Mitch Epstein: Recreation
$117.00
(disponible sur commande)
Résumé:
Between the 1970s and ’90s, Mitch Epstein photographed the rituals of excess and alienation, jubilance and desire that defined late twentieth-century America. These pictures marked the beginning of his photographic inquiry into the American psyche and landscape that has now lasted half a century. This publication captures the vitality of modern America in a(...)
Mitch Epstein: Recreation
Actions:
Prix:
$117.00
(disponible sur commande)
Résumé:
Between the 1970s and ’90s, Mitch Epstein photographed the rituals of excess and alienation, jubilance and desire that defined late twentieth-century America. These pictures marked the beginning of his photographic inquiry into the American psyche and landscape that has now lasted half a century. This publication captures the vitality of modern America in a pre-smartphone, less self-conscious time. In these early works, Epstein’s wit reigns, along with his singular way of making the mundane startle and the extraordinary appear to perfectly fit in.
Monographies photo
$110.00
(disponible en magasin)
Résumé:
Between 1973 and ’76, Mitch Epstein (born 1952) photographed in American cities- New York, Los Angeles and New Orleans, among others. He was initially shooting in black and white as a student of Garry Winogrand, when he asked his teacher, ''Why not color?'' With Winogrand’s blessing, Epstein shot his first rolls of Kodachrome. ''Silver + Chrome'' is a chronicle of his(...)
Mitch Epstein: Silver + Chrome
Actions:
Prix:
$110.00
(disponible en magasin)
Résumé:
Between 1973 and ’76, Mitch Epstein (born 1952) photographed in American cities- New York, Los Angeles and New Orleans, among others. He was initially shooting in black and white as a student of Garry Winogrand, when he asked his teacher, ''Why not color?'' With Winogrand’s blessing, Epstein shot his first rolls of Kodachrome. ''Silver + Chrome'' is a chronicle of his three years alternating between color and black and white, before eventually committing to color. This book contains Epstein’s earliest work, virtually none of which has been seen before. In these kinetic tableaux, the artist’s exuberance is tamed, just barely, by his formal intelligence. He depicts American city life as it undergoes taboo-shattering sexual liberation, economic crises and the repercussions of a boondoggle war in Vietnam, immersing us in the urban chaos of this complicated time.
Monographies photo