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A Book of Migrations is a postcolonial revision of conventional travel literature. In her journey through Ireland, Rebecca Solnit portrays in microcosm a history made up of great tides of invasion, colonization, emigration, nomadism, and tourism. Her observations carve a new route through Ireland's history, literature and landscape.
A book of migrations: some passages in Ireland
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A Book of Migrations is a postcolonial revision of conventional travel literature. In her journey through Ireland, Rebecca Solnit portrays in microcosm a history made up of great tides of invasion, colonization, emigration, nomadism, and tourism. Her observations carve a new route through Ireland's history, literature and landscape.
Théorie du paysage
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To Rebecca Solnit, the word 'landscape' implies not only literal places but also the ground on which we invent our lives and confront our innermost troubles and desires. The organic world, to Solnit, gives rise to the social, political, and philosophical landscapes we inhabit. In these nineteen quirky, smart, and wryly humorous pieces, Solnit ranges across disciplines to(...)
As Eve said to the serpent: on landscape, gender, and art
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To Rebecca Solnit, the word 'landscape' implies not only literal places but also the ground on which we invent our lives and confront our innermost troubles and desires. The organic world, to Solnit, gives rise to the social, political, and philosophical landscapes we inhabit. In these nineteen quirky, smart, and wryly humorous pieces, Solnit ranges across disciplines to explore nuclear test sites, deserts, clouds, caves, and the meaning of national borders - as weel as ideas of the feminine and the sublime as they relate to our physical and psychological terrains.
Théorie du paysage
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The virtues of being open to new and transformative experiences are rhapsodized but not really illuminated in this discursive and somewhat gauzy set of linked essays. Cultural historian Solnit, an NBCC award winner for River of Shadows: Eadweard Muybridge and the Technological Wild West, allows the subject of getting lost to lead her where it will, from early American(...)
Théorie de l’architecture
janvier 1900, New York, Toronto
A field guide to getting lost
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The virtues of being open to new and transformative experiences are rhapsodized but not really illuminated in this discursive and somewhat gauzy set of linked essays. Cultural historian Solnit, an NBCC award winner for River of Shadows: Eadweard Muybridge and the Technological Wild West, allows the subject of getting lost to lead her where it will, from early American captivity narratives to the avant-garde artist Yves Klein. She interlaces personal and familial histories of disorientation and reinvention, writing of her Russian Jewish forebears' arrival in the New World, her experiences driving around the American west and listening to country music, and her youthful immersion in the punk rock demimonde. Unfortunately, the conceit of embracing the unknown is not enough to impart thematic unity to these essays; one piece ties together the author's love affair with a reclusive man, desert fauna, Hitchcock's Vertigo and the blind seer Tiresias in ways that will indeed leave readers feeling lost. Solnit's writing is as abstract and intangible as her subject, veering between oceanic lyricism ("Blue is the color of longing for the distance you never arrive in") and pensées about the limitations of human understanding ("Between words is silence, around ink whiteness, behind every map's information is what's left out, the unmapped and unmappable") that seem profound but are actually banal once you think about them.
Théorie de l’architecture
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Wind, water, fire and molten rock constantly tear apart and resculpt the natural world we live in, and people have always struggled to create structures that will permanently establish their existence on the land. For more than four decades, Frank Gohlke has committed his camera lens to documenting that fraught relationship between people and place, and this retrospective(...)
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décembre 2007, New Mexico, Texas
Accommodating Nature: the photographs of Frank Gohlke
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Wind, water, fire and molten rock constantly tear apart and resculpt the natural world we live in, and people have always struggled to create structures that will permanently establish their existence on the land. For more than four decades, Frank Gohlke has committed his camera lens to documenting that fraught relationship between people and place, and this retrospective collection of his work by curator John Rohrbach reveals how people carve out their spaces, accommodating nature. Published by the Amon Carter Museum and the Center for American Places.
Monographies photo
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Rebecca Solnit has made a vocation of journeying into difficult territory and reporting back, as an environmentalist, antiglobalization activist, and public intellectual. Storming the Gates of Paradise, an anthology of her essential essays from the past ten years, takes the reader from the Pyrenees to the U.S.-Mexican border, from San Francisco to London, from open sky to(...)
Storming the gates of paradise: Landscapes for politics
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Rebecca Solnit has made a vocation of journeying into difficult territory and reporting back, as an environmentalist, antiglobalization activist, and public intellectual. Storming the Gates of Paradise, an anthology of her essential essays from the past ten years, takes the reader from the Pyrenees to the U.S.-Mexican border, from San Francisco to London, from open sky to the deepest mines, and from the antislavery struggles of two hundred years ago to today's street protests. The nearly forty essays collected here comprise a unique guidebook to the American landscape after the millennium–not just the deserts, skies, gardens, and wilderness areas that have long made up Solnit's subject matter, but the social landscape of democracy and repression, of borders, ruins, and protests. She ventures into territories as dark as prison and as sublime as a broad vista, revealing beauty in the harshest landscape and political struggle in the most apparently serene view. Her introduction sets the tone and the book's overarching themes as she describes Thoreau, leaving the jail cell where he had been confined for refusing to pay war taxes and proceeding directly to his favorite huckleberry patch. In this way she links pleasure to politics, brilliantly demonstrating that the path to paradise has often run through prison.
