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Gordon Matta-Clark has never been an easy artist to categorize or to explain. Although trained as an architect, he has been described as a sculptor, a photographer, an organizer of performances, and a writer of manifestos, but he is best known for "un-building" abandoned structures. In the brief span of his career, from 1968 to his early death in 1978, he created an(...)
octobre 2022
Gordon Matta-Clark: An archival sourcebook
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Gordon Matta-Clark has never been an easy artist to categorize or to explain. Although trained as an architect, he has been described as a sculptor, a photographer, an organizer of performances, and a writer of manifestos, but he is best known for "un-building" abandoned structures. In the brief span of his career, from 1968 to his early death in 1978, he created an oeuvre that has made him an enduring cult figure. In 2002, when Matta-Clark’s widow, Jane Crawford, put his archive on deposit at the Canadian Centre for Architecture in Montreal, it revealed a new voice in the ongoing discussion of artist/architect Matta-Clark’s work: his own. Gwendolyn Owens and Philip Ursprung’s careful selection and ordering of letters, interviews, statements, and the now-famous art cards from the CCA as well as other sources deepens our understanding of one of the most original thinkers of his generation. This publication creates a multidimensional portrait that provides an opportunity for readers to explore and enjoy the complexity and contradiction that was Gordon Matta-Clark.
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With his astounding building cuts and intersects, Gordon Matta-Clark (1943-1978) opened up elegant geometries in the very structures that seem most substantial and most authoritative in urban existence, revealing the alienations of the urban fabric as convenient fictions and allowing life to flow into the most inhospitable and self-contained of buildings. One of his(...)
novembre 2011
Gordon Matta-Clark, moment to moment : space
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With his astounding building cuts and intersects, Gordon Matta-Clark (1943-1978) opened up elegant geometries in the very structures that seem most substantial and most authoritative in urban existence, revealing the alienations of the urban fabric as convenient fictions and allowing life to flow into the most inhospitable and self-contained of buildings. One of his favorite responses to a work came from a Parisian concierge: “I see the purpose for that hole - it is an experiment in bringing light and air into spaces that never had enough of either.” Throughout his all-too-brief career, Matta-Clark undertook civic aeration on many fronts, cofounding the now legendary Food Restaurant in 1971, buying up empty lots in Queens and evolving his theory of “anarchitecture” in films, photomontages and numerous writings and drawings. Anarchitecture redefined negative space in art as a political act, distinguishing itself from architecture by imagining a cure for its most pernicious effects. Gordon Matta-Clark : Moment to Moment offers a comprehensive overview of this courageous and liberating artist with a wealth of documentation and reproductions from across Matta-Clark's oeuvre, as well as critical commentary from Philip Ursprung, Angela Lammert, Hubertus von Amelunxen, Dan Graham and others.
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Swiss photographer Claudio Moser (born 1959) wanders the peripheries of cities and towns for hours - sometimes to the point of exhaustion - in search of the perfect image. Further distending his process, the artist often lets years pass after developing his film before viewing the images. Only then does he produce large-scale prints, revealing atmospherically dense(...)
Claudio Moser : nowhere near far enough
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Swiss photographer Claudio Moser (born 1959) wanders the peripheries of cities and towns for hours - sometimes to the point of exhaustion - in search of the perfect image. Further distending his process, the artist often lets years pass after developing his film before viewing the images. Only then does he produce large-scale prints, revealing atmospherically dense photographs of industrial wasteland and "non-places."
Monographies photo
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This publication documents new work by ten international artists who tackle Modernism by engaging in a dialogue with a specific designer, architect or work from this pivotal period of the 20th century. By creating “conversions” between the past and the present, these artists look into the future through the media of video, painting, sculpture, installation and photography.
Les lendemains d'hier / Yesterday's tomorrows
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This publication documents new work by ten international artists who tackle Modernism by engaging in a dialogue with a specific designer, architect or work from this pivotal period of the 20th century. By creating “conversions” between the past and the present, these artists look into the future through the media of video, painting, sculpture, installation and photography.
Expositions collectives
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This volume brings the focus back to the sensual aspects of architecture—the subtle and intangible ways it impacts human experience—through the work of six leading architects from around the world. Conversations with each of these architects—Grafton Architects, Kengo Kuma, Li Xiaodong, Francis Kéré, Pezo von Ellrichshausen, and Eduardo Souto de Moura and Álvaro Siza—show(...)
Sensing spaces: architecture reimagined
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This volume brings the focus back to the sensual aspects of architecture—the subtle and intangible ways it impacts human experience—through the work of six leading architects from around the world. Conversations with each of these architects—Grafton Architects, Kengo Kuma, Li Xiaodong, Francis Kéré, Pezo von Ellrichshausen, and Eduardo Souto de Moura and Álvaro Siza—show the multiplicity of ways in which different approaches to the built environment can affect the way in which we connect with our surroundings. An introduction by Philip Ursprung explores the background to this humanistic approach to design, and preparatory sketches illustrate key buildings by each of the architects.
Architecture contemporaine