181 Résultats
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livres
livres
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Sound can be deployed to produce discomfort, express a threat, or create an ambience of fear or dread - to produce a bad vibe. Sonic weapons of this sort include the “psychoacoustic correction” aimed at Panama strongman Manuel Noriega by the U.S. Army and at the Branch Davidians in Waco by the FBI, sonic booms (or “sound bombs”) over the Gaza Strip, and high-frequency rat(...)
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Sound can be deployed to produce discomfort, express a threat, or create an ambience of fear or dread - to produce a bad vibe. Sonic weapons of this sort include the “psychoacoustic correction” aimed at Panama strongman Manuel Noriega by the U.S. Army and at the Branch Davidians in Waco by the FBI, sonic booms (or “sound bombs”) over the Gaza Strip, and high-frequency rat(...)
Titre:
Sonic warfare : sound, affect, and the ecology of fear
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Sound can be deployed to produce discomfort, express a threat, or create an ambience of fear or dread - to produce a bad vibe. Sonic weapons of this sort include the “psychoacoustic correction” aimed at Panama strongman Manuel Noriega by the U.S. Army and at the Branch Davidians in Waco by the FBI, sonic booms (or “sound bombs”) over the Gaza Strip, and high-frequency rat repellants used against teenagers in malls. At the same time, artists and musicians generate intense frequencies in the search for new aesthetic experiences and new ways of mobilizing bodies in rhythm. In Sonic Warfare, Steve Goodman explores these uses of acoustic force and how they affect populations. Traversing philosophy, science, fiction, aesthetics, and popular culture, he maps a (dis)continuum of vibrational force, encompassing police and military research into acoustic means of crowd control, the corporate deployment of sonic branding, and the intense sonic encounters of sound art and music culture. Goodman concludes with speculations on the not yet heard - the concept of unsound, which relates to both the peripheries of auditory perception and the unactualized nexus of rhythms and frequencies within audible bandwidths
Sonic warfare : sound, affect, and the ecology of fear
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Résumé:
Sound can be deployed to produce discomfort, express a threat, or create an ambience of fear or dread - to produce a bad vibe. Sonic weapons of this sort include the “psychoacoustic correction” aimed at Panama strongman Manuel Noriega by the U.S. Army and at the Branch Davidians in Waco by the FBI, sonic booms (or “sound bombs”) over the Gaza Strip, and high-frequency rat repellants used against teenagers in malls. At the same time, artists and musicians generate intense frequencies in the search for new aesthetic experiences and new ways of mobilizing bodies in rhythm. In Sonic Warfare, Steve Goodman explores these uses of acoustic force and how they affect populations. Traversing philosophy, science, fiction, aesthetics, and popular culture, he maps a (dis)continuum of vibrational force, encompassing police and military research into acoustic means of crowd control, the corporate deployment of sonic branding, and the intense sonic encounters of sound art and music culture. Goodman concludes with speculations on the not yet heard - the concept of unsound, which relates to both the peripheries of auditory perception and the unactualized nexus of rhythms and frequencies within audible bandwidths
Classification:
livres
livres
Publication:
octobre 2012
octobre 2012
Sujet:
Acoustique
Acoustique
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livres
livres
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During the Cold War era, the songs that Soviet citizens could listen to were ruthlessly controlled by the state. But a secret underground subculture of music lovers and bootleggers defied the censors, building recording machines and making their own records of forbidden jazz, rock 'n' roll, and Russian music, cut onto used hospital x-ray film. Foregrounding interviews(...)
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During the Cold War era, the songs that Soviet citizens could listen to were ruthlessly controlled by the state. But a secret underground subculture of music lovers and bootleggers defied the censors, building recording machines and making their own records of forbidden jazz, rock 'n' roll, and Russian music, cut onto used hospital x-ray film. Foregrounding interviews(...)
Titre:
Bone music: Soviet X-Ray audio
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During the Cold War era, the songs that Soviet citizens could listen to were ruthlessly controlled by the state. But a secret underground subculture of music lovers and bootleggers defied the censors, building recording machines and making their own records of forbidden jazz, rock 'n' roll, and Russian music, cut onto used hospital x-ray film. Foregrounding interviews and oral testimonies gathered over five years, this volume presents the stories of the original bone bootleggers, their customers, musicians, record collectors, and commentators, evoking a spirited resistance to a repressive culture of prohibition and punishment. Richly illustrated with dozens of new images of Soviet x-ray discs and sound letters, the book details how the bootleggers worked, outlining the technical precedents of their techniques, situating their discs in a revised history of recorded media, and bringing a wealth of compelling new detail.
Bone music: Soviet X-Ray audio
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During the Cold War era, the songs that Soviet citizens could listen to were ruthlessly controlled by the state. But a secret underground subculture of music lovers and bootleggers defied the censors, building recording machines and making their own records of forbidden jazz, rock 'n' roll, and Russian music, cut onto used hospital x-ray film. Foregrounding interviews and oral testimonies gathered over five years, this volume presents the stories of the original bone bootleggers, their customers, musicians, record collectors, and commentators, evoking a spirited resistance to a repressive culture of prohibition and punishment. Richly illustrated with dozens of new images of Soviet x-ray discs and sound letters, the book details how the bootleggers worked, outlining the technical precedents of their techniques, situating their discs in a revised history of recorded media, and bringing a wealth of compelling new detail.
Classification:
livres
livres
Publication:
février 2022
février 2022
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
Titre:
The nomadic listener
The nomadic listener
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Based on the author’s artistic research on migration, contemporary urban experience, and sonic alienation, ''The nomadic listener'' is composed of a series of texts stemming from psychogeographic explorations of contemporary cities, including Copenhagen, Berlin, Kolkata, Vienna, Delhi, Hong Kong, Mumbai and New York, among others. Each text is an act of listening, where(...)
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Based on the author’s artistic research on migration, contemporary urban experience, and sonic alienation, ''The nomadic listener'' is composed of a series of texts stemming from psychogeographic explorations of contemporary cities, including Copenhagen, Berlin, Kolkata, Vienna, Delhi, Hong Kong, Mumbai and New York, among others. Each text is an act of listening, where(...)
Titre:
The nomadic listener
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Based on the author’s artistic research on migration, contemporary urban experience, and sonic alienation, ''The nomadic listener'' is composed of a series of texts stemming from psychogeographic explorations of contemporary cities, including Copenhagen, Berlin, Kolkata, Vienna, Delhi, Hong Kong, Mumbai and New York, among others. Each text is an act of listening, where the author records his surrounding environment and attunes to the sonic fluctuations of movement and the passing of events. What surfaces is a collection of meditations on the occurrences of life movingly interwoven with memories, associations, desires and reflections. As readers we are brought into a tender map of contemporary urban experience, and the often lonely, surprising and random interactions found in traveling.''The nomadic listener'' includes parallel drawings based on the original audio recordings, and appear as ghostly renderings of the corresponding experiences. The recordings are published by the German label Gruenrekorder and accessed through a QR code included in the book.
The nomadic listener
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Based on the author’s artistic research on migration, contemporary urban experience, and sonic alienation, ''The nomadic listener'' is composed of a series of texts stemming from psychogeographic explorations of contemporary cities, including Copenhagen, Berlin, Kolkata, Vienna, Delhi, Hong Kong, Mumbai and New York, among others. Each text is an act of listening, where the author records his surrounding environment and attunes to the sonic fluctuations of movement and the passing of events. What surfaces is a collection of meditations on the occurrences of life movingly interwoven with memories, associations, desires and reflections. As readers we are brought into a tender map of contemporary urban experience, and the often lonely, surprising and random interactions found in traveling.''The nomadic listener'' includes parallel drawings based on the original audio recordings, and appear as ghostly renderings of the corresponding experiences. The recordings are published by the German label Gruenrekorder and accessed through a QR code included in the book.
Classification:
livres
livres
Publication:
septembre 2020
septembre 2020
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
Prix:
$143.00
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Résumé:
This publication covers fundamental acoustic principles, design criteria, acoustical materials, control strategies, and methods for a wide variety of building types, including educational, healthcare, recreational, residential, commercial, industrial, and transportation facilities. Particular attention is given to places for listening and performance such as theaters,(...)
$143.00
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Résumé:
This publication covers fundamental acoustic principles, design criteria, acoustical materials, control strategies, and methods for a wide variety of building types, including educational, healthcare, recreational, residential, commercial, industrial, and transportation facilities. Particular attention is given to places for listening and performance such as theaters,(...)
Titre:
Architecture acoustics: principles and practice, second edition
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This publication covers fundamental acoustic principles, design criteria, acoustical materials, control strategies, and methods for a wide variety of building types, including educational, healthcare, recreational, residential, commercial, industrial, and transportation facilities. Particular attention is given to places for listening and performance such as theaters, churches, concert and recital halls, outdoor arenas, classrooms, multiuse auditoria, libraries, music practice and rehearsal rooms, recording and broadcast studios, sports venues, home theaters, and other spaces that people meet to communicate and enjoy performance. With fundamental conceptual understanding of basic acoustical principles building designers can confidently create aesthetically and aurally pleasing spaces, while avoiding problems that could be very costly, if not impossible, to solve later.
Architecture acoustics: principles and practice, second edition
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This publication covers fundamental acoustic principles, design criteria, acoustical materials, control strategies, and methods for a wide variety of building types, including educational, healthcare, recreational, residential, commercial, industrial, and transportation facilities. Particular attention is given to places for listening and performance such as theaters, churches, concert and recital halls, outdoor arenas, classrooms, multiuse auditoria, libraries, music practice and rehearsal rooms, recording and broadcast studios, sports venues, home theaters, and other spaces that people meet to communicate and enjoy performance. With fundamental conceptual understanding of basic acoustical principles building designers can confidently create aesthetically and aurally pleasing spaces, while avoiding problems that could be very costly, if not impossible, to solve later.
Classification:
livres
livres
Publication:
décembre 2009
décembre 2009
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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$55.00
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Résumé:
This second volume in the "See this Sound" series offers in-depth studies of the historical development and theoretical foundations of the overlap between visual and aural culture. The essays are gathered into two sections. The first section opens with Simon Shaw-Miller's history of the field, from 1800 to the present; Christian Holler discusses "artistic approaches to(...)
$55.00
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Résumé:
This second volume in the "See this Sound" series offers in-depth studies of the historical development and theoretical foundations of the overlap between visual and aural culture. The essays are gathered into two sections. The first section opens with Simon Shaw-Miller's history of the field, from 1800 to the present; Christian Holler discusses "artistic approaches to(...)
Titre:
See this sound : audiovisuology 2 (essays)
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This second volume in the "See this Sound" series offers in-depth studies of the historical development and theoretical foundations of the overlap between visual and aural culture. The essays are gathered into two sections. The first section opens with Simon Shaw-Miller's history of the field, from 1800 to the present; Christian Holler discusses "artistic approaches to image/sound relationships in pop culture"; and Sandra Naumann looks at "the musicalization of the visual arts in the twentieth century." The second section, "Sound & Image," includes Hans Beller on film scoring; Diedrich Diederichsen on visual traditions in pop music; Katja Kwastek on music devices and art machines; Birgit Schneider on "Hearing Eyes and Seeing Ears"; and Chris Salter on the neuroscience and aesthetics of immersion, absorption and dissolution in audiovisual art. An epilogue by Michel Chion explores the cognitive conditions of audio experience
See this sound : audiovisuology 2 (essays)
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Résumé:
This second volume in the "See this Sound" series offers in-depth studies of the historical development and theoretical foundations of the overlap between visual and aural culture. The essays are gathered into two sections. The first section opens with Simon Shaw-Miller's history of the field, from 1800 to the present; Christian Holler discusses "artistic approaches to image/sound relationships in pop culture"; and Sandra Naumann looks at "the musicalization of the visual arts in the twentieth century." The second section, "Sound & Image," includes Hans Beller on film scoring; Diedrich Diederichsen on visual traditions in pop music; Katja Kwastek on music devices and art machines; Birgit Schneider on "Hearing Eyes and Seeing Ears"; and Chris Salter on the neuroscience and aesthetics of immersion, absorption and dissolution in audiovisual art. An epilogue by Michel Chion explores the cognitive conditions of audio experience
Classification:
livres
livres
Publication:
juillet 2011
juillet 2011
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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Résumé:
Site of Sound Vol.2 aims to address contemporary work being done in the cross-over between sound and architecture. The anthology brings together new research and writing that charts out the theoritical implications and consequences for artistic and spatial discourses, while documenting contemporary projects that come to occupy and define a sonic-spatial territory.
$30.00
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Résumé:
Site of Sound Vol.2 aims to address contemporary work being done in the cross-over between sound and architecture. The anthology brings together new research and writing that charts out the theoritical implications and consequences for artistic and spatial discourses, while documenting contemporary projects that come to occupy and define a sonic-spatial territory.
Titre:
Site of Sound #2: Of architecture and the ear
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Site of Sound Vol.2 aims to address contemporary work being done in the cross-over between sound and architecture. The anthology brings together new research and writing that charts out the theoritical implications and consequences for artistic and spatial discourses, while documenting contemporary projects that come to occupy and define a sonic-spatial territory.
Site of Sound #2: Of architecture and the ear
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Résumé:
Site of Sound Vol.2 aims to address contemporary work being done in the cross-over between sound and architecture. The anthology brings together new research and writing that charts out the theoritical implications and consequences for artistic and spatial discourses, while documenting contemporary projects that come to occupy and define a sonic-spatial territory.
Classification:
livres
livres
Publication:
septembre 2011
septembre 2011
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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Dans une approche à la fois documentaire et artistique, Vestiges ou les fondements d’une cyberécologie parlent de l’écologie humaine, ou du fonctionnement de l’espèce humaine par rapport à son environnement. Pierre Redon s’appuie sur des rencontres effectuées sur le territoire de Saint-Ouen l’Aumône, ainsi que sur des recherches réalisées au musée de l’Éducation du(...)
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Dans une approche à la fois documentaire et artistique, Vestiges ou les fondements d’une cyberécologie parlent de l’écologie humaine, ou du fonctionnement de l’espèce humaine par rapport à son environnement. Pierre Redon s’appuie sur des rencontres effectuées sur le territoire de Saint-Ouen l’Aumône, ainsi que sur des recherches réalisées au musée de l’Éducation du(...)
Titre:
Vertiges ou les fondements d'une cyberécologie
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Dans une approche à la fois documentaire et artistique, Vestiges ou les fondements d’une cyberécologie parlent de l’écologie humaine, ou du fonctionnement de l’espèce humaine par rapport à son environnement. Pierre Redon s’appuie sur des rencontres effectuées sur le territoire de Saint-Ouen l’Aumône, ainsi que sur des recherches réalisées au musée de l’Éducation du Val-d’Oise pour réaliser cet ouvrage. Ce livre se présente sous la forme d’un recueil de textes et de photographies réunis lors de la création de la Marche Sonore commandée par le centre d’art contemporain de l’Abbaye de Maubuisson ainsi que du CD audio.
Vertiges ou les fondements d'une cyberécologie
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Dans une approche à la fois documentaire et artistique, Vestiges ou les fondements d’une cyberécologie parlent de l’écologie humaine, ou du fonctionnement de l’espèce humaine par rapport à son environnement. Pierre Redon s’appuie sur des rencontres effectuées sur le territoire de Saint-Ouen l’Aumône, ainsi que sur des recherches réalisées au musée de l’Éducation du Val-d’Oise pour réaliser cet ouvrage. Ce livre se présente sous la forme d’un recueil de textes et de photographies réunis lors de la création de la Marche Sonore commandée par le centre d’art contemporain de l’Abbaye de Maubuisson ainsi que du CD audio.
Classification:
livres
livres
Publication:
novembre 2011
novembre 2011
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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$60.00
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Résumé:
This publication brings together texts on the various art forms that have combined sound and image. The full spectrum of audiovisual art and phenomena is addressed in 35 dictionary entries, and in-depth essays treat overarching aesthetic issues, while individual works--including projects by John Cage and Chicks on Speed--are represented in audiovisual documentation and(...)
$60.00
(disponible sur commande)
Résumé:
This publication brings together texts on the various art forms that have combined sound and image. The full spectrum of audiovisual art and phenomena is addressed in 35 dictionary entries, and in-depth essays treat overarching aesthetic issues, while individual works--including projects by John Cage and Chicks on Speed--are represented in audiovisual documentation and(...)
Titre:
Audiovisuology compendium: see this sound
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$60.00
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This publication brings together texts on the various art forms that have combined sound and image. The full spectrum of audiovisual art and phenomena is addressed in 35 dictionary entries, and in-depth essays treat overarching aesthetic issues, while individual works--including projects by John Cage and Chicks on Speed--are represented in audiovisual documentation and scientific comment. The list of definitions and terms elucidated by various prominent authors includes gesamtkunstwerk, music theatre, animation film, light shows, music videos, sound art, expanded cinema, text-image analogies, synchronization, electronic transformation and software.
Audiovisuology compendium: see this sound
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$60.00
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Résumé:
This publication brings together texts on the various art forms that have combined sound and image. The full spectrum of audiovisual art and phenomena is addressed in 35 dictionary entries, and in-depth essays treat overarching aesthetic issues, while individual works--including projects by John Cage and Chicks on Speed--are represented in audiovisual documentation and scientific comment. The list of definitions and terms elucidated by various prominent authors includes gesamtkunstwerk, music theatre, animation film, light shows, music videos, sound art, expanded cinema, text-image analogies, synchronization, electronic transformation and software.
Classification:
livres
livres
Publication:
juillet 2010
juillet 2010
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
Prix:
$24.95
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Résumé:
Essays on the Intersection of Music and Architecture is a collection of nine texts written by international scholars. Most of the essays were originally presented at the interdisciplinary conference Architecture | Music | Acoustics that took place in Toronto, Canada, in June 2006 at Ryerson University. The texts range from historiographical and theoretical explorations of(...)
$24.95
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Résumé:
Essays on the Intersection of Music and Architecture is a collection of nine texts written by international scholars. Most of the essays were originally presented at the interdisciplinary conference Architecture | Music | Acoustics that took place in Toronto, Canada, in June 2006 at Ryerson University. The texts range from historiographical and theoretical explorations of(...)
Titre:
Resonance: Essays on the intersection of music and architecture
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Essays on the Intersection of Music and Architecture is a collection of nine texts written by international scholars. Most of the essays were originally presented at the interdisciplinary conference Architecture | Music | Acoustics that took place in Toronto, Canada, in June 2006 at Ryerson University. The texts range from historiographical and theoretical explorations of the relations between music and architecture via translations of architectural spaces into music to analytical case studies of architectural spaces for musical performance.
Resonance: Essays on the intersection of music and architecture
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Résumé:
Essays on the Intersection of Music and Architecture is a collection of nine texts written by international scholars. Most of the essays were originally presented at the interdisciplinary conference Architecture | Music | Acoustics that took place in Toronto, Canada, in June 2006 at Ryerson University. The texts range from historiographical and theoretical explorations of the relations between music and architecture via translations of architectural spaces into music to analytical case studies of architectural spaces for musical performance.
Classification:
livres
livres
Publication:
avril 2007
avril 2007
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
Prix:
$29.95
(disponible sur commande)
Résumé:
Is writing about sound like dancing about architecture? Not when it's done by New Zealand's Bruce Russell, who works in sound under his own name and as a member of The Dead C. A past member of A Handful of Dust, Russell is also known for curating the internationally noted record labels XPRESSWAY and Corpus Hermeticum. This collection of essays written over the last 16(...)
$29.95
(disponible sur commande)
Résumé:
Is writing about sound like dancing about architecture? Not when it's done by New Zealand's Bruce Russell, who works in sound under his own name and as a member of The Dead C. A past member of A Handful of Dust, Russell is also known for curating the internationally noted record labels XPRESSWAY and Corpus Hermeticum. This collection of essays written over the last 16(...)
Titre:
Bruce Russell: Left-handed blows: Writing on sound 1993-2009
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Is writing about sound like dancing about architecture? Not when it's done by New Zealand's Bruce Russell, who works in sound under his own name and as a member of The Dead C. A past member of A Handful of Dust, Russell is also known for curating the internationally noted record labels XPRESSWAY and Corpus Hermeticum. This collection of essays written over the last 16 years reflects on sound, its role in culture, and Russell's thoughts toward a technique of incognito. Includes online essays, dialogs, liner notes, catalog contributions and most of the previously published contents of Logopandocy: the journal of vain erudition.
Bruce Russell: Left-handed blows: Writing on sound 1993-2009
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$29.95
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Résumé:
Is writing about sound like dancing about architecture? Not when it's done by New Zealand's Bruce Russell, who works in sound under his own name and as a member of The Dead C. A past member of A Handful of Dust, Russell is also known for curating the internationally noted record labels XPRESSWAY and Corpus Hermeticum. This collection of essays written over the last 16 years reflects on sound, its role in culture, and Russell's thoughts toward a technique of incognito. Includes online essays, dialogs, liner notes, catalog contributions and most of the previously published contents of Logopandocy: the journal of vain erudition.
Classification:
livres
livres
Publication:
juillet 2010
juillet 2010
Sujet:
Acoustique
Acoustique
