183 Résultats
Classification:
livres
livres
Titre:
Quantum listening
Quantum listening
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What is the difference between hearing and listening? Does sound have consciousness? Can you imagine listening beyond the edge of your own imagination? In response to the anti-war movements of the 1960s, pioneering musician and composer Pauline Oliveros began to expand the way she made music, experimenting with meditation, movement and activism in her compositions.(...)
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What is the difference between hearing and listening? Does sound have consciousness? Can you imagine listening beyond the edge of your own imagination? In response to the anti-war movements of the 1960s, pioneering musician and composer Pauline Oliveros began to expand the way she made music, experimenting with meditation, movement and activism in her compositions.(...)
Titre:
Quantum listening
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$15.95
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Résumé:
What is the difference between hearing and listening? Does sound have consciousness? Can you imagine listening beyond the edge of your own imagination? In response to the anti-war movements of the 1960s, pioneering musician and composer Pauline Oliveros began to expand the way she made music, experimenting with meditation, movement and activism in her compositions. Fascinated by the role that sound and consciousness play in our daily lives, Oliveros developed a series of Sonic Meditations that would eventually lead to the creation of Deep Listening – a practice for healing open to all, rooted in her musicianship. Quantum Listening is a manifesto for listening as activism. Oliveros’ futuristic vision, blending technology and spirituality, shows how Deep Listening is the foundation for a radically transformed social matrix: one in which compassion and peace form the basis for our actions in the world.
Quantum listening
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Résumé:
What is the difference between hearing and listening? Does sound have consciousness? Can you imagine listening beyond the edge of your own imagination? In response to the anti-war movements of the 1960s, pioneering musician and composer Pauline Oliveros began to expand the way she made music, experimenting with meditation, movement and activism in her compositions. Fascinated by the role that sound and consciousness play in our daily lives, Oliveros developed a series of Sonic Meditations that would eventually lead to the creation of Deep Listening – a practice for healing open to all, rooted in her musicianship. Quantum Listening is a manifesto for listening as activism. Oliveros’ futuristic vision, blending technology and spirituality, shows how Deep Listening is the foundation for a radically transformed social matrix: one in which compassion and peace form the basis for our actions in the world.
Classification:
livres
livres
Publication:
juillet 2024
juillet 2024
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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$42.00
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Résumé:
In our image-saturated contemporary society, sight often eclipses other senses that are vital to understanding the unseen dynamics of our sensory relationship with environments. As a counter-project to the hegemony of images, the act of listening opens up new possibilities for exploring both built and natural environments and moving our attention to granting a voice to(...)
$42.00
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In our image-saturated contemporary society, sight often eclipses other senses that are vital to understanding the unseen dynamics of our sensory relationship with environments. As a counter-project to the hegemony of images, the act of listening opens up new possibilities for exploring both built and natural environments and moving our attention to granting a voice to(...)
Titre:
Ecotones: investigating sounds and territories
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$42.00
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In our image-saturated contemporary society, sight often eclipses other senses that are vital to understanding the unseen dynamics of our sensory relationship with environments. As a counter-project to the hegemony of images, the act of listening opens up new possibilities for exploring both built and natural environments and moving our attention to granting a voice to more-than-human agencies. "Ecotones" showcases investigations on the relevance of sound in territorial studies. It is developed as a curated collection of texts from various disciplines and practitioners exploring spaces, territories, and ecologies through sonic endeavors. With a variety of formats, from essays and fiction pieces to situated case studies, Ecotones narrates sound as a medium, the act of listening as a political tool, and sonic experiments.
Ecotones: investigating sounds and territories
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$42.00
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In our image-saturated contemporary society, sight often eclipses other senses that are vital to understanding the unseen dynamics of our sensory relationship with environments. As a counter-project to the hegemony of images, the act of listening opens up new possibilities for exploring both built and natural environments and moving our attention to granting a voice to more-than-human agencies. "Ecotones" showcases investigations on the relevance of sound in territorial studies. It is developed as a curated collection of texts from various disciplines and practitioners exploring spaces, territories, and ecologies through sonic endeavors. With a variety of formats, from essays and fiction pieces to situated case studies, Ecotones narrates sound as a medium, the act of listening as a political tool, and sonic experiments.
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livres
livres
Publication:
octobre 2025
octobre 2025
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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$15.00
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''The political voice'’ is the subject of the second volume of ''Sonic Urbanism'' publications. This volume explores the political voice as a particular sonic phenomenon, asking how and where it is possible to have a '‘voice'’ in urban politics, the relationship between material and metaphorical readings of political speech, and how voices can be amplified or silenced in(...)
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''The political voice'’ is the subject of the second volume of ''Sonic Urbanism'' publications. This volume explores the political voice as a particular sonic phenomenon, asking how and where it is possible to have a '‘voice'’ in urban politics, the relationship between material and metaphorical readings of political speech, and how voices can be amplified or silenced in(...)
Titre:
Sonic urbanism: The political voice
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''The political voice'’ is the subject of the second volume of ''Sonic Urbanism'' publications. This volume explores the political voice as a particular sonic phenomenon, asking how and where it is possible to have a '‘voice'’ in urban politics, the relationship between material and metaphorical readings of political speech, and how voices can be amplified or silenced in cities. Responses explored vocal contestations and noisy citizenship, technologies that transmit or transform voices, and the ways that sound art and experimental music stage collective voicings.
Sonic urbanism: The political voice
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Résumé:
''The political voice'’ is the subject of the second volume of ''Sonic Urbanism'' publications. This volume explores the political voice as a particular sonic phenomenon, asking how and where it is possible to have a '‘voice'’ in urban politics, the relationship between material and metaphorical readings of political speech, and how voices can be amplified or silenced in cities. Responses explored vocal contestations and noisy citizenship, technologies that transmit or transform voices, and the ways that sound art and experimental music stage collective voicings.
Classification:
livres
livres
Publication:
août 2020
août 2020
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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$17.00
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Résumé:
Following their first colloquium, ‘'Crafting a Sonic Urbanism'’, which took place at the MSH Paris Nord in September 2018, Theatrum Mundi presents a publication on ''Sonic Urbanism''. It invites participants to share essays on sonic communities, urban composition, acoustic architectures, phonographic methods, and public performance projects.
$17.00
(disponible en magasin)
Résumé:
Following their first colloquium, ‘'Crafting a Sonic Urbanism'’, which took place at the MSH Paris Nord in September 2018, Theatrum Mundi presents a publication on ''Sonic Urbanism''. It invites participants to share essays on sonic communities, urban composition, acoustic architectures, phonographic methods, and public performance projects.
Titre:
Sonic urbanism: Resonances in a new field
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$17.00
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Résumé:
Following their first colloquium, ‘'Crafting a Sonic Urbanism'’, which took place at the MSH Paris Nord in September 2018, Theatrum Mundi presents a publication on ''Sonic Urbanism''. It invites participants to share essays on sonic communities, urban composition, acoustic architectures, phonographic methods, and public performance projects.
Sonic urbanism: Resonances in a new field
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Prix:
$17.00
(disponible en magasin)
Résumé:
Following their first colloquium, ‘'Crafting a Sonic Urbanism'’, which took place at the MSH Paris Nord in September 2018, Theatrum Mundi presents a publication on ''Sonic Urbanism''. It invites participants to share essays on sonic communities, urban composition, acoustic architectures, phonographic methods, and public performance projects.
Classification:
livres
livres
Publication:
décembre 2025
décembre 2025
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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$60.00
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Résumé:
Éliane Radigue (1932-2026) peut être considérée comme l'une des compositrices contemporaines les plus innovatrices, originales et inspirantes, depuis ses œuvres musicales électroniques pionnières à la fin des années 1960 jusqu'au travail acoustique développé avec les sons d'instruments classiques à partir des années 2000. Influencé par la musique concrète (Éliane Radigue(...)
$60.00
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Éliane Radigue (1932-2026) peut être considérée comme l'une des compositrices contemporaines les plus innovatrices, originales et inspirantes, depuis ses œuvres musicales électroniques pionnières à la fin des années 1960 jusqu'au travail acoustique développé avec les sons d'instruments classiques à partir des années 2000. Influencé par la musique concrète (Éliane Radigue(...)
Titre:
Éliane Radigue : Intermediary spaces
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Éliane Radigue (1932-2026) peut être considérée comme l'une des compositrices contemporaines les plus innovatrices, originales et inspirantes, depuis ses œuvres musicales électroniques pionnières à la fin des années 1960 jusqu'au travail acoustique développé avec les sons d'instruments classiques à partir des années 2000. Influencé par la musique concrète (Éliane Radigue fut élève de Pierre Schaeffer puis assistante de Pierre Henry), le minimalisme américain et le bouddhisme, formé par des séjours réguliers aux États-Unis où elle découvre les synthétiseurs analogiques, son travail déploie une intensité à la fois monumentale et fragile. La musique d'Éliane Radigue est délicate, calme, lente, à la limite de l'immobilité. Elle a pour caractéristiques un son continu et un volume plutôt bas, le silence constituant le point de départ du son. Les pièces sont longues, les développements microscopiques des interactions subtiles entre les phénomènes (les microbattements naturels entre les fréquences qui remplacent la rythmique ou autres formes traditionnelles d'organisation sonore) s'inscrivant dans une temporalité propre. Grâce à ses réflexions profondes sur la vie intérieure du son, l'écoute et les mécanismes de perception auditive, c'est non seulement sa musique, mais aussi ses méthodes de travail méticuleuses (consistant majoritairement à enregistrer et à mixer sur bandes magnétiques des sons produits par synthétiseur modulaire), qui ont forgé un ensemble de nouveaux paramètres pour travailler le son en tant que matériau musical. Éliane Radigue s'est vue décerner le Giga-Hertz-Preis 2019 pour son œuvre de « visionnaire de la musique électronique ».
Éliane Radigue : Intermediary spaces
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Éliane Radigue (1932-2026) peut être considérée comme l'une des compositrices contemporaines les plus innovatrices, originales et inspirantes, depuis ses œuvres musicales électroniques pionnières à la fin des années 1960 jusqu'au travail acoustique développé avec les sons d'instruments classiques à partir des années 2000. Influencé par la musique concrète (Éliane Radigue fut élève de Pierre Schaeffer puis assistante de Pierre Henry), le minimalisme américain et le bouddhisme, formé par des séjours réguliers aux États-Unis où elle découvre les synthétiseurs analogiques, son travail déploie une intensité à la fois monumentale et fragile. La musique d'Éliane Radigue est délicate, calme, lente, à la limite de l'immobilité. Elle a pour caractéristiques un son continu et un volume plutôt bas, le silence constituant le point de départ du son. Les pièces sont longues, les développements microscopiques des interactions subtiles entre les phénomènes (les microbattements naturels entre les fréquences qui remplacent la rythmique ou autres formes traditionnelles d'organisation sonore) s'inscrivant dans une temporalité propre. Grâce à ses réflexions profondes sur la vie intérieure du son, l'écoute et les mécanismes de perception auditive, c'est non seulement sa musique, mais aussi ses méthodes de travail méticuleuses (consistant majoritairement à enregistrer et à mixer sur bandes magnétiques des sons produits par synthétiseur modulaire), qui ont forgé un ensemble de nouveaux paramètres pour travailler le son en tant que matériau musical. Éliane Radigue s'est vue décerner le Giga-Hertz-Preis 2019 pour son œuvre de « visionnaire de la musique électronique ».
Classification:
livres
livres
Publication:
mars 2024
mars 2024
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
Titre:
DNA #21: Sound Space Sense
DNA #21: Sound Space Sense
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$21.50
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Résumé:
Audio perception is a highly individual phenomenon and there is still much uncertainty about the physics, biology and unconscious processes that contribute to auditory experiences. This book applies artistic research methods to this field, exploring the intersections between mental space, social practice and interactions with sound.
$21.50
(disponible en magasin)
Résumé:
Audio perception is a highly individual phenomenon and there is still much uncertainty about the physics, biology and unconscious processes that contribute to auditory experiences. This book applies artistic research methods to this field, exploring the intersections between mental space, social practice and interactions with sound.
Sujet:
Acoustique
Acoustique
Publication:
juillet 2024
juillet 2024
Titre:
DNA #21: Sound Space Sense
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Prix:
$21.50
(disponible en magasin)
Résumé:
Audio perception is a highly individual phenomenon and there is still much uncertainty about the physics, biology and unconscious processes that contribute to auditory experiences. This book applies artistic research methods to this field, exploring the intersections between mental space, social practice and interactions with sound.
DNA #21: Sound Space Sense
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Prix:
$21.50
(disponible en magasin)
Résumé:
Audio perception is a highly individual phenomenon and there is still much uncertainty about the physics, biology and unconscious processes that contribute to auditory experiences. This book applies artistic research methods to this field, exploring the intersections between mental space, social practice and interactions with sound.
Classification:
livres
livres
Publication:
juillet 2024
juillet 2024
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
Titre:
Manuel de l'acousmonium
Manuel de l'acousmonium
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Résumé:
Ce manuel donne de nombreuses clés pour concevoir un système multiphonique de diffusion sonore de type acousmonium (orchestre de haut-parleurs) et aborde, pas à pas, toutes les étapes du concert acousmatique, depuis le montage du système jusqu'à la diffusion des œuvres. Partant du constat que la présentation des musiques expérimentales en situation de concert est(...)
$21.95
(disponible en magasin)
Résumé:
Ce manuel donne de nombreuses clés pour concevoir un système multiphonique de diffusion sonore de type acousmonium (orchestre de haut-parleurs) et aborde, pas à pas, toutes les étapes du concert acousmatique, depuis le montage du système jusqu'à la diffusion des œuvres. Partant du constat que la présentation des musiques expérimentales en situation de concert est(...)
Titre:
Manuel de l'acousmonium
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$21.95
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Résumé:
Ce manuel donne de nombreuses clés pour concevoir un système multiphonique de diffusion sonore de type acousmonium (orchestre de haut-parleurs) et aborde, pas à pas, toutes les étapes du concert acousmatique, depuis le montage du système jusqu'à la diffusion des œuvres. Partant du constat que la présentation des musiques expérimentales en situation de concert est encore trop souvent soumise aux contingences et aux infrastructures traditionnelles, ce manuel propose également des outils conceptuels et pratiques applicables à des contextes et des dispositifs variés afin de conduire l'expérience du concert au plus près de l'écoute.
Manuel de l'acousmonium
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Prix:
$21.95
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Résumé:
Ce manuel donne de nombreuses clés pour concevoir un système multiphonique de diffusion sonore de type acousmonium (orchestre de haut-parleurs) et aborde, pas à pas, toutes les étapes du concert acousmatique, depuis le montage du système jusqu'à la diffusion des œuvres. Partant du constat que la présentation des musiques expérimentales en situation de concert est encore trop souvent soumise aux contingences et aux infrastructures traditionnelles, ce manuel propose également des outils conceptuels et pratiques applicables à des contextes et des dispositifs variés afin de conduire l'expérience du concert au plus près de l'écoute.
Classification:
livres
livres
Publication:
juillet 2026
juillet 2026
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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$24.95
(disponible sur commande)
Résumé:
In this book, David Brown locates jazz music within the broad aesthetic, political, and theoretical upheavals of our time, asserting that modern architecture and urbanism in particular can be strongly influenced and defined by the ways that improvisation is facilitated in jazz. Improvised music consists of diverse properties that fail to register in the(...)
$24.95
(disponible sur commande)
Résumé:
In this book, David Brown locates jazz music within the broad aesthetic, political, and theoretical upheavals of our time, asserting that modern architecture and urbanism in particular can be strongly influenced and defined by the ways that improvisation is facilitated in jazz. Improvised music consists of diverse properties that fail to register in the(...)
Titre:
Noise orders : jazz, improvisation, and architecture
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$24.95
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Résumé:
In this book, David Brown locates jazz music within the broad aesthetic, political, and theoretical upheavals of our time, asserting that modern architecture and urbanism in particular can be strongly influenced and defined by the ways that improvisation is facilitated in jazz. Improvised music consists of diverse properties that fail to register in the object-oriented understanding of composition. As a result, it is often dismissed as noise — an interfering signal. However, Brown asserts, such interference can bear meaning and stimulate change. "Noise orders" identifies how architecture can respond to the inclusive dynamics of extemporaneous movements, variable conceptions of composition, multiple durations, and wide manipulation of resources found in jazz to enable outcomes that far exceed a design’s seeming potential. By exploring overlapping moments between modernism and the cultural dimensions of jazz, "Noise orders" suggests that the discipline of improvisation continues to open and redefine architectural theory and practice, creating a world where designers contribute to emerging environments rather than make predetermined ones. Comparing modern and avant-garde artists and architects with individuals and groups in jazz—including Piet Mondrian and boogie-woogie, John Cage and Rahsaan Roland Kirk, Le Corbusier and Louis Armstrong, and Ludwig Mies van der Rohe and the Association for the Advancement of Creative Musicians (AACM)—Brown examines how jazz can offer alternative design ideas and directions, be incorporated in contemporary architectural practices, and provide insight on how to develop dynamic metropolitan environments. Interdisciplinary in its approace, "Noise orders" argues for a deeper understanding of the infinite potential inherent in both music and architecture.
Noise orders : jazz, improvisation, and architecture
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$24.95
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Résumé:
In this book, David Brown locates jazz music within the broad aesthetic, political, and theoretical upheavals of our time, asserting that modern architecture and urbanism in particular can be strongly influenced and defined by the ways that improvisation is facilitated in jazz. Improvised music consists of diverse properties that fail to register in the object-oriented understanding of composition. As a result, it is often dismissed as noise — an interfering signal. However, Brown asserts, such interference can bear meaning and stimulate change. "Noise orders" identifies how architecture can respond to the inclusive dynamics of extemporaneous movements, variable conceptions of composition, multiple durations, and wide manipulation of resources found in jazz to enable outcomes that far exceed a design’s seeming potential. By exploring overlapping moments between modernism and the cultural dimensions of jazz, "Noise orders" suggests that the discipline of improvisation continues to open and redefine architectural theory and practice, creating a world where designers contribute to emerging environments rather than make predetermined ones. Comparing modern and avant-garde artists and architects with individuals and groups in jazz—including Piet Mondrian and boogie-woogie, John Cage and Rahsaan Roland Kirk, Le Corbusier and Louis Armstrong, and Ludwig Mies van der Rohe and the Association for the Advancement of Creative Musicians (AACM)—Brown examines how jazz can offer alternative design ideas and directions, be incorporated in contemporary architectural practices, and provide insight on how to develop dynamic metropolitan environments. Interdisciplinary in its approace, "Noise orders" argues for a deeper understanding of the infinite potential inherent in both music and architecture.
Classification:
livres
livres
Publication:
février 2006, Minneapolis, London
février 2006, Minneapolis, London
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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$53.95
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Résumé:
How do we build or make a voice together? Can we imagine the voices we make in the form of a skin, a multi-sensory interface that behaves both as a boundary and as a point of connection? What does such a voice capacitate in times of crises and uncertainties? In ''Building a Voice: Sound, Surface, Skin'', Zeynep Bulut explores these questions. She examines the(...)
$53.95
(disponible en magasin)
Résumé:
How do we build or make a voice together? Can we imagine the voices we make in the form of a skin, a multi-sensory interface that behaves both as a boundary and as a point of connection? What does such a voice capacitate in times of crises and uncertainties? In ''Building a Voice: Sound, Surface, Skin'', Zeynep Bulut explores these questions. She examines the(...)
Titre:
Building a voice: Sound, surface, skin
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$53.95
(disponible en magasin)
Résumé:
How do we build or make a voice together? Can we imagine the voices we make in the form of a skin, a multi-sensory interface that behaves both as a boundary and as a point of connection? What does such a voice capacitate in times of crises and uncertainties? In ''Building a Voice: Sound, Surface, Skin'', Zeynep Bulut explores these questions. She examines the multi-sensory and collective forms of voice making in experimental music, sound and media art in conversation with the use of voice in creative interventions for environmental crisis, experiences of voice hearing, and digital technologies of artificial and tactile speech.
Building a voice: Sound, surface, skin
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$53.95
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Résumé:
How do we build or make a voice together? Can we imagine the voices we make in the form of a skin, a multi-sensory interface that behaves both as a boundary and as a point of connection? What does such a voice capacitate in times of crises and uncertainties? In ''Building a Voice: Sound, Surface, Skin'', Zeynep Bulut explores these questions. She examines the multi-sensory and collective forms of voice making in experimental music, sound and media art in conversation with the use of voice in creative interventions for environmental crisis, experiences of voice hearing, and digital technologies of artificial and tactile speech.
Classification:
livres
livres
Publication:
mars 2025
mars 2025
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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Prix:
$48.00
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Résumé:
Comprehensive and illuminating, ''Orpheus in the Underworld'' centers on Adorno’s concrete and immediate engagement with musical compositions and their interpretation in the concert hall and elsewhere. Here, Adorno registers his initial encounters with the compositions of the Second Viennese School, when he had yet to integrate them into a broad aesthetics of music.(...)
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Résumé:
Comprehensive and illuminating, ''Orpheus in the Underworld'' centers on Adorno’s concrete and immediate engagement with musical compositions and their interpretation in the concert hall and elsewhere. Here, Adorno registers his initial encounters with the compositions of the Second Viennese School, when he had yet to integrate them into a broad aesthetics of music.(...)
Titre:
Orpheus in the underworld: essays on music
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$48.00
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Comprehensive and illuminating, ''Orpheus in the Underworld'' centers on Adorno’s concrete and immediate engagement with musical compositions and their interpretation in the concert hall and elsewhere. Here, Adorno registers his initial encounters with the compositions of the Second Viennese School, when he had yet to integrate them into a broad aesthetics of music. Complementarily essays on Bela Bartók, Jean Sibelius, and Kurt Weill afford insight into his understanding of composers who did not fit neatly into the dialectical schema propounded in the Philosophy of New Music. Additionally, essays on recording and broadcasting show Adorno engaging with these media in a spirit that is no less productive than polemical and focused as sharply on their potentialities as on their shortcomings.
Orpheus in the underworld: essays on music
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$48.00
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Comprehensive and illuminating, ''Orpheus in the Underworld'' centers on Adorno’s concrete and immediate engagement with musical compositions and their interpretation in the concert hall and elsewhere. Here, Adorno registers his initial encounters with the compositions of the Second Viennese School, when he had yet to integrate them into a broad aesthetics of music. Complementarily essays on Bela Bartók, Jean Sibelius, and Kurt Weill afford insight into his understanding of composers who did not fit neatly into the dialectical schema propounded in the Philosophy of New Music. Additionally, essays on recording and broadcasting show Adorno engaging with these media in a spirit that is no less productive than polemical and focused as sharply on their potentialities as on their shortcomings.
Classification:
livres
livres
Publication:
juin 2024
juin 2024
Sujet:
Acoustique
Acoustique