Théorie de l’architecture
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''Nonstop Metropolis'', the culminating volume in a trilogy of atlases, conveys innumerable unbound experiences of New York City through twenty-six imaginative maps and informative essays. Bringing together the insights of dozens of experts—from linguists to music historians, ethnographers, urbanists, and environmental journalists—amplified by cartographers, artists, and(...)
octobre 2016
Nonstop metropolis: a New York City atlas
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''Nonstop Metropolis'', the culminating volume in a trilogy of atlases, conveys innumerable unbound experiences of New York City through twenty-six imaginative maps and informative essays. Bringing together the insights of dozens of experts—from linguists to music historians, ethnographers, urbanists, and environmental journalists—amplified by cartographers, artists, and photographers, it explores all five boroughs of New York City and parts of nearby New Jersey. We are invited to travel through Manhattan’s playgrounds, from polyglot Queens to many-faceted Brooklyn, and from the resilient Bronx to the mystical kung fu hip-hop mecca of Staten Island.
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How exactly has San Francisco's urban landscape changed in the hundred years since the earthquake and cataclysmic firestorms that destroyed three-quarters of the city in 1906? For this rephotography project, bringing past and present into dynamic juxtaposition, photographer Mark Klett has gone to the same locations pictured in forty-five historic photographs taken in the(...)
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mars 2006, San Francisco
After the ruins 1906 and 2006 : rephotographing the San Francisco earthquake and fire
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How exactly has San Francisco's urban landscape changed in the hundred years since the earthquake and cataclysmic firestorms that destroyed three-quarters of the city in 1906? For this rephotography project, bringing past and present into dynamic juxtaposition, photographer Mark Klett has gone to the same locations pictured in forty-five historic photographs taken in the days following the 1906 earthquake and fires and precisely duplicated each photograph's vantage point. The result is a comparison that challenges our preconceptions about time, history, and culture. This publication accompanies an exhibition at The Fine Arts Museums of San Francisco. After the Ruins, 1906 and 2006 features a vivid essay by noted environmental historian Philip Fradkin on the events surrounding and following the 1906 earthquake, which he describes as "the equivalent of an intensive, three-day bombing raid, complete with many tons of dynamite that acted as incendiary devices." A lyrical essay by acclaimed writer Rebecca Solnit considers the meaning of ruins, resurrection, and the evolving geography and history of San Francisco.
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This publication is Trevor Paglen's first photographic monograph. Social scientist, artist, writer and provocateur, Paglen has been exploring the secret activities of the U.S. military and intelligence agencies--the "black world"--for the last eight years, publishing, speaking and making astonishing photographs. As an artist, Paglen is interested in the idea of(...)
Invisible: covert operations and classified landscapes
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This publication is Trevor Paglen's first photographic monograph. Social scientist, artist, writer and provocateur, Paglen has been exploring the secret activities of the U.S. military and intelligence agencies--the "black world"--for the last eight years, publishing, speaking and making astonishing photographs. As an artist, Paglen is interested in the idea of photography as truth-telling, but his pictures often stop short of traditional ideas of documentation. In the series Limit Telephotography, for example, he employs high-end optical systems to photograph top-secret governmental sites; and in The Other Night Sky, he uses the data of amateur satellite watchers to track and photograph classified spacecraft in Earth's orbit. In other works Paglen transforms documents such as passports, flight data and aliases of CIA operatives into art objects. Rebecca Solnit contributes a searing essay that traces this history of clandestine military activity on the American landscape.
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Elin Hansdottir: path
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Elín Hansdóttir's installation “Path” consists of a narrow tunnel that zigzags through a gallery or a museum. Light enters through vertical and horizontal slits that resemble cracks in the structure; sound effects further add to the disorientation. This volume examines the work, and contains an introduction by Rebecca Solnit, author of Wanderlust and A Field Guide to Getting Lost.
Elin Hansdottir: path
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Elín Hansdóttir's installation “Path” consists of a narrow tunnel that zigzags through a gallery or a museum. Light enters through vertical and horizontal slits that resemble cracks in the structure; sound effects further add to the disorientation. This volume examines the work, and contains an introduction by Rebecca Solnit, author of Wanderlust and A Field Guide to Getting Lost.
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Qui a été historiquement réduit au silence, et pourquoi ? Comment les femmes et les minorités sont-elles parvenues à récupérer, ou non, leur parole ? En quoi un changement politique est-il avant tout un changement de récit ?Pour répondre à ces questions, Rebecca Solnit balaye un grand nombre de sujets, de l'histoire des droits civiques et de l'esclavage à la culture du(...)
La mère de toutes les questions
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Qui a été historiquement réduit au silence, et pourquoi ? Comment les femmes et les minorités sont-elles parvenues à récupérer, ou non, leur parole ? En quoi un changement politique est-il avant tout un changement de récit ?Pour répondre à ces questions, Rebecca Solnit balaye un grand nombre de sujets, de l'histoire des droits civiques et de l'esclavage à la culture du viol dans les campus américains, en passant par la masculinité toxique.On retrouve ici la vivacité d'esprit de l'auteure, son opiniâtreté à déjouer tout ce qui, dans la culture, dans les institutions, dans la sphère publique, entend amoindrir la parole des femmes et réduire leur place. Rebecca Solnit met au jour les normes sous-jacentes contenues dans nos discours.