Landis & Gyr Stiftung that enabled her to embark on an extended stay in London’s East End. There she discovered the Idea Store, the public library on Whitechapel Road built by British(...)
Monographies photo
août 2021
London: Being in the library
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Daniela Keiser ranks among the most renowned contemporary artists in Switzerland. In 2017 she was awarded the Swiss national art prize Prix Meret Oppenheim as well as a studio grant from Landis & Gyr Stiftung that enabled her to embark on an extended stay in London’s East End. There she discovered the Idea Store, the public library on Whitechapel Road built by British architect David Adjaye. Upon its opening to the public, this institution quickly became a meeting place for a broad spectrum of society, including socially disadvantaged people. The goal of the Idea Stores—eight of them have been opened in various London boroughs since 2005— is to enhance formerly neglected neighborhoods and offer a low-threshold source of education and information. From that initial Idea Store on Whitechapel Road, Daniela Keiser began to take pictures of the goings-on in the street outside. Her "Library—Idea Store, 321 Whitechapel Rd, Shadwell, London E1 1BU series" reveals a calm, repetitive, but insistent image of the city and offers insight into the small everyday variations of the surrounding world. This book pairs her photographic reflections with a conversation between David Adjaye and art and architecture historian Philip Ursprung. They talk about Keiser’s perception of the site and—without actually showing the building—the impact of urban design and the architect’s intentions.
Monographies photo
2G 82: Ensamble studio
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Architectural works by Ensamble Studio—a Madrid and Boston-based architectural studio—are documented here in issue 82 of 2G. Ensamble Studio addresses issues such as prefabricated homes. A balancing act of imagination and reality, art and science.
2G 82: Ensamble studio
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Architectural works by Ensamble Studio—a Madrid and Boston-based architectural studio—are documented here in issue 82 of 2G. Ensamble Studio addresses issues such as prefabricated homes. A balancing act of imagination and reality, art and science.
Revues
$64.00
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Gordon Matta-Clark has never been an easy artist to categorize or to explain. Although trained as an architect, he has been described as a sculptor, a photographer, an organizer of performances, and a writer of manifestos, but he is best known for "un-building" abandoned structures. In the brief span of his career, from 1968 to his early death in 1978, he created an(...)
octobre 2022
Gordon Matta-Clark: An archival sourcebook
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Gordon Matta-Clark has never been an easy artist to categorize or to explain. Although trained as an architect, he has been described as a sculptor, a photographer, an organizer of performances, and a writer of manifestos, but he is best known for "un-building" abandoned structures. In the brief span of his career, from 1968 to his early death in 1978, he created an oeuvre that has made him an enduring cult figure. In 2002, when Matta-Clark’s widow, Jane Crawford, put his archive on deposit at the Canadian Centre for Architecture in Montreal, it revealed a new voice in the ongoing discussion of artist/architect Matta-Clark’s work: his own. Gwendolyn Owens and Philip Ursprung’s careful selection and ordering of letters, interviews, statements, and the now-famous art cards from the CCA as well as other sources deepens our understanding of one of the most original thinkers of his generation. This publication creates a multidimensional portrait that provides an opportunity for readers to explore and enjoy the complexity and contradiction that was Gordon Matta-Clark.
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“We can think about the negative without being able to see it.” Thus begins photographer Hennric Jokeit’s series of negative images, which challenges our eyes and brain to focus, taking time to adapt and virtually decipher what we are seeing. Confronted with negative depictions of urban and natural landscapes, interior scenes, and buildings and objects, the viewer is(...)
Hennric Jokeit: negative vision
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“We can think about the negative without being able to see it.” Thus begins photographer Hennric Jokeit’s series of negative images, which challenges our eyes and brain to focus, taking time to adapt and virtually decipher what we are seeing. Confronted with negative depictions of urban and natural landscapes, interior scenes, and buildings and objects, the viewer is asked to concentrate on the singularity of each image, to translate dark into light and vice versa. As such, it allows us to focus more clearly on aspects like composition and formal arrangement within the frame of the image, levels of comprehension that are often overlooked. With an essay by Philip Ursprung.
Monographies photo