$32.50
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In the early 20th century, the soviet architectural press became a forum for an extraordinary group of artist, designers, architects, and theorists to converge in debate over the shape of their present and futur built environment.
décembre 2005, New York
Architecture in print : Design and Debate in the Soviet Union 1919-1935
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In the early 20th century, the soviet architectural press became a forum for an extraordinary group of artist, designers, architects, and theorists to converge in debate over the shape of their present and futur built environment.
$86.00
(disponible en magasin)
Résumé:
After achieving international acclaim as a painter and designer, El Lissitzky set out in 1924 to convince the world—and himself—that he was also an architect. He did this with a project for a "horizontal skyscraper," which he gave an obscure and untranslatable name: Wolkenbügel. Eight of these buildings, perched atop slender pillars, were intended to stand at major(...)
Wolkenbügel: El Lissitzky as architect
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$86.00
(disponible en magasin)
Résumé:
After achieving international acclaim as a painter and designer, El Lissitzky set out in 1924 to convince the world—and himself—that he was also an architect. He did this with a project for a "horizontal skyscraper," which he gave an obscure and untranslatable name: Wolkenbügel. Eight of these buildings, perched atop slender pillars, were intended to stand at major intersections along Moscow's Boulevard Ring, integrating the flow of tramlines, subways, and elevators. In "Wolkenbügel", Richard Anderson explores Lissitzky's translation of visual and textual media into spatial ideas and offers an in-depth study of the surviving drawings and archival artifacts related to Lissitzky's most complex architectural proposal. This book offers a new and definitive account of how Lissitzky expanded the conceptual and representational tools available to the modern architect by drawing on many sources—including photography, typography, exhibition design, and even the elementary forms of the alphabet—to create the Wolkenbügel. Anderson shows how the production and reception of a paper project served to link key ideas and relationships that animated the worlds of art and architecture, offering a new view on received histories of the interwar avant-gardes. By attending to Lissitzky's singular architectural project, Anderson reveals the dynamics of internationality in the constitution of modern architectural culture in Europe.
Architecture, monographies
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This book offers a comprehensive account of Russia’s architectural production from the late nineteenth century to the present, explaining how its architecture was both shaped by and came to embody Russia’s rapid cultural, economic, and social revolutions over the past century.
Russia: Modern Architectures in History
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$55.95
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This book offers a comprehensive account of Russia’s architectural production from the late nineteenth century to the present, explaining how its architecture was both shaped by and came to embody Russia’s rapid cultural, economic, and social revolutions over the past century.
Modernisme